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goosegoblin: theramseyloft: jurassicjenday: theramseyloft: tinysaurus-rex: iwilltrytobereasonable: cant-hug-every-human: thedeadofflandersfields: Pigeon steals poppies from the Tomb of the Unknown Soldier, Australian War Memorial, Canberra, Australia in order to build a nest beside a stained glass window. @birdblogwhichisforbirds @snitling EXACTLY This is two pigeons, pigeons nest in bonded pairs (notice the first one is checked and its mate on the nest is barred). Usually they don’t make nests nearly so big but I guess if you have the materials, go for it. The nest is so unusually big because the vast majority is a platform to keep the actual nest (just that tiny ring in the corner around the bird sitting in it) cushioned from the anti bird spikes. This is a work of beautiful defiance. Using the very thing installed to make just a moment’s rest impossible as structural supports for an immovably stable nursery. The symbolism achieved by these pigeons is better than some writers can hope for and I love it! From the nest on the bird repellent spikes to the fact that those spikes are along the stained glass windows of a church, a place associated with sanctuary and compassion. The fact that the nest is made of stolen poppies for remembrance day hits the hardest though. Of the 54 animals to be awarded the Dickin Medal for acts of gallantry during WW2, 32 of them were pigeons. These were messengers who flew through battlefields and across borders, many of whom were killed or severely injured by enemy forces including gunfire and trained falcons. Many of their achievements saved the lives of hundreds of soldiers, and yet now their descendants are faces with anti-bird spikes, shooting and poisoning in an attempt to rid the cities from the rats with wings. I love this picture because it feels like they’re taking back just a little bit of that credit owed to them.  Reblogging for this beautiful addition. [ID: three colour photographs. The first shows a pigeon holding a fake poppy in its teeth, standing on a marble surface. The second shows a nest made of hundreds of fake poppies, cushioning a sitting pigeon from the anti-bird spikes below. The final photo is a zoomed-out picture of the nest, showing many stained glass windows surrounding it.] : goosegoblin: theramseyloft: jurassicjenday: theramseyloft: tinysaurus-rex: iwilltrytobereasonable: cant-hug-every-human: thedeadofflandersfields: Pigeon steals poppies from the Tomb of the Unknown Soldier, Australian War Memorial, Canberra, Australia in order to build a nest beside a stained glass window. @birdblogwhichisforbirds @snitling EXACTLY This is two pigeons, pigeons nest in bonded pairs (notice the first one is checked and its mate on the nest is barred). Usually they don’t make nests nearly so big but I guess if you have the materials, go for it. The nest is so unusually big because the vast majority is a platform to keep the actual nest (just that tiny ring in the corner around the bird sitting in it) cushioned from the anti bird spikes. This is a work of beautiful defiance. Using the very thing installed to make just a moment’s rest impossible as structural supports for an immovably stable nursery. The symbolism achieved by these pigeons is better than some writers can hope for and I love it! From the nest on the bird repellent spikes to the fact that those spikes are along the stained glass windows of a church, a place associated with sanctuary and compassion. The fact that the nest is made of stolen poppies for remembrance day hits the hardest though. Of the 54 animals to be awarded the Dickin Medal for acts of gallantry during WW2, 32 of them were pigeons. These were messengers who flew through battlefields and across borders, many of whom were killed or severely injured by enemy forces including gunfire and trained falcons. Many of their achievements saved the lives of hundreds of soldiers, and yet now their descendants are faces with anti-bird spikes, shooting and poisoning in an attempt to rid the cities from the rats with wings. I love this picture because it feels like they’re taking back just a little bit of that credit owed to them.  Reblogging for this beautiful addition. [ID: three colour photographs. The first shows a pigeon holding a fake poppy in its teeth, standing on a marble surface. The second shows a nest made of hundreds of fake poppies, cushioning a sitting pigeon from the anti-bird spikes below. The final photo is a zoomed-out picture of the nest, showing many stained glass windows surrounding it.]

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commodorecliche: blah-kay: n-yks: brucefromfamilyguy: lilith-apologist: kungfuchunks: teacakes: her robotic, glacial voice; the blood; the gasps from the crowd; the way her mic hits the ground on beat with the song; its performance at its peak iconic she gave unhinged women our rights i watch this video exactly once a month and it gives me full body asmr This was fighting for gay rights We will forever stan never forget her commentary on this performance: “The methodology behind what I’ve done is that, when they wanted me to be sexy, or they wanted me to be pop, I always fuckin’ put some absurd spin on it that made me feel like I was still in control. So you know what? If I’m gonna be sexy on the VMAs, and sing about the paparazzi, I’m going to do it while I’m bleeding to death and reminding you of what fame did to Marilyn Monroe, the original Norma Jean, and what it did to Anna Nicole Smith, and what it did to…  Yeah. You know who.” : MHD commodorecliche: blah-kay: n-yks: brucefromfamilyguy: lilith-apologist: kungfuchunks: teacakes: her robotic, glacial voice; the blood; the gasps from the crowd; the way her mic hits the ground on beat with the song; its performance at its peak iconic she gave unhinged women our rights i watch this video exactly once a month and it gives me full body asmr This was fighting for gay rights We will forever stan never forget her commentary on this performance: “The methodology behind what I’ve done is that, when they wanted me to be sexy, or they wanted me to be pop, I always fuckin’ put some absurd spin on it that made me feel like I was still in control. So you know what? If I’m gonna be sexy on the VMAs, and sing about the paparazzi, I’m going to do it while I’m bleeding to death and reminding you of what fame did to Marilyn Monroe, the original Norma Jean, and what it did to Anna Nicole Smith, and what it did to…  Yeah. You know who.”
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narwhalertheimpaler:This is the most accurate description I’ve ever found, thought it was worth spreading ❀: Lauren Herschel Follow @LaurenHerschel So grief is like this: There's a box with a ball in it. And a pain button And no, I am not known for my art skills. ITIO BALL PAIN RUTION Lauren Herschel @LaurenHerschel 29 Dec 2017 In the beginning, the ball is huge. You can't move the box without the ball hitting the pain button. It rattles around on its own in there and hits the button over and over. You can't control it it just keeps hurting. Sometimes it seems unrelenting Lauren Herschel @LaurenHerschel 29 Dec 2017 . Over time, the ball gets smaller. It hits the button less and less but when it does, it hurts just as much. It's better because you can function day to day more easily. But the downside is that the ball randomly hits that button when you least expect it. O Lauren Herschel @LaurenHerschel 29 Dec 2017 For most people, the ball never really goes away. It might hit less and less and you have more time to recover between hits, unlike when the ball was still giant. I thought this was the best description of grief I've heard in a long time. t149 36 2.3K Lauren Herschel @LaurenHerschel 29 Dec 2017 . I told my step dad about the ball in the box (with even worse pictures). He now uses it to talk about how he's feeling. "The Ball was really big today. It wouldn't lay off the button. I hope it gets smaller soon." Slowly it is. narwhalertheimpaler:This is the most accurate description I’ve ever found, thought it was worth spreading ❀

narwhalertheimpaler:This is the most accurate description I’ve ever found, thought it was worth spreading ❀

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Her profile said she was into RPGs: Sat, Jun 22, 18:36 Hello traveller, I am your guide. Are you ready to begin your quest? Hello stranger, what do I need to do, to complete your request. You have to recover a long time lost manuscript held by a famous necromancer. Your journey begins in a forest. The left of you is a mountain with a large boulder blocking it's entrance, in front of you is an ancient graveyard. Some of the greatest heroes of the realm rest there I would like to investigate the grave- yard of it looks chill or haunted. Not strong enough to push that boulder As you enter the graveyard you notice old tombstones crumbling, scribed in language too ancient to be known by any living creature. While searching around you find a crypt, the front door has been knocked open, you can hear a soft gust of wind coming from inside. I copy the ancient text, best as possible. I use 'produce flame' when I enter the crypt. As you go in the light from your spell fills the room, you notice the coffins that adorn the walls and a spiral staircase that leads further down, at the bottom of it lies a large room, broken pillars, and a statue of Sild, the Warlock. A very powerful wizard from centuries past. Further away, with barely any light around it, you see a creature in a black robe facing away, as it ignores you on purpouse. There's a corpse on an alter in front of it, and it's hands deep inside it As I enter the room I go "excuuuuuse me, but it's not nice to sacrifice people" en hold my flame ready to attack if he would attack me... The creature in black turns annoyed by your interference, you see a beetle crawl out of it's eye socket, it's deformed face makes your stomach sick, as you think that eating all those fries before entering a graveyard was a bad idea. A purple light starts forming as he moves his hands together With a quick look around you notice a large floating orb 3 meters above the creature's head. You remember the old legend of Sild's orb, which he used teleport anywhere in the world. Nasty! God damn it those fries! I shoot my flame to the orb so the bug guy can't escape. And pull out my scimitar ready to attack As your flame hits, the orb shatters into what seems to be glass spikes, flying everywhere, further damaging the room. Some hit the creature, tearing his black robes just to reveal pieces of rotting flesh. The stench of death takes over the room, you can't hold those fries anymore, as you make an effort to not puke onto your brand new heels -and you hear your own voice in your head WHY WOULD YOU GO INTO A GRAVEYARD USING HEELS WOMAN ? As you get distracted, the creature fires his spell, you quickly block it with your scimitar, but it flies away from your hand. You are disarmed and the creature starts running in your direction "I DON'T I WANTED SOMETHING DIFFERENT THEN THE USUAL SNEAKERS as I replied to my own question. I take them of hold them as a weapon ready to defend myself against the ugly bug dude. And try to figure out if I can back to my scimitar. As you dual-wield your brand new puke-free heels you notice a two fast moving shadows moving behind the creature. Desperation starts to hit as you are outnumbered and your scimitar is nowhere to be seen, suddenly the shadows jump onto the creatures head and start attacking him. IT'S YOUR FAMILIARS, your thank yourself for installing that catdoor years ago. The creature loses balance just as it reaches you, slipping and faceplanting your puddle fries and cola that rested on the floor. You plunge it's head with both heels. It explodes and the creature slowly starts turning into ashes... You give a well deserved pet to them. The comforting purring sounds fills the room, you feel safe now. One of your familiars starts digging into the ash pile, as he found something of value there. IT'S A FORTUNE COOKIE! I go like "Oooh cookie!" I break it open and eat the cookie while I read. And also keep petting them, like a good rub under the chin. You slowly chew the cookie, the slight chocolate taste is well welcome at this moment, unravel the note, and it says , hit me up for fries & movies sometime. Sept Her profile said she was into RPGs

Her profile said she was into RPGs

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kaylapocalypse:  ok  so i know what you’re thinking “oh i remember that scene i don’t need to click on the video to recall it”. But you should. Like… if you’re anywhere near your mid-twenties, chances are that you watched shrek (1) when you were a kid and maybe a few times again in your late teens, but your memory absolutely doesn’t do it justice. The comedic timing through this whole movie is insane. Also, the fact that the animation style is aging literally just adds to the hilarity instead of poorly dating it. The nuance of every gesture is so well done and specific.  I am literally convinced that this movie is a masterpiece and that will be historically relevant maybe 100 years from now as a perfect time capsule of our culture. This scene in particular illustrates it especially well; particularly for being only like 1 minute long. Highlights/Breakdown The timing in the way Robin says savior and the way he says beast.  the character solidifying disregard and disrespect of “Please! Monster!” Fiona’s sheer brute strength when she pokes him in the shoulder so hard it spins him around–strength that he disregards which is why hes surprised as hell when he gets his ass beat Just the entire french accent that isn’t even a good french accent at all. The accordion man in the tree, the prop bushes. that one of the prop bushes falls down to reveal that its a wood cut-out subtly in the background  Shrek and fiona watching with horror as he begins his song. Donkey never cracking his excited smile, fully immersed in the Lore™; which is actually part of a longer running joke through the film which is that occasionally when certain characters do things would be reacted to poorly irl, the surrounding characters react like you would if you saw that irl not like characters in a story. Like instead of getting drawn into the lore of their circumstances they just stand there, staring like “yikesssss” shrek’s exhaustion and impatience when the song goes into the “saucy little maid” bit.  “what hes basically saying is he likes to get paid.”  the chaos of that statement. combined with shrek and fiona having a eye contact conversation above the performance, exchanging “wtf” gestures.  When the song escalates into a dance fight, Shrek’s exhaustion turns into general mounting amusement like “wow is this really turning into a dance fight. wow hes really snapping in unison” which is additionally apart of the above long running joke Fiona interrupting robin with a kick. the fuckin sound his head makes when it hits the rock.  The fight after isn’t as dynamic timing wise, just a classic animated fight scene but that song though. *kisses fingers like a chef* Watching this does give me an appreciation for 2D animation though because say what you will but Cinderella has aged a lot better than Shrek in terms of visual quality.With 2D you get fairly consistent quality. With old 3D you get uncanny valley nightmares.: kaylapocalypse:  ok  so i know what you’re thinking “oh i remember that scene i don’t need to click on the video to recall it”. But you should. Like… if you’re anywhere near your mid-twenties, chances are that you watched shrek (1) when you were a kid and maybe a few times again in your late teens, but your memory absolutely doesn’t do it justice. The comedic timing through this whole movie is insane. Also, the fact that the animation style is aging literally just adds to the hilarity instead of poorly dating it. The nuance of every gesture is so well done and specific.  I am literally convinced that this movie is a masterpiece and that will be historically relevant maybe 100 years from now as a perfect time capsule of our culture. This scene in particular illustrates it especially well; particularly for being only like 1 minute long. Highlights/Breakdown The timing in the way Robin says savior and the way he says beast.  the character solidifying disregard and disrespect of “Please! Monster!” Fiona’s sheer brute strength when she pokes him in the shoulder so hard it spins him around–strength that he disregards which is why hes surprised as hell when he gets his ass beat Just the entire french accent that isn’t even a good french accent at all. The accordion man in the tree, the prop bushes. that one of the prop bushes falls down to reveal that its a wood cut-out subtly in the background  Shrek and fiona watching with horror as he begins his song. Donkey never cracking his excited smile, fully immersed in the Lore™; which is actually part of a longer running joke through the film which is that occasionally when certain characters do things would be reacted to poorly irl, the surrounding characters react like you would if you saw that irl not like characters in a story. Like instead of getting drawn into the lore of their circumstances they just stand there, staring like “yikesssss” shrek’s exhaustion and impatience when the song goes into the “saucy little maid” bit.  “what hes basically saying is he likes to get paid.”  the chaos of that statement. combined with shrek and fiona having a eye contact conversation above the performance, exchanging “wtf” gestures.  When the song escalates into a dance fight, Shrek’s exhaustion turns into general mounting amusement like “wow is this really turning into a dance fight. wow hes really snapping in unison” which is additionally apart of the above long running joke Fiona interrupting robin with a kick. the fuckin sound his head makes when it hits the rock.  The fight after isn’t as dynamic timing wise, just a classic animated fight scene but that song though. *kisses fingers like a chef* Watching this does give me an appreciation for 2D animation though because say what you will but Cinderella has aged a lot better than Shrek in terms of visual quality.With 2D you get fairly consistent quality. With old 3D you get uncanny valley nightmares.
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