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England, Fucking, and Stephen: A Portrait of James Il's 'Husband' Has Reappeared in Glasgovw "I desire only to live in this world for your sake," the king wrote to him. BY NATASHA FROST SEPTEMBER 25, 2017 A LOST PORTRAIT OF THE man whom English king James I referred to as his "husband," "sweet heart," and the one he loved "more than anvone else" has emerged from conservation work and been authenticated, after having been mistaken for a copy for centuries, the BBC reports. George Villiers, the first Duke of Buckingham, rose to prominence in court after catching the king's eye at a hunt. This 17th-century painting of him, now known to be by the Flemish great Peter Paul Rubens, had been concealed by layers of dirt, as well as later "improvements." In the painting, Villiers is depicted wearing an elaborate lace collar and a sash. He was known for his good looks, and had been described as "the handsomest-bodied man in all of England," with a "lovely complexion." James I lavished attention and care on him, and called him "Steenie" after St. Stephen, who was said to have had the face of an angel. However, whether Villiers and James I were lovers in the modern sense of the word has been a source of some contention. In their letters, James I states how he wept so profusely at their parting "that I can scarcelv see to write. But scholars have argued that such sentiments are not atypical of male friendship in the 17th and 18th centuries. The rumors flared up upon the 2008 discoverv of a secret passage in one of the king's homes linking their bedchambers. runawayrat: squidsticks: King James I: *builds secret tunnel connecting his room to the room of a man he calls his husband* Historians: it’s very hard to tell what kind of relationship they would have had, let’s not look at this through a 21st century lens Im fucking deceased
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England, Stephen, and Target: A Portrait of James Il's 'Husband' Has Reappeared in Glasgovw "I desire only to live in this world for your sake," the king wrote to him. BY NATASHA FROST SEPTEMBER 25, 2017 A LOST PORTRAIT OF THE man whom English king James I referred to as his "husband," "sweet heart," and the one he loved "more than anvone else" has emerged from conservation work and been authenticated, after having been mistaken for a copy for centuries, the BBC reports. George Villiers, the first Duke of Buckingham, rose to prominence in court after catching the king's eye at a hunt. This 17th-century painting of him, now known to be by the Flemish great Peter Paul Rubens, had been concealed by layers of dirt, as well as later "improvements." In the painting, Villiers is depicted wearing an elaborate lace collar and a sash. He was known for his good looks, and had been described as "the handsomest-bodied man in all of England," with a "lovely complexion." James I lavished attention and care on him, and called him "Steenie" after St. Stephen, who was said to have had the face of an angel. However, whether Villiers and James I were lovers in the modern sense of the word has been a source of some contention. In their letters, James I states how he wept so profusely at their parting "that I can scarcelv see to write. But scholars have argued that such sentiments are not atypical of male friendship in the 17th and 18th centuries. The rumors flared up upon the 2008 discoverv of a secret passage in one of the king's homes linking their bedchambers. squidsticks: King James I: *builds secret tunnel connecting his room to the room of a man he calls his husband* Historians: it’s very hard to tell what kind of relationship they would have had, let’s not look at this through a 21st century lens

squidsticks: King James I: *builds secret tunnel connecting his room to the room of a man he calls his husband* Historians: it’s very hard ...

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England, Stephen, and Tumblr: A Portrait of James Il's 'Husband' Has Reappeared in Glasgovw "I desire only to live in this world for your sake," the king wrote to him. BY NATASHA FROST SEPTEMBER 25, 2017 A LOST PORTRAIT OF THE man whom English king James I referred to as his "husband," "sweet heart," and the one he loved "more than anvone else" has emerged from conservation work and been authenticated, after having been mistaken for a copy for centuries, the BBC reports. George Villiers, the first Duke of Buckingham, rose to prominence in court after catching the king's eye at a hunt. This 17th-century painting of him, now known to be by the Flemish great Peter Paul Rubens, had been concealed by layers of dirt, as well as later "improvements." In the painting, Villiers is depicted wearing an elaborate lace collar and a sash. He was known for his good looks, and had been described as "the handsomest-bodied man in all of England," with a "lovely complexion." James I lavished attention and care on him, and called him "Steenie" after St. Stephen, who was said to have had the face of an angel. However, whether Villiers and James I were lovers in the modern sense of the word has been a source of some contention. In their letters, James I states how he wept so profusely at their parting "that I can scarcelv see to write. But scholars have argued that such sentiments are not atypical of male friendship in the 17th and 18th centuries. The rumors flared up upon the 2008 discoverv of a secret passage in one of the king's homes linking their bedchambers. squidsticks: King James I: *builds secret tunnel connecting his room to the room of a man he calls his husband* Historians: it’s very hard to tell what kind of relationship they would have had, let’s not look at this through a 21st century lens

squidsticks: King James I: *builds secret tunnel connecting his room to the room of a man he calls his husband* Historians: it’s very hard ...

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Meme, Tits, and Magic: ur est la hant& la v les sont absolument i mettent elles aussi d'atteindre associées à lesprit d Evsi des voies des tirthikas. Ces hodes: ils méditent les d or tit-tits et hestier de la nature de Fesprit, dou s'elevent une siude de saisie, libre de toute référence conceptuelle, et la denuée prise de conscience que toute chose est la façon dont nous concluons la médi mérites et prions avec une réelle fer- tout menciobtenu par cette pratique contribuer vcur: I à réveil de de locéan infatigable de gne le pouvoir émanent de votre pr êtres, à leur éveil. s une goutte d'eau au seirn daré de tous is bouddhas, dans leur ceuvre gn de tous les etres. Le. mérite dési- le bienfait, qpaix et le bonheur qui en ultime des olan plus it vous l'offrez pour la paix dans le mon.. pour qu' t etres soient : vous le à r'abri du besoin et de la m etre parfait et un bonheur d ie, qu'ils sonn.ssent un bien- Puis, réalisant la nature illu- et chimérique de la réaliteus considérez qu'au niveau le plus profond, vous qui dédi otre pratique, ceux à qui vous la dédiez et l'acte même de er sont intrinsèquement e vides et illusoires. Dans les ler la méditation et garantir que pureté, ne pourra aucunement s'éc assurer ainsi que le mérite de votre prr préservé. ments,ceci est dt uvoir, dans toute sa hr ou se dissiper, et r sera entièrement Ces trois principes sacrés la dinule de toute saisie qui met en sûreté axe qui la scelle - confèrent à votre puissance d'éveil. Le grand maître décrivait admirablement habile, 'attitude et la dédi on une réelle henpa le comme le coeur, roeil et la fore Glow-in-the-dark bookmarks that will certainly add a touch of magic to your reading
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