👩‍👦‍👦  Happy Mother Day Memes

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gold Memes

Should
Should
Caught
Caught
First Ever
First Ever
Holy Fuck
Holy Fuck
Fucked
Fucked
Both
Both
Petrol Price
Petrol Price
amaze
amaze
holy fucking shit
holy fucking shit
gold medal
gold medal 

    
                    

                

            
        
    

    
    
    






            

            
            

                

                    
                

                

                    
                    
                    

                        


	


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        I found gold: I found gold
        

            
            

                
                
                    I found gold: I found gold
                    
                
            

            
                
                
I found gold

                
            
            
        

    

    

        
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        cereusblue:
unnameablethings:


dragonsateyourtoast:

redporkpadthai:

dragonsateyourtoast:

otherwindow:

otherwindow:
This is how the golden age of piracy ended.
The first mermaid to get tattoos :)


“we didn’t know any better,” the crewman says, and swallows, presenting the chest to the captain. “what do we do now?”
“kill it,” the captain says, but the ice is melting in his eyes.
“we can’t,” the first mate says desperately, praying she won’t have to fight her captain on this. “we can’t. we - i won’t. we won’t.”
“i know.”
x
“daddy,” she says, floating in a tub of seawater in the hold, “daddy, la-la, la-la-la.”
her voice rings like bells. her accent is strange; her mouth isn’t made for human words. it mesmerises even the hardiest amongst them and she wasn’t even trying. the crew has taken to diving for shellfish near the shorelines for her; she loves them, splitting the shells apart with strength seen in no human toddler, slurping down the slimy molluscs inside and laughing, all plump brown cheeks and needle-sharp teeth. she sometimes splashes them for fun with her smooth, rubbery brown tail. even when they get soaked they laugh. they love her.
“daddy,” she calls again, and he can hear the worry in her voice. the storm rocking the ship is harsh and uncaring, and if they go down, she would be the only survivor.
“don’t worry,” he says, and goes over, sitting next to the tub. the first mate, leaning against the wall, pretends not to notice as he quietly begins to sing.
x
“father,” she says, one day, as she leans on the edge of the dock and the captain sits next to her, “why am I here?”
“your mother abandoned you,” he says, as he always has. “we found you adrift, and couldn’t bear to leave you there.”
she picks at the salt-soaked boards, uncertain. her hair is pulled back in a fluffy black puff, the white linen holding it slipping almost over one of her dark eyes. one of her first tattoos, a many-limbed kraken, curls over her right shoulder and down her arm, delicate tendrils wrapped around her calloused fingertips. “alright,” she says.
x
“why am I really here?” she asks the first mate, watching the sun set over the water in streaks of liquid metal that pooled in the troughs of the waves and glittered on the seafoam.
“we didn’t know any better,” the first mate says, staring into the water. “we didn’t know- we didn’t know anything. we didn’t understand why she fought so viciously to guard her treasure. we could not know she protected something a thousand times more precious than the purest gold.”
she wants to be furious, but she can’t. she already knew the answer, from reading the guilt in her father’s eyes and the empty space in her own history. and she can’t hate her family.
“it’s alright,” she says. “i do have a family, anyways. i don’t think i would have liked my other life near as much.”
x
her kraken grows, spreading its tendrils over her torso and arms. she grows too, too large to come on board the ship without being hauled up in a boat from the water. she sings when the storms come and swims before the ship to guide it to safety. she fights off more than one beast of the seas, and gathers a set of scars across her back that she bears with pride. “i don’t mind,” she says, when the captain fusses over her, “now i match all of you.”
the first time their ship is threatened, really threatened, is by another fleet. a friend turned enemy of the first mate. “we shouldn’t fight him,” she says, peering through the spyglass.
“why not?” the mermaid asks.
“he’ll win,” the first mate says.
the mermaid tips her head sideways. Her eyes, dark as the deep waters, gleam in the noon light. “are you sure?” she asks.
x
the enemy fleet surrenders after the flagship is sunk in the night, the anchor ripped off the ship and the planks torn off the hull. the surviving crew, wild-eyed and delirious, whimper and say a sea serpent came from the water and attacked them, say it was longer than the boat and crushed it in its coils. the first mate hears this and has to hide her laughter. the captain apologizes to his daughter for doubting her.
“don’t worry,” she says, with a bright laugh, “it was fun.”
x
the second time, they are pushed by a storm into a royal fleet. they can’t possibly fight them, and they don’t have the time to escape.
“let me up,” the mermaid urges, surfacing starboard and shouting to the crew. “bring me up, quickly, quickly.”
they lower the boat and she piles her sinous form into it, and uses her claws to help the crew pull her up. once on the deck she flops out of the boat and makes her way over to the bow. the crew tries to help but she’s so heavy they can barely lift parts of her.
she crawls up out in front of the rail and wraps her long webbed tail around the prow. the figurehead has served them well so far but they need more right now. she wraps herself around the figurehead and raises her body up into the wind takes a breath of the stinging salt air and sings.
the storm carries her voice on its front to the royal navy. they are enchanted, so stunned by her song that they drop the rigging ropes and let the tillers drift. the pirates sail through the center of the fleet, trailing the storm behind them, and by the time the fleet has managed to regain its senses they are buried in wind and rain and the pirates are gone.
x
she declines guns. instead she carries a harpoon and its launcher, and uses them to board enemy ships, hauling her massive form out of the water to coil on the deck and dispatch enemies with ruthless efficiency. her family is feared across all the sea.
x
“you know we are dying,” the captain says, looking down at her.
she floats next to the ship, so massive she could hold it in her arms. her eyes are wise.
“i know,” she says, “i can feel it coming.”
the first mate stands next to the captain. she never had a lover or a child, and neither did he, but to the mermaid they are her parents. she will always love her daughter. the tattoos are graven in dark swirls across the mermaid’s deep brown skin and the flesh of her tail, even spiraling onto the spiked webbing on her spine and face. her hair is still tied back, this time with a sail that could not be patched one last time. 
“we love you,” the first mate says simply, looking down. her own tightly coiled black hair falls in to her face; she shakes the locs out of the way and smiles through her tears. the captain pretends he isnt crying either.
“i love you too,” the mermaid says, and reached up to pull the ship down just a bit, just to hold them one last time.
“guard the ship,” the captain says. “you always have but you know they’re lost without you.”
“without you,” the mermaid corrects, with a shrug that makes waves. “what will we do?”
“i don’t know,” the captain says. “but you’ll help them, won’t you?”
“of course i will,” she scoffs, rolling her eyes. “i will always protect my family.”
x
the captain and the first mate are gone. the ship has a new captain, young and fearless - of the things she can afford to disregard. she fears and loves the ocean, as all captains do. she does not fear the royal fleet. and she does not fear the mermaid.
“you know, i heard stories about you when i was a little girl,” she says, trailing her fingers in the water next to the dock.
the mermaid stares at her with one eye the size of a dinner table. “is that so?” she hums, smirking with teeth sharper than the swords of the entire navy.
“they said you could sink an entire fleet and that you had skin tougher than dragon scales,” the new captain says, grinning right back at the monster who could eat her without a moment’s hesitation. “i always thought they were telling tall tales.”
“and now?”
“they were right,” the new captain says. “how did they ever befriend you?”
the mermaid smiles, fully this time, her dark eyes gleaming under the white linen sail. “they didn’t know any better.”

She protects her family.

Hi everybody! Guess what’s being posted on AO3 now at the following link!
https://archiveofourown.org/works/22498384/chapters/53760817
That’s right! Here you go. I’ll be uploading it in some chunks, because I want to make sure I have everything I wanted edited cleanly finished, but follow the story there!




HEY GUYS GUESS WHATS BACK ON THE DASHBOARD AND BETTER THAN EVER
: cereusblue:
unnameablethings:


dragonsateyourtoast:

redporkpadthai:

dragonsateyourtoast:

otherwindow:

otherwindow:
This is how the golden age of piracy ended.
The first mermaid to get tattoos :)


“we didn’t know any better,” the crewman says, and swallows, presenting the chest to the captain. “what do we do now?”
“kill it,” the captain says, but the ice is melting in his eyes.
“we can’t,” the first mate says desperately, praying she won’t have to fight her captain on this. “we can’t. we - i won’t. we won’t.”
“i know.”
x
“daddy,” she says, floating in a tub of seawater in the hold, “daddy, la-la, la-la-la.”
her voice rings like bells. her accent is strange; her mouth isn’t made for human words. it mesmerises even the hardiest amongst them and she wasn’t even trying. the crew has taken to diving for shellfish near the shorelines for her; she loves them, splitting the shells apart with strength seen in no human toddler, slurping down the slimy molluscs inside and laughing, all plump brown cheeks and needle-sharp teeth. she sometimes splashes them for fun with her smooth, rubbery brown tail. even when they get soaked they laugh. they love her.
“daddy,” she calls again, and he can hear the worry in her voice. the storm rocking the ship is harsh and uncaring, and if they go down, she would be the only survivor.
“don’t worry,” he says, and goes over, sitting next to the tub. the first mate, leaning against the wall, pretends not to notice as he quietly begins to sing.
x
“father,” she says, one day, as she leans on the edge of the dock and the captain sits next to her, “why am I here?”
“your mother abandoned you,” he says, as he always has. “we found you adrift, and couldn’t bear to leave you there.”
she picks at the salt-soaked boards, uncertain. her hair is pulled back in a fluffy black puff, the white linen holding it slipping almost over one of her dark eyes. one of her first tattoos, a many-limbed kraken, curls over her right shoulder and down her arm, delicate tendrils wrapped around her calloused fingertips. “alright,” she says.
x
“why am I really here?” she asks the first mate, watching the sun set over the water in streaks of liquid metal that pooled in the troughs of the waves and glittered on the seafoam.
“we didn’t know any better,” the first mate says, staring into the water. “we didn’t know- we didn’t know anything. we didn’t understand why she fought so viciously to guard her treasure. we could not know she protected something a thousand times more precious than the purest gold.”
she wants to be furious, but she can’t. she already knew the answer, from reading the guilt in her father’s eyes and the empty space in her own history. and she can’t hate her family.
“it’s alright,” she says. “i do have a family, anyways. i don’t think i would have liked my other life near as much.”
x
her kraken grows, spreading its tendrils over her torso and arms. she grows too, too large to come on board the ship without being hauled up in a boat from the water. she sings when the storms come and swims before the ship to guide it to safety. she fights off more than one beast of the seas, and gathers a set of scars across her back that she bears with pride. “i don’t mind,” she says, when the captain fusses over her, “now i match all of you.”
the first time their ship is threatened, really threatened, is by another fleet. a friend turned enemy of the first mate. “we shouldn’t fight him,” she says, peering through the spyglass.
“why not?” the mermaid asks.
“he’ll win,” the first mate says.
the mermaid tips her head sideways. Her eyes, dark as the deep waters, gleam in the noon light. “are you sure?” she asks.
x
the enemy fleet surrenders after the flagship is sunk in the night, the anchor ripped off the ship and the planks torn off the hull. the surviving crew, wild-eyed and delirious, whimper and say a sea serpent came from the water and attacked them, say it was longer than the boat and crushed it in its coils. the first mate hears this and has to hide her laughter. the captain apologizes to his daughter for doubting her.
“don’t worry,” she says, with a bright laugh, “it was fun.”
x
the second time, they are pushed by a storm into a royal fleet. they can’t possibly fight them, and they don’t have the time to escape.
“let me up,” the mermaid urges, surfacing starboard and shouting to the crew. “bring me up, quickly, quickly.”
they lower the boat and she piles her sinous form into it, and uses her claws to help the crew pull her up. once on the deck she flops out of the boat and makes her way over to the bow. the crew tries to help but she’s so heavy they can barely lift parts of her.
she crawls up out in front of the rail and wraps her long webbed tail around the prow. the figurehead has served them well so far but they need more right now. she wraps herself around the figurehead and raises her body up into the wind takes a breath of the stinging salt air and sings.
the storm carries her voice on its front to the royal navy. they are enchanted, so stunned by her song that they drop the rigging ropes and let the tillers drift. the pirates sail through the center of the fleet, trailing the storm behind them, and by the time the fleet has managed to regain its senses they are buried in wind and rain and the pirates are gone.
x
she declines guns. instead she carries a harpoon and its launcher, and uses them to board enemy ships, hauling her massive form out of the water to coil on the deck and dispatch enemies with ruthless efficiency. her family is feared across all the sea.
x
“you know we are dying,” the captain says, looking down at her.
she floats next to the ship, so massive she could hold it in her arms. her eyes are wise.
“i know,” she says, “i can feel it coming.”
the first mate stands next to the captain. she never had a lover or a child, and neither did he, but to the mermaid they are her parents. she will always love her daughter. the tattoos are graven in dark swirls across the mermaid’s deep brown skin and the flesh of her tail, even spiraling onto the spiked webbing on her spine and face. her hair is still tied back, this time with a sail that could not be patched one last time. 
“we love you,” the first mate says simply, looking down. her own tightly coiled black hair falls in to her face; she shakes the locs out of the way and smiles through her tears. the captain pretends he isnt crying either.
“i love you too,” the mermaid says, and reached up to pull the ship down just a bit, just to hold them one last time.
“guard the ship,” the captain says. “you always have but you know they’re lost without you.”
“without you,” the mermaid corrects, with a shrug that makes waves. “what will we do?”
“i don’t know,” the captain says. “but you’ll help them, won’t you?”
“of course i will,” she scoffs, rolling her eyes. “i will always protect my family.”
x
the captain and the first mate are gone. the ship has a new captain, young and fearless - of the things she can afford to disregard. she fears and loves the ocean, as all captains do. she does not fear the royal fleet. and she does not fear the mermaid.
“you know, i heard stories about you when i was a little girl,” she says, trailing her fingers in the water next to the dock.
the mermaid stares at her with one eye the size of a dinner table. “is that so?” she hums, smirking with teeth sharper than the swords of the entire navy.
“they said you could sink an entire fleet and that you had skin tougher than dragon scales,” the new captain says, grinning right back at the monster who could eat her without a moment’s hesitation. “i always thought they were telling tall tales.”
“and now?”
“they were right,” the new captain says. “how did they ever befriend you?”
the mermaid smiles, fully this time, her dark eyes gleaming under the white linen sail. “they didn’t know any better.”

She protects her family.

Hi everybody! Guess what’s being posted on AO3 now at the following link!
https://archiveofourown.org/works/22498384/chapters/53760817
That’s right! Here you go. I’ll be uploading it in some chunks, because I want to make sure I have everything I wanted edited cleanly finished, but follow the story there!




HEY GUYS GUESS WHATS BACK ON THE DASHBOARD AND BETTER THAN EVER

        

            
            

                
                
                    cereusblue:
unnameablethings:


dragonsateyourtoast:

redporkpadthai:

dragonsateyourtoast:

otherwindow:

otherwindow:
This is how the golden age of piracy ended.
The first mermaid to get tattoos :)


“we didn’t know any better,” the crewman says, and swallows, presenting the chest to the captain. “what do we do now?”
“kill it,” the captain says, but the ice is melting in his eyes.
“we can’t,” the first mate says desperately, praying she won’t have to fight her captain on this. “we can’t. we - i won’t. we won’t.”
“i know.”
x
“daddy,” she says, floating in a tub of seawater in the hold, “daddy, la-la, la-la-la.”
her voice rings like bells. her accent is strange; her mouth isn’t made for human words. it mesmerises even the hardiest amongst them and she wasn’t even trying. the crew has taken to diving for shellfish near the shorelines for her; she loves them, splitting the shells apart with strength seen in no human toddler, slurping down the slimy molluscs inside and laughing, all plump brown cheeks and needle-sharp teeth. she sometimes splashes them for fun with her smooth, rubbery brown tail. even when they get soaked they laugh. they love her.
“daddy,” she calls again, and he can hear the worry in her voice. the storm rocking the ship is harsh and uncaring, and if they go down, she would be the only survivor.
“don’t worry,” he says, and goes over, sitting next to the tub. the first mate, leaning against the wall, pretends not to notice as he quietly begins to sing.
x
“father,” she says, one day, as she leans on the edge of the dock and the captain sits next to her, “why am I here?”
“your mother abandoned you,” he says, as he always has. “we found you adrift, and couldn’t bear to leave you there.”
she picks at the salt-soaked boards, uncertain. her hair is pulled back in a fluffy black puff, the white linen holding it slipping almost over one of her dark eyes. one of her first tattoos, a many-limbed kraken, curls over her right shoulder and down her arm, delicate tendrils wrapped around her calloused fingertips. “alright,” she says.
x
“why am I really here?” she asks the first mate, watching the sun set over the water in streaks of liquid metal that pooled in the troughs of the waves and glittered on the seafoam.
“we didn’t know any better,” the first mate says, staring into the water. “we didn’t know- we didn’t know anything. we didn’t understand why she fought so viciously to guard her treasure. we could not know she protected something a thousand times more precious than the purest gold.”
she wants to be furious, but she can’t. she already knew the answer, from reading the guilt in her father’s eyes and the empty space in her own history. and she can’t hate her family.
“it’s alright,” she says. “i do have a family, anyways. i don’t think i would have liked my other life near as much.”
x
her kraken grows, spreading its tendrils over her torso and arms. she grows too, too large to come on board the ship without being hauled up in a boat from the water. she sings when the storms come and swims before the ship to guide it to safety. she fights off more than one beast of the seas, and gathers a set of scars across her back that she bears with pride. “i don’t mind,” she says, when the captain fusses over her, “now i match all of you.”
the first time their ship is threatened, really threatened, is by another fleet. a friend turned enemy of the first mate. “we shouldn’t fight him,” she says, peering through the spyglass.
“why not?” the mermaid asks.
“he’ll win,” the first mate says.
the mermaid tips her head sideways. Her eyes, dark as the deep waters, gleam in the noon light. “are you sure?” she asks.
x
the enemy fleet surrenders after the flagship is sunk in the night, the anchor ripped off the ship and the planks torn off the hull. the surviving crew, wild-eyed and delirious, whimper and say a sea serpent came from the water and attacked them, say it was longer than the boat and crushed it in its coils. the first mate hears this and has to hide her laughter. the captain apologizes to his daughter for doubting her.
“don’t worry,” she says, with a bright laugh, “it was fun.”
x
the second time, they are pushed by a storm into a royal fleet. they can’t possibly fight them, and they don’t have the time to escape.
“let me up,” the mermaid urges, surfacing starboard and shouting to the crew. “bring me up, quickly, quickly.”
they lower the boat and she piles her sinous form into it, and uses her claws to help the crew pull her up. once on the deck she flops out of the boat and makes her way over to the bow. the crew tries to help but she’s so heavy they can barely lift parts of her.
she crawls up out in front of the rail and wraps her long webbed tail around the prow. the figurehead has served them well so far but they need more right now. she wraps herself around the figurehead and raises her body up into the wind takes a breath of the stinging salt air and sings.
the storm carries her voice on its front to the royal navy. they are enchanted, so stunned by her song that they drop the rigging ropes and let the tillers drift. the pirates sail through the center of the fleet, trailing the storm behind them, and by the time the fleet has managed to regain its senses they are buried in wind and rain and the pirates are gone.
x
she declines guns. instead she carries a harpoon and its launcher, and uses them to board enemy ships, hauling her massive form out of the water to coil on the deck and dispatch enemies with ruthless efficiency. her family is feared across all the sea.
x
“you know we are dying,” the captain says, looking down at her.
she floats next to the ship, so massive she could hold it in her arms. her eyes are wise.
“i know,” she says, “i can feel it coming.”
the first mate stands next to the captain. she never had a lover or a child, and neither did he, but to the mermaid they are her parents. she will always love her daughter. the tattoos are graven in dark swirls across the mermaid’s deep brown skin and the flesh of her tail, even spiraling onto the spiked webbing on her spine and face. her hair is still tied back, this time with a sail that could not be patched one last time. 
“we love you,” the first mate says simply, looking down. her own tightly coiled black hair falls in to her face; she shakes the locs out of the way and smiles through her tears. the captain pretends he isnt crying either.
“i love you too,” the mermaid says, and reached up to pull the ship down just a bit, just to hold them one last time.
“guard the ship,” the captain says. “you always have but you know they’re lost without you.”
“without you,” the mermaid corrects, with a shrug that makes waves. “what will we do?”
“i don’t know,” the captain says. “but you’ll help them, won’t you?”
“of course i will,” she scoffs, rolling her eyes. “i will always protect my family.”
x
the captain and the first mate are gone. the ship has a new captain, young and fearless - of the things she can afford to disregard. she fears and loves the ocean, as all captains do. she does not fear the royal fleet. and she does not fear the mermaid.
“you know, i heard stories about you when i was a little girl,” she says, trailing her fingers in the water next to the dock.
the mermaid stares at her with one eye the size of a dinner table. “is that so?” she hums, smirking with teeth sharper than the swords of the entire navy.
“they said you could sink an entire fleet and that you had skin tougher than dragon scales,” the new captain says, grinning right back at the monster who could eat her without a moment’s hesitation. “i always thought they were telling tall tales.”
“and now?”
“they were right,” the new captain says. “how did they ever befriend you?”
the mermaid smiles, fully this time, her dark eyes gleaming under the white linen sail. “they didn’t know any better.”

She protects her family.

Hi everybody! Guess what’s being posted on AO3 now at the following link!
https://archiveofourown.org/works/22498384/chapters/53760817
That’s right! Here you go. I’ll be uploading it in some chunks, because I want to make sure I have everything I wanted edited cleanly finished, but follow the story there!




HEY GUYS GUESS WHATS BACK ON THE DASHBOARD AND BETTER THAN EVER
: cereusblue:
unnameablethings:


dragonsateyourtoast:

redporkpadthai:

dragonsateyourtoast:

otherwindow:

otherwindow:
This is how the golden age of piracy ended.
The first mermaid to get tattoos :)


“we didn’t know any better,” the crewman says, and swallows, presenting the chest to the captain. “what do we do now?”
“kill it,” the captain says, but the ice is melting in his eyes.
“we can’t,” the first mate says desperately, praying she won’t have to fight her captain on this. “we can’t. we - i won’t. we won’t.”
“i know.”
x
“daddy,” she says, floating in a tub of seawater in the hold, “daddy, la-la, la-la-la.”
her voice rings like bells. her accent is strange; her mouth isn’t made for human words. it mesmerises even the hardiest amongst them and she wasn’t even trying. the crew has taken to diving for shellfish near the shorelines for her; she loves them, splitting the shells apart with strength seen in no human toddler, slurping down the slimy molluscs inside and laughing, all plump brown cheeks and needle-sharp teeth. she sometimes splashes them for fun with her smooth, rubbery brown tail. even when they get soaked they laugh. they love her.
“daddy,” she calls again, and he can hear the worry in her voice. the storm rocking the ship is harsh and uncaring, and if they go down, she would be the only survivor.
“don’t worry,” he says, and goes over, sitting next to the tub. the first mate, leaning against the wall, pretends not to notice as he quietly begins to sing.
x
“father,” she says, one day, as she leans on the edge of the dock and the captain sits next to her, “why am I here?”
“your mother abandoned you,” he says, as he always has. “we found you adrift, and couldn’t bear to leave you there.”
she picks at the salt-soaked boards, uncertain. her hair is pulled back in a fluffy black puff, the white linen holding it slipping almost over one of her dark eyes. one of her first tattoos, a many-limbed kraken, curls over her right shoulder and down her arm, delicate tendrils wrapped around her calloused fingertips. “alright,” she says.
x
“why am I really here?” she asks the first mate, watching the sun set over the water in streaks of liquid metal that pooled in the troughs of the waves and glittered on the seafoam.
“we didn’t know any better,” the first mate says, staring into the water. “we didn’t know- we didn’t know anything. we didn’t understand why she fought so viciously to guard her treasure. we could not know she protected something a thousand times more precious than the purest gold.”
she wants to be furious, but she can’t. she already knew the answer, from reading the guilt in her father’s eyes and the empty space in her own history. and she can’t hate her family.
“it’s alright,” she says. “i do have a family, anyways. i don’t think i would have liked my other life near as much.”
x
her kraken grows, spreading its tendrils over her torso and arms. she grows too, too large to come on board the ship without being hauled up in a boat from the water. she sings when the storms come and swims before the ship to guide it to safety. she fights off more than one beast of the seas, and gathers a set of scars across her back that she bears with pride. “i don’t mind,” she says, when the captain fusses over her, “now i match all of you.”
the first time their ship is threatened, really threatened, is by another fleet. a friend turned enemy of the first mate. “we shouldn’t fight him,” she says, peering through the spyglass.
“why not?” the mermaid asks.
“he’ll win,” the first mate says.
the mermaid tips her head sideways. Her eyes, dark as the deep waters, gleam in the noon light. “are you sure?” she asks.
x
the enemy fleet surrenders after the flagship is sunk in the night, the anchor ripped off the ship and the planks torn off the hull. the surviving crew, wild-eyed and delirious, whimper and say a sea serpent came from the water and attacked them, say it was longer than the boat and crushed it in its coils. the first mate hears this and has to hide her laughter. the captain apologizes to his daughter for doubting her.
“don’t worry,” she says, with a bright laugh, “it was fun.”
x
the second time, they are pushed by a storm into a royal fleet. they can’t possibly fight them, and they don’t have the time to escape.
“let me up,” the mermaid urges, surfacing starboard and shouting to the crew. “bring me up, quickly, quickly.”
they lower the boat and she piles her sinous form into it, and uses her claws to help the crew pull her up. once on the deck she flops out of the boat and makes her way over to the bow. the crew tries to help but she’s so heavy they can barely lift parts of her.
she crawls up out in front of the rail and wraps her long webbed tail around the prow. the figurehead has served them well so far but they need more right now. she wraps herself around the figurehead and raises her body up into the wind takes a breath of the stinging salt air and sings.
the storm carries her voice on its front to the royal navy. they are enchanted, so stunned by her song that they drop the rigging ropes and let the tillers drift. the pirates sail through the center of the fleet, trailing the storm behind them, and by the time the fleet has managed to regain its senses they are buried in wind and rain and the pirates are gone.
x
she declines guns. instead she carries a harpoon and its launcher, and uses them to board enemy ships, hauling her massive form out of the water to coil on the deck and dispatch enemies with ruthless efficiency. her family is feared across all the sea.
x
“you know we are dying,” the captain says, looking down at her.
she floats next to the ship, so massive she could hold it in her arms. her eyes are wise.
“i know,” she says, “i can feel it coming.”
the first mate stands next to the captain. she never had a lover or a child, and neither did he, but to the mermaid they are her parents. she will always love her daughter. the tattoos are graven in dark swirls across the mermaid’s deep brown skin and the flesh of her tail, even spiraling onto the spiked webbing on her spine and face. her hair is still tied back, this time with a sail that could not be patched one last time. 
“we love you,” the first mate says simply, looking down. her own tightly coiled black hair falls in to her face; she shakes the locs out of the way and smiles through her tears. the captain pretends he isnt crying either.
“i love you too,” the mermaid says, and reached up to pull the ship down just a bit, just to hold them one last time.
“guard the ship,” the captain says. “you always have but you know they’re lost without you.”
“without you,” the mermaid corrects, with a shrug that makes waves. “what will we do?”
“i don’t know,” the captain says. “but you’ll help them, won’t you?”
“of course i will,” she scoffs, rolling her eyes. “i will always protect my family.”
x
the captain and the first mate are gone. the ship has a new captain, young and fearless - of the things she can afford to disregard. she fears and loves the ocean, as all captains do. she does not fear the royal fleet. and she does not fear the mermaid.
“you know, i heard stories about you when i was a little girl,” she says, trailing her fingers in the water next to the dock.
the mermaid stares at her with one eye the size of a dinner table. “is that so?” she hums, smirking with teeth sharper than the swords of the entire navy.
“they said you could sink an entire fleet and that you had skin tougher than dragon scales,” the new captain says, grinning right back at the monster who could eat her without a moment’s hesitation. “i always thought they were telling tall tales.”
“and now?”
“they were right,” the new captain says. “how did they ever befriend you?”
the mermaid smiles, fully this time, her dark eyes gleaming under the white linen sail. “they didn’t know any better.”

She protects her family.

Hi everybody! Guess what’s being posted on AO3 now at the following link!
https://archiveofourown.org/works/22498384/chapters/53760817
That’s right! Here you go. I’ll be uploading it in some chunks, because I want to make sure I have everything I wanted edited cleanly finished, but follow the story there!




HEY GUYS GUESS WHATS BACK ON THE DASHBOARD AND BETTER THAN EVER

                    
                
            

            
                
                
cereusblue:
unnameablethings:


dragonsateyourtoast:

redporkpadthai:

dragonsateyourtoast:

otherwindow:

otherwindow:
This is how the g...

                
            
            
        

    

    

        
Save

    



        

    

    
    

        

            









    

        
        
        
        
        
        
        
    

    

        normal-horoscopes:

normal-horoscopes:

occultbreakfast:

normal-horoscopes:

viral-witchcraft:


normal-horoscopes:


pieandhotdogs:


normal-horoscopes:


trashcollectshere:

normal-horoscopes:


alchemicwizard:

normal-horoscopes:

normal-horoscopes:
NOT TO DUNK ON THE ROSICRUCIANS BUT THE ROSY CROSS IS THE UGLIEST THING EVER
 - HEBREW CHARACTERS FOR A CHRISTIAN ESOTERIC SYMBOL - FOUR USES OF THE ALKALAI SYMBOL BUT NO USES OF NITRE - NICE HEXAGRAM STAR TRUST US WE ARENT ANTISEMITIC - “WHAT IF WE INCORPORATED COLOR INTO THE WORKING?“ - INRI - “IS THERE A SYMBOL FOR AIR?“ “IDK DUDE JUST DRAW A BIRD“ - “WHAT ABOUT WATER?“ “DUDE JUST PICK A WATER ZODIAC“ - “WHICH WATER ZODIAC?“ “IT DOESN’T MATTER“ - “PUT GOLD OVER THE R IN REX SO PEOPLE KNOW ITS IMPORTANT“ - OCCULT GRAPHIC DESIGN IS MY PASSION

Literally every aspect of it is just awful. My Hebrew isnt as good as it should be but I’m 99% certain that Hebrew is complete gibberish. 
ALSO the water symbol looks like aquarius which I’m sure pretty much everyone is aware is an air sign. What a fucking mess. 
I remember when we studied these losers in my art and occulture class I had to leave the room because I was laughing too hard at how much they suck. 

IT IS GIBBERISH BC ITS JUST THE ENTIRE ALPHABETWHICH IS LIKE AN INSECURE CHEF GETTING NERVOUS AND JUST PUTTING EVERY SEASONING THEY HAVE INTO THE POT 



I dont do occult stuff but i assume this is a mess to look at knowing the meaning but. Not knowing? The colors are awful, the symbols are placed carefully but look hard to decipher. The letters are hard to read and all around this could probably be replaced with something much easier to comphrehend and use.

EXACTLY
THIS IS THE DIFFERENCE BETWEEN “GOOD” AND “BAD” SIGILWORK
TO SOMEONE WITH NO KNOWLEDGE OF THE OCCULT THE ROSY CROSS /FEELS/ LIKE IT HAS POWER BUT IT ALSO FEELS JUMBLED MESSY OVERLY COMPLICATED AND JUST PLAIN UGLY 
WHEN IT COMES TO SIGILWORK INTRICACY = POWER BUT CLARITY = ACCURACY AND THE ROSY CROSS FAILS ON BOTH FRONTS 



You wanna know what the kicker is. Aquarius *is* the symbol for air here. The upper left point of a pentagram is attributed to air. The elemental points are assigned to the fixed signs of the zodiac. That’s why we see Taurus, Leo, and Aquarius. The water point is attributed to Scorpio, but they drew an EAGLE INSTEAD OF THE SYMBOL FOR SCORPIO BECAUSE FUCK IT NOTHING MATTERS



SEE THEY ALREADY USED SCORPIO ON BEING ANTISEMITIC ON THE INRI DIAGRAM 



This looks like a fucking board game.



OH MY GOD YOURE RIGHT
IT LOOKS LIKE A PART TO SOME REDICULOUSLY COMPLEX BOARD GAME YOUR FRIEND SWORE IS THE FUNNEST THING EVER 
THE ROSY CROSS TAKES 90 MINUTES TO SET UP AND HAS FOUR DIFFERENT DECKS OF CARDS SPECIAL DICE AND TWO DIFFERENT PLASTIC HOURGLASSES 

@normal-horoscopes This reminds me of the Hermetic Chess invented by the Hermetic Order of the Golden Dawn. Right down to being too colorful and overly complicated


HANG ON I NEED TO GOOGLE SOME THINGS 


MERCIFUL NIGHT : normal-horoscopes:

normal-horoscopes:

occultbreakfast:

normal-horoscopes:

viral-witchcraft:


normal-horoscopes:


pieandhotdogs:


normal-horoscopes:


trashcollectshere:

normal-horoscopes:


alchemicwizard:

normal-horoscopes:

normal-horoscopes:
NOT TO DUNK ON THE ROSICRUCIANS BUT THE ROSY CROSS IS THE UGLIEST THING EVER
 - HEBREW CHARACTERS FOR A CHRISTIAN ESOTERIC SYMBOL - FOUR USES OF THE ALKALAI SYMBOL BUT NO USES OF NITRE - NICE HEXAGRAM STAR TRUST US WE ARENT ANTISEMITIC - “WHAT IF WE INCORPORATED COLOR INTO THE WORKING?“ - INRI - “IS THERE A SYMBOL FOR AIR?“ “IDK DUDE JUST DRAW A BIRD“ - “WHAT ABOUT WATER?“ “DUDE JUST PICK A WATER ZODIAC“ - “WHICH WATER ZODIAC?“ “IT DOESN’T MATTER“ - “PUT GOLD OVER THE R IN REX SO PEOPLE KNOW ITS IMPORTANT“ - OCCULT GRAPHIC DESIGN IS MY PASSION

Literally every aspect of it is just awful. My Hebrew isnt as good as it should be but I’m 99% certain that Hebrew is complete gibberish. 
ALSO the water symbol looks like aquarius which I’m sure pretty much everyone is aware is an air sign. What a fucking mess. 
I remember when we studied these losers in my art and occulture class I had to leave the room because I was laughing too hard at how much they suck. 

IT IS GIBBERISH BC ITS JUST THE ENTIRE ALPHABETWHICH IS LIKE AN INSECURE CHEF GETTING NERVOUS AND JUST PUTTING EVERY SEASONING THEY HAVE INTO THE POT 



I dont do occult stuff but i assume this is a mess to look at knowing the meaning but. Not knowing? The colors are awful, the symbols are placed carefully but look hard to decipher. The letters are hard to read and all around this could probably be replaced with something much easier to comphrehend and use.

EXACTLY
THIS IS THE DIFFERENCE BETWEEN “GOOD” AND “BAD” SIGILWORK
TO SOMEONE WITH NO KNOWLEDGE OF THE OCCULT THE ROSY CROSS /FEELS/ LIKE IT HAS POWER BUT IT ALSO FEELS JUMBLED MESSY OVERLY COMPLICATED AND JUST PLAIN UGLY 
WHEN IT COMES TO SIGILWORK INTRICACY = POWER BUT CLARITY = ACCURACY AND THE ROSY CROSS FAILS ON BOTH FRONTS 



You wanna know what the kicker is. Aquarius *is* the symbol for air here. The upper left point of a pentagram is attributed to air. The elemental points are assigned to the fixed signs of the zodiac. That’s why we see Taurus, Leo, and Aquarius. The water point is attributed to Scorpio, but they drew an EAGLE INSTEAD OF THE SYMBOL FOR SCORPIO BECAUSE FUCK IT NOTHING MATTERS



SEE THEY ALREADY USED SCORPIO ON BEING ANTISEMITIC ON THE INRI DIAGRAM 



This looks like a fucking board game.



OH MY GOD YOURE RIGHT
IT LOOKS LIKE A PART TO SOME REDICULOUSLY COMPLEX BOARD GAME YOUR FRIEND SWORE IS THE FUNNEST THING EVER 
THE ROSY CROSS TAKES 90 MINUTES TO SET UP AND HAS FOUR DIFFERENT DECKS OF CARDS SPECIAL DICE AND TWO DIFFERENT PLASTIC HOURGLASSES 

@normal-horoscopes This reminds me of the Hermetic Chess invented by the Hermetic Order of the Golden Dawn. Right down to being too colorful and overly complicated


HANG ON I NEED TO GOOGLE SOME THINGS 


MERCIFUL NIGHT 
        

            
            

                
                
                    normal-horoscopes:

normal-horoscopes:

occultbreakfast:

normal-horoscopes:

viral-witchcraft:


normal-horoscopes:


pieandhotdogs:


normal-horoscopes:


trashcollectshere:

normal-horoscopes:


alchemicwizard:

normal-horoscopes:

normal-horoscopes:
NOT TO DUNK ON THE ROSICRUCIANS BUT THE ROSY CROSS IS THE UGLIEST THING EVER
 - HEBREW CHARACTERS FOR A CHRISTIAN ESOTERIC SYMBOL - FOUR USES OF THE ALKALAI SYMBOL BUT NO USES OF NITRE - NICE HEXAGRAM STAR TRUST US WE ARENT ANTISEMITIC - “WHAT IF WE INCORPORATED COLOR INTO THE WORKING?“ - INRI - “IS THERE A SYMBOL FOR AIR?“ “IDK DUDE JUST DRAW A BIRD“ - “WHAT ABOUT WATER?“ “DUDE JUST PICK A WATER ZODIAC“ - “WHICH WATER ZODIAC?“ “IT DOESN’T MATTER“ - “PUT GOLD OVER THE R IN REX SO PEOPLE KNOW ITS IMPORTANT“ - OCCULT GRAPHIC DESIGN IS MY PASSION

Literally every aspect of it is just awful. My Hebrew isnt as good as it should be but I’m 99% certain that Hebrew is complete gibberish. 
ALSO the water symbol looks like aquarius which I’m sure pretty much everyone is aware is an air sign. What a fucking mess. 
I remember when we studied these losers in my art and occulture class I had to leave the room because I was laughing too hard at how much they suck. 

IT IS GIBBERISH BC ITS JUST THE ENTIRE ALPHABETWHICH IS LIKE AN INSECURE CHEF GETTING NERVOUS AND JUST PUTTING EVERY SEASONING THEY HAVE INTO THE POT 



I dont do occult stuff but i assume this is a mess to look at knowing the meaning but. Not knowing? The colors are awful, the symbols are placed carefully but look hard to decipher. The letters are hard to read and all around this could probably be replaced with something much easier to comphrehend and use.

EXACTLY
THIS IS THE DIFFERENCE BETWEEN “GOOD” AND “BAD” SIGILWORK
TO SOMEONE WITH NO KNOWLEDGE OF THE OCCULT THE ROSY CROSS /FEELS/ LIKE IT HAS POWER BUT IT ALSO FEELS JUMBLED MESSY OVERLY COMPLICATED AND JUST PLAIN UGLY 
WHEN IT COMES TO SIGILWORK INTRICACY = POWER BUT CLARITY = ACCURACY AND THE ROSY CROSS FAILS ON BOTH FRONTS 



You wanna know what the kicker is. Aquarius *is* the symbol for air here. The upper left point of a pentagram is attributed to air. The elemental points are assigned to the fixed signs of the zodiac. That’s why we see Taurus, Leo, and Aquarius. The water point is attributed to Scorpio, but they drew an EAGLE INSTEAD OF THE SYMBOL FOR SCORPIO BECAUSE FUCK IT NOTHING MATTERS



SEE THEY ALREADY USED SCORPIO ON BEING ANTISEMITIC ON THE INRI DIAGRAM 



This looks like a fucking board game.



OH MY GOD YOURE RIGHT
IT LOOKS LIKE A PART TO SOME REDICULOUSLY COMPLEX BOARD GAME YOUR FRIEND SWORE IS THE FUNNEST THING EVER 
THE ROSY CROSS TAKES 90 MINUTES TO SET UP AND HAS FOUR DIFFERENT DECKS OF CARDS SPECIAL DICE AND TWO DIFFERENT PLASTIC HOURGLASSES 

@normal-horoscopes This reminds me of the Hermetic Chess invented by the Hermetic Order of the Golden Dawn. Right down to being too colorful and overly complicated


HANG ON I NEED TO GOOGLE SOME THINGS 


MERCIFUL NIGHT : normal-horoscopes:

normal-horoscopes:

occultbreakfast:

normal-horoscopes:

viral-witchcraft:


normal-horoscopes:


pieandhotdogs:


normal-horoscopes:


trashcollectshere:

normal-horoscopes:


alchemicwizard:

normal-horoscopes:

normal-horoscopes:
NOT TO DUNK ON THE ROSICRUCIANS BUT THE ROSY CROSS IS THE UGLIEST THING EVER
 - HEBREW CHARACTERS FOR A CHRISTIAN ESOTERIC SYMBOL - FOUR USES OF THE ALKALAI SYMBOL BUT NO USES OF NITRE - NICE HEXAGRAM STAR TRUST US WE ARENT ANTISEMITIC - “WHAT IF WE INCORPORATED COLOR INTO THE WORKING?“ - INRI - “IS THERE A SYMBOL FOR AIR?“ “IDK DUDE JUST DRAW A BIRD“ - “WHAT ABOUT WATER?“ “DUDE JUST PICK A WATER ZODIAC“ - “WHICH WATER ZODIAC?“ “IT DOESN’T MATTER“ - “PUT GOLD OVER THE R IN REX SO PEOPLE KNOW ITS IMPORTANT“ - OCCULT GRAPHIC DESIGN IS MY PASSION

Literally every aspect of it is just awful. My Hebrew isnt as good as it should be but I’m 99% certain that Hebrew is complete gibberish. 
ALSO the water symbol looks like aquarius which I’m sure pretty much everyone is aware is an air sign. What a fucking mess. 
I remember when we studied these losers in my art and occulture class I had to leave the room because I was laughing too hard at how much they suck. 

IT IS GIBBERISH BC ITS JUST THE ENTIRE ALPHABETWHICH IS LIKE AN INSECURE CHEF GETTING NERVOUS AND JUST PUTTING EVERY SEASONING THEY HAVE INTO THE POT 



I dont do occult stuff but i assume this is a mess to look at knowing the meaning but. Not knowing? The colors are awful, the symbols are placed carefully but look hard to decipher. The letters are hard to read and all around this could probably be replaced with something much easier to comphrehend and use.

EXACTLY
THIS IS THE DIFFERENCE BETWEEN “GOOD” AND “BAD” SIGILWORK
TO SOMEONE WITH NO KNOWLEDGE OF THE OCCULT THE ROSY CROSS /FEELS/ LIKE IT HAS POWER BUT IT ALSO FEELS JUMBLED MESSY OVERLY COMPLICATED AND JUST PLAIN UGLY 
WHEN IT COMES TO SIGILWORK INTRICACY = POWER BUT CLARITY = ACCURACY AND THE ROSY CROSS FAILS ON BOTH FRONTS 



You wanna know what the kicker is. Aquarius *is* the symbol for air here. The upper left point of a pentagram is attributed to air. The elemental points are assigned to the fixed signs of the zodiac. That’s why we see Taurus, Leo, and Aquarius. The water point is attributed to Scorpio, but they drew an EAGLE INSTEAD OF THE SYMBOL FOR SCORPIO BECAUSE FUCK IT NOTHING MATTERS



SEE THEY ALREADY USED SCORPIO ON BEING ANTISEMITIC ON THE INRI DIAGRAM 



This looks like a fucking board game.



OH MY GOD YOURE RIGHT
IT LOOKS LIKE A PART TO SOME REDICULOUSLY COMPLEX BOARD GAME YOUR FRIEND SWORE IS THE FUNNEST THING EVER 
THE ROSY CROSS TAKES 90 MINUTES TO SET UP AND HAS FOUR DIFFERENT DECKS OF CARDS SPECIAL DICE AND TWO DIFFERENT PLASTIC HOURGLASSES 

@normal-horoscopes This reminds me of the Hermetic Chess invented by the Hermetic Order of the Golden Dawn. Right down to being too colorful and overly complicated


HANG ON I NEED TO GOOGLE SOME THINGS 


MERCIFUL NIGHT 
                    
                
            

            
            
        

    

    

        
Save

    



        

    

    
    

        

            








        

    

    
    

        

            








        

    

    
    

        

            








        

    

    
    

        

            









    

        
        
        
        
        
        
        
    

    

        Gold!: Gold!
        

            
            

                
                
                    Gold!: Gold!
                    
                
            

            
                
                
Gold!

                
            
            
        

    

    

        
Save

    



        

    

    
    

        

            









    

        
        
        
        
        
        
        
    

    

        Gold!: Gold!
        

            
            

                
                
                    Gold!: Gold!
                    
                
            

            
                
                
Gold!

                
            
            
        

    

    

        
Save

    



        

    

    
    

        

            








        

    

    
    

        

            









    

        
        
        
        
        
        
        
    

    

        normal-horoscopes:

trashcollectshere:
normal-horoscopes:


alchemicwizard:

normal-horoscopes:

normal-horoscopes:
NOT TO DUNK ON THE ROSICRUCIANS BUT THE ROSY CROSS IS THE UGLIEST THING EVER
 - HEBREW CHARACTERS FOR A CHRISTIAN ESOTERIC SYMBOL - FOUR USES OF THE ALKALAI SYMBOL BUT NO USES OF NITRE - NICE HEXAGRAM STAR TRUST US WE ARENT ANTISEMITIC - “WHAT IF WE INCORPORATED COLOR INTO THE WORKING?“ - INRI - “IS THERE A SYMBOL FOR AIR?“ “IDK DUDE JUST DRAW A BIRD“ - “WHAT ABOUT WATER?“ “DUDE JUST PICK A WATER ZODIAC“ - “WHICH WATER ZODIAC?“ “IT DOESN’T MATTER“ - “PUT GOLD OVER THE R IN REX SO PEOPLE KNOW ITS IMPORTANT“ - OCCULT GRAPHIC DESIGN IS MY PASSION

Literally every aspect of it is just awful. My Hebrew isnt as good as it should be but I’m 99% certain that Hebrew is complete gibberish. 
ALSO the water symbol looks like aquarius which I’m sure pretty much everyone is aware is an air sign. What a fucking mess. 
I remember when we studied these losers in my art and occulture class I had to leave the room because I was laughing too hard at how much they suck. 

IT IS GIBBERISH BC ITS JUST THE ENTIRE ALPHABETWHICH IS LIKE AN INSECURE CHEF GETTING NERVOUS AND JUST PUTTING EVERY SEASONING THEY HAVE INTO THE POT 



I dont do occult stuff but i assume this is a mess to look at knowing the meaning but. Not knowing? The colors are awful, the symbols are placed carefully but look hard to decipher. The letters are hard to read and all around this could probably be replaced with something much easier to comphrehend and use.

EXACTLYTHIS IS THE DIFFERENCE BETWEEN “GOOD” AND “BAD” SIGILWORKTO SOMEONE WITH NO KNOWLEDGE OF THE OCCULT THE ROSY CROSS /FEELS/ LIKE IT HAS POWER BUT IT ALSO FEELS JUMBLED MESSY OVERLY COMPLICATED AND JUST PLAIN UGLY WHEN IT COMES TO SIGILWORK INTRICACY = POWER BUT CLARITY = ACCURACY AND THE ROSY CROSS FAILS ON BOTH FRONTS : normal-horoscopes:

trashcollectshere:
normal-horoscopes:


alchemicwizard:

normal-horoscopes:

normal-horoscopes:
NOT TO DUNK ON THE ROSICRUCIANS BUT THE ROSY CROSS IS THE UGLIEST THING EVER
 - HEBREW CHARACTERS FOR A CHRISTIAN ESOTERIC SYMBOL - FOUR USES OF THE ALKALAI SYMBOL BUT NO USES OF NITRE - NICE HEXAGRAM STAR TRUST US WE ARENT ANTISEMITIC - “WHAT IF WE INCORPORATED COLOR INTO THE WORKING?“ - INRI - “IS THERE A SYMBOL FOR AIR?“ “IDK DUDE JUST DRAW A BIRD“ - “WHAT ABOUT WATER?“ “DUDE JUST PICK A WATER ZODIAC“ - “WHICH WATER ZODIAC?“ “IT DOESN’T MATTER“ - “PUT GOLD OVER THE R IN REX SO PEOPLE KNOW ITS IMPORTANT“ - OCCULT GRAPHIC DESIGN IS MY PASSION

Literally every aspect of it is just awful. My Hebrew isnt as good as it should be but I’m 99% certain that Hebrew is complete gibberish. 
ALSO the water symbol looks like aquarius which I’m sure pretty much everyone is aware is an air sign. What a fucking mess. 
I remember when we studied these losers in my art and occulture class I had to leave the room because I was laughing too hard at how much they suck. 

IT IS GIBBERISH BC ITS JUST THE ENTIRE ALPHABETWHICH IS LIKE AN INSECURE CHEF GETTING NERVOUS AND JUST PUTTING EVERY SEASONING THEY HAVE INTO THE POT 



I dont do occult stuff but i assume this is a mess to look at knowing the meaning but. Not knowing? The colors are awful, the symbols are placed carefully but look hard to decipher. The letters are hard to read and all around this could probably be replaced with something much easier to comphrehend and use.

EXACTLYTHIS IS THE DIFFERENCE BETWEEN “GOOD” AND “BAD” SIGILWORKTO SOMEONE WITH NO KNOWLEDGE OF THE OCCULT THE ROSY CROSS /FEELS/ LIKE IT HAS POWER BUT IT ALSO FEELS JUMBLED MESSY OVERLY COMPLICATED AND JUST PLAIN UGLY WHEN IT COMES TO SIGILWORK INTRICACY = POWER BUT CLARITY = ACCURACY AND THE ROSY CROSS FAILS ON BOTH FRONTS 
        

            
            

                
                
                    normal-horoscopes:

trashcollectshere:
normal-horoscopes:


alchemicwizard:

normal-horoscopes:

normal-horoscopes:
NOT TO DUNK ON THE ROSICRUCIANS BUT THE ROSY CROSS IS THE UGLIEST THING EVER
 - HEBREW CHARACTERS FOR A CHRISTIAN ESOTERIC SYMBOL - FOUR USES OF THE ALKALAI SYMBOL BUT NO USES OF NITRE - NICE HEXAGRAM STAR TRUST US WE ARENT ANTISEMITIC - “WHAT IF WE INCORPORATED COLOR INTO THE WORKING?“ - INRI - “IS THERE A SYMBOL FOR AIR?“ “IDK DUDE JUST DRAW A BIRD“ - “WHAT ABOUT WATER?“ “DUDE JUST PICK A WATER ZODIAC“ - “WHICH WATER ZODIAC?“ “IT DOESN’T MATTER“ - “PUT GOLD OVER THE R IN REX SO PEOPLE KNOW ITS IMPORTANT“ - OCCULT GRAPHIC DESIGN IS MY PASSION

Literally every aspect of it is just awful. My Hebrew isnt as good as it should be but I’m 99% certain that Hebrew is complete gibberish. 
ALSO the water symbol looks like aquarius which I’m sure pretty much everyone is aware is an air sign. What a fucking mess. 
I remember when we studied these losers in my art and occulture class I had to leave the room because I was laughing too hard at how much they suck. 

IT IS GIBBERISH BC ITS JUST THE ENTIRE ALPHABETWHICH IS LIKE AN INSECURE CHEF GETTING NERVOUS AND JUST PUTTING EVERY SEASONING THEY HAVE INTO THE POT 



I dont do occult stuff but i assume this is a mess to look at knowing the meaning but. Not knowing? The colors are awful, the symbols are placed carefully but look hard to decipher. The letters are hard to read and all around this could probably be replaced with something much easier to comphrehend and use.

EXACTLYTHIS IS THE DIFFERENCE BETWEEN “GOOD” AND “BAD” SIGILWORKTO SOMEONE WITH NO KNOWLEDGE OF THE OCCULT THE ROSY CROSS /FEELS/ LIKE IT HAS POWER BUT IT ALSO FEELS JUMBLED MESSY OVERLY COMPLICATED AND JUST PLAIN UGLY WHEN IT COMES TO SIGILWORK INTRICACY = POWER BUT CLARITY = ACCURACY AND THE ROSY CROSS FAILS ON BOTH FRONTS : normal-horoscopes:

trashcollectshere:
normal-horoscopes:


alchemicwizard:

normal-horoscopes:

normal-horoscopes:
NOT TO DUNK ON THE ROSICRUCIANS BUT THE ROSY CROSS IS THE UGLIEST THING EVER
 - HEBREW CHARACTERS FOR A CHRISTIAN ESOTERIC SYMBOL - FOUR USES OF THE ALKALAI SYMBOL BUT NO USES OF NITRE - NICE HEXAGRAM STAR TRUST US WE ARENT ANTISEMITIC - “WHAT IF WE INCORPORATED COLOR INTO THE WORKING?“ - INRI - “IS THERE A SYMBOL FOR AIR?“ “IDK DUDE JUST DRAW A BIRD“ - “WHAT ABOUT WATER?“ “DUDE JUST PICK A WATER ZODIAC“ - “WHICH WATER ZODIAC?“ “IT DOESN’T MATTER“ - “PUT GOLD OVER THE R IN REX SO PEOPLE KNOW ITS IMPORTANT“ - OCCULT GRAPHIC DESIGN IS MY PASSION

Literally every aspect of it is just awful. My Hebrew isnt as good as it should be but I’m 99% certain that Hebrew is complete gibberish. 
ALSO the water symbol looks like aquarius which I’m sure pretty much everyone is aware is an air sign. What a fucking mess. 
I remember when we studied these losers in my art and occulture class I had to leave the room because I was laughing too hard at how much they suck. 

IT IS GIBBERISH BC ITS JUST THE ENTIRE ALPHABETWHICH IS LIKE AN INSECURE CHEF GETTING NERVOUS AND JUST PUTTING EVERY SEASONING THEY HAVE INTO THE POT 



I dont do occult stuff but i assume this is a mess to look at knowing the meaning but. Not knowing? The colors are awful, the symbols are placed carefully but look hard to decipher. The letters are hard to read and all around this could probably be replaced with something much easier to comphrehend and use.

EXACTLYTHIS IS THE DIFFERENCE BETWEEN “GOOD” AND “BAD” SIGILWORKTO SOMEONE WITH NO KNOWLEDGE OF THE OCCULT THE ROSY CROSS /FEELS/ LIKE IT HAS POWER BUT IT ALSO FEELS JUMBLED MESSY OVERLY COMPLICATED AND JUST PLAIN UGLY WHEN IT COMES TO SIGILWORK INTRICACY = POWER BUT CLARITY = ACCURACY AND THE ROSY CROSS FAILS ON BOTH FRONTS 
                    
                
            

            
            
        

    

    

        
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        Old but gold: Old but gold
        

            
            

                
                
                    Old but gold: Old but gold
                    
                
            

            
                
                
Old but gold

                
            
            
        

    

    

        
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        Reddit Gold: Reddit Gold
        

            
            

                
                
                    Reddit Gold: Reddit Gold
                    
                
            

            
                
                
Reddit Gold

                
            
            
        

    

    

        
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        themauveroom:
distractedbyshinyobjects:

mewjounouchi:

khoshekh-yourself:

catsuitmonarchy:

optimysticals:

vancity604778kid:

ultrafacts:




Source Click HERE to Follow the Ultrafacts Blog!




ALICE ROOSEVELT WAS HARDCORE. “She was known as a rule-breaker in an era when women were under great pressure to conform. The American public noticed many of her exploits. She smoked cigarettes in public, swore at officials, rode in cars with men, stayed out late partying, kept a pet snake named Emily Spinach (Emily as in her spinster aunt and Spinach for its green color) in the White House, and was seen placing bets with a bookie. 


So what I’m reading here is, she was a Roosevelt?

Well I have a new hero.

Her whole wikipedia article is gold
“When her father was governor of New York, he and his wife proposed that Alice attend a conservative school for girls in New York City. Pulling out all the stops, Alice wrote, ‘If you send me I will humiliate you. I will do something that will shame you. I tell you I will.’”
“Her father took office in 1901 following the assassination of President William McKinley, Jr. in Buffalo (an event that she greeted with “sheer rapture.”)“
“During the cruise to Japan, Alice jumped into the ship’s pool fully clothed, and coaxed a congressman to join her in the water. (Years later Bobby Kennedy would chide her about the incident, saying it was outrageous for the time, to which the by-then-octogenarian Alice replied that it would only have been outrageous had she removed her clothes.”
“She was dressed in a blue wedding dress and dramatically cut the wedding cake with a sword (borrowed from a military aide attending the reception)”
“When it came time for the Roosevelt family to move out of the White House, Alice buried a Voodoo doll of the new First Lady, Nellie Taft, in the front yard.”
“Later, the Taft White House banned her from her former residence—the first but not the last administration to do so. During Woodrow Wilson’s administration (from which she was banned in 1916 for a bawdy joke at Wilson’s expense)…”
“As an example of her attitudes on race, in 1965 her African-American chauffeur and one of her best friends, Turner, was driving Alice to an appointment. During the trip, he pulled out in front of a taxi, and the driver got out and demanded to know of him, “What do you think you’re doing, you black bastard?” Turner took the insult calmly, but Alice did not and told the taxi driver, “He’s taking me to my destination, you white son of a bitch!”
“To Senator Joseph McCarthy, who had jokingly remarked at a party “Here’s my blind date. I am going to call you Alice”, she sarcastically said “Senator McCarthy, you are not going to call me Alice. The trashman and the policeman on my block call me Alice, but you may not.”

I love this woman.

WOMEN WHO NEED FUCKEN MOVIES.


This is Alice as an older lady. The pillow says “If you can’t say something good about someone, sit right here by me.” 
She is my absolute favorite. 
: themauveroom:
distractedbyshinyobjects:

mewjounouchi:

khoshekh-yourself:

catsuitmonarchy:

optimysticals:

vancity604778kid:

ultrafacts:




Source Click HERE to Follow the Ultrafacts Blog!




ALICE ROOSEVELT WAS HARDCORE. “She was known as a rule-breaker in an era when women were under great pressure to conform. The American public noticed many of her exploits. She smoked cigarettes in public, swore at officials, rode in cars with men, stayed out late partying, kept a pet snake named Emily Spinach (Emily as in her spinster aunt and Spinach for its green color) in the White House, and was seen placing bets with a bookie. 


So what I’m reading here is, she was a Roosevelt?

Well I have a new hero.

Her whole wikipedia article is gold
“When her father was governor of New York, he and his wife proposed that Alice attend a conservative school for girls in New York City. Pulling out all the stops, Alice wrote, ‘If you send me I will humiliate you. I will do something that will shame you. I tell you I will.’”
“Her father took office in 1901 following the assassination of President William McKinley, Jr. in Buffalo (an event that she greeted with “sheer rapture.”)“
“During the cruise to Japan, Alice jumped into the ship’s pool fully clothed, and coaxed a congressman to join her in the water. (Years later Bobby Kennedy would chide her about the incident, saying it was outrageous for the time, to which the by-then-octogenarian Alice replied that it would only have been outrageous had she removed her clothes.”
“She was dressed in a blue wedding dress and dramatically cut the wedding cake with a sword (borrowed from a military aide attending the reception)”
“When it came time for the Roosevelt family to move out of the White House, Alice buried a Voodoo doll of the new First Lady, Nellie Taft, in the front yard.”
“Later, the Taft White House banned her from her former residence—the first but not the last administration to do so. During Woodrow Wilson’s administration (from which she was banned in 1916 for a bawdy joke at Wilson’s expense)…”
“As an example of her attitudes on race, in 1965 her African-American chauffeur and one of her best friends, Turner, was driving Alice to an appointment. During the trip, he pulled out in front of a taxi, and the driver got out and demanded to know of him, “What do you think you’re doing, you black bastard?” Turner took the insult calmly, but Alice did not and told the taxi driver, “He’s taking me to my destination, you white son of a bitch!”
“To Senator Joseph McCarthy, who had jokingly remarked at a party “Here’s my blind date. I am going to call you Alice”, she sarcastically said “Senator McCarthy, you are not going to call me Alice. The trashman and the policeman on my block call me Alice, but you may not.”

I love this woman.

WOMEN WHO NEED FUCKEN MOVIES.


This is Alice as an older lady. The pillow says “If you can’t say something good about someone, sit right here by me.” 
She is my absolute favorite. 

        

            
            

                
                
                    themauveroom:
distractedbyshinyobjects:

mewjounouchi:

khoshekh-yourself:

catsuitmonarchy:

optimysticals:

vancity604778kid:

ultrafacts:




Source Click HERE to Follow the Ultrafacts Blog!




ALICE ROOSEVELT WAS HARDCORE. “She was known as a rule-breaker in an era when women were under great pressure to conform. The American public noticed many of her exploits. She smoked cigarettes in public, swore at officials, rode in cars with men, stayed out late partying, kept a pet snake named Emily Spinach (Emily as in her spinster aunt and Spinach for its green color) in the White House, and was seen placing bets with a bookie. 


So what I’m reading here is, she was a Roosevelt?

Well I have a new hero.

Her whole wikipedia article is gold
“When her father was governor of New York, he and his wife proposed that Alice attend a conservative school for girls in New York City. Pulling out all the stops, Alice wrote, ‘If you send me I will humiliate you. I will do something that will shame you. I tell you I will.’”
“Her father took office in 1901 following the assassination of President William McKinley, Jr. in Buffalo (an event that she greeted with “sheer rapture.”)“
“During the cruise to Japan, Alice jumped into the ship’s pool fully clothed, and coaxed a congressman to join her in the water. (Years later Bobby Kennedy would chide her about the incident, saying it was outrageous for the time, to which the by-then-octogenarian Alice replied that it would only have been outrageous had she removed her clothes.”
“She was dressed in a blue wedding dress and dramatically cut the wedding cake with a sword (borrowed from a military aide attending the reception)”
“When it came time for the Roosevelt family to move out of the White House, Alice buried a Voodoo doll of the new First Lady, Nellie Taft, in the front yard.”
“Later, the Taft White House banned her from her former residence—the first but not the last administration to do so. During Woodrow Wilson’s administration (from which she was banned in 1916 for a bawdy joke at Wilson’s expense)…”
“As an example of her attitudes on race, in 1965 her African-American chauffeur and one of her best friends, Turner, was driving Alice to an appointment. During the trip, he pulled out in front of a taxi, and the driver got out and demanded to know of him, “What do you think you’re doing, you black bastard?” Turner took the insult calmly, but Alice did not and told the taxi driver, “He’s taking me to my destination, you white son of a bitch!”
“To Senator Joseph McCarthy, who had jokingly remarked at a party “Here’s my blind date. I am going to call you Alice”, she sarcastically said “Senator McCarthy, you are not going to call me Alice. The trashman and the policeman on my block call me Alice, but you may not.”

I love this woman.

WOMEN WHO NEED FUCKEN MOVIES.


This is Alice as an older lady. The pillow says “If you can’t say something good about someone, sit right here by me.” 
She is my absolute favorite. 
: themauveroom:
distractedbyshinyobjects:

mewjounouchi:

khoshekh-yourself:

catsuitmonarchy:

optimysticals:

vancity604778kid:

ultrafacts:




Source Click HERE to Follow the Ultrafacts Blog!




ALICE ROOSEVELT WAS HARDCORE. “She was known as a rule-breaker in an era when women were under great pressure to conform. The American public noticed many of her exploits. She smoked cigarettes in public, swore at officials, rode in cars with men, stayed out late partying, kept a pet snake named Emily Spinach (Emily as in her spinster aunt and Spinach for its green color) in the White House, and was seen placing bets with a bookie. 


So what I’m reading here is, she was a Roosevelt?

Well I have a new hero.

Her whole wikipedia article is gold
“When her father was governor of New York, he and his wife proposed that Alice attend a conservative school for girls in New York City. Pulling out all the stops, Alice wrote, ‘If you send me I will humiliate you. I will do something that will shame you. I tell you I will.’”
“Her father took office in 1901 following the assassination of President William McKinley, Jr. in Buffalo (an event that she greeted with “sheer rapture.”)“
“During the cruise to Japan, Alice jumped into the ship’s pool fully clothed, and coaxed a congressman to join her in the water. (Years later Bobby Kennedy would chide her about the incident, saying it was outrageous for the time, to which the by-then-octogenarian Alice replied that it would only have been outrageous had she removed her clothes.”
“She was dressed in a blue wedding dress and dramatically cut the wedding cake with a sword (borrowed from a military aide attending the reception)”
“When it came time for the Roosevelt family to move out of the White House, Alice buried a Voodoo doll of the new First Lady, Nellie Taft, in the front yard.”
“Later, the Taft White House banned her from her former residence—the first but not the last administration to do so. During Woodrow Wilson’s administration (from which she was banned in 1916 for a bawdy joke at Wilson’s expense)…”
“As an example of her attitudes on race, in 1965 her African-American chauffeur and one of her best friends, Turner, was driving Alice to an appointment. During the trip, he pulled out in front of a taxi, and the driver got out and demanded to know of him, “What do you think you’re doing, you black bastard?” Turner took the insult calmly, but Alice did not and told the taxi driver, “He’s taking me to my destination, you white son of a bitch!”
“To Senator Joseph McCarthy, who had jokingly remarked at a party “Here’s my blind date. I am going to call you Alice”, she sarcastically said “Senator McCarthy, you are not going to call me Alice. The trashman and the policeman on my block call me Alice, but you may not.”

I love this woman.

WOMEN WHO NEED FUCKEN MOVIES.


This is Alice as an older lady. The pillow says “If you can’t say something good about someone, sit right here by me.” 
She is my absolute favorite. 

                    
                
            

            
            
        

    

    

        
Save

    



        

    

    
    

        

            








        

    

    
    

        

            








        

    

    
    

        

            








        

    

    
    

        

            









    

        
        
        
        
        
        
        
    

    

        prismatic-bell:
the-invisible-self:

pulmonary-poultry:

the-spoopy-ghost-of-raejin99:


mandalorianreynolds:

kuriquinn:

prismatic-bell:

the-spoopy-ghost-of-raejin99:


prismatic-bell:


broken-bits-of-dreams:

prismatic-bell:


aiko-mori-hates-pedos:

artbymoga:
Throwback to all these Jesus comics I drew in 2012…

Good post OP


Good post, OP, and if you ever decide to do another may I please suggest “NOT IN HEBREW IT DOESN’T” as a punchline? So much of the Old Testament is HORRIFICALLY translated from the Tanakh, it drives me batty.


WAIT WAIT WHAT DOES IT SAY?????? I NEED TO LIKE,, DESTROY MI MUM FOR BEING REALLY HOMOPHOBIC

Okay, so, strictly speaking, the infamous Leviticus 18:22 does say “forbidden.” Here’s the thing: 

1) The word translated as “forbidden” is “toevah.” While that translation isn’t … wrong, it’s sort of like saying “McMansion” means “really big house.” There are a lot of connotations in that word. The specific issue with toevah is that we … sort of … don’t know anymore exactly what it meant. Based on context, it seems likely that the word referred to something ritually forbidden. This part of Torah was written not only as a guide for future generations, but also to say “so, look around, see your neighbors? DON’T DO THAT.“ Thus, if we interpret “toevah” to mean something that’s forbidden to do as a ritual before G-d, then the verse says nothing whatsoever about Adam and Steve and their two kids and their dog–it’s saying you shouldn’t have sex with another man in the Temple as a sacrifice.

2) Following the same “this is ritually forbidden” logic of toevah, this verse may also be interpreted as “don’t do sex magic,” which was a thing in. Like. A lot of fucking cultures at the time.

3) Hebrew is a highly gendered language, and the grammatical gender in this verse is really really weird. One of the “men” in this verse is given female grammar. Why? Who fucking knows, man, this isn’t the only grammatical oddity in Torah. (There are also places where G-d is referred to as plural, and also as female.) One suggestion is that this is a way of creating a diminutive–that is, that the verse should be read as “a man should not lie with a boy.” Now, it’s worth noting that modern secular scholarship has concluded the written Torah was written down around the 6th century BCE, and most non-Orthodox Jewish scholars are like “yeah, all things considered, that sounds pretty legit.” 

Do you know what else was happening around the 6th century BCE? What laypeople tend to mean when they say “ancient Greece” was happening. 

Do you know what happened a lot in that time period in Greece? Dudes forming relationships with younger boys, like ages 10-15, and using them for sex in exchange for financial gifts, mentorship, etc. While we don’t know just how young some of these younger boys may have been, we do know some were prepubescent. In light of this, and also something I mentioned under the first point–”see your neighbors? DON’T DO THAT,” if this verse is interpreted to say “a man should not lie with a boy,” then it’s pretty clearly “my dudes, my fellows, my lads, don’t be fucking pedophiles.” 

4) Because of the grammar I mentioned in #3, it’s also possible that “should not lie with a man as with a woman” is actually referring to a place, not an abstract personhood: a man shouldn’t have sex with another man in a woman’s bed. In the time period, a woman’s bed was sort of like–that was her place, her safe sanctuary. It was also a ritually holy place where babies were made. By having sex in her bed, you’re violating her safe space (and also introducing a man who may not be a male relative, thus forcing her into breaking the laws of modesty). If this verse is read this way, then it should be taken to mean “don’t sexually violate a woman’s safety and modesty.”5) And as an offshoot of #4, this may be a second verse relating to infidelity. Which woman’s bed is any random dude in 600 BCE most likely to have access to? His wife’s. But laws were administered differently based on whether the person they pertained to was slave or free, male or female, and so on–thus, a man committing adultery with a woman would be treated differently than man committing adultery with a man (especially because the latter would carry no chance of an illegitimate pregnancy).


So you’ll note, there are a lot of ways to read this verse, and only a one-to-one translation with no cultural awareness produces “being gay is wrong, all of the time”.(You’ll also notice the word “abomination” is nowhere to be found. That’s like … a straight-up fiction created for who only knows what reason.)


Apparently tumblr mobile doesn’t want to show @prismatic-bell ’s long and in-depth essay, so here’s the screenshots, because it still shows up on mobile browsers:








Much appreciated.


I love when scholarship and history debunks bullshit



…I sadly have more bullshit to report.

“removed for violating guidelines”, EVERY screenshot.



…goddamnit







Let’s try this again



I am horrified that @prismatic-bell keeps getting censored + this info is gold. 

Many thanks, @pulmonary-poultry. This isn’t the only Jewish post of mine that’s mysteriously stopped showing up in searches and/or vanished from my blog entirely, but it is the one I get the most requests to repost, so this saves me from having to rewrite the whole damned essay. @the-invisible-self, thanks for bringing it to my attention that someone was able to preserve the post!
: prismatic-bell:
the-invisible-self:

pulmonary-poultry:

the-spoopy-ghost-of-raejin99:


mandalorianreynolds:

kuriquinn:

prismatic-bell:

the-spoopy-ghost-of-raejin99:


prismatic-bell:


broken-bits-of-dreams:

prismatic-bell:


aiko-mori-hates-pedos:

artbymoga:
Throwback to all these Jesus comics I drew in 2012…

Good post OP


Good post, OP, and if you ever decide to do another may I please suggest “NOT IN HEBREW IT DOESN’T” as a punchline? So much of the Old Testament is HORRIFICALLY translated from the Tanakh, it drives me batty.


WAIT WAIT WHAT DOES IT SAY?????? I NEED TO LIKE,, DESTROY MI MUM FOR BEING REALLY HOMOPHOBIC

Okay, so, strictly speaking, the infamous Leviticus 18:22 does say “forbidden.” Here’s the thing: 

1) The word translated as “forbidden” is “toevah.” While that translation isn’t … wrong, it’s sort of like saying “McMansion” means “really big house.” There are a lot of connotations in that word. The specific issue with toevah is that we … sort of … don’t know anymore exactly what it meant. Based on context, it seems likely that the word referred to something ritually forbidden. This part of Torah was written not only as a guide for future generations, but also to say “so, look around, see your neighbors? DON’T DO THAT.“ Thus, if we interpret “toevah” to mean something that’s forbidden to do as a ritual before G-d, then the verse says nothing whatsoever about Adam and Steve and their two kids and their dog–it’s saying you shouldn’t have sex with another man in the Temple as a sacrifice.

2) Following the same “this is ritually forbidden” logic of toevah, this verse may also be interpreted as “don’t do sex magic,” which was a thing in. Like. A lot of fucking cultures at the time.

3) Hebrew is a highly gendered language, and the grammatical gender in this verse is really really weird. One of the “men” in this verse is given female grammar. Why? Who fucking knows, man, this isn’t the only grammatical oddity in Torah. (There are also places where G-d is referred to as plural, and also as female.) One suggestion is that this is a way of creating a diminutive–that is, that the verse should be read as “a man should not lie with a boy.” Now, it’s worth noting that modern secular scholarship has concluded the written Torah was written down around the 6th century BCE, and most non-Orthodox Jewish scholars are like “yeah, all things considered, that sounds pretty legit.” 

Do you know what else was happening around the 6th century BCE? What laypeople tend to mean when they say “ancient Greece” was happening. 

Do you know what happened a lot in that time period in Greece? Dudes forming relationships with younger boys, like ages 10-15, and using them for sex in exchange for financial gifts, mentorship, etc. While we don’t know just how young some of these younger boys may have been, we do know some were prepubescent. In light of this, and also something I mentioned under the first point–”see your neighbors? DON’T DO THAT,” if this verse is interpreted to say “a man should not lie with a boy,” then it’s pretty clearly “my dudes, my fellows, my lads, don’t be fucking pedophiles.” 

4) Because of the grammar I mentioned in #3, it’s also possible that “should not lie with a man as with a woman” is actually referring to a place, not an abstract personhood: a man shouldn’t have sex with another man in a woman’s bed. In the time period, a woman’s bed was sort of like–that was her place, her safe sanctuary. It was also a ritually holy place where babies were made. By having sex in her bed, you’re violating her safe space (and also introducing a man who may not be a male relative, thus forcing her into breaking the laws of modesty). If this verse is read this way, then it should be taken to mean “don’t sexually violate a woman’s safety and modesty.”5) And as an offshoot of #4, this may be a second verse relating to infidelity. Which woman’s bed is any random dude in 600 BCE most likely to have access to? His wife’s. But laws were administered differently based on whether the person they pertained to was slave or free, male or female, and so on–thus, a man committing adultery with a woman would be treated differently than man committing adultery with a man (especially because the latter would carry no chance of an illegitimate pregnancy).


So you’ll note, there are a lot of ways to read this verse, and only a one-to-one translation with no cultural awareness produces “being gay is wrong, all of the time”.(You’ll also notice the word “abomination” is nowhere to be found. That’s like … a straight-up fiction created for who only knows what reason.)


Apparently tumblr mobile doesn’t want to show @prismatic-bell ’s long and in-depth essay, so here’s the screenshots, because it still shows up on mobile browsers:








Much appreciated.


I love when scholarship and history debunks bullshit



…I sadly have more bullshit to report.

“removed for violating guidelines”, EVERY screenshot.



…goddamnit







Let’s try this again



I am horrified that @prismatic-bell keeps getting censored + this info is gold. 

Many thanks, @pulmonary-poultry. This isn’t the only Jewish post of mine that’s mysteriously stopped showing up in searches and/or vanished from my blog entirely, but it is the one I get the most requests to repost, so this saves me from having to rewrite the whole damned essay. @the-invisible-self, thanks for bringing it to my attention that someone was able to preserve the post!

        

            
            

                
                
                    prismatic-bell:
the-invisible-self:

pulmonary-poultry:

the-spoopy-ghost-of-raejin99:


mandalorianreynolds:

kuriquinn:

prismatic-bell:

the-spoopy-ghost-of-raejin99:


prismatic-bell:


broken-bits-of-dreams:

prismatic-bell:


aiko-mori-hates-pedos:

artbymoga:
Throwback to all these Jesus comics I drew in 2012…

Good post OP


Good post, OP, and if you ever decide to do another may I please suggest “NOT IN HEBREW IT DOESN’T” as a punchline? So much of the Old Testament is HORRIFICALLY translated from the Tanakh, it drives me batty.


WAIT WAIT WHAT DOES IT SAY?????? I NEED TO LIKE,, DESTROY MI MUM FOR BEING REALLY HOMOPHOBIC

Okay, so, strictly speaking, the infamous Leviticus 18:22 does say “forbidden.” Here’s the thing: 

1) The word translated as “forbidden” is “toevah.” While that translation isn’t … wrong, it’s sort of like saying “McMansion” means “really big house.” There are a lot of connotations in that word. The specific issue with toevah is that we … sort of … don’t know anymore exactly what it meant. Based on context, it seems likely that the word referred to something ritually forbidden. This part of Torah was written not only as a guide for future generations, but also to say “so, look around, see your neighbors? DON’T DO THAT.“ Thus, if we interpret “toevah” to mean something that’s forbidden to do as a ritual before G-d, then the verse says nothing whatsoever about Adam and Steve and their two kids and their dog–it’s saying you shouldn’t have sex with another man in the Temple as a sacrifice.

2) Following the same “this is ritually forbidden” logic of toevah, this verse may also be interpreted as “don’t do sex magic,” which was a thing in. Like. A lot of fucking cultures at the time.

3) Hebrew is a highly gendered language, and the grammatical gender in this verse is really really weird. One of the “men” in this verse is given female grammar. Why? Who fucking knows, man, this isn’t the only grammatical oddity in Torah. (There are also places where G-d is referred to as plural, and also as female.) One suggestion is that this is a way of creating a diminutive–that is, that the verse should be read as “a man should not lie with a boy.” Now, it’s worth noting that modern secular scholarship has concluded the written Torah was written down around the 6th century BCE, and most non-Orthodox Jewish scholars are like “yeah, all things considered, that sounds pretty legit.” 

Do you know what else was happening around the 6th century BCE? What laypeople tend to mean when they say “ancient Greece” was happening. 

Do you know what happened a lot in that time period in Greece? Dudes forming relationships with younger boys, like ages 10-15, and using them for sex in exchange for financial gifts, mentorship, etc. While we don’t know just how young some of these younger boys may have been, we do know some were prepubescent. In light of this, and also something I mentioned under the first point–”see your neighbors? DON’T DO THAT,” if this verse is interpreted to say “a man should not lie with a boy,” then it’s pretty clearly “my dudes, my fellows, my lads, don’t be fucking pedophiles.” 

4) Because of the grammar I mentioned in #3, it’s also possible that “should not lie with a man as with a woman” is actually referring to a place, not an abstract personhood: a man shouldn’t have sex with another man in a woman’s bed. In the time period, a woman’s bed was sort of like–that was her place, her safe sanctuary. It was also a ritually holy place where babies were made. By having sex in her bed, you’re violating her safe space (and also introducing a man who may not be a male relative, thus forcing her into breaking the laws of modesty). If this verse is read this way, then it should be taken to mean “don’t sexually violate a woman’s safety and modesty.”5) And as an offshoot of #4, this may be a second verse relating to infidelity. Which woman’s bed is any random dude in 600 BCE most likely to have access to? His wife’s. But laws were administered differently based on whether the person they pertained to was slave or free, male or female, and so on–thus, a man committing adultery with a woman would be treated differently than man committing adultery with a man (especially because the latter would carry no chance of an illegitimate pregnancy).


So you’ll note, there are a lot of ways to read this verse, and only a one-to-one translation with no cultural awareness produces “being gay is wrong, all of the time”.(You’ll also notice the word “abomination” is nowhere to be found. That’s like … a straight-up fiction created for who only knows what reason.)


Apparently tumblr mobile doesn’t want to show @prismatic-bell ’s long and in-depth essay, so here’s the screenshots, because it still shows up on mobile browsers:








Much appreciated.


I love when scholarship and history debunks bullshit



…I sadly have more bullshit to report.

“removed for violating guidelines”, EVERY screenshot.



…goddamnit







Let’s try this again



I am horrified that @prismatic-bell keeps getting censored + this info is gold. 

Many thanks, @pulmonary-poultry. This isn’t the only Jewish post of mine that’s mysteriously stopped showing up in searches and/or vanished from my blog entirely, but it is the one I get the most requests to repost, so this saves me from having to rewrite the whole damned essay. @the-invisible-self, thanks for bringing it to my attention that someone was able to preserve the post!
: prismatic-bell:
the-invisible-self:

pulmonary-poultry:

the-spoopy-ghost-of-raejin99:


mandalorianreynolds:

kuriquinn:

prismatic-bell:

the-spoopy-ghost-of-raejin99:


prismatic-bell:


broken-bits-of-dreams:

prismatic-bell:


aiko-mori-hates-pedos:

artbymoga:
Throwback to all these Jesus comics I drew in 2012…

Good post OP


Good post, OP, and if you ever decide to do another may I please suggest “NOT IN HEBREW IT DOESN’T” as a punchline? So much of the Old Testament is HORRIFICALLY translated from the Tanakh, it drives me batty.


WAIT WAIT WHAT DOES IT SAY?????? I NEED TO LIKE,, DESTROY MI MUM FOR BEING REALLY HOMOPHOBIC

Okay, so, strictly speaking, the infamous Leviticus 18:22 does say “forbidden.” Here’s the thing: 

1) The word translated as “forbidden” is “toevah.” While that translation isn’t … wrong, it’s sort of like saying “McMansion” means “really big house.” There are a lot of connotations in that word. The specific issue with toevah is that we … sort of … don’t know anymore exactly what it meant. Based on context, it seems likely that the word referred to something ritually forbidden. This part of Torah was written not only as a guide for future generations, but also to say “so, look around, see your neighbors? DON’T DO THAT.“ Thus, if we interpret “toevah” to mean something that’s forbidden to do as a ritual before G-d, then the verse says nothing whatsoever about Adam and Steve and their two kids and their dog–it’s saying you shouldn’t have sex with another man in the Temple as a sacrifice.

2) Following the same “this is ritually forbidden” logic of toevah, this verse may also be interpreted as “don’t do sex magic,” which was a thing in. Like. A lot of fucking cultures at the time.

3) Hebrew is a highly gendered language, and the grammatical gender in this verse is really really weird. One of the “men” in this verse is given female grammar. Why? Who fucking knows, man, this isn’t the only grammatical oddity in Torah. (There are also places where G-d is referred to as plural, and also as female.) One suggestion is that this is a way of creating a diminutive–that is, that the verse should be read as “a man should not lie with a boy.” Now, it’s worth noting that modern secular scholarship has concluded the written Torah was written down around the 6th century BCE, and most non-Orthodox Jewish scholars are like “yeah, all things considered, that sounds pretty legit.” 

Do you know what else was happening around the 6th century BCE? What laypeople tend to mean when they say “ancient Greece” was happening. 

Do you know what happened a lot in that time period in Greece? Dudes forming relationships with younger boys, like ages 10-15, and using them for sex in exchange for financial gifts, mentorship, etc. While we don’t know just how young some of these younger boys may have been, we do know some were prepubescent. In light of this, and also something I mentioned under the first point–”see your neighbors? DON’T DO THAT,” if this verse is interpreted to say “a man should not lie with a boy,” then it’s pretty clearly “my dudes, my fellows, my lads, don’t be fucking pedophiles.” 

4) Because of the grammar I mentioned in #3, it’s also possible that “should not lie with a man as with a woman” is actually referring to a place, not an abstract personhood: a man shouldn’t have sex with another man in a woman’s bed. In the time period, a woman’s bed was sort of like–that was her place, her safe sanctuary. It was also a ritually holy place where babies were made. By having sex in her bed, you’re violating her safe space (and also introducing a man who may not be a male relative, thus forcing her into breaking the laws of modesty). If this verse is read this way, then it should be taken to mean “don’t sexually violate a woman’s safety and modesty.”5) And as an offshoot of #4, this may be a second verse relating to infidelity. Which woman’s bed is any random dude in 600 BCE most likely to have access to? His wife’s. But laws were administered differently based on whether the person they pertained to was slave or free, male or female, and so on–thus, a man committing adultery with a woman would be treated differently than man committing adultery with a man (especially because the latter would carry no chance of an illegitimate pregnancy).


So you’ll note, there are a lot of ways to read this verse, and only a one-to-one translation with no cultural awareness produces “being gay is wrong, all of the time”.(You’ll also notice the word “abomination” is nowhere to be found. That’s like … a straight-up fiction created for who only knows what reason.)


Apparently tumblr mobile doesn’t want to show @prismatic-bell ’s long and in-depth essay, so here’s the screenshots, because it still shows up on mobile browsers:








Much appreciated.


I love when scholarship and history debunks bullshit



…I sadly have more bullshit to report.

“removed for violating guidelines”, EVERY screenshot.



…goddamnit







Let’s try this again



I am horrified that @prismatic-bell keeps getting censored + this info is gold. 

Many thanks, @pulmonary-poultry. This isn’t the only Jewish post of mine that’s mysteriously stopped showing up in searches and/or vanished from my blog entirely, but it is the one I get the most requests to repost, so this saves me from having to rewrite the whole damned essay. @the-invisible-self, thanks for bringing it to my attention that someone was able to preserve the post!

                    
                
            

            
            
        

    

    

        
Save

    



        

    

    
    

        

            









    

        
        
        
        
        
        
        
    

    

        ironwoman359:
cereusblue:

unnameablethings:


dragonsateyourtoast:

redporkpadthai:

dragonsateyourtoast:

otherwindow:

otherwindow:
This is how the golden age of piracy ended.
The first mermaid to get tattoos :)


“we didn’t know any better,” the crewman says, and swallows, presenting the chest to the captain. “what do we do now?”
“kill it,” the captain says, but the ice is melting in his eyes.
“we can’t,” the first mate says desperately, praying she won’t have to fight her captain on this. “we can’t. we - i won’t. we won’t.”
“i know.”
x
“daddy,” she says, floating in a tub of seawater in the hold, “daddy, la-la, la-la-la.”
her voice rings like bells. her accent is strange; her mouth isn’t made for human words. it mesmerises even the hardiest amongst them and she wasn’t even trying. the crew has taken to diving for shellfish near the shorelines for her; she loves them, splitting the shells apart with strength seen in no human toddler, slurping down the slimy molluscs inside and laughing, all plump brown cheeks and needle-sharp teeth. she sometimes splashes them for fun with her smooth, rubbery brown tail. even when they get soaked they laugh. they love her.
“daddy,” she calls again, and he can hear the worry in her voice. the storm rocking the ship is harsh and uncaring, and if they go down, she would be the only survivor.
“don’t worry,” he says, and goes over, sitting next to the tub. the first mate, leaning against the wall, pretends not to notice as he quietly begins to sing.
x
“father,” she says, one day, as she leans on the edge of the dock and the captain sits next to her, “why am I here?”
“your mother abandoned you,” he says, as he always has. “we found you adrift, and couldn’t bear to leave you there.”
she picks at the salt-soaked boards, uncertain. her hair is pulled back in a fluffy black puff, the white linen holding it slipping almost over one of her dark eyes. one of her first tattoos, a many-limbed kraken, curls over her right shoulder and down her arm, delicate tendrils wrapped around her calloused fingertips. “alright,” she says.
x
“why am I really here?” she asks the first mate, watching the sun set over the water in streaks of liquid metal that pooled in the troughs of the waves and glittered on the seafoam.
“we didn’t know any better,” the first mate says, staring into the water. “we didn’t know- we didn’t know anything. we didn’t understand why she fought so viciously to guard her treasure. we could not know she protected something a thousand times more precious than the purest gold.”
she wants to be furious, but she can’t. she already knew the answer, from reading the guilt in her father’s eyes and the empty space in her own history. and she can’t hate her family.
“it’s alright,” she says. “i do have a family, anyways. i don’t think i would have liked my other life near as much.”
x
her kraken grows, spreading its tendrils over her torso and arms. she grows too, too large to come on board the ship without being hauled up in a boat from the water. she sings when the storms come and swims before the ship to guide it to safety. she fights off more than one beast of the seas, and gathers a set of scars across her back that she bears with pride. “i don’t mind,” she says, when the captain fusses over her, “now i match all of you.”
the first time their ship is threatened, really threatened, is by another fleet. a friend turned enemy of the first mate. “we shouldn’t fight him,” she says, peering through the spyglass.
“why not?” the mermaid asks.
“he’ll win,” the first mate says.
the mermaid tips her head sideways. Her eyes, dark as the deep waters, gleam in the noon light. “are you sure?” she asks.
x
the enemy fleet surrenders after the flagship is sunk in the night, the anchor ripped off the ship and the planks torn off the hull. the surviving crew, wild-eyed and delirious, whimper and say a sea serpent came from the water and attacked them, say it was longer than the boat and crushed it in its coils. the first mate hears this and has to hide her laughter. the captain apologizes to his daughter for doubting her.
“don’t worry,” she says, with a bright laugh, “it was fun.”
x
the second time, they are pushed by a storm into a royal fleet. they can’t possibly fight them, and they don’t have the time to escape.
“let me up,” the mermaid urges, surfacing starboard and shouting to the crew. “bring me up, quickly, quickly.”
they lower the boat and she piles her sinous form into it, and uses her claws to help the crew pull her up. once on the deck she flops out of the boat and makes her way over to the bow. the crew tries to help but she’s so heavy they can barely lift parts of her.
she crawls up out in front of the rail and wraps her long webbed tail around the prow. the figurehead has served them well so far but they need more right now. she wraps herself around the figurehead and raises her body up into the wind takes a breath of the stinging salt air and sings.
the storm carries her voice on its front to the royal navy. they are enchanted, so stunned by her song that they drop the rigging ropes and let the tillers drift. the pirates sail through the center of the fleet, trailing the storm behind them, and by the time the fleet has managed to regain its senses they are buried in wind and rain and the pirates are gone.
x
she declines guns. instead she carries a harpoon and its launcher, and uses them to board enemy ships, hauling her massive form out of the water to coil on the deck and dispatch enemies with ruthless efficiency. her family is feared across all the sea.
x
“you know we are dying,” the captain says, looking down at her.
she floats next to the ship, so massive she could hold it in her arms. her eyes are wise.
“i know,” she says, “i can feel it coming.”
the first mate stands next to the captain. she never had a lover or a child, and neither did he, but to the mermaid they are her parents. she will always love her daughter. the tattoos are graven in dark swirls across the mermaid’s deep brown skin and the flesh of her tail, even spiraling onto the spiked webbing on her spine and face. her hair is still tied back, this time with a sail that could not be patched one last time. 
“we love you,” the first mate says simply, looking down. her own tightly coiled black hair falls in to her face; she shakes the locs out of the way and smiles through her tears. the captain pretends he isnt crying either.
“i love you too,” the mermaid says, and reached up to pull the ship down just a bit, just to hold them one last time.
“guard the ship,” the captain says. “you always have but you know they’re lost without you.”
“without you,” the mermaid corrects, with a shrug that makes waves. “what will we do?”
“i don’t know,” the captain says. “but you’ll help them, won’t you?”
“of course i will,” she scoffs, rolling her eyes. “i will always protect my family.”
x
the captain and the first mate are gone. the ship has a new captain, young and fearless - of the things she can afford to disregard. she fears and loves the ocean, as all captains do. she does not fear the royal fleet. and she does not fear the mermaid.
“you know, i heard stories about you when i was a little girl,” she says, trailing her fingers in the water next to the dock.
the mermaid stares at her with one eye the size of a dinner table. “is that so?” she hums, smirking with teeth sharper than the swords of the entire navy.
“they said you could sink an entire fleet and that you had skin tougher than dragon scales,” the new captain says, grinning right back at the monster who could eat her without a moment’s hesitation. “i always thought they were telling tall tales.”
“and now?”
“they were right,” the new captain says. “how did they ever befriend you?”
the mermaid smiles, fully this time, her dark eyes gleaming under the white linen sail. “they didn’t know any better.”

She protects her family.

Hi everybody! Guess what’s being posted on AO3 now at the following link!
https://archiveofourown.org/works/22498384/chapters/53760817
That’s right! Here you go. I’ll be uploading it in some chunks, because I want to make sure I have everything I wanted edited cleanly finished, but follow the story there!




HEY GUYS GUESS WHATS BACK ON THE DASHBOARD AND BETTER THAN EVER



I love this
: ironwoman359:
cereusblue:

unnameablethings:


dragonsateyourtoast:

redporkpadthai:

dragonsateyourtoast:

otherwindow:

otherwindow:
This is how the golden age of piracy ended.
The first mermaid to get tattoos :)


“we didn’t know any better,” the crewman says, and swallows, presenting the chest to the captain. “what do we do now?”
“kill it,” the captain says, but the ice is melting in his eyes.
“we can’t,” the first mate says desperately, praying she won’t have to fight her captain on this. “we can’t. we - i won’t. we won’t.”
“i know.”
x
“daddy,” she says, floating in a tub of seawater in the hold, “daddy, la-la, la-la-la.”
her voice rings like bells. her accent is strange; her mouth isn’t made for human words. it mesmerises even the hardiest amongst them and she wasn’t even trying. the crew has taken to diving for shellfish near the shorelines for her; she loves them, splitting the shells apart with strength seen in no human toddler, slurping down the slimy molluscs inside and laughing, all plump brown cheeks and needle-sharp teeth. she sometimes splashes them for fun with her smooth, rubbery brown tail. even when they get soaked they laugh. they love her.
“daddy,” she calls again, and he can hear the worry in her voice. the storm rocking the ship is harsh and uncaring, and if they go down, she would be the only survivor.
“don’t worry,” he says, and goes over, sitting next to the tub. the first mate, leaning against the wall, pretends not to notice as he quietly begins to sing.
x
“father,” she says, one day, as she leans on the edge of the dock and the captain sits next to her, “why am I here?”
“your mother abandoned you,” he says, as he always has. “we found you adrift, and couldn’t bear to leave you there.”
she picks at the salt-soaked boards, uncertain. her hair is pulled back in a fluffy black puff, the white linen holding it slipping almost over one of her dark eyes. one of her first tattoos, a many-limbed kraken, curls over her right shoulder and down her arm, delicate tendrils wrapped around her calloused fingertips. “alright,” she says.
x
“why am I really here?” she asks the first mate, watching the sun set over the water in streaks of liquid metal that pooled in the troughs of the waves and glittered on the seafoam.
“we didn’t know any better,” the first mate says, staring into the water. “we didn’t know- we didn’t know anything. we didn’t understand why she fought so viciously to guard her treasure. we could not know she protected something a thousand times more precious than the purest gold.”
she wants to be furious, but she can’t. she already knew the answer, from reading the guilt in her father’s eyes and the empty space in her own history. and she can’t hate her family.
“it’s alright,” she says. “i do have a family, anyways. i don’t think i would have liked my other life near as much.”
x
her kraken grows, spreading its tendrils over her torso and arms. she grows too, too large to come on board the ship without being hauled up in a boat from the water. she sings when the storms come and swims before the ship to guide it to safety. she fights off more than one beast of the seas, and gathers a set of scars across her back that she bears with pride. “i don’t mind,” she says, when the captain fusses over her, “now i match all of you.”
the first time their ship is threatened, really threatened, is by another fleet. a friend turned enemy of the first mate. “we shouldn’t fight him,” she says, peering through the spyglass.
“why not?” the mermaid asks.
“he’ll win,” the first mate says.
the mermaid tips her head sideways. Her eyes, dark as the deep waters, gleam in the noon light. “are you sure?” she asks.
x
the enemy fleet surrenders after the flagship is sunk in the night, the anchor ripped off the ship and the planks torn off the hull. the surviving crew, wild-eyed and delirious, whimper and say a sea serpent came from the water and attacked them, say it was longer than the boat and crushed it in its coils. the first mate hears this and has to hide her laughter. the captain apologizes to his daughter for doubting her.
“don’t worry,” she says, with a bright laugh, “it was fun.”
x
the second time, they are pushed by a storm into a royal fleet. they can’t possibly fight them, and they don’t have the time to escape.
“let me up,” the mermaid urges, surfacing starboard and shouting to the crew. “bring me up, quickly, quickly.”
they lower the boat and she piles her sinous form into it, and uses her claws to help the crew pull her up. once on the deck she flops out of the boat and makes her way over to the bow. the crew tries to help but she’s so heavy they can barely lift parts of her.
she crawls up out in front of the rail and wraps her long webbed tail around the prow. the figurehead has served them well so far but they need more right now. she wraps herself around the figurehead and raises her body up into the wind takes a breath of the stinging salt air and sings.
the storm carries her voice on its front to the royal navy. they are enchanted, so stunned by her song that they drop the rigging ropes and let the tillers drift. the pirates sail through the center of the fleet, trailing the storm behind them, and by the time the fleet has managed to regain its senses they are buried in wind and rain and the pirates are gone.
x
she declines guns. instead she carries a harpoon and its launcher, and uses them to board enemy ships, hauling her massive form out of the water to coil on the deck and dispatch enemies with ruthless efficiency. her family is feared across all the sea.
x
“you know we are dying,” the captain says, looking down at her.
she floats next to the ship, so massive she could hold it in her arms. her eyes are wise.
“i know,” she says, “i can feel it coming.”
the first mate stands next to the captain. she never had a lover or a child, and neither did he, but to the mermaid they are her parents. she will always love her daughter. the tattoos are graven in dark swirls across the mermaid’s deep brown skin and the flesh of her tail, even spiraling onto the spiked webbing on her spine and face. her hair is still tied back, this time with a sail that could not be patched one last time. 
“we love you,” the first mate says simply, looking down. her own tightly coiled black hair falls in to her face; she shakes the locs out of the way and smiles through her tears. the captain pretends he isnt crying either.
“i love you too,” the mermaid says, and reached up to pull the ship down just a bit, just to hold them one last time.
“guard the ship,” the captain says. “you always have but you know they’re lost without you.”
“without you,” the mermaid corrects, with a shrug that makes waves. “what will we do?”
“i don’t know,” the captain says. “but you’ll help them, won’t you?”
“of course i will,” she scoffs, rolling her eyes. “i will always protect my family.”
x
the captain and the first mate are gone. the ship has a new captain, young and fearless - of the things she can afford to disregard. she fears and loves the ocean, as all captains do. she does not fear the royal fleet. and she does not fear the mermaid.
“you know, i heard stories about you when i was a little girl,” she says, trailing her fingers in the water next to the dock.
the mermaid stares at her with one eye the size of a dinner table. “is that so?” she hums, smirking with teeth sharper than the swords of the entire navy.
“they said you could sink an entire fleet and that you had skin tougher than dragon scales,” the new captain says, grinning right back at the monster who could eat her without a moment’s hesitation. “i always thought they were telling tall tales.”
“and now?”
“they were right,” the new captain says. “how did they ever befriend you?”
the mermaid smiles, fully this time, her dark eyes gleaming under the white linen sail. “they didn’t know any better.”

She protects her family.

Hi everybody! Guess what’s being posted on AO3 now at the following link!
https://archiveofourown.org/works/22498384/chapters/53760817
That’s right! Here you go. I’ll be uploading it in some chunks, because I want to make sure I have everything I wanted edited cleanly finished, but follow the story there!




HEY GUYS GUESS WHATS BACK ON THE DASHBOARD AND BETTER THAN EVER



I love this

        

            
            

                
                
                    ironwoman359:
cereusblue:

unnameablethings:


dragonsateyourtoast:

redporkpadthai:

dragonsateyourtoast:

otherwindow:

otherwindow:
This is how the golden age of piracy ended.
The first mermaid to get tattoos :)


“we didn’t know any better,” the crewman says, and swallows, presenting the chest to the captain. “what do we do now?”
“kill it,” the captain says, but the ice is melting in his eyes.
“we can’t,” the first mate says desperately, praying she won’t have to fight her captain on this. “we can’t. we - i won’t. we won’t.”
“i know.”
x
“daddy,” she says, floating in a tub of seawater in the hold, “daddy, la-la, la-la-la.”
her voice rings like bells. her accent is strange; her mouth isn’t made for human words. it mesmerises even the hardiest amongst them and she wasn’t even trying. the crew has taken to diving for shellfish near the shorelines for her; she loves them, splitting the shells apart with strength seen in no human toddler, slurping down the slimy molluscs inside and laughing, all plump brown cheeks and needle-sharp teeth. she sometimes splashes them for fun with her smooth, rubbery brown tail. even when they get soaked they laugh. they love her.
“daddy,” she calls again, and he can hear the worry in her voice. the storm rocking the ship is harsh and uncaring, and if they go down, she would be the only survivor.
“don’t worry,” he says, and goes over, sitting next to the tub. the first mate, leaning against the wall, pretends not to notice as he quietly begins to sing.
x
“father,” she says, one day, as she leans on the edge of the dock and the captain sits next to her, “why am I here?”
“your mother abandoned you,” he says, as he always has. “we found you adrift, and couldn’t bear to leave you there.”
she picks at the salt-soaked boards, uncertain. her hair is pulled back in a fluffy black puff, the white linen holding it slipping almost over one of her dark eyes. one of her first tattoos, a many-limbed kraken, curls over her right shoulder and down her arm, delicate tendrils wrapped around her calloused fingertips. “alright,” she says.
x
“why am I really here?” she asks the first mate, watching the sun set over the water in streaks of liquid metal that pooled in the troughs of the waves and glittered on the seafoam.
“we didn’t know any better,” the first mate says, staring into the water. “we didn’t know- we didn’t know anything. we didn’t understand why she fought so viciously to guard her treasure. we could not know she protected something a thousand times more precious than the purest gold.”
she wants to be furious, but she can’t. she already knew the answer, from reading the guilt in her father’s eyes and the empty space in her own history. and she can’t hate her family.
“it’s alright,” she says. “i do have a family, anyways. i don’t think i would have liked my other life near as much.”
x
her kraken grows, spreading its tendrils over her torso and arms. she grows too, too large to come on board the ship without being hauled up in a boat from the water. she sings when the storms come and swims before the ship to guide it to safety. she fights off more than one beast of the seas, and gathers a set of scars across her back that she bears with pride. “i don’t mind,” she says, when the captain fusses over her, “now i match all of you.”
the first time their ship is threatened, really threatened, is by another fleet. a friend turned enemy of the first mate. “we shouldn’t fight him,” she says, peering through the spyglass.
“why not?” the mermaid asks.
“he’ll win,” the first mate says.
the mermaid tips her head sideways. Her eyes, dark as the deep waters, gleam in the noon light. “are you sure?” she asks.
x
the enemy fleet surrenders after the flagship is sunk in the night, the anchor ripped off the ship and the planks torn off the hull. the surviving crew, wild-eyed and delirious, whimper and say a sea serpent came from the water and attacked them, say it was longer than the boat and crushed it in its coils. the first mate hears this and has to hide her laughter. the captain apologizes to his daughter for doubting her.
“don’t worry,” she says, with a bright laugh, “it was fun.”
x
the second time, they are pushed by a storm into a royal fleet. they can’t possibly fight them, and they don’t have the time to escape.
“let me up,” the mermaid urges, surfacing starboard and shouting to the crew. “bring me up, quickly, quickly.”
they lower the boat and she piles her sinous form into it, and uses her claws to help the crew pull her up. once on the deck she flops out of the boat and makes her way over to the bow. the crew tries to help but she’s so heavy they can barely lift parts of her.
she crawls up out in front of the rail and wraps her long webbed tail around the prow. the figurehead has served them well so far but they need more right now. she wraps herself around the figurehead and raises her body up into the wind takes a breath of the stinging salt air and sings.
the storm carries her voice on its front to the royal navy. they are enchanted, so stunned by her song that they drop the rigging ropes and let the tillers drift. the pirates sail through the center of the fleet, trailing the storm behind them, and by the time the fleet has managed to regain its senses they are buried in wind and rain and the pirates are gone.
x
she declines guns. instead she carries a harpoon and its launcher, and uses them to board enemy ships, hauling her massive form out of the water to coil on the deck and dispatch enemies with ruthless efficiency. her family is feared across all the sea.
x
“you know we are dying,” the captain says, looking down at her.
she floats next to the ship, so massive she could hold it in her arms. her eyes are wise.
“i know,” she says, “i can feel it coming.”
the first mate stands next to the captain. she never had a lover or a child, and neither did he, but to the mermaid they are her parents. she will always love her daughter. the tattoos are graven in dark swirls across the mermaid’s deep brown skin and the flesh of her tail, even spiraling onto the spiked webbing on her spine and face. her hair is still tied back, this time with a sail that could not be patched one last time. 
“we love you,” the first mate says simply, looking down. her own tightly coiled black hair falls in to her face; she shakes the locs out of the way and smiles through her tears. the captain pretends he isnt crying either.
“i love you too,” the mermaid says, and reached up to pull the ship down just a bit, just to hold them one last time.
“guard the ship,” the captain says. “you always have but you know they’re lost without you.”
“without you,” the mermaid corrects, with a shrug that makes waves. “what will we do?”
“i don’t know,” the captain says. “but you’ll help them, won’t you?”
“of course i will,” she scoffs, rolling her eyes. “i will always protect my family.”
x
the captain and the first mate are gone. the ship has a new captain, young and fearless - of the things she can afford to disregard. she fears and loves the ocean, as all captains do. she does not fear the royal fleet. and she does not fear the mermaid.
“you know, i heard stories about you when i was a little girl,” she says, trailing her fingers in the water next to the dock.
the mermaid stares at her with one eye the size of a dinner table. “is that so?” she hums, smirking with teeth sharper than the swords of the entire navy.
“they said you could sink an entire fleet and that you had skin tougher than dragon scales,” the new captain says, grinning right back at the monster who could eat her without a moment’s hesitation. “i always thought they were telling tall tales.”
“and now?”
“they were right,” the new captain says. “how did they ever befriend you?”
the mermaid smiles, fully this time, her dark eyes gleaming under the white linen sail. “they didn’t know any better.”

She protects her family.

Hi everybody! Guess what’s being posted on AO3 now at the following link!
https://archiveofourown.org/works/22498384/chapters/53760817
That’s right! Here you go. I’ll be uploading it in some chunks, because I want to make sure I have everything I wanted edited cleanly finished, but follow the story there!




HEY GUYS GUESS WHATS BACK ON THE DASHBOARD AND BETTER THAN EVER



I love this
: ironwoman359:
cereusblue:

unnameablethings:


dragonsateyourtoast:

redporkpadthai:

dragonsateyourtoast:

otherwindow:

otherwindow:
This is how the golden age of piracy ended.
The first mermaid to get tattoos :)


“we didn’t know any better,” the crewman says, and swallows, presenting the chest to the captain. “what do we do now?”
“kill it,” the captain says, but the ice is melting in his eyes.
“we can’t,” the first mate says desperately, praying she won’t have to fight her captain on this. “we can’t. we - i won’t. we won’t.”
“i know.”
x
“daddy,” she says, floating in a tub of seawater in the hold, “daddy, la-la, la-la-la.”
her voice rings like bells. her accent is strange; her mouth isn’t made for human words. it mesmerises even the hardiest amongst them and she wasn’t even trying. the crew has taken to diving for shellfish near the shorelines for her; she loves them, splitting the shells apart with strength seen in no human toddler, slurping down the slimy molluscs inside and laughing, all plump brown cheeks and needle-sharp teeth. she sometimes splashes them for fun with her smooth, rubbery brown tail. even when they get soaked they laugh. they love her.
“daddy,” she calls again, and he can hear the worry in her voice. the storm rocking the ship is harsh and uncaring, and if they go down, she would be the only survivor.
“don’t worry,” he says, and goes over, sitting next to the tub. the first mate, leaning against the wall, pretends not to notice as he quietly begins to sing.
x
“father,” she says, one day, as she leans on the edge of the dock and the captain sits next to her, “why am I here?”
“your mother abandoned you,” he says, as he always has. “we found you adrift, and couldn’t bear to leave you there.”
she picks at the salt-soaked boards, uncertain. her hair is pulled back in a fluffy black puff, the white linen holding it slipping almost over one of her dark eyes. one of her first tattoos, a many-limbed kraken, curls over her right shoulder and down her arm, delicate tendrils wrapped around her calloused fingertips. “alright,” she says.
x
“why am I really here?” she asks the first mate, watching the sun set over the water in streaks of liquid metal that pooled in the troughs of the waves and glittered on the seafoam.
“we didn’t know any better,” the first mate says, staring into the water. “we didn’t know- we didn’t know anything. we didn’t understand why she fought so viciously to guard her treasure. we could not know she protected something a thousand times more precious than the purest gold.”
she wants to be furious, but she can’t. she already knew the answer, from reading the guilt in her father’s eyes and the empty space in her own history. and she can’t hate her family.
“it’s alright,” she says. “i do have a family, anyways. i don’t think i would have liked my other life near as much.”
x
her kraken grows, spreading its tendrils over her torso and arms. she grows too, too large to come on board the ship without being hauled up in a boat from the water. she sings when the storms come and swims before the ship to guide it to safety. she fights off more than one beast of the seas, and gathers a set of scars across her back that she bears with pride. “i don’t mind,” she says, when the captain fusses over her, “now i match all of you.”
the first time their ship is threatened, really threatened, is by another fleet. a friend turned enemy of the first mate. “we shouldn’t fight him,” she says, peering through the spyglass.
“why not?” the mermaid asks.
“he’ll win,” the first mate says.
the mermaid tips her head sideways. Her eyes, dark as the deep waters, gleam in the noon light. “are you sure?” she asks.
x
the enemy fleet surrenders after the flagship is sunk in the night, the anchor ripped off the ship and the planks torn off the hull. the surviving crew, wild-eyed and delirious, whimper and say a sea serpent came from the water and attacked them, say it was longer than the boat and crushed it in its coils. the first mate hears this and has to hide her laughter. the captain apologizes to his daughter for doubting her.
“don’t worry,” she says, with a bright laugh, “it was fun.”
x
the second time, they are pushed by a storm into a royal fleet. they can’t possibly fight them, and they don’t have the time to escape.
“let me up,” the mermaid urges, surfacing starboard and shouting to the crew. “bring me up, quickly, quickly.”
they lower the boat and she piles her sinous form into it, and uses her claws to help the crew pull her up. once on the deck she flops out of the boat and makes her way over to the bow. the crew tries to help but she’s so heavy they can barely lift parts of her.
she crawls up out in front of the rail and wraps her long webbed tail around the prow. the figurehead has served them well so far but they need more right now. she wraps herself around the figurehead and raises her body up into the wind takes a breath of the stinging salt air and sings.
the storm carries her voice on its front to the royal navy. they are enchanted, so stunned by her song that they drop the rigging ropes and let the tillers drift. the pirates sail through the center of the fleet, trailing the storm behind them, and by the time the fleet has managed to regain its senses they are buried in wind and rain and the pirates are gone.
x
she declines guns. instead she carries a harpoon and its launcher, and uses them to board enemy ships, hauling her massive form out of the water to coil on the deck and dispatch enemies with ruthless efficiency. her family is feared across all the sea.
x
“you know we are dying,” the captain says, looking down at her.
she floats next to the ship, so massive she could hold it in her arms. her eyes are wise.
“i know,” she says, “i can feel it coming.”
the first mate stands next to the captain. she never had a lover or a child, and neither did he, but to the mermaid they are her parents. she will always love her daughter. the tattoos are graven in dark swirls across the mermaid’s deep brown skin and the flesh of her tail, even spiraling onto the spiked webbing on her spine and face. her hair is still tied back, this time with a sail that could not be patched one last time. 
“we love you,” the first mate says simply, looking down. her own tightly coiled black hair falls in to her face; she shakes the locs out of the way and smiles through her tears. the captain pretends he isnt crying either.
“i love you too,” the mermaid says, and reached up to pull the ship down just a bit, just to hold them one last time.
“guard the ship,” the captain says. “you always have but you know they’re lost without you.”
“without you,” the mermaid corrects, with a shrug that makes waves. “what will we do?”
“i don’t know,” the captain says. “but you’ll help them, won’t you?”
“of course i will,” she scoffs, rolling her eyes. “i will always protect my family.”
x
the captain and the first mate are gone. the ship has a new captain, young and fearless - of the things she can afford to disregard. she fears and loves the ocean, as all captains do. she does not fear the royal fleet. and she does not fear the mermaid.
“you know, i heard stories about you when i was a little girl,” she says, trailing her fingers in the water next to the dock.
the mermaid stares at her with one eye the size of a dinner table. “is that so?” she hums, smirking with teeth sharper than the swords of the entire navy.
“they said you could sink an entire fleet and that you had skin tougher than dragon scales,” the new captain says, grinning right back at the monster who could eat her without a moment’s hesitation. “i always thought they were telling tall tales.”
“and now?”
“they were right,” the new captain says. “how did they ever befriend you?”
the mermaid smiles, fully this time, her dark eyes gleaming under the white linen sail. “they didn’t know any better.”

She protects her family.

Hi everybody! Guess what’s being posted on AO3 now at the following link!
https://archiveofourown.org/works/22498384/chapters/53760817
That’s right! Here you go. I’ll be uploading it in some chunks, because I want to make sure I have everything I wanted edited cleanly finished, but follow the story there!




HEY GUYS GUESS WHATS BACK ON THE DASHBOARD AND BETTER THAN EVER



I love this

                    
                
            

            
                
                
ironwoman359:
cereusblue:

unnameablethings:


dragonsateyourtoast:

redporkpadthai:

dragonsateyourtoast:

otherwindow:

otherwindow:
Th...

                
            
            
        

    

    

        
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        old but gold: old but gold
        

            
            

                
                
                    old but gold: old but gold
                    
                
            

            
                
                
old but gold

                
            
            
        

    

    

        
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        enderman:

enderman:

NEW ORE?!?!? NO WAY
AND IT’S BETTER THAN DIAMOND?!!?!??!

Alright, I’ve had the chance to play around in the nether for a while and I’ve learned more about how this stuff works…
So, while netherite is better than diamonds, it is prohibitively rarer than obtaining diamonds is. The way you get netherrite is by finding these “ancient debris” blocks that generate below ~25 on the y level, (I found they’re most common around y levels 10-16 or so, the lowest I saw them generate was y:7). They look like this:
They generate in ore veins of 1-3, I find that the veins of 3 are quite rare though. I also never saw them visible from the surface, but maybe it can happen sometimes. More often than not it looks like you’ll have to use stripmines just to find them, though.
Once you find a vein of the stuff, I hope you brought a diamond pick, though- they can only be mined using diamond. I tried iron and gold, it’s ridiculously slow with those and they don’t drop, you need a diamond pick.
Once you mine it, you get just the ore form of it, like mining iron or gold ore (so, it’s not affected by the fortune enchant). You can smelt it in a furnace or blast furnace to get “netherite scrap”, which is then used to make the ingots. You need gold ingots as well to combine with the scraps, like so:
Once you’ve crafted up a netherite ingot, the way you use it in crafting recipes isn’t quite what you might expect. Instead of using the ingots directly, you craft tools and armor from them like this:
Yup. You need to combine diamond tools and armor with the ingot to get the netherite stuff.
At the very least, it means you don’t need a ridiculous amount of netherite just to be able to make anything, but you will need a lot more diamonds. Also, before you ask, no you don’t keep the enchantments from the diamond armor if you use enchanted diamond while crafting- all the enchantments are lost when making netherite. That’s ok though, because as the changelog post said, netherite is more enchantable than diamond gear is.
Netherite armor looks like this:
I think it looks pretty Sexy tbh
In addition, netherite items have a rather unique property… They don’t burn in lava
btw, here’s what it looks like enchanted:
All in all. I am in love with this new ore thank you so much mojang we are truly blessed
: enderman:

enderman:

NEW ORE?!?!? NO WAY
AND IT’S BETTER THAN DIAMOND?!!?!??!

Alright, I’ve had the chance to play around in the nether for a while and I’ve learned more about how this stuff works…
So, while netherite is better than diamonds, it is prohibitively rarer than obtaining diamonds is. The way you get netherrite is by finding these “ancient debris” blocks that generate below ~25 on the y level, (I found they’re most common around y levels 10-16 or so, the lowest I saw them generate was y:7). They look like this:
They generate in ore veins of 1-3, I find that the veins of 3 are quite rare though. I also never saw them visible from the surface, but maybe it can happen sometimes. More often than not it looks like you’ll have to use stripmines just to find them, though.
Once you find a vein of the stuff, I hope you brought a diamond pick, though- they can only be mined using diamond. I tried iron and gold, it’s ridiculously slow with those and they don’t drop, you need a diamond pick.
Once you mine it, you get just the ore form of it, like mining iron or gold ore (so, it’s not affected by the fortune enchant). You can smelt it in a furnace or blast furnace to get “netherite scrap”, which is then used to make the ingots. You need gold ingots as well to combine with the scraps, like so:
Once you’ve crafted up a netherite ingot, the way you use it in crafting recipes isn’t quite what you might expect. Instead of using the ingots directly, you craft tools and armor from them like this:
Yup. You need to combine diamond tools and armor with the ingot to get the netherite stuff.
At the very least, it means you don’t need a ridiculous amount of netherite just to be able to make anything, but you will need a lot more diamonds. Also, before you ask, no you don’t keep the enchantments from the diamond armor if you use enchanted diamond while crafting- all the enchantments are lost when making netherite. That’s ok though, because as the changelog post said, netherite is more enchantable than diamond gear is.
Netherite armor looks like this:
I think it looks pretty Sexy tbh
In addition, netherite items have a rather unique property… They don’t burn in lava
btw, here’s what it looks like enchanted:
All in all. I am in love with this new ore thank you so much mojang we are truly blessed

        

            
            

                
                
                    enderman:

enderman:

NEW ORE?!?!? NO WAY
AND IT’S BETTER THAN DIAMOND?!!?!??!

Alright, I’ve had the chance to play around in the nether for a while and I’ve learned more about how this stuff works…
So, while netherite is better than diamonds, it is prohibitively rarer than obtaining diamonds is. The way you get netherrite is by finding these “ancient debris” blocks that generate below ~25 on the y level, (I found they’re most common around y levels 10-16 or so, the lowest I saw them generate was y:7). They look like this:
They generate in ore veins of 1-3, I find that the veins of 3 are quite rare though. I also never saw them visible from the surface, but maybe it can happen sometimes. More often than not it looks like you’ll have to use stripmines just to find them, though.
Once you find a vein of the stuff, I hope you brought a diamond pick, though- they can only be mined using diamond. I tried iron and gold, it’s ridiculously slow with those and they don’t drop, you need a diamond pick.
Once you mine it, you get just the ore form of it, like mining iron or gold ore (so, it’s not affected by the fortune enchant). You can smelt it in a furnace or blast furnace to get “netherite scrap”, which is then used to make the ingots. You need gold ingots as well to combine with the scraps, like so:
Once you’ve crafted up a netherite ingot, the way you use it in crafting recipes isn’t quite what you might expect. Instead of using the ingots directly, you craft tools and armor from them like this:
Yup. You need to combine diamond tools and armor with the ingot to get the netherite stuff.
At the very least, it means you don’t need a ridiculous amount of netherite just to be able to make anything, but you will need a lot more diamonds. Also, before you ask, no you don’t keep the enchantments from the diamond armor if you use enchanted diamond while crafting- all the enchantments are lost when making netherite. That’s ok though, because as the changelog post said, netherite is more enchantable than diamond gear is.
Netherite armor looks like this:
I think it looks pretty Sexy tbh
In addition, netherite items have a rather unique property… They don’t burn in lava
btw, here’s what it looks like enchanted:
All in all. I am in love with this new ore thank you so much mojang we are truly blessed
: enderman:

enderman:

NEW ORE?!?!? NO WAY
AND IT’S BETTER THAN DIAMOND?!!?!??!

Alright, I’ve had the chance to play around in the nether for a while and I’ve learned more about how this stuff works…
So, while netherite is better than diamonds, it is prohibitively rarer than obtaining diamonds is. The way you get netherrite is by finding these “ancient debris” blocks that generate below ~25 on the y level, (I found they’re most common around y levels 10-16 or so, the lowest I saw them generate was y:7). They look like this:
They generate in ore veins of 1-3, I find that the veins of 3 are quite rare though. I also never saw them visible from the surface, but maybe it can happen sometimes. More often than not it looks like you’ll have to use stripmines just to find them, though.
Once you find a vein of the stuff, I hope you brought a diamond pick, though- they can only be mined using diamond. I tried iron and gold, it’s ridiculously slow with those and they don’t drop, you need a diamond pick.
Once you mine it, you get just the ore form of it, like mining iron or gold ore (so, it’s not affected by the fortune enchant). You can smelt it in a furnace or blast furnace to get “netherite scrap”, which is then used to make the ingots. You need gold ingots as well to combine with the scraps, like so:
Once you’ve crafted up a netherite ingot, the way you use it in crafting recipes isn’t quite what you might expect. Instead of using the ingots directly, you craft tools and armor from them like this:
Yup. You need to combine diamond tools and armor with the ingot to get the netherite stuff.
At the very least, it means you don’t need a ridiculous amount of netherite just to be able to make anything, but you will need a lot more diamonds. Also, before you ask, no you don’t keep the enchantments from the diamond armor if you use enchanted diamond while crafting- all the enchantments are lost when making netherite. That’s ok though, because as the changelog post said, netherite is more enchantable than diamond gear is.
Netherite armor looks like this:
I think it looks pretty Sexy tbh
In addition, netherite items have a rather unique property… They don’t burn in lava
btw, here’s what it looks like enchanted:
All in all. I am in love with this new ore thank you so much mojang we are truly blessed

                    
                
            

            
                
                
enderman:

enderman:

NEW ORE?!?!? NO WAY
AND IT’S BETTER THAN DIAMOND?!!?!??!

Alright, I’ve had the chance to play around in the nether...

                
            
            
        

    

    

        
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        m00kieblaylock:
inevitable-anna:

groot-scamander:

an-gremlin:

octoberfutch:

kvngkoala:

caramelmacchiatoshawty:

amroyounes:

Capitalism at its best.  Some role models we should all consider.  I am a fan of Hagen Daz, but after reading this, I need to get me some Cherry Garcia!

I just need to work for them tbh 

And they openly support Black Lives Matter. They are GOLD ❤️

they also have an AMAZING dairy free almondmilk ice cream. changed my life

They’ve also gone in front of congress to testify that every shitty business’s claims that minimum wage hikes are bad are complete bullshit


Ben and Jerry have also been arrested for peaceful protest at least one time, so we know they’re the coolest



Support Ben and Jerry’s!

I basically lived on Ben & Jerry’s the entire year I turned 18. I know the price upsets some people, but it’s really worth supporting the causes behind the brand.
: m00kieblaylock:
inevitable-anna:

groot-scamander:

an-gremlin:

octoberfutch:

kvngkoala:

caramelmacchiatoshawty:

amroyounes:

Capitalism at its best.  Some role models we should all consider.  I am a fan of Hagen Daz, but after reading this, I need to get me some Cherry Garcia!

I just need to work for them tbh 

And they openly support Black Lives Matter. They are GOLD ❤️

they also have an AMAZING dairy free almondmilk ice cream. changed my life

They’ve also gone in front of congress to testify that every shitty business’s claims that minimum wage hikes are bad are complete bullshit


Ben and Jerry have also been arrested for peaceful protest at least one time, so we know they’re the coolest



Support Ben and Jerry’s!

I basically lived on Ben & Jerry’s the entire year I turned 18. I know the price upsets some people, but it’s really worth supporting the causes behind the brand.

        

            
            

                
                
                    m00kieblaylock:
inevitable-anna:

groot-scamander:

an-gremlin:

octoberfutch:

kvngkoala:

caramelmacchiatoshawty:

amroyounes:

Capitalism at its best.  Some role models we should all consider.  I am a fan of Hagen Daz, but after reading this, I need to get me some Cherry Garcia!

I just need to work for them tbh 

And they openly support Black Lives Matter. They are GOLD ❤️

they also have an AMAZING dairy free almondmilk ice cream. changed my life

They’ve also gone in front of congress to testify that every shitty business’s claims that minimum wage hikes are bad are complete bullshit


Ben and Jerry have also been arrested for peaceful protest at least one time, so we know they’re the coolest



Support Ben and Jerry’s!

I basically lived on Ben & Jerry’s the entire year I turned 18. I know the price upsets some people, but it’s really worth supporting the causes behind the brand.
: m00kieblaylock:
inevitable-anna:

groot-scamander:

an-gremlin:

octoberfutch:

kvngkoala:

caramelmacchiatoshawty:

amroyounes:

Capitalism at its best.  Some role models we should all consider.  I am a fan of Hagen Daz, but after reading this, I need to get me some Cherry Garcia!

I just need to work for them tbh 

And they openly support Black Lives Matter. They are GOLD ❤️

they also have an AMAZING dairy free almondmilk ice cream. changed my life

They’ve also gone in front of congress to testify that every shitty business’s claims that minimum wage hikes are bad are complete bullshit


Ben and Jerry have also been arrested for peaceful protest at least one time, so we know they’re the coolest



Support Ben and Jerry’s!

I basically lived on Ben & Jerry’s the entire year I turned 18. I know the price upsets some people, but it’s really worth supporting the causes behind the brand.

                    
                
            

            
            
        

    

    

        
Save

    



        

    

    
    

        

            








        

    

    
    

        

            









    

        
        
        
        
        
        
        
    

    

        imbrium-mare:
hating-alison-ashley:

girlwhowantedtobegod:

salad-chan:

dizzymoods:

Chaplin met Lita MacMurray when she was 12yrs old. He got her pregnant during the filming of The Gold Rush when she was 15. He fired her from the set and tried forcing her to have an abortion. Years after covering that disgusting situation up, at the age of 54 he married Oona O’Neil, who had just turned 18. 
It’s absolutely disgusting how these men use their money, fame, and influence to silence their victims. & we can only guess at the number of young girls we will never know about who have been targeted by these demons.  


This whole “seperate the art from the artist” bs has kept such criminals protected from the scrutiny of law. We need to accept that art cannot cover up crimes and that in want of better art, we cannot let criminals do better crimes.



and people brush this off and pretend it’s not reality all the time. people are fucking spineless. it’s pathetic but even more than that, it’s disgusting. stop letting pedophiles be “normal”, stop letting pedophiles be “great.” children’s safety matters. 

Every ‘brilliant’ pedophile who is punished and removed from society allows someone else more worthy to take his place. It also gives his victims a chance to do great things instead.We would have more brilliant artists and creators not fewer if the pedophiles weren’t allowed to flourish. They’d be a different demographic - one that men can’t use to give tacit approval to their own misdeeds.

Unpopular opinion but the life and dignity of children is more important than your favorite movie or singer or whatever. Sure, the idea that getting rid of a pedophile “allows someone else more worthy to take his place” is really reassuring to the masses, but that should not be your priority. You shouldn’t have to gain something from putting a child molester behind bars to put a child molester behind bars.
The very idea that we are making society a safer, better place for our kids and modeling correct behavior should be enough. It needs to be enough, or else men like this will never be brought to justice.
: imbrium-mare:
hating-alison-ashley:

girlwhowantedtobegod:

salad-chan:

dizzymoods:

Chaplin met Lita MacMurray when she was 12yrs old. He got her pregnant during the filming of The Gold Rush when she was 15. He fired her from the set and tried forcing her to have an abortion. Years after covering that disgusting situation up, at the age of 54 he married Oona O’Neil, who had just turned 18. 
It’s absolutely disgusting how these men use their money, fame, and influence to silence their victims. & we can only guess at the number of young girls we will never know about who have been targeted by these demons.  


This whole “seperate the art from the artist” bs has kept such criminals protected from the scrutiny of law. We need to accept that art cannot cover up crimes and that in want of better art, we cannot let criminals do better crimes.



and people brush this off and pretend it’s not reality all the time. people are fucking spineless. it’s pathetic but even more than that, it’s disgusting. stop letting pedophiles be “normal”, stop letting pedophiles be “great.” children’s safety matters. 

Every ‘brilliant’ pedophile who is punished and removed from society allows someone else more worthy to take his place. It also gives his victims a chance to do great things instead.We would have more brilliant artists and creators not fewer if the pedophiles weren’t allowed to flourish. They’d be a different demographic - one that men can’t use to give tacit approval to their own misdeeds.

Unpopular opinion but the life and dignity of children is more important than your favorite movie or singer or whatever. Sure, the idea that getting rid of a pedophile “allows someone else more worthy to take his place” is really reassuring to the masses, but that should not be your priority. You shouldn’t have to gain something from putting a child molester behind bars to put a child molester behind bars.
The very idea that we are making society a safer, better place for our kids and modeling correct behavior should be enough. It needs to be enough, or else men like this will never be brought to justice.

        

            
            

                
                
                    imbrium-mare:
hating-alison-ashley:

girlwhowantedtobegod:

salad-chan:

dizzymoods:

Chaplin met Lita MacMurray when she was 12yrs old. He got her pregnant during the filming of The Gold Rush when she was 15. He fired her from the set and tried forcing her to have an abortion. Years after covering that disgusting situation up, at the age of 54 he married Oona O’Neil, who had just turned 18. 
It’s absolutely disgusting how these men use their money, fame, and influence to silence their victims. & we can only guess at the number of young girls we will never know about who have been targeted by these demons.  


This whole “seperate the art from the artist” bs has kept such criminals protected from the scrutiny of law. We need to accept that art cannot cover up crimes and that in want of better art, we cannot let criminals do better crimes.



and people brush this off and pretend it’s not reality all the time. people are fucking spineless. it’s pathetic but even more than that, it’s disgusting. stop letting pedophiles be “normal”, stop letting pedophiles be “great.” children’s safety matters. 

Every ‘brilliant’ pedophile who is punished and removed from society allows someone else more worthy to take his place. It also gives his victims a chance to do great things instead.We would have more brilliant artists and creators not fewer if the pedophiles weren’t allowed to flourish. They’d be a different demographic - one that men can’t use to give tacit approval to their own misdeeds.

Unpopular opinion but the life and dignity of children is more important than your favorite movie or singer or whatever. Sure, the idea that getting rid of a pedophile “allows someone else more worthy to take his place” is really reassuring to the masses, but that should not be your priority. You shouldn’t have to gain something from putting a child molester behind bars to put a child molester behind bars.
The very idea that we are making society a safer, better place for our kids and modeling correct behavior should be enough. It needs to be enough, or else men like this will never be brought to justice.
: imbrium-mare:
hating-alison-ashley:

girlwhowantedtobegod:

salad-chan:

dizzymoods:

Chaplin met Lita MacMurray when she was 12yrs old. He got her pregnant during the filming of The Gold Rush when she was 15. He fired her from the set and tried forcing her to have an abortion. Years after covering that disgusting situation up, at the age of 54 he married Oona O’Neil, who had just turned 18. 
It’s absolutely disgusting how these men use their money, fame, and influence to silence their victims. & we can only guess at the number of young girls we will never know about who have been targeted by these demons.  


This whole “seperate the art from the artist” bs has kept such criminals protected from the scrutiny of law. We need to accept that art cannot cover up crimes and that in want of better art, we cannot let criminals do better crimes.



and people brush this off and pretend it’s not reality all the time. people are fucking spineless. it’s pathetic but even more than that, it’s disgusting. stop letting pedophiles be “normal”, stop letting pedophiles be “great.” children’s safety matters. 

Every ‘brilliant’ pedophile who is punished and removed from society allows someone else more worthy to take his place. It also gives his victims a chance to do great things instead.We would have more brilliant artists and creators not fewer if the pedophiles weren’t allowed to flourish. They’d be a different demographic - one that men can’t use to give tacit approval to their own misdeeds.

Unpopular opinion but the life and dignity of children is more important than your favorite movie or singer or whatever. Sure, the idea that getting rid of a pedophile “allows someone else more worthy to take his place” is really reassuring to the masses, but that should not be your priority. You shouldn’t have to gain something from putting a child molester behind bars to put a child molester behind bars.
The very idea that we are making society a safer, better place for our kids and modeling correct behavior should be enough. It needs to be enough, or else men like this will never be brought to justice.

                    
                
            

            
            
        

    

    

        
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