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lyrica-in-nerdvana: daysofstorm: pilgrim-soulinyou: jeremyyyallan: fagraklett: Chinese emperor Ai of Han, fell in love with a minor official, a man named Dong Xian, and bestowed upon him great political power and a magnificent palace. Legend has it that one day while the two men were sleeping in the same bed, the emperor was roused from his sleep by pressing business. Dong Xian had fallen asleep across the emperor’s robe, but rather than awaken his peaceful lover, the Emperor cut his robe free at the sleeve. Thus “the passion of the cut sleeve” became a euphemism for same-sex love in China. — R.G.L. get you a dude who will fuck up his own clothing for you NO OKAY THIS IS REALLY COOL SO SHUT UP AND LISTEN KIDS. Ancient China was super chill about homosexuality okay. Like we have gay emperors and feudal lords, lesbian princesses who were girlfriends with their serving maids, gay ass poets who wrote lots of poems about that one courtesan who played the guzheng so well.In fact homosexuality was so okay that in Shiji, which is basically the Bible of Ancient Chinese history, there is an entire section dedicated to the gay lovers of emperors. What’s the best part? All the laws and criticism about homosexuality in Ancient China were all about shit like prostitution and rape. These laws were  outlawing homosexual stuff were all very specific. For example, there were laws banning male prostitution, but no laws against homosexuality. These laws were passed to stop the spread of prostitution and laws targeting prostitution in general were pretty common in Chinese history. There were also really strict laws about male rape. Rape was punishable by death, regardless of the gender of the victim. Rape a girl, you die. Rape a guy, you die. Have sex with a minor, you die regardless of whether it was consensual. The lightest sentence you could get was slavery where you were bound to the army.Also scholars wrote essays criticising the boyfriends of emperors, saying that they distracted the emperor from work blah blah blah but THEY ALSO DID THE SAME FOR THE CONCUBINES. That’s right - the issue wasn’t homosexuality but rather the hormones of the emperor. They didn’t care about the gender of the emperor’s favourite lover but rather the fact that the emperor was too horny to get shit done.“But WAIT, Modern China is a hardass about homosexuality!!!! How do you explain that!”Yes. That. That’s because of the late Qing years where Western influences entered the country and brought their gross ass homophobic attitudes with them. And the Qing government was so anxious to seem modern and be seen as equals to their Western counterparts. So they adopted Western ways and discarded their previous attitudes about homosexuality. Hence you have Modern China.So the next time someone tries to tell you that being LGBT is wrong because it goes against traditional Chinese values, tell them to go fuck themselves with 3000 years of Chinese queerness.  Here are all the illustrations of historical gay couples by Ryan Grant https://www.advocate.com/arts-entertainment/artist-spotlight/2012/08/11/ryan-grant-longs-history-gay-love#slide-0 This is one of the best things I have ever read. : lyrica-in-nerdvana: daysofstorm: pilgrim-soulinyou: jeremyyyallan: fagraklett: Chinese emperor Ai of Han, fell in love with a minor official, a man named Dong Xian, and bestowed upon him great political power and a magnificent palace. Legend has it that one day while the two men were sleeping in the same bed, the emperor was roused from his sleep by pressing business. Dong Xian had fallen asleep across the emperor’s robe, but rather than awaken his peaceful lover, the Emperor cut his robe free at the sleeve. Thus “the passion of the cut sleeve” became a euphemism for same-sex love in China. — R.G.L. get you a dude who will fuck up his own clothing for you NO OKAY THIS IS REALLY COOL SO SHUT UP AND LISTEN KIDS. Ancient China was super chill about homosexuality okay. Like we have gay emperors and feudal lords, lesbian princesses who were girlfriends with their serving maids, gay ass poets who wrote lots of poems about that one courtesan who played the guzheng so well.In fact homosexuality was so okay that in Shiji, which is basically the Bible of Ancient Chinese history, there is an entire section dedicated to the gay lovers of emperors. What’s the best part? All the laws and criticism about homosexuality in Ancient China were all about shit like prostitution and rape. These laws were  outlawing homosexual stuff were all very specific. For example, there were laws banning male prostitution, but no laws against homosexuality. These laws were passed to stop the spread of prostitution and laws targeting prostitution in general were pretty common in Chinese history. There were also really strict laws about male rape. Rape was punishable by death, regardless of the gender of the victim. Rape a girl, you die. Rape a guy, you die. Have sex with a minor, you die regardless of whether it was consensual. The lightest sentence you could get was slavery where you were bound to the army.Also scholars wrote essays criticising the boyfriends of emperors, saying that they distracted the emperor from work blah blah blah but THEY ALSO DID THE SAME FOR THE CONCUBINES. That’s right - the issue wasn’t homosexuality but rather the hormones of the emperor. They didn’t care about the gender of the emperor’s favourite lover but rather the fact that the emperor was too horny to get shit done.“But WAIT, Modern China is a hardass about homosexuality!!!! How do you explain that!”Yes. That. That’s because of the late Qing years where Western influences entered the country and brought their gross ass homophobic attitudes with them. And the Qing government was so anxious to seem modern and be seen as equals to their Western counterparts. So they adopted Western ways and discarded their previous attitudes about homosexuality. Hence you have Modern China.So the next time someone tries to tell you that being LGBT is wrong because it goes against traditional Chinese values, tell them to go fuck themselves with 3000 years of Chinese queerness.  Here are all the illustrations of historical gay couples by Ryan Grant https://www.advocate.com/arts-entertainment/artist-spotlight/2012/08/11/ryan-grant-longs-history-gay-love#slide-0 This is one of the best things I have ever read.
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crispy-ghee: There’s been a little bit of interest in Jagged-Tooth, Cousin’s first born son. A specific question was about his first meeting w/ Shepard, which I was gonna go on about, but I might make a comic about it later. So have a few sketches. Jagged-Tooth:  A rare Yautja Biotic, an elite Enforcer, and despite a rocky relationship w/ his father, he risked dishonor and punishment to join a faction of Yautja that went against the clan’s decision and went to aid Shepard. They meet when he arrives during the Battle for Palaven as surprise back up. Capable, dry, could be considered friendly…unless you’re Garrus.(When your dad’s ‘favorite son’ seems to be someone who isn’t even his fucking son, and who you think is a total dweeb, you’re not gonna be happy about that, I guess)He takes after his mother more than his father, though has his father’s intensity and skill, if only Cousin were more forthcoming w/ praise for that (he does recognize it, though he is very critical of his son and always being hard on him). Their relationship is that of an accomplished child with a father who has incredibly high expectations. That means that their relationship is very rocky. This started when he was young, as his path diverted early from Cousin’s hopes and plans for him. Not many Yautja are taught to develop their biotic abilities, and due to there being some contention over whether or not biotics are respectable in the Hunt tradition, the training is more often than not discouraged. But Jagged-Tooth went into training, and instead of becoming a traditional hunter, went down the line of enforcement. Cousin still hasn’t fully recovered from that disappointment. Joining the Yautja faction during the reaper war is the first time that Jagged-Tooth has ever had to operate under his father’s lead. He tries to be professional about it. Cousin, on the other hand, doesn’t try as hard to do the same. Someone described Jagged-Tooth as a “rare Yautja Bishounen” and you know what? Yes.: crispy-ghee: There’s been a little bit of interest in Jagged-Tooth, Cousin’s first born son. A specific question was about his first meeting w/ Shepard, which I was gonna go on about, but I might make a comic about it later. So have a few sketches. Jagged-Tooth:  A rare Yautja Biotic, an elite Enforcer, and despite a rocky relationship w/ his father, he risked dishonor and punishment to join a faction of Yautja that went against the clan’s decision and went to aid Shepard. They meet when he arrives during the Battle for Palaven as surprise back up. Capable, dry, could be considered friendly…unless you’re Garrus.(When your dad’s ‘favorite son’ seems to be someone who isn’t even his fucking son, and who you think is a total dweeb, you’re not gonna be happy about that, I guess)He takes after his mother more than his father, though has his father’s intensity and skill, if only Cousin were more forthcoming w/ praise for that (he does recognize it, though he is very critical of his son and always being hard on him). Their relationship is that of an accomplished child with a father who has incredibly high expectations. That means that their relationship is very rocky. This started when he was young, as his path diverted early from Cousin’s hopes and plans for him. Not many Yautja are taught to develop their biotic abilities, and due to there being some contention over whether or not biotics are respectable in the Hunt tradition, the training is more often than not discouraged. But Jagged-Tooth went into training, and instead of becoming a traditional hunter, went down the line of enforcement. Cousin still hasn’t fully recovered from that disappointment. Joining the Yautja faction during the reaper war is the first time that Jagged-Tooth has ever had to operate under his father’s lead. He tries to be professional about it. Cousin, on the other hand, doesn’t try as hard to do the same. Someone described Jagged-Tooth as a “rare Yautja Bishounen” and you know what? Yes.
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cereusblue: unnameablethings: dragonsateyourtoast: redporkpadthai: dragonsateyourtoast: otherwindow: otherwindow: This is how the golden age of piracy ended. The first mermaid to get tattoos :) “we didn’t know any better,” the crewman says, and swallows, presenting the chest to the captain. “what do we do now?” “kill it,” the captain says, but the ice is melting in his eyes. “we can’t,” the first mate says desperately, praying she won’t have to fight her captain on this. “we can’t. we - i won’t. we won’t.” “i know.” x “daddy,” she says, floating in a tub of seawater in the hold, “daddy, la-la, la-la-la.” her voice rings like bells. her accent is strange; her mouth isn’t made for human words. it mesmerises even the hardiest amongst them and she wasn’t even trying. the crew has taken to diving for shellfish near the shorelines for her; she loves them, splitting the shells apart with strength seen in no human toddler, slurping down the slimy molluscs inside and laughing, all plump brown cheeks and needle-sharp teeth. she sometimes splashes them for fun with her smooth, rubbery brown tail. even when they get soaked they laugh. they love her. “daddy,” she calls again, and he can hear the worry in her voice. the storm rocking the ship is harsh and uncaring, and if they go down, she would be the only survivor. “don’t worry,” he says, and goes over, sitting next to the tub. the first mate, leaning against the wall, pretends not to notice as he quietly begins to sing. x “father,” she says, one day, as she leans on the edge of the dock and the captain sits next to her, “why am I here?” “your mother abandoned you,” he says, as he always has. “we found you adrift, and couldn’t bear to leave you there.” she picks at the salt-soaked boards, uncertain. her hair is pulled back in a fluffy black puff, the white linen holding it slipping almost over one of her dark eyes. one of her first tattoos, a many-limbed kraken, curls over her right shoulder and down her arm, delicate tendrils wrapped around her calloused fingertips. “alright,” she says. x “why am I really here?” she asks the first mate, watching the sun set over the water in streaks of liquid metal that pooled in the troughs of the waves and glittered on the seafoam. “we didn’t know any better,” the first mate says, staring into the water. “we didn’t know- we didn’t know anything. we didn’t understand why she fought so viciously to guard her treasure. we could not know she protected something a thousand times more precious than the purest gold.” she wants to be furious, but she can’t. she already knew the answer, from reading the guilt in her father’s eyes and the empty space in her own history. and she can’t hate her family. “it’s alright,” she says. “i do have a family, anyways. i don’t think i would have liked my other life near as much.” x her kraken grows, spreading its tendrils over her torso and arms. she grows too, too large to come on board the ship without being hauled up in a boat from the water. she sings when the storms come and swims before the ship to guide it to safety. she fights off more than one beast of the seas, and gathers a set of scars across her back that she bears with pride. “i don’t mind,” she says, when the captain fusses over her, “now i match all of you.” the first time their ship is threatened, really threatened, is by another fleet. a friend turned enemy of the first mate. “we shouldn’t fight him,” she says, peering through the spyglass. “why not?” the mermaid asks. “he’ll win,” the first mate says. the mermaid tips her head sideways. Her eyes, dark as the deep waters, gleam in the noon light. “are you sure?” she asks. x the enemy fleet surrenders after the flagship is sunk in the night, the anchor ripped off the ship and the planks torn off the hull. the surviving crew, wild-eyed and delirious, whimper and say a sea serpent came from the water and attacked them, say it was longer than the boat and crushed it in its coils. the first mate hears this and has to hide her laughter. the captain apologizes to his daughter for doubting her. “don’t worry,” she says, with a bright laugh, “it was fun.” x the second time, they are pushed by a storm into a royal fleet. they can’t possibly fight them, and they don’t have the time to escape. “let me up,” the mermaid urges, surfacing starboard and shouting to the crew. “bring me up, quickly, quickly.” they lower the boat and she piles her sinous form into it, and uses her claws to help the crew pull her up. once on the deck she flops out of the boat and makes her way over to the bow. the crew tries to help but she’s so heavy they can barely lift parts of her. she crawls up out in front of the rail and wraps her long webbed tail around the prow. the figurehead has served them well so far but they need more right now. she wraps herself around the figurehead and raises her body up into the wind takes a breath of the stinging salt air and sings. the storm carries her voice on its front to the royal navy. they are enchanted, so stunned by her song that they drop the rigging ropes and let the tillers drift. the pirates sail through the center of the fleet, trailing the storm behind them, and by the time the fleet has managed to regain its senses they are buried in wind and rain and the pirates are gone. x she declines guns. instead she carries a harpoon and its launcher, and uses them to board enemy ships, hauling her massive form out of the water to coil on the deck and dispatch enemies with ruthless efficiency. her family is feared across all the sea. x “you know we are dying,” the captain says, looking down at her. she floats next to the ship, so massive she could hold it in her arms. her eyes are wise. “i know,” she says, “i can feel it coming.” the first mate stands next to the captain. she never had a lover or a child, and neither did he, but to the mermaid they are her parents. she will always love her daughter. the tattoos are graven in dark swirls across the mermaid’s deep brown skin and the flesh of her tail, even spiraling onto the spiked webbing on her spine and face. her hair is still tied back, this time with a sail that could not be patched one last time. “we love you,” the first mate says simply, looking down. her own tightly coiled black hair falls in to her face; she shakes the locs out of the way and smiles through her tears. the captain pretends he isnt crying either. “i love you too,” the mermaid says, and reached up to pull the ship down just a bit, just to hold them one last time. “guard the ship,” the captain says. “you always have but you know they’re lost without you.” “without you,” the mermaid corrects, with a shrug that makes waves. “what will we do?” “i don’t know,” the captain says. “but you’ll help them, won’t you?” “of course i will,” she scoffs, rolling her eyes. “i will always protect my family.” x the captain and the first mate are gone. the ship has a new captain, young and fearless - of the things she can afford to disregard. she fears and loves the ocean, as all captains do. she does not fear the royal fleet. and she does not fear the mermaid. “you know, i heard stories about you when i was a little girl,” she says, trailing her fingers in the water next to the dock. the mermaid stares at her with one eye the size of a dinner table. “is that so?” she hums, smirking with teeth sharper than the swords of the entire navy. “they said you could sink an entire fleet and that you had skin tougher than dragon scales,” the new captain says, grinning right back at the monster who could eat her without a moment’s hesitation. “i always thought they were telling tall tales.” “and now?” “they were right,” the new captain says. “how did they ever befriend you?” the mermaid smiles, fully this time, her dark eyes gleaming under the white linen sail. “they didn’t know any better.” She protects her family. Hi everybody! Guess what’s being posted on AO3 now at the following link! https://archiveofourown.org/works/22498384/chapters/53760817 That’s right! Here you go. I’ll be uploading it in some chunks, because I want to make sure I have everything I wanted edited cleanly finished, but follow the story there! HEY GUYS GUESS WHATS BACK ON THE DASHBOARD AND BETTER THAN EVER : cereusblue: unnameablethings: dragonsateyourtoast: redporkpadthai: dragonsateyourtoast: otherwindow: otherwindow: This is how the golden age of piracy ended. The first mermaid to get tattoos :) “we didn’t know any better,” the crewman says, and swallows, presenting the chest to the captain. “what do we do now?” “kill it,” the captain says, but the ice is melting in his eyes. “we can’t,” the first mate says desperately, praying she won’t have to fight her captain on this. “we can’t. we - i won’t. we won’t.” “i know.” x “daddy,” she says, floating in a tub of seawater in the hold, “daddy, la-la, la-la-la.” her voice rings like bells. her accent is strange; her mouth isn’t made for human words. it mesmerises even the hardiest amongst them and she wasn’t even trying. the crew has taken to diving for shellfish near the shorelines for her; she loves them, splitting the shells apart with strength seen in no human toddler, slurping down the slimy molluscs inside and laughing, all plump brown cheeks and needle-sharp teeth. she sometimes splashes them for fun with her smooth, rubbery brown tail. even when they get soaked they laugh. they love her. “daddy,” she calls again, and he can hear the worry in her voice. the storm rocking the ship is harsh and uncaring, and if they go down, she would be the only survivor. “don’t worry,” he says, and goes over, sitting next to the tub. the first mate, leaning against the wall, pretends not to notice as he quietly begins to sing. x “father,” she says, one day, as she leans on the edge of the dock and the captain sits next to her, “why am I here?” “your mother abandoned you,” he says, as he always has. “we found you adrift, and couldn’t bear to leave you there.” she picks at the salt-soaked boards, uncertain. her hair is pulled back in a fluffy black puff, the white linen holding it slipping almost over one of her dark eyes. one of her first tattoos, a many-limbed kraken, curls over her right shoulder and down her arm, delicate tendrils wrapped around her calloused fingertips. “alright,” she says. x “why am I really here?” she asks the first mate, watching the sun set over the water in streaks of liquid metal that pooled in the troughs of the waves and glittered on the seafoam. “we didn’t know any better,” the first mate says, staring into the water. “we didn’t know- we didn’t know anything. we didn’t understand why she fought so viciously to guard her treasure. we could not know she protected something a thousand times more precious than the purest gold.” she wants to be furious, but she can’t. she already knew the answer, from reading the guilt in her father’s eyes and the empty space in her own history. and she can’t hate her family. “it’s alright,” she says. “i do have a family, anyways. i don’t think i would have liked my other life near as much.” x her kraken grows, spreading its tendrils over her torso and arms. she grows too, too large to come on board the ship without being hauled up in a boat from the water. she sings when the storms come and swims before the ship to guide it to safety. she fights off more than one beast of the seas, and gathers a set of scars across her back that she bears with pride. “i don’t mind,” she says, when the captain fusses over her, “now i match all of you.” the first time their ship is threatened, really threatened, is by another fleet. a friend turned enemy of the first mate. “we shouldn’t fight him,” she says, peering through the spyglass. “why not?” the mermaid asks. “he’ll win,” the first mate says. the mermaid tips her head sideways. Her eyes, dark as the deep waters, gleam in the noon light. “are you sure?” she asks. x the enemy fleet surrenders after the flagship is sunk in the night, the anchor ripped off the ship and the planks torn off the hull. the surviving crew, wild-eyed and delirious, whimper and say a sea serpent came from the water and attacked them, say it was longer than the boat and crushed it in its coils. the first mate hears this and has to hide her laughter. the captain apologizes to his daughter for doubting her. “don’t worry,” she says, with a bright laugh, “it was fun.” x the second time, they are pushed by a storm into a royal fleet. they can’t possibly fight them, and they don’t have the time to escape. “let me up,” the mermaid urges, surfacing starboard and shouting to the crew. “bring me up, quickly, quickly.” they lower the boat and she piles her sinous form into it, and uses her claws to help the crew pull her up. once on the deck she flops out of the boat and makes her way over to the bow. the crew tries to help but she’s so heavy they can barely lift parts of her. she crawls up out in front of the rail and wraps her long webbed tail around the prow. the figurehead has served them well so far but they need more right now. she wraps herself around the figurehead and raises her body up into the wind takes a breath of the stinging salt air and sings. the storm carries her voice on its front to the royal navy. they are enchanted, so stunned by her song that they drop the rigging ropes and let the tillers drift. the pirates sail through the center of the fleet, trailing the storm behind them, and by the time the fleet has managed to regain its senses they are buried in wind and rain and the pirates are gone. x she declines guns. instead she carries a harpoon and its launcher, and uses them to board enemy ships, hauling her massive form out of the water to coil on the deck and dispatch enemies with ruthless efficiency. her family is feared across all the sea. x “you know we are dying,” the captain says, looking down at her. she floats next to the ship, so massive she could hold it in her arms. her eyes are wise. “i know,” she says, “i can feel it coming.” the first mate stands next to the captain. she never had a lover or a child, and neither did he, but to the mermaid they are her parents. she will always love her daughter. the tattoos are graven in dark swirls across the mermaid’s deep brown skin and the flesh of her tail, even spiraling onto the spiked webbing on her spine and face. her hair is still tied back, this time with a sail that could not be patched one last time. “we love you,” the first mate says simply, looking down. her own tightly coiled black hair falls in to her face; she shakes the locs out of the way and smiles through her tears. the captain pretends he isnt crying either. “i love you too,” the mermaid says, and reached up to pull the ship down just a bit, just to hold them one last time. “guard the ship,” the captain says. “you always have but you know they’re lost without you.” “without you,” the mermaid corrects, with a shrug that makes waves. “what will we do?” “i don’t know,” the captain says. “but you’ll help them, won’t you?” “of course i will,” she scoffs, rolling her eyes. “i will always protect my family.” x the captain and the first mate are gone. the ship has a new captain, young and fearless - of the things she can afford to disregard. she fears and loves the ocean, as all captains do. she does not fear the royal fleet. and she does not fear the mermaid. “you know, i heard stories about you when i was a little girl,” she says, trailing her fingers in the water next to the dock. the mermaid stares at her with one eye the size of a dinner table. “is that so?” she hums, smirking with teeth sharper than the swords of the entire navy. “they said you could sink an entire fleet and that you had skin tougher than dragon scales,” the new captain says, grinning right back at the monster who could eat her without a moment’s hesitation. “i always thought they were telling tall tales.” “and now?” “they were right,” the new captain says. “how did they ever befriend you?” the mermaid smiles, fully this time, her dark eyes gleaming under the white linen sail. “they didn’t know any better.” She protects her family. Hi everybody! Guess what’s being posted on AO3 now at the following link! https://archiveofourown.org/works/22498384/chapters/53760817 That’s right! Here you go. I’ll be uploading it in some chunks, because I want to make sure I have everything I wanted edited cleanly finished, but follow the story there! HEY GUYS GUESS WHATS BACK ON THE DASHBOARD AND BETTER THAN EVER

cereusblue: unnameablethings: dragonsateyourtoast: redporkpadthai: dragonsateyourtoast: otherwindow: otherwindow: This is how the g...

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bunjywunjy: lostinhistory: bidet-of-evil: officialukulele: nogoawayok: penguinsstealingsanity: that-ships-hellabig: phanfruit: krakkenchaos: swindontownswoodilypooper: petrovasinspace: f-i-v-e-byfive: thesixtysevenchevyimpala: ilovecountryeverything: titaniumbovine: peaceroxi: steveisoncrack: HEY TUMBLR, LET’S PLAY A GAME To play this game, go to MapCrunch, select “hide location”, make sure you have all countries unselected, and click go. What this will do is drop you in a random part of the world. It’s as if you woke up on the side of a road in an unfamiliar country. The goal of the game is to find your way to an airport so you can return home.  Bonus Hard Mode: No using outside sources, and that includes using google maps to figure out your location from signs or landmarks …I had plans today but now. THE AIRPORT GAME IS BACK. FUCK THIS GAME LAST TIME I PLAYED IT DUMPED ME IN THE MOUNTAINS OF NORWAY I PLAYED FOR LIKE 8 HOURS BEFORE BREAKING DOWN CRYING OMG NO STOP THIS GAME IS MY LIFE!!! IT’S BACK WHY IS THIS BACK WHYYYYY oh shit I HAVEN’T USED THIS GIF SINCE FEBRUARY Always reblog Mapcrunch when someone tries to bring it back it dropped me in a fucking room full of pandas Ohmygod It once dropped my in my home town a few km’s from the airport XD i think this is gonna be a problem i feel threatened also why is one of the cows blurred out who is she  I’m trapped in a bathroom and i have no reflection I am on a dock by a bay the last time I played this, it dumped me in the middle of a desert and when I turned the camera around it was literally standing next to the runway of an air force base : bunjywunjy: lostinhistory: bidet-of-evil: officialukulele: nogoawayok: penguinsstealingsanity: that-ships-hellabig: phanfruit: krakkenchaos: swindontownswoodilypooper: petrovasinspace: f-i-v-e-byfive: thesixtysevenchevyimpala: ilovecountryeverything: titaniumbovine: peaceroxi: steveisoncrack: HEY TUMBLR, LET’S PLAY A GAME To play this game, go to MapCrunch, select “hide location”, make sure you have all countries unselected, and click go. What this will do is drop you in a random part of the world. It’s as if you woke up on the side of a road in an unfamiliar country. The goal of the game is to find your way to an airport so you can return home.  Bonus Hard Mode: No using outside sources, and that includes using google maps to figure out your location from signs or landmarks …I had plans today but now. THE AIRPORT GAME IS BACK. FUCK THIS GAME LAST TIME I PLAYED IT DUMPED ME IN THE MOUNTAINS OF NORWAY I PLAYED FOR LIKE 8 HOURS BEFORE BREAKING DOWN CRYING OMG NO STOP THIS GAME IS MY LIFE!!! IT’S BACK WHY IS THIS BACK WHYYYYY oh shit I HAVEN’T USED THIS GIF SINCE FEBRUARY Always reblog Mapcrunch when someone tries to bring it back it dropped me in a fucking room full of pandas Ohmygod It once dropped my in my home town a few km’s from the airport XD i think this is gonna be a problem i feel threatened also why is one of the cows blurred out who is she  I’m trapped in a bathroom and i have no reflection I am on a dock by a bay the last time I played this, it dumped me in the middle of a desert and when I turned the camera around it was literally standing next to the runway of an air force base
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ironwoman359: cereusblue: unnameablethings: dragonsateyourtoast: redporkpadthai: dragonsateyourtoast: otherwindow: otherwindow: This is how the golden age of piracy ended. The first mermaid to get tattoos :) “we didn’t know any better,” the crewman says, and swallows, presenting the chest to the captain. “what do we do now?” “kill it,” the captain says, but the ice is melting in his eyes. “we can’t,” the first mate says desperately, praying she won’t have to fight her captain on this. “we can’t. we - i won’t. we won’t.” “i know.” x “daddy,” she says, floating in a tub of seawater in the hold, “daddy, la-la, la-la-la.” her voice rings like bells. her accent is strange; her mouth isn’t made for human words. it mesmerises even the hardiest amongst them and she wasn’t even trying. the crew has taken to diving for shellfish near the shorelines for her; she loves them, splitting the shells apart with strength seen in no human toddler, slurping down the slimy molluscs inside and laughing, all plump brown cheeks and needle-sharp teeth. she sometimes splashes them for fun with her smooth, rubbery brown tail. even when they get soaked they laugh. they love her. “daddy,” she calls again, and he can hear the worry in her voice. the storm rocking the ship is harsh and uncaring, and if they go down, she would be the only survivor. “don’t worry,” he says, and goes over, sitting next to the tub. the first mate, leaning against the wall, pretends not to notice as he quietly begins to sing. x “father,” she says, one day, as she leans on the edge of the dock and the captain sits next to her, “why am I here?” “your mother abandoned you,” he says, as he always has. “we found you adrift, and couldn’t bear to leave you there.” she picks at the salt-soaked boards, uncertain. her hair is pulled back in a fluffy black puff, the white linen holding it slipping almost over one of her dark eyes. one of her first tattoos, a many-limbed kraken, curls over her right shoulder and down her arm, delicate tendrils wrapped around her calloused fingertips. “alright,” she says. x “why am I really here?” she asks the first mate, watching the sun set over the water in streaks of liquid metal that pooled in the troughs of the waves and glittered on the seafoam. “we didn’t know any better,” the first mate says, staring into the water. “we didn’t know- we didn’t know anything. we didn’t understand why she fought so viciously to guard her treasure. we could not know she protected something a thousand times more precious than the purest gold.” she wants to be furious, but she can’t. she already knew the answer, from reading the guilt in her father’s eyes and the empty space in her own history. and she can’t hate her family. “it’s alright,” she says. “i do have a family, anyways. i don’t think i would have liked my other life near as much.” x her kraken grows, spreading its tendrils over her torso and arms. she grows too, too large to come on board the ship without being hauled up in a boat from the water. she sings when the storms come and swims before the ship to guide it to safety. she fights off more than one beast of the seas, and gathers a set of scars across her back that she bears with pride. “i don’t mind,” she says, when the captain fusses over her, “now i match all of you.” the first time their ship is threatened, really threatened, is by another fleet. a friend turned enemy of the first mate. “we shouldn’t fight him,” she says, peering through the spyglass. “why not?” the mermaid asks. “he’ll win,” the first mate says. the mermaid tips her head sideways. Her eyes, dark as the deep waters, gleam in the noon light. “are you sure?” she asks. x the enemy fleet surrenders after the flagship is sunk in the night, the anchor ripped off the ship and the planks torn off the hull. the surviving crew, wild-eyed and delirious, whimper and say a sea serpent came from the water and attacked them, say it was longer than the boat and crushed it in its coils. the first mate hears this and has to hide her laughter. the captain apologizes to his daughter for doubting her. “don’t worry,” she says, with a bright laugh, “it was fun.” x the second time, they are pushed by a storm into a royal fleet. they can’t possibly fight them, and they don’t have the time to escape. “let me up,” the mermaid urges, surfacing starboard and shouting to the crew. “bring me up, quickly, quickly.” they lower the boat and she piles her sinous form into it, and uses her claws to help the crew pull her up. once on the deck she flops out of the boat and makes her way over to the bow. the crew tries to help but she’s so heavy they can barely lift parts of her. she crawls up out in front of the rail and wraps her long webbed tail around the prow. the figurehead has served them well so far but they need more right now. she wraps herself around the figurehead and raises her body up into the wind takes a breath of the stinging salt air and sings. the storm carries her voice on its front to the royal navy. they are enchanted, so stunned by her song that they drop the rigging ropes and let the tillers drift. the pirates sail through the center of the fleet, trailing the storm behind them, and by the time the fleet has managed to regain its senses they are buried in wind and rain and the pirates are gone. x she declines guns. instead she carries a harpoon and its launcher, and uses them to board enemy ships, hauling her massive form out of the water to coil on the deck and dispatch enemies with ruthless efficiency. her family is feared across all the sea. x “you know we are dying,” the captain says, looking down at her. she floats next to the ship, so massive she could hold it in her arms. her eyes are wise. “i know,” she says, “i can feel it coming.” the first mate stands next to the captain. she never had a lover or a child, and neither did he, but to the mermaid they are her parents. she will always love her daughter. the tattoos are graven in dark swirls across the mermaid’s deep brown skin and the flesh of her tail, even spiraling onto the spiked webbing on her spine and face. her hair is still tied back, this time with a sail that could not be patched one last time. “we love you,” the first mate says simply, looking down. her own tightly coiled black hair falls in to her face; she shakes the locs out of the way and smiles through her tears. the captain pretends he isnt crying either. “i love you too,” the mermaid says, and reached up to pull the ship down just a bit, just to hold them one last time. “guard the ship,” the captain says. “you always have but you know they’re lost without you.” “without you,” the mermaid corrects, with a shrug that makes waves. “what will we do?” “i don’t know,” the captain says. “but you’ll help them, won’t you?” “of course i will,” she scoffs, rolling her eyes. “i will always protect my family.” x the captain and the first mate are gone. the ship has a new captain, young and fearless - of the things she can afford to disregard. she fears and loves the ocean, as all captains do. she does not fear the royal fleet. and she does not fear the mermaid. “you know, i heard stories about you when i was a little girl,” she says, trailing her fingers in the water next to the dock. the mermaid stares at her with one eye the size of a dinner table. “is that so?” she hums, smirking with teeth sharper than the swords of the entire navy. “they said you could sink an entire fleet and that you had skin tougher than dragon scales,” the new captain says, grinning right back at the monster who could eat her without a moment’s hesitation. “i always thought they were telling tall tales.” “and now?” “they were right,” the new captain says. “how did they ever befriend you?” the mermaid smiles, fully this time, her dark eyes gleaming under the white linen sail. “they didn’t know any better.” She protects her family. Hi everybody! Guess what’s being posted on AO3 now at the following link! https://archiveofourown.org/works/22498384/chapters/53760817 That’s right! Here you go. I’ll be uploading it in some chunks, because I want to make sure I have everything I wanted edited cleanly finished, but follow the story there! HEY GUYS GUESS WHATS BACK ON THE DASHBOARD AND BETTER THAN EVER I love this : ironwoman359: cereusblue: unnameablethings: dragonsateyourtoast: redporkpadthai: dragonsateyourtoast: otherwindow: otherwindow: This is how the golden age of piracy ended. The first mermaid to get tattoos :) “we didn’t know any better,” the crewman says, and swallows, presenting the chest to the captain. “what do we do now?” “kill it,” the captain says, but the ice is melting in his eyes. “we can’t,” the first mate says desperately, praying she won’t have to fight her captain on this. “we can’t. we - i won’t. we won’t.” “i know.” x “daddy,” she says, floating in a tub of seawater in the hold, “daddy, la-la, la-la-la.” her voice rings like bells. her accent is strange; her mouth isn’t made for human words. it mesmerises even the hardiest amongst them and she wasn’t even trying. the crew has taken to diving for shellfish near the shorelines for her; she loves them, splitting the shells apart with strength seen in no human toddler, slurping down the slimy molluscs inside and laughing, all plump brown cheeks and needle-sharp teeth. she sometimes splashes them for fun with her smooth, rubbery brown tail. even when they get soaked they laugh. they love her. “daddy,” she calls again, and he can hear the worry in her voice. the storm rocking the ship is harsh and uncaring, and if they go down, she would be the only survivor. “don’t worry,” he says, and goes over, sitting next to the tub. the first mate, leaning against the wall, pretends not to notice as he quietly begins to sing. x “father,” she says, one day, as she leans on the edge of the dock and the captain sits next to her, “why am I here?” “your mother abandoned you,” he says, as he always has. “we found you adrift, and couldn’t bear to leave you there.” she picks at the salt-soaked boards, uncertain. her hair is pulled back in a fluffy black puff, the white linen holding it slipping almost over one of her dark eyes. one of her first tattoos, a many-limbed kraken, curls over her right shoulder and down her arm, delicate tendrils wrapped around her calloused fingertips. “alright,” she says. x “why am I really here?” she asks the first mate, watching the sun set over the water in streaks of liquid metal that pooled in the troughs of the waves and glittered on the seafoam. “we didn’t know any better,” the first mate says, staring into the water. “we didn’t know- we didn’t know anything. we didn’t understand why she fought so viciously to guard her treasure. we could not know she protected something a thousand times more precious than the purest gold.” she wants to be furious, but she can’t. she already knew the answer, from reading the guilt in her father’s eyes and the empty space in her own history. and she can’t hate her family. “it’s alright,” she says. “i do have a family, anyways. i don’t think i would have liked my other life near as much.” x her kraken grows, spreading its tendrils over her torso and arms. she grows too, too large to come on board the ship without being hauled up in a boat from the water. she sings when the storms come and swims before the ship to guide it to safety. she fights off more than one beast of the seas, and gathers a set of scars across her back that she bears with pride. “i don’t mind,” she says, when the captain fusses over her, “now i match all of you.” the first time their ship is threatened, really threatened, is by another fleet. a friend turned enemy of the first mate. “we shouldn’t fight him,” she says, peering through the spyglass. “why not?” the mermaid asks. “he’ll win,” the first mate says. the mermaid tips her head sideways. Her eyes, dark as the deep waters, gleam in the noon light. “are you sure?” she asks. x the enemy fleet surrenders after the flagship is sunk in the night, the anchor ripped off the ship and the planks torn off the hull. the surviving crew, wild-eyed and delirious, whimper and say a sea serpent came from the water and attacked them, say it was longer than the boat and crushed it in its coils. the first mate hears this and has to hide her laughter. the captain apologizes to his daughter for doubting her. “don’t worry,” she says, with a bright laugh, “it was fun.” x the second time, they are pushed by a storm into a royal fleet. they can’t possibly fight them, and they don’t have the time to escape. “let me up,” the mermaid urges, surfacing starboard and shouting to the crew. “bring me up, quickly, quickly.” they lower the boat and she piles her sinous form into it, and uses her claws to help the crew pull her up. once on the deck she flops out of the boat and makes her way over to the bow. the crew tries to help but she’s so heavy they can barely lift parts of her. she crawls up out in front of the rail and wraps her long webbed tail around the prow. the figurehead has served them well so far but they need more right now. she wraps herself around the figurehead and raises her body up into the wind takes a breath of the stinging salt air and sings. the storm carries her voice on its front to the royal navy. they are enchanted, so stunned by her song that they drop the rigging ropes and let the tillers drift. the pirates sail through the center of the fleet, trailing the storm behind them, and by the time the fleet has managed to regain its senses they are buried in wind and rain and the pirates are gone. x she declines guns. instead she carries a harpoon and its launcher, and uses them to board enemy ships, hauling her massive form out of the water to coil on the deck and dispatch enemies with ruthless efficiency. her family is feared across all the sea. x “you know we are dying,” the captain says, looking down at her. she floats next to the ship, so massive she could hold it in her arms. her eyes are wise. “i know,” she says, “i can feel it coming.” the first mate stands next to the captain. she never had a lover or a child, and neither did he, but to the mermaid they are her parents. she will always love her daughter. the tattoos are graven in dark swirls across the mermaid’s deep brown skin and the flesh of her tail, even spiraling onto the spiked webbing on her spine and face. her hair is still tied back, this time with a sail that could not be patched one last time. “we love you,” the first mate says simply, looking down. her own tightly coiled black hair falls in to her face; she shakes the locs out of the way and smiles through her tears. the captain pretends he isnt crying either. “i love you too,” the mermaid says, and reached up to pull the ship down just a bit, just to hold them one last time. “guard the ship,” the captain says. “you always have but you know they’re lost without you.” “without you,” the mermaid corrects, with a shrug that makes waves. “what will we do?” “i don’t know,” the captain says. “but you’ll help them, won’t you?” “of course i will,” she scoffs, rolling her eyes. “i will always protect my family.” x the captain and the first mate are gone. the ship has a new captain, young and fearless - of the things she can afford to disregard. she fears and loves the ocean, as all captains do. she does not fear the royal fleet. and she does not fear the mermaid. “you know, i heard stories about you when i was a little girl,” she says, trailing her fingers in the water next to the dock. the mermaid stares at her with one eye the size of a dinner table. “is that so?” she hums, smirking with teeth sharper than the swords of the entire navy. “they said you could sink an entire fleet and that you had skin tougher than dragon scales,” the new captain says, grinning right back at the monster who could eat her without a moment’s hesitation. “i always thought they were telling tall tales.” “and now?” “they were right,” the new captain says. “how did they ever befriend you?” the mermaid smiles, fully this time, her dark eyes gleaming under the white linen sail. “they didn’t know any better.” She protects her family. Hi everybody! Guess what’s being posted on AO3 now at the following link! https://archiveofourown.org/works/22498384/chapters/53760817 That’s right! Here you go. I’ll be uploading it in some chunks, because I want to make sure I have everything I wanted edited cleanly finished, but follow the story there! HEY GUYS GUESS WHATS BACK ON THE DASHBOARD AND BETTER THAN EVER I love this

ironwoman359: cereusblue: unnameablethings: dragonsateyourtoast: redporkpadthai: dragonsateyourtoast: otherwindow: otherwindow: Th...

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just-a-little-anxious: warriorsofficial: asleepinawell: operahousebookworm: robynspreciousnest: fandersunite: its-eggo: astral-ghoul: ninapop45: deceit-the-snakey-snake: plaid-n-converse: cherrysconeslut: pawsofponies: garecc: inthishousewekinkshamefnaf: inthishousewekinkshamefnaf: buggykin: inthishousewekinkshamefnaf: inthishousewekinkshamefnaf: biggest-goofiest-fish: desertdaylight: kait-the-kitty: chiribomb: politicalcompassmemes: your-uncle-dave: maps-and-elvis-and-zelda-n-shit: japhers: jewishzevran: animatedamerican: pagesofkenna: mommacomms: fidefortitude: bl00dlikeice: elphabaforpresidentofgallifrey: plaid-n-converse: memeception WE’VE HIT TERMINAL MEME @caesarianconfection I’ve said “I hate this” so many times on this website, and never actually meant it, because “I hate this” is just shorthand for ‘this is an example of a meme given a twist I wasn’t expecting with intent to surprise’. Which is, in of itself, a meme on this site. God damn it. But this… This is something else. The rapidity of a meme’s introduction to its zenith to its decline is so rapid that in ten years, you’ll need a damn twenty-page manual to explain this. It’ll be as unfunny and hard to explain as jokes in Shakespeare plays, except even more inexplicable because fuck, at least Shakespeare’s jokes are usually about anal or fucking your mother, good wholesome sex jokes we can all get behind. For the love of fuck, how do you explain loss.jpg? How do you explain gun? ….I THOUGHT THIS WAS A YMCA REFERENCE it is a YMCA reference - that’s one of the 6 memes being represented here ok let me see if i can break this down easily. YMCA is the easiest place to start - the song itself has become a meme over time with people changing the lyrics to reference other pop cultural events. so YMCA is meme one (1) this first lyric replacement (”take the breadsticks and run”) is a reference to the tumblr meme ‘stuffing breadsticks into my purse’. i think everyone remembers that one so i wont bother to explain it. that’s meme two (2) “man door hand hook car door” is a meme of its own, a creepypasta from i dont remember when. it was a terrible stupid retelling of the generic ‘stuck in a car while hook handed man tries to kill us’ story so the stupid title caught on for memorability. that in and of itself is meme three (3) ‘gun’ is… yeah i dont know how to explain gun. long story short you add gun to the end of a phrase instead of what you expect the last word to be. its shock funny. its everywhere but its popular to add to “man door hand hook car door” for.. some reason? gun is meme four (4) and the thing is, this four meme combo is something thats gone around before. meme combos are, itself, a meme. which means taking this meme combo and mixing in another meme actually becomes meme five (5) which leaves us at loss.jpg. loss.jpg was a terrible bad comic supposed to be about some tragic event, but it was presented so poorly literally no one takes it seriously, and for some reason recreating the four-panel setup has become popular. so thats meme six (6) (but i need to add that this is the greatest version of loss.jpg i think i’ve ever seen. the initial ‘young man’ lines up with the guy bursting through the door, and the shock meme ‘gun’ matches the shock scene of the woman in the hospital and idk if OP even thought about that but it makes this just so much better) I wasn’t going to reblog this, but @pagesofkenna‘s comprehensive meme-by-meme annotation is a thing of beauty and should be shared. average tumblr post contains one meme, this post, which contains six, is an outlier and should not be counted it might also just be a coincidence due to loss.jpg’s format but the whole white minimalist four-panel setup is also suspiciously reminiscent of those early 2000’s rage comics I was getting a political compass vibe too tag urself im man door hand hook car gun This works better than I thought it would. This was in my senior project I’m not sorry. EIGHT MEME COMBO FATALITY We have officially created a new language  I just had to do it to em THIS FUCKING THREAD I’M GONNA CRY I LOST IT AND MAN DOOR HAND HOOK CAR GUN AND DIDN’T EXPECT MORE I’M SOBBING M E M E T E N OwO? W o w You know I had to I hope you know this is the most cursed addition to my post, and I love it THIRTEEN!? SOMEONE EDIT THIS FROM THE ORIGINAL PHOTO SAYING “this one does not spark joy” TO THIS VERSION SAYING “this one sparks joy” well i added my contribution : ) why— IM SCREAMING This is the most elaborate meme I have ever seen and damn am I concerned by how it makes sense. “You’re in your 30s, but you still understand all this meme stuff?”“Oh yeah, sure.”“Can you explain it to me?”“I absolutely fucking cannot.” can you believe they couldn’t even get $3 million for this website yes. I’m sorry, but I had to: just-a-little-anxious: warriorsofficial: asleepinawell: operahousebookworm: robynspreciousnest: fandersunite: its-eggo: astral-ghoul: ninapop45: deceit-the-snakey-snake: plaid-n-converse: cherrysconeslut: pawsofponies: garecc: inthishousewekinkshamefnaf: inthishousewekinkshamefnaf: buggykin: inthishousewekinkshamefnaf: inthishousewekinkshamefnaf: biggest-goofiest-fish: desertdaylight: kait-the-kitty: chiribomb: politicalcompassmemes: your-uncle-dave: maps-and-elvis-and-zelda-n-shit: japhers: jewishzevran: animatedamerican: pagesofkenna: mommacomms: fidefortitude: bl00dlikeice: elphabaforpresidentofgallifrey: plaid-n-converse: memeception WE’VE HIT TERMINAL MEME @caesarianconfection I’ve said “I hate this” so many times on this website, and never actually meant it, because “I hate this” is just shorthand for ‘this is an example of a meme given a twist I wasn’t expecting with intent to surprise’. Which is, in of itself, a meme on this site. God damn it. But this… This is something else. The rapidity of a meme’s introduction to its zenith to its decline is so rapid that in ten years, you’ll need a damn twenty-page manual to explain this. It’ll be as unfunny and hard to explain as jokes in Shakespeare plays, except even more inexplicable because fuck, at least Shakespeare’s jokes are usually about anal or fucking your mother, good wholesome sex jokes we can all get behind. For the love of fuck, how do you explain loss.jpg? How do you explain gun? ….I THOUGHT THIS WAS A YMCA REFERENCE it is a YMCA reference - that’s one of the 6 memes being represented here ok let me see if i can break this down easily. YMCA is the easiest place to start - the song itself has become a meme over time with people changing the lyrics to reference other pop cultural events. so YMCA is meme one (1) this first lyric replacement (”take the breadsticks and run”) is a reference to the tumblr meme ‘stuffing breadsticks into my purse’. i think everyone remembers that one so i wont bother to explain it. that’s meme two (2) “man door hand hook car door” is a meme of its own, a creepypasta from i dont remember when. it was a terrible stupid retelling of the generic ‘stuck in a car while hook handed man tries to kill us’ story so the stupid title caught on for memorability. that in and of itself is meme three (3) ‘gun’ is… yeah i dont know how to explain gun. long story short you add gun to the end of a phrase instead of what you expect the last word to be. its shock funny. its everywhere but its popular to add to “man door hand hook car door” for.. some reason? gun is meme four (4) and the thing is, this four meme combo is something thats gone around before. meme combos are, itself, a meme. which means taking this meme combo and mixing in another meme actually becomes meme five (5) which leaves us at loss.jpg. loss.jpg was a terrible bad comic supposed to be about some tragic event, but it was presented so poorly literally no one takes it seriously, and for some reason recreating the four-panel setup has become popular. so thats meme six (6) (but i need to add that this is the greatest version of loss.jpg i think i’ve ever seen. the initial ‘young man’ lines up with the guy bursting through the door, and the shock meme ‘gun’ matches the shock scene of the woman in the hospital and idk if OP even thought about that but it makes this just so much better) I wasn’t going to reblog this, but @pagesofkenna‘s comprehensive meme-by-meme annotation is a thing of beauty and should be shared. average tumblr post contains one meme, this post, which contains six, is an outlier and should not be counted it might also just be a coincidence due to loss.jpg’s format but the whole white minimalist four-panel setup is also suspiciously reminiscent of those early 2000’s rage comics I was getting a political compass vibe too tag urself im man door hand hook car gun This works better than I thought it would. This was in my senior project I’m not sorry. EIGHT MEME COMBO FATALITY We have officially created a new language  I just had to do it to em THIS FUCKING THREAD I’M GONNA CRY I LOST IT AND MAN DOOR HAND HOOK CAR GUN AND DIDN’T EXPECT MORE I’M SOBBING M E M E T E N OwO? W o w You know I had to I hope you know this is the most cursed addition to my post, and I love it THIRTEEN!? SOMEONE EDIT THIS FROM THE ORIGINAL PHOTO SAYING “this one does not spark joy” TO THIS VERSION SAYING “this one sparks joy” well i added my contribution : ) why— IM SCREAMING This is the most elaborate meme I have ever seen and damn am I concerned by how it makes sense. “You’re in your 30s, but you still understand all this meme stuff?”“Oh yeah, sure.”“Can you explain it to me?”“I absolutely fucking cannot.” can you believe they couldn’t even get $3 million for this website yes. I’m sorry, but I had to
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doubleoaidan: mirthfulrealist: jdillustratesnonsense: hotcocoachia: froginakettle: guyalice: unpretty: The Outbursts of Everett True was a comic strip that ran in papers from 1905 to 1927, wherein the aforementioned Everett True regularly beat the everliving shit out of rude people as a warning to anyone else who might consider being rude. Men have not only been taking up too much room on public transport for about as long as public transport has existed, but the people around them have been irritated about it for at least a hundred years. The next time someone tries to claim that manspreading is a false phenomenon, please direct them to this strip so that Everett True can correct their misconceptions with an umbrella upside the head. I have never before heard of Everett True, but if he “regularly beat the everliving shit out of rude people as a warning to anyone else who might consider being rude,” I have a strong spiritual connection with him. I fucking love him i can imagine this guy’s voice very clearly in my head but i couldn’t put a name to it  If Kingpin from Spiderman was a good guy Brilliant. Simply brilliant.: doubleoaidan: mirthfulrealist: jdillustratesnonsense: hotcocoachia: froginakettle: guyalice: unpretty: The Outbursts of Everett True was a comic strip that ran in papers from 1905 to 1927, wherein the aforementioned Everett True regularly beat the everliving shit out of rude people as a warning to anyone else who might consider being rude. Men have not only been taking up too much room on public transport for about as long as public transport has existed, but the people around them have been irritated about it for at least a hundred years. The next time someone tries to claim that manspreading is a false phenomenon, please direct them to this strip so that Everett True can correct their misconceptions with an umbrella upside the head. I have never before heard of Everett True, but if he “regularly beat the everliving shit out of rude people as a warning to anyone else who might consider being rude,” I have a strong spiritual connection with him. I fucking love him i can imagine this guy’s voice very clearly in my head but i couldn’t put a name to it  If Kingpin from Spiderman was a good guy Brilliant. Simply brilliant.
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fenixfoxtrot510: tyrantisterror: driftingindeadspace: tyrantisterror: driftingindeadspace: tyrantisterror: godzilla3092: tyrantisterror: godzilla201460: mark9-jaeger-kaiju-gesundheit: The Man of Steel vs the King of the Monsters by DR-Studios Man of steel is fucked. One is a horrifying unstoppable murder monster that smashes buildings and kills all who oppose it while laughing off the pitiful weapons humanity throws at it and never once stops to consider the value of the human lives that get caught in the wake of its titanic battles for supremacy. The other is Godzilla. I’d hate to say it, you guys, but Godzilla probably wouldn’t win that fight. Probably not, not.  At some point Godzilla would try to avoid killing innocent bystanders, at which point Superman would make the kill shot in a way that forces Godzilla’s corpse to fall onto and crush as many fleeing human beings as possible.  Superman would then toss the carcass into a dozen or so more buildings, specifically aiming for those that are still inhabited by trapped people, and maybe drag the corpse through the rubble just in case a few humans clung onto life despite their grievous wounds before finally leaving the carcass on a school or hospital to rot and fester - or maybe in the water supply to ensure the maximum amount of people can be exposed to whatever diseases result. Then he’d threaten the military not to cross him again before making a terrible sex joke at Amy Adams. I’m sorry to say, but you got both of these characters COMPLETELY backwards. No, Godzilla does go out of his way to avoid hurting innocent bystanders - at least in the 2014 movie, which is the version shown in the picture above.  Godzilla tries his best to avoid going through the Golden Gate bridge, avoids swimming through navy ships, and even tries to walk around buildings rather than through them when fighting the wicked mutos.  And he does it in a few other movies, too - one time that stands out to me occurs in the original Godzilla vs. MechaGodzilla he actually leads the evil MechaGodzilla away from the city into the wilderness before having a brutal match. So yeah, I’d say I have them pretty spot on. I think the reason he doesn’t go through buildings because that would be fucking stupid. Also he didn’t seem to care enough when he started smashing the golden gate bridge with the bus full of children on it when the military attacked him. Or how about the time he flooded all of Hawaii? He’s not consciously protecting humans because all he cares about is killing the MUTOS. He most likely fights them for territory which would kind of make sense as to why he would want to be killed by Superman in the first place 1. Godzilla was knocked into the bridge by those missiles.  There’s a difference between stumbling into something when someone pushes you into it and purposely knocking that thing over.  What happened with Godzilla and the bridge was the former - he actually spent a good chunk of time avoiding the bridge and blocking it from the missiles with his body before he was finally forced through it.  That’s not Godzilla’s fault, that’s the military’s. 2. Godzilla didn’t mean to flood Hawaii - he probably wasn’t even aware of how the water was being displaced.  It’s destructive, sure, but it’s not something he could avoid.  It’s not the same as, say, a super powered murderer tackling another super powered murderer through a cornfield into a populated area like some kind of sociopath. I don’t know why you’re trying to paint Godzilla in such a negative light, but it kinda scares me. Ya’ll lay off Godzilla! He’s trying his best! His best is all he can do and it’s difficult to do so when litteral armies of people are trying to sabotage him! Godzilla is the local Lizard that won’t hurt the ants because they need each other.Superman is the invasive bird that seeks to eat all ants to assert dominance : fenixfoxtrot510: tyrantisterror: driftingindeadspace: tyrantisterror: driftingindeadspace: tyrantisterror: godzilla3092: tyrantisterror: godzilla201460: mark9-jaeger-kaiju-gesundheit: The Man of Steel vs the King of the Monsters by DR-Studios Man of steel is fucked. One is a horrifying unstoppable murder monster that smashes buildings and kills all who oppose it while laughing off the pitiful weapons humanity throws at it and never once stops to consider the value of the human lives that get caught in the wake of its titanic battles for supremacy. The other is Godzilla. I’d hate to say it, you guys, but Godzilla probably wouldn’t win that fight. Probably not, not.  At some point Godzilla would try to avoid killing innocent bystanders, at which point Superman would make the kill shot in a way that forces Godzilla’s corpse to fall onto and crush as many fleeing human beings as possible.  Superman would then toss the carcass into a dozen or so more buildings, specifically aiming for those that are still inhabited by trapped people, and maybe drag the corpse through the rubble just in case a few humans clung onto life despite their grievous wounds before finally leaving the carcass on a school or hospital to rot and fester - or maybe in the water supply to ensure the maximum amount of people can be exposed to whatever diseases result. Then he’d threaten the military not to cross him again before making a terrible sex joke at Amy Adams. I’m sorry to say, but you got both of these characters COMPLETELY backwards. No, Godzilla does go out of his way to avoid hurting innocent bystanders - at least in the 2014 movie, which is the version shown in the picture above.  Godzilla tries his best to avoid going through the Golden Gate bridge, avoids swimming through navy ships, and even tries to walk around buildings rather than through them when fighting the wicked mutos.  And he does it in a few other movies, too - one time that stands out to me occurs in the original Godzilla vs. MechaGodzilla he actually leads the evil MechaGodzilla away from the city into the wilderness before having a brutal match. So yeah, I’d say I have them pretty spot on. I think the reason he doesn’t go through buildings because that would be fucking stupid. Also he didn’t seem to care enough when he started smashing the golden gate bridge with the bus full of children on it when the military attacked him. Or how about the time he flooded all of Hawaii? He’s not consciously protecting humans because all he cares about is killing the MUTOS. He most likely fights them for territory which would kind of make sense as to why he would want to be killed by Superman in the first place 1. Godzilla was knocked into the bridge by those missiles.  There’s a difference between stumbling into something when someone pushes you into it and purposely knocking that thing over.  What happened with Godzilla and the bridge was the former - he actually spent a good chunk of time avoiding the bridge and blocking it from the missiles with his body before he was finally forced through it.  That’s not Godzilla’s fault, that’s the military’s. 2. Godzilla didn’t mean to flood Hawaii - he probably wasn’t even aware of how the water was being displaced.  It’s destructive, sure, but it’s not something he could avoid.  It’s not the same as, say, a super powered murderer tackling another super powered murderer through a cornfield into a populated area like some kind of sociopath. I don’t know why you’re trying to paint Godzilla in such a negative light, but it kinda scares me. Ya’ll lay off Godzilla! He’s trying his best! His best is all he can do and it’s difficult to do so when litteral armies of people are trying to sabotage him! Godzilla is the local Lizard that won’t hurt the ants because they need each other.Superman is the invasive bird that seeks to eat all ants to assert dominance
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eric-coldfire: broadwaytheanimatedseries: wessasaurus-rex: loosescrewslefty: powerpuff-save-the-day: Powerpuff Girls was actually a show about a group of small children crushing the patriarchy and no one will convince me otherwise Anyone who tries to convince you otherwise obviously wasn’t watching the same show. reasons why i love this show so much  I love that the most tiny feminine delicate sweetheart of the three does the traditionaly masculine chores. Kinda makes me wanna see a teen Bubbles change a tire in a pretty dress and hair bow. Don’t forget the time they had a Misandrist Villain who used feminism as an excuse as to why the PPG should let her go free. Then when the girls themselves started being hateful to men, Ms. Bella had to correct the girls on what real feminism is. Then the PPG schooled the villain on Susan B Anthony and beat the shit out of her. Also don’t forget that while the above mentioned PPG episodes most likely got the show praise from the feminist crowds, the Femme Fatale episode got the show hate mail and death threats from the same crowd. Powerpuff Girls was some good shit. : He--he called me sweet cheeks GIRLS No! NARRATOR Not sweet cheeks! There are only 3 villains capable of such insensitive, derogatoryg and-insulting anquage eric-coldfire: broadwaytheanimatedseries: wessasaurus-rex: loosescrewslefty: powerpuff-save-the-day: Powerpuff Girls was actually a show about a group of small children crushing the patriarchy and no one will convince me otherwise Anyone who tries to convince you otherwise obviously wasn’t watching the same show. reasons why i love this show so much  I love that the most tiny feminine delicate sweetheart of the three does the traditionaly masculine chores. Kinda makes me wanna see a teen Bubbles change a tire in a pretty dress and hair bow. Don’t forget the time they had a Misandrist Villain who used feminism as an excuse as to why the PPG should let her go free. Then when the girls themselves started being hateful to men, Ms. Bella had to correct the girls on what real feminism is. Then the PPG schooled the villain on Susan B Anthony and beat the shit out of her. Also don’t forget that while the above mentioned PPG episodes most likely got the show praise from the feminist crowds, the Femme Fatale episode got the show hate mail and death threats from the same crowd. Powerpuff Girls was some good shit.
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The best response to what is c++: TOP DEFINITION C++ A programming language for Real Men. Most languages try to provide a simplified way to solve specific problems well. C++ makes no such concession and tries to be mediocre at everything. It lets you program at a very high level, and a very low level in the same program. It lets you write procedural code, object oriented code, generic code and mix them all up. It makes you decide everything and provides no help if you get it wrong. It is by far the biggest, most complicated, ugly, down-right dangerous language you can use. But it does run fast. It takes at least twice as long to program in C++ as any other major language (except C). The men who program in C++are Real Men. The women who program in C++ are Real Men too. You can spot a C++ programmer from their testosterone fueled swagger, and the unbelievable amount of contempt they inject into the phrase Java "programmer". They'll probably do the air quotes and all. Dev: 'Hey, Reg, you know C++ right? What does: "\src\Cont.cpp(52): error C2679: binary '=': no operator found which takes a right- hand operand of type 'int' (or there is no acceptable conversion) C:\Program Files\Microsoft Visual Studio 8\VC\include\vector(392): could be 'std:_Vector_iterator<_Ty, _Alloc> &std::_Vector_iterator<_Ty, _Alloc>::operator = (const std:_Vector_iterator<_Ty, _Alloc> &)' with_Ty=Main::Cont, _Alloc=std:allocator<Main::Cont> while trying to match the argument list "(std:_Vector_iterator<_Ty, _Alloc>, int)' with_Ty=Main::Cont, Alloc=std::allocator<Main::Cont> "mean?' Reg: 'You missed a semicolon at the end of the line. The best response to what is c++

The best response to what is c++

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