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bisexualbaker: bisexualbaker: thwippersnapple: Tingle just cranked out 50k words for a spite story for JKR and I am LIVING for it! [Image one: Tweet from Chuck Tingle ( @ChuckTingle ): please enjoy new full length adult romance novel (52000 words) in paperback or ebook about the best wizard: TRANS WIZARD HARRIET PORBER AND THE BAD BOY PARASAUROLOPHUS available now also trans rights amazon.com/dp/B08B386R6J ] [Image two: Cover of the aforementioned Harriet Porber novel; Harriet is front and center, a young trans woman with light skin, long dark hair, and glasses; she has a wand raised in her right hand. Behind her are a mammoth in a wizard’s hat, an anthropomorphic duck-billed dinosaur, and a motorcycle with the head of a woman.] Chuck Tingle is a gift. OMG the summary: Trans wizard Harriet Porber is a master spellsmith who’s found herself in a bit of a pickle. After finishing wizard college, Harriet made a name for herself by creating a hit viral spell, but has since failed to craft a follow up. Now Harriet’s agent, Minerma, is breathing down her neck, suggesting that Harriet take a trip to an island off the coast of England for inspiration.Hoping for some peace and quiet to clear her head, Harriet Porber arrives to find that her new neighbor, an angsty bard named Snabe from the band Seven Inch Nails, is already there making a racket. This parasaurolophus spellcaster is a bad boy through and through, and with his incredible powers of metamagic, Snabe reveals that this layer of reality is much more than it seems. Could Harriet and Snabe really be characters in a parody romance novel?Soon enough, these two are discovering they have more similarities than differences: both trans, both strong, and both hoping to create a new spell that will change the world. But with the addition of two devious sentient motorcycles to the mix, Dellatrix and Braco, things start to get complicated.Now trans wizard Harriet Porber is caught up in a tale of magic and mystery where nothing is as it seems, except for one universal truth: love is real.This is a 52,000 word bad boy romance novel for adults. It contains some explicit scenes. : bisexualbaker: bisexualbaker: thwippersnapple: Tingle just cranked out 50k words for a spite story for JKR and I am LIVING for it! [Image one: Tweet from Chuck Tingle ( @ChuckTingle ): please enjoy new full length adult romance novel (52000 words) in paperback or ebook about the best wizard: TRANS WIZARD HARRIET PORBER AND THE BAD BOY PARASAUROLOPHUS available now also trans rights amazon.com/dp/B08B386R6J ] [Image two: Cover of the aforementioned Harriet Porber novel; Harriet is front and center, a young trans woman with light skin, long dark hair, and glasses; she has a wand raised in her right hand. Behind her are a mammoth in a wizard’s hat, an anthropomorphic duck-billed dinosaur, and a motorcycle with the head of a woman.] Chuck Tingle is a gift. OMG the summary: Trans wizard Harriet Porber is a master spellsmith who’s found herself in a bit of a pickle. After finishing wizard college, Harriet made a name for herself by creating a hit viral spell, but has since failed to craft a follow up. Now Harriet’s agent, Minerma, is breathing down her neck, suggesting that Harriet take a trip to an island off the coast of England for inspiration.Hoping for some peace and quiet to clear her head, Harriet Porber arrives to find that her new neighbor, an angsty bard named Snabe from the band Seven Inch Nails, is already there making a racket. This parasaurolophus spellcaster is a bad boy through and through, and with his incredible powers of metamagic, Snabe reveals that this layer of reality is much more than it seems. Could Harriet and Snabe really be characters in a parody romance novel?Soon enough, these two are discovering they have more similarities than differences: both trans, both strong, and both hoping to create a new spell that will change the world. But with the addition of two devious sentient motorcycles to the mix, Dellatrix and Braco, things start to get complicated.Now trans wizard Harriet Porber is caught up in a tale of magic and mystery where nothing is as it seems, except for one universal truth: love is real.This is a 52,000 word bad boy romance novel for adults. It contains some explicit scenes.

bisexualbaker: bisexualbaker: thwippersnapple: Tingle just cranked out 50k words for a spite story for JKR and I am LIVING for it! [Imag...

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professionalpeachhunk: [[This is Isaiah Hine’s high school presentation on white fragility. You’re not going to get a simpler explanation, in my opinion, so if you’re white you should really read this. Below are Isaiah’s notes on each slide.]] — What is White Fragility? Robin DiAngelo is a professor at Westfield State University and author of What Does it Mean to Be White? Developing White Racial Literacy. I’m sure you’ve all seen these ‘defensive moves’ in action before. “I didn’t mean anything by it” “I wasn’t trying to be offensive” “I have a black friend” “Not all white people” People are often more worried about being called a racist than actually doing something racist. In America white people often don’t even have to consider race. They often think of themselves as “raceless” white is conditioned to be the norm and everyone else is considered “raced” or “colored”. White fragility allows white people to govern when and how race is discussed. White people expect to be educated on racism, and in a nice way. — Why Is It A Bad Thing? White people never learn as a result and are allowed to continue saying and doing racist things. White people prefer to hear these things from other white people but because other white people don’t know enough about racism, they cycle continues. When people of color do things like the BLACKLIVESMATTER movement, many white peoples responses were “all lives matter” this is white fragility. Proclaiming that black lives matter does not inherently mean that other lives don’t. This statement is made because society continually shows us that black lives don’t matter in america and these are the lives that need the affirming. We already know that white lives matter, it doesn’t need to be stated. White people are very used to being the center of things and when they aren’t it makes them uncomfortable. — Why Does This Happen? Most people don’t fully grasp the idea of systemic racism and that we live in a racist society that perpetuates racist ideas. We are socialized into white supremacy. : professionalpeachhunk: [[This is Isaiah Hine’s high school presentation on white fragility. You’re not going to get a simpler explanation, in my opinion, so if you’re white you should really read this. Below are Isaiah’s notes on each slide.]] — What is White Fragility? Robin DiAngelo is a professor at Westfield State University and author of What Does it Mean to Be White? Developing White Racial Literacy. I’m sure you’ve all seen these ‘defensive moves’ in action before. “I didn’t mean anything by it” “I wasn’t trying to be offensive” “I have a black friend” “Not all white people” People are often more worried about being called a racist than actually doing something racist. In America white people often don’t even have to consider race. They often think of themselves as “raceless” white is conditioned to be the norm and everyone else is considered “raced” or “colored”. White fragility allows white people to govern when and how race is discussed. White people expect to be educated on racism, and in a nice way. — Why Is It A Bad Thing? White people never learn as a result and are allowed to continue saying and doing racist things. White people prefer to hear these things from other white people but because other white people don’t know enough about racism, they cycle continues. When people of color do things like the BLACKLIVESMATTER movement, many white peoples responses were “all lives matter” this is white fragility. Proclaiming that black lives matter does not inherently mean that other lives don’t. This statement is made because society continually shows us that black lives don’t matter in america and these are the lives that need the affirming. We already know that white lives matter, it doesn’t need to be stated. White people are very used to being the center of things and when they aren’t it makes them uncomfortable. — Why Does This Happen? Most people don’t fully grasp the idea of systemic racism and that we live in a racist society that perpetuates racist ideas. We are socialized into white supremacy.

professionalpeachhunk: [[This is Isaiah Hine’s high school presentation on white fragility. You’re not going to get a simpler explanation...

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gallusrostromegalus: huggablekaiju: aughtomaton: banyanyabread: elionking: rootbeergoddess: voidbat: callmebliss: rikodeine: ajax-daughter-of-telamon: tastefullyoffensive: (photo via princessmisery) This is a great idea! this is really cool. Kids hate the big plastic keys cos they’re not interesting, they wanna see the things the grownups use all the time I kinda want one of these. DUDE. it’s a giant fucking stim board! GENIUS. This is brilliant  Shit, I might make one of these for myself ^^ This is extremely devopmentally appropriate and smart Hey! They had a thing like this at my preschool, because not only is it a great entertainment center, its also a great tool for teaching toddlers fine motor skills.We also had a board with the fronts of shirts, jackets etc cut out and mounted so we could fool around with and learn how to use buttons, zippers, velcro etc, which meant I was dressing myself pretty early. We also had leftover keyboards, computer mice (sans cables) and a mix and match board of connector cables (bolted down and too short to strangle ourselves with) because I lived in silicon valley in the early 90’s when the tech boom was happening and parents would donate computer stuff for us to fuck around with.Im looking at those gate locks up there and that’s a bit of a bespoke parenting- Dad does run the risk of teaching this toddler how to escape a gated area like the yard, but if the kid isn’t prone to wandering, it’s a good safety thing for him to learn.Some other things to put on a fine motor skills stimboard: doorknobs and handles, switches and buttons (esp of you can wire them up to do something- kids learn patterns way earlier than you might think), window locks and cranks, assorted textures like carpet, fabrics, those reversible sequins, pebbles, sandpaper etc, the tops of jars with different kinds of lids top open and close, and (if you can stand it) anything that makes noises.But pretty much anything that can be fiddled with, changed by touching and is safe to nom on is a good thing.An additional caveat, from my own youth: if the fine motor boards are down at toddler height, dogs, cats, most pet birds and some reptiles will also play with and learn to manipulate these things. Which is also good mental stimulation for them but you can give your animals interesting ideas about what is ok to handle and teach them skills you might not want them to know.: gallusrostromegalus: huggablekaiju: aughtomaton: banyanyabread: elionking: rootbeergoddess: voidbat: callmebliss: rikodeine: ajax-daughter-of-telamon: tastefullyoffensive: (photo via princessmisery) This is a great idea! this is really cool. Kids hate the big plastic keys cos they’re not interesting, they wanna see the things the grownups use all the time I kinda want one of these. DUDE. it’s a giant fucking stim board! GENIUS. This is brilliant  Shit, I might make one of these for myself ^^ This is extremely devopmentally appropriate and smart Hey! They had a thing like this at my preschool, because not only is it a great entertainment center, its also a great tool for teaching toddlers fine motor skills.We also had a board with the fronts of shirts, jackets etc cut out and mounted so we could fool around with and learn how to use buttons, zippers, velcro etc, which meant I was dressing myself pretty early. We also had leftover keyboards, computer mice (sans cables) and a mix and match board of connector cables (bolted down and too short to strangle ourselves with) because I lived in silicon valley in the early 90’s when the tech boom was happening and parents would donate computer stuff for us to fuck around with.Im looking at those gate locks up there and that’s a bit of a bespoke parenting- Dad does run the risk of teaching this toddler how to escape a gated area like the yard, but if the kid isn’t prone to wandering, it’s a good safety thing for him to learn.Some other things to put on a fine motor skills stimboard: doorknobs and handles, switches and buttons (esp of you can wire them up to do something- kids learn patterns way earlier than you might think), window locks and cranks, assorted textures like carpet, fabrics, those reversible sequins, pebbles, sandpaper etc, the tops of jars with different kinds of lids top open and close, and (if you can stand it) anything that makes noises.But pretty much anything that can be fiddled with, changed by touching and is safe to nom on is a good thing.An additional caveat, from my own youth: if the fine motor boards are down at toddler height, dogs, cats, most pet birds and some reptiles will also play with and learn to manipulate these things. Which is also good mental stimulation for them but you can give your animals interesting ideas about what is ok to handle and teach them skills you might not want them to know.
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number-four: becausewedefinetheworld: sirro85-blog: oneshoeshort: abbessolute: feytaline-loves: motherfrigginpsas: LISTEN UP AGAIN KIDSSTOP REBLOGGING THIS FUCKING GARBAGE POST. IT IS 100% FUCKING BULLSHIT AND CAN AND MOST DEFINITELY WILL LITERALLY KILL. DO YOU NOT SEE WARNING LABELS THAT SAY “DO NOT INDUCE VOMITING”? THEY AREN’T FUCKING AROUND. YOU CAN FUCKING BURN THEIR ESOPHAGUS BY CAUSING VOMITING, CAUSE CHOKING, DROWNING, OR MAKE IT WORSE! AGAIN DO NOT FORCE ANYTHING DOWN ANYONE’S THROAT. THEY. CAN. DROWN. IF SOMEONE IS LOSING CONCIOUSNESS ALL THE CHIT CHAT IN THE WORLD WILL NOT PREVENT IT AT THAT POINT THEY ARE IN SERIOUS DANGER.“Buuut i don’t wanna take them to the hospital!!!”WELL SUNSHINE GLAD YOU’D RATHER HAVE A DEAD FRIEND THAN A LIVING ONE BUT YOU’RE IN LUCKCALL FUCKING POISON CONTROL. THEY ARE NOT THE COPS. THEY WILL HELP YOU.AND IF THEY SAY GO TO THE FUCKING HOSPITAL YOU GO TO THE FUCKING HOSPITAL. NO EXCUSES. 0. NONE.I have seen this shit cross my dash SO MANY TIMES so PLEASE fucking reblog this and prevent some well meaning idiot from accidentally killing someone they love! For the love of god PLEASE REBLOG THIS I see this stupid fucking post one a goddamn week and someone is going to literally fucking die from it @oneshoeshort IF YOU WONT LISTEN TO OP, LISTEN TO THE RETIRED PARAMEDIC WHO HAS SEEN PEOPLE DIE FROM THIS SHIT. Poison control may advise diluting the toxin somehow like with water or milk, otherwise do not give them something to drink and take the empty pill bottle/ blister pack with you to the hospital. btw just searched it up, US poison control number is 1 800 222 1222 aight so i googled these so PLEASE correct me if im wrong BUT: (these were the only ones i could find, most likely because of the international number listed above and below, but I felt necessary to add them all.) Åland Islands: Poison Control Center (09) 471 977 (Australia-wide) 131126 wch.sa.gov.au CARPIN CARibbean Poison Information Network Jamaica and the wider Caribbean: Telephone: 1-888-POISONS, 1-888-764-7667 (toll fee) Cyprus: Drugs/Narcotics/Poison Emergency Tel: 1401 Malaysia, Philippines, & other aurrounding locations: PRN(Pusat Racun Negara) Poisoning and Emergency: 1-800-88-8099 & 04-6570099 Trinidad & Tobago: Poison Hotline 800-2PIC(2742) (Tel) AAPCC (American Association of Poison Control Centers) AND FOR INTERNATIONAL USE AS WELL. INTERPRETATION FOR 161 LANGUAGES ARE AVAILABLE: 1-800-222-1222 : number-four: becausewedefinetheworld: sirro85-blog: oneshoeshort: abbessolute: feytaline-loves: motherfrigginpsas: LISTEN UP AGAIN KIDSSTOP REBLOGGING THIS FUCKING GARBAGE POST. IT IS 100% FUCKING BULLSHIT AND CAN AND MOST DEFINITELY WILL LITERALLY KILL. DO YOU NOT SEE WARNING LABELS THAT SAY “DO NOT INDUCE VOMITING”? THEY AREN’T FUCKING AROUND. YOU CAN FUCKING BURN THEIR ESOPHAGUS BY CAUSING VOMITING, CAUSE CHOKING, DROWNING, OR MAKE IT WORSE! AGAIN DO NOT FORCE ANYTHING DOWN ANYONE’S THROAT. THEY. CAN. DROWN. IF SOMEONE IS LOSING CONCIOUSNESS ALL THE CHIT CHAT IN THE WORLD WILL NOT PREVENT IT AT THAT POINT THEY ARE IN SERIOUS DANGER.“Buuut i don’t wanna take them to the hospital!!!”WELL SUNSHINE GLAD YOU’D RATHER HAVE A DEAD FRIEND THAN A LIVING ONE BUT YOU’RE IN LUCKCALL FUCKING POISON CONTROL. THEY ARE NOT THE COPS. THEY WILL HELP YOU.AND IF THEY SAY GO TO THE FUCKING HOSPITAL YOU GO TO THE FUCKING HOSPITAL. NO EXCUSES. 0. NONE.I have seen this shit cross my dash SO MANY TIMES so PLEASE fucking reblog this and prevent some well meaning idiot from accidentally killing someone they love! For the love of god PLEASE REBLOG THIS I see this stupid fucking post one a goddamn week and someone is going to literally fucking die from it @oneshoeshort IF YOU WONT LISTEN TO OP, LISTEN TO THE RETIRED PARAMEDIC WHO HAS SEEN PEOPLE DIE FROM THIS SHIT. Poison control may advise diluting the toxin somehow like with water or milk, otherwise do not give them something to drink and take the empty pill bottle/ blister pack with you to the hospital. btw just searched it up, US poison control number is 1 800 222 1222 aight so i googled these so PLEASE correct me if im wrong BUT: (these were the only ones i could find, most likely because of the international number listed above and below, but I felt necessary to add them all.) Åland Islands: Poison Control Center (09) 471 977 (Australia-wide) 131126 wch.sa.gov.au CARPIN CARibbean Poison Information Network Jamaica and the wider Caribbean: Telephone: 1-888-POISONS, 1-888-764-7667 (toll fee) Cyprus: Drugs/Narcotics/Poison Emergency Tel: 1401 Malaysia, Philippines, & other aurrounding locations: PRN(Pusat Racun Negara) Poisoning and Emergency: 1-800-88-8099 & 04-6570099 Trinidad & Tobago: Poison Hotline 800-2PIC(2742) (Tel) AAPCC (American Association of Poison Control Centers) AND FOR INTERNATIONAL USE AS WELL. INTERPRETATION FOR 161 LANGUAGES ARE AVAILABLE: 1-800-222-1222
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get-inner-peace: EMERGENCY HOTLINE NUMBERSIf you see this please RE-BLOGEach RE-BLOG can save a life! If you are experiencing a medical emergency, are in danger, or are feeling suicidal, call 911 immediately. Suicide Hotline: 800-784-2433Immediate Medical Assistance: 911Crisis Call Center: 800-273-8255 or text ANSWER to 839863Crisis Text Line (U.S. only): Text HELLO to 741741Youthspace Text Line (across Canada): Text 778-783-0177 from 6 p.m. to midnight daily. Suicide National Suicide Hotline800-SUICIDE (784-2433)800-442-HOPE (4673)Twenty-four hours a day, seven days a weekhttp://www.hopeline.com National Suicide Prevention Lifeline800-273-TALK (8255)Twenty-four hours a day, seven days a weekhttp://www.suicidepreventionlifeline.org Keep reading : get-inner-peace: EMERGENCY HOTLINE NUMBERSIf you see this please RE-BLOGEach RE-BLOG can save a life! If you are experiencing a medical emergency, are in danger, or are feeling suicidal, call 911 immediately. Suicide Hotline: 800-784-2433Immediate Medical Assistance: 911Crisis Call Center: 800-273-8255 or text ANSWER to 839863Crisis Text Line (U.S. only): Text HELLO to 741741Youthspace Text Line (across Canada): Text 778-783-0177 from 6 p.m. to midnight daily. Suicide National Suicide Hotline800-SUICIDE (784-2433)800-442-HOPE (4673)Twenty-four hours a day, seven days a weekhttp://www.hopeline.com National Suicide Prevention Lifeline800-273-TALK (8255)Twenty-four hours a day, seven days a weekhttp://www.suicidepreventionlifeline.org Keep reading

get-inner-peace: EMERGENCY HOTLINE NUMBERSIf you see this please RE-BLOGEach RE-BLOG can save a life! If you are experiencing a medical e...

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cereusblue: unnameablethings: dragonsateyourtoast: redporkpadthai: dragonsateyourtoast: otherwindow: otherwindow: This is how the golden age of piracy ended. The first mermaid to get tattoos :) “we didn’t know any better,” the crewman says, and swallows, presenting the chest to the captain. “what do we do now?” “kill it,” the captain says, but the ice is melting in his eyes. “we can’t,” the first mate says desperately, praying she won’t have to fight her captain on this. “we can’t. we - i won’t. we won’t.” “i know.” x “daddy,” she says, floating in a tub of seawater in the hold, “daddy, la-la, la-la-la.” her voice rings like bells. her accent is strange; her mouth isn’t made for human words. it mesmerises even the hardiest amongst them and she wasn’t even trying. the crew has taken to diving for shellfish near the shorelines for her; she loves them, splitting the shells apart with strength seen in no human toddler, slurping down the slimy molluscs inside and laughing, all plump brown cheeks and needle-sharp teeth. she sometimes splashes them for fun with her smooth, rubbery brown tail. even when they get soaked they laugh. they love her. “daddy,” she calls again, and he can hear the worry in her voice. the storm rocking the ship is harsh and uncaring, and if they go down, she would be the only survivor. “don’t worry,” he says, and goes over, sitting next to the tub. the first mate, leaning against the wall, pretends not to notice as he quietly begins to sing. x “father,” she says, one day, as she leans on the edge of the dock and the captain sits next to her, “why am I here?” “your mother abandoned you,” he says, as he always has. “we found you adrift, and couldn’t bear to leave you there.” she picks at the salt-soaked boards, uncertain. her hair is pulled back in a fluffy black puff, the white linen holding it slipping almost over one of her dark eyes. one of her first tattoos, a many-limbed kraken, curls over her right shoulder and down her arm, delicate tendrils wrapped around her calloused fingertips. “alright,” she says. x “why am I really here?” she asks the first mate, watching the sun set over the water in streaks of liquid metal that pooled in the troughs of the waves and glittered on the seafoam. “we didn’t know any better,” the first mate says, staring into the water. “we didn’t know- we didn’t know anything. we didn’t understand why she fought so viciously to guard her treasure. we could not know she protected something a thousand times more precious than the purest gold.” she wants to be furious, but she can’t. she already knew the answer, from reading the guilt in her father’s eyes and the empty space in her own history. and she can’t hate her family. “it’s alright,” she says. “i do have a family, anyways. i don’t think i would have liked my other life near as much.” x her kraken grows, spreading its tendrils over her torso and arms. she grows too, too large to come on board the ship without being hauled up in a boat from the water. she sings when the storms come and swims before the ship to guide it to safety. she fights off more than one beast of the seas, and gathers a set of scars across her back that she bears with pride. “i don’t mind,” she says, when the captain fusses over her, “now i match all of you.” the first time their ship is threatened, really threatened, is by another fleet. a friend turned enemy of the first mate. “we shouldn’t fight him,” she says, peering through the spyglass. “why not?” the mermaid asks. “he’ll win,” the first mate says. the mermaid tips her head sideways. Her eyes, dark as the deep waters, gleam in the noon light. “are you sure?” she asks. x the enemy fleet surrenders after the flagship is sunk in the night, the anchor ripped off the ship and the planks torn off the hull. the surviving crew, wild-eyed and delirious, whimper and say a sea serpent came from the water and attacked them, say it was longer than the boat and crushed it in its coils. the first mate hears this and has to hide her laughter. the captain apologizes to his daughter for doubting her. “don’t worry,” she says, with a bright laugh, “it was fun.” x the second time, they are pushed by a storm into a royal fleet. they can’t possibly fight them, and they don’t have the time to escape. “let me up,” the mermaid urges, surfacing starboard and shouting to the crew. “bring me up, quickly, quickly.” they lower the boat and she piles her sinous form into it, and uses her claws to help the crew pull her up. once on the deck she flops out of the boat and makes her way over to the bow. the crew tries to help but she’s so heavy they can barely lift parts of her. she crawls up out in front of the rail and wraps her long webbed tail around the prow. the figurehead has served them well so far but they need more right now. she wraps herself around the figurehead and raises her body up into the wind takes a breath of the stinging salt air and sings. the storm carries her voice on its front to the royal navy. they are enchanted, so stunned by her song that they drop the rigging ropes and let the tillers drift. the pirates sail through the center of the fleet, trailing the storm behind them, and by the time the fleet has managed to regain its senses they are buried in wind and rain and the pirates are gone. x she declines guns. instead she carries a harpoon and its launcher, and uses them to board enemy ships, hauling her massive form out of the water to coil on the deck and dispatch enemies with ruthless efficiency. her family is feared across all the sea. x “you know we are dying,” the captain says, looking down at her. she floats next to the ship, so massive she could hold it in her arms. her eyes are wise. “i know,” she says, “i can feel it coming.” the first mate stands next to the captain. she never had a lover or a child, and neither did he, but to the mermaid they are her parents. she will always love her daughter. the tattoos are graven in dark swirls across the mermaid’s deep brown skin and the flesh of her tail, even spiraling onto the spiked webbing on her spine and face. her hair is still tied back, this time with a sail that could not be patched one last time. “we love you,” the first mate says simply, looking down. her own tightly coiled black hair falls in to her face; she shakes the locs out of the way and smiles through her tears. the captain pretends he isnt crying either. “i love you too,” the mermaid says, and reached up to pull the ship down just a bit, just to hold them one last time. “guard the ship,” the captain says. “you always have but you know they’re lost without you.” “without you,” the mermaid corrects, with a shrug that makes waves. “what will we do?” “i don’t know,” the captain says. “but you’ll help them, won’t you?” “of course i will,” she scoffs, rolling her eyes. “i will always protect my family.” x the captain and the first mate are gone. the ship has a new captain, young and fearless - of the things she can afford to disregard. she fears and loves the ocean, as all captains do. she does not fear the royal fleet. and she does not fear the mermaid. “you know, i heard stories about you when i was a little girl,” she says, trailing her fingers in the water next to the dock. the mermaid stares at her with one eye the size of a dinner table. “is that so?” she hums, smirking with teeth sharper than the swords of the entire navy. “they said you could sink an entire fleet and that you had skin tougher than dragon scales,” the new captain says, grinning right back at the monster who could eat her without a moment’s hesitation. “i always thought they were telling tall tales.” “and now?” “they were right,” the new captain says. “how did they ever befriend you?” the mermaid smiles, fully this time, her dark eyes gleaming under the white linen sail. “they didn’t know any better.” She protects her family. Hi everybody! Guess what’s being posted on AO3 now at the following link! https://archiveofourown.org/works/22498384/chapters/53760817 That’s right! Here you go. I’ll be uploading it in some chunks, because I want to make sure I have everything I wanted edited cleanly finished, but follow the story there! HEY GUYS GUESS WHATS BACK ON THE DASHBOARD AND BETTER THAN EVER : cereusblue: unnameablethings: dragonsateyourtoast: redporkpadthai: dragonsateyourtoast: otherwindow: otherwindow: This is how the golden age of piracy ended. The first mermaid to get tattoos :) “we didn’t know any better,” the crewman says, and swallows, presenting the chest to the captain. “what do we do now?” “kill it,” the captain says, but the ice is melting in his eyes. “we can’t,” the first mate says desperately, praying she won’t have to fight her captain on this. “we can’t. we - i won’t. we won’t.” “i know.” x “daddy,” she says, floating in a tub of seawater in the hold, “daddy, la-la, la-la-la.” her voice rings like bells. her accent is strange; her mouth isn’t made for human words. it mesmerises even the hardiest amongst them and she wasn’t even trying. the crew has taken to diving for shellfish near the shorelines for her; she loves them, splitting the shells apart with strength seen in no human toddler, slurping down the slimy molluscs inside and laughing, all plump brown cheeks and needle-sharp teeth. she sometimes splashes them for fun with her smooth, rubbery brown tail. even when they get soaked they laugh. they love her. “daddy,” she calls again, and he can hear the worry in her voice. the storm rocking the ship is harsh and uncaring, and if they go down, she would be the only survivor. “don’t worry,” he says, and goes over, sitting next to the tub. the first mate, leaning against the wall, pretends not to notice as he quietly begins to sing. x “father,” she says, one day, as she leans on the edge of the dock and the captain sits next to her, “why am I here?” “your mother abandoned you,” he says, as he always has. “we found you adrift, and couldn’t bear to leave you there.” she picks at the salt-soaked boards, uncertain. her hair is pulled back in a fluffy black puff, the white linen holding it slipping almost over one of her dark eyes. one of her first tattoos, a many-limbed kraken, curls over her right shoulder and down her arm, delicate tendrils wrapped around her calloused fingertips. “alright,” she says. x “why am I really here?” she asks the first mate, watching the sun set over the water in streaks of liquid metal that pooled in the troughs of the waves and glittered on the seafoam. “we didn’t know any better,” the first mate says, staring into the water. “we didn’t know- we didn’t know anything. we didn’t understand why she fought so viciously to guard her treasure. we could not know she protected something a thousand times more precious than the purest gold.” she wants to be furious, but she can’t. she already knew the answer, from reading the guilt in her father’s eyes and the empty space in her own history. and she can’t hate her family. “it’s alright,” she says. “i do have a family, anyways. i don’t think i would have liked my other life near as much.” x her kraken grows, spreading its tendrils over her torso and arms. she grows too, too large to come on board the ship without being hauled up in a boat from the water. she sings when the storms come and swims before the ship to guide it to safety. she fights off more than one beast of the seas, and gathers a set of scars across her back that she bears with pride. “i don’t mind,” she says, when the captain fusses over her, “now i match all of you.” the first time their ship is threatened, really threatened, is by another fleet. a friend turned enemy of the first mate. “we shouldn’t fight him,” she says, peering through the spyglass. “why not?” the mermaid asks. “he’ll win,” the first mate says. the mermaid tips her head sideways. Her eyes, dark as the deep waters, gleam in the noon light. “are you sure?” she asks. x the enemy fleet surrenders after the flagship is sunk in the night, the anchor ripped off the ship and the planks torn off the hull. the surviving crew, wild-eyed and delirious, whimper and say a sea serpent came from the water and attacked them, say it was longer than the boat and crushed it in its coils. the first mate hears this and has to hide her laughter. the captain apologizes to his daughter for doubting her. “don’t worry,” she says, with a bright laugh, “it was fun.” x the second time, they are pushed by a storm into a royal fleet. they can’t possibly fight them, and they don’t have the time to escape. “let me up,” the mermaid urges, surfacing starboard and shouting to the crew. “bring me up, quickly, quickly.” they lower the boat and she piles her sinous form into it, and uses her claws to help the crew pull her up. once on the deck she flops out of the boat and makes her way over to the bow. the crew tries to help but she’s so heavy they can barely lift parts of her. she crawls up out in front of the rail and wraps her long webbed tail around the prow. the figurehead has served them well so far but they need more right now. she wraps herself around the figurehead and raises her body up into the wind takes a breath of the stinging salt air and sings. the storm carries her voice on its front to the royal navy. they are enchanted, so stunned by her song that they drop the rigging ropes and let the tillers drift. the pirates sail through the center of the fleet, trailing the storm behind them, and by the time the fleet has managed to regain its senses they are buried in wind and rain and the pirates are gone. x she declines guns. instead she carries a harpoon and its launcher, and uses them to board enemy ships, hauling her massive form out of the water to coil on the deck and dispatch enemies with ruthless efficiency. her family is feared across all the sea. x “you know we are dying,” the captain says, looking down at her. she floats next to the ship, so massive she could hold it in her arms. her eyes are wise. “i know,” she says, “i can feel it coming.” the first mate stands next to the captain. she never had a lover or a child, and neither did he, but to the mermaid they are her parents. she will always love her daughter. the tattoos are graven in dark swirls across the mermaid’s deep brown skin and the flesh of her tail, even spiraling onto the spiked webbing on her spine and face. her hair is still tied back, this time with a sail that could not be patched one last time. “we love you,” the first mate says simply, looking down. her own tightly coiled black hair falls in to her face; she shakes the locs out of the way and smiles through her tears. the captain pretends he isnt crying either. “i love you too,” the mermaid says, and reached up to pull the ship down just a bit, just to hold them one last time. “guard the ship,” the captain says. “you always have but you know they’re lost without you.” “without you,” the mermaid corrects, with a shrug that makes waves. “what will we do?” “i don’t know,” the captain says. “but you’ll help them, won’t you?” “of course i will,” she scoffs, rolling her eyes. “i will always protect my family.” x the captain and the first mate are gone. the ship has a new captain, young and fearless - of the things she can afford to disregard. she fears and loves the ocean, as all captains do. she does not fear the royal fleet. and she does not fear the mermaid. “you know, i heard stories about you when i was a little girl,” she says, trailing her fingers in the water next to the dock. the mermaid stares at her with one eye the size of a dinner table. “is that so?” she hums, smirking with teeth sharper than the swords of the entire navy. “they said you could sink an entire fleet and that you had skin tougher than dragon scales,” the new captain says, grinning right back at the monster who could eat her without a moment’s hesitation. “i always thought they were telling tall tales.” “and now?” “they were right,” the new captain says. “how did they ever befriend you?” the mermaid smiles, fully this time, her dark eyes gleaming under the white linen sail. “they didn’t know any better.” She protects her family. Hi everybody! Guess what’s being posted on AO3 now at the following link! https://archiveofourown.org/works/22498384/chapters/53760817 That’s right! Here you go. I’ll be uploading it in some chunks, because I want to make sure I have everything I wanted edited cleanly finished, but follow the story there! HEY GUYS GUESS WHATS BACK ON THE DASHBOARD AND BETTER THAN EVER

cereusblue: unnameablethings: dragonsateyourtoast: redporkpadthai: dragonsateyourtoast: otherwindow: otherwindow: This is how the g...

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takineko: libertarirynn: colonel-killa-bee: annoyedlord: ruffboijuliaburnsides: chipotlereceipt: How americans see earth these two facts are connected District 9, Stargate, and Independence Day either took place in another country, dealt with the history of another country, or at least showed Aliens attacking other countries as well.That most are America focused is simple, we’re the ones making the movies that most around the world are watching *shrug* I have to imagine there are at least some foreign alien movies that center around the countries they come from? But I’m not very well-versed in the genre so 🤷🏾‍♀️ Japan is so Japan centered they made their own lilo and stitch series without lilo so stitch could come to Japan. That’s extra interesting considering the history of Japanese colonialism in Hawaii.: takineko: libertarirynn: colonel-killa-bee: annoyedlord: ruffboijuliaburnsides: chipotlereceipt: How americans see earth these two facts are connected District 9, Stargate, and Independence Day either took place in another country, dealt with the history of another country, or at least showed Aliens attacking other countries as well.That most are America focused is simple, we’re the ones making the movies that most around the world are watching *shrug* I have to imagine there are at least some foreign alien movies that center around the countries they come from? But I’m not very well-versed in the genre so 🤷🏾‍♀️ Japan is so Japan centered they made their own lilo and stitch series without lilo so stitch could come to Japan. That’s extra interesting considering the history of Japanese colonialism in Hawaii.

takineko: libertarirynn: colonel-killa-bee: annoyedlord: ruffboijuliaburnsides: chipotlereceipt: How americans see earth these two fa...

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ironwoman359: cereusblue: unnameablethings: dragonsateyourtoast: redporkpadthai: dragonsateyourtoast: otherwindow: otherwindow: This is how the golden age of piracy ended. The first mermaid to get tattoos :) “we didn’t know any better,” the crewman says, and swallows, presenting the chest to the captain. “what do we do now?” “kill it,” the captain says, but the ice is melting in his eyes. “we can’t,” the first mate says desperately, praying she won’t have to fight her captain on this. “we can’t. we - i won’t. we won’t.” “i know.” x “daddy,” she says, floating in a tub of seawater in the hold, “daddy, la-la, la-la-la.” her voice rings like bells. her accent is strange; her mouth isn’t made for human words. it mesmerises even the hardiest amongst them and she wasn’t even trying. the crew has taken to diving for shellfish near the shorelines for her; she loves them, splitting the shells apart with strength seen in no human toddler, slurping down the slimy molluscs inside and laughing, all plump brown cheeks and needle-sharp teeth. she sometimes splashes them for fun with her smooth, rubbery brown tail. even when they get soaked they laugh. they love her. “daddy,” she calls again, and he can hear the worry in her voice. the storm rocking the ship is harsh and uncaring, and if they go down, she would be the only survivor. “don’t worry,” he says, and goes over, sitting next to the tub. the first mate, leaning against the wall, pretends not to notice as he quietly begins to sing. x “father,” she says, one day, as she leans on the edge of the dock and the captain sits next to her, “why am I here?” “your mother abandoned you,” he says, as he always has. “we found you adrift, and couldn’t bear to leave you there.” she picks at the salt-soaked boards, uncertain. her hair is pulled back in a fluffy black puff, the white linen holding it slipping almost over one of her dark eyes. one of her first tattoos, a many-limbed kraken, curls over her right shoulder and down her arm, delicate tendrils wrapped around her calloused fingertips. “alright,” she says. x “why am I really here?” she asks the first mate, watching the sun set over the water in streaks of liquid metal that pooled in the troughs of the waves and glittered on the seafoam. “we didn’t know any better,” the first mate says, staring into the water. “we didn’t know- we didn’t know anything. we didn’t understand why she fought so viciously to guard her treasure. we could not know she protected something a thousand times more precious than the purest gold.” she wants to be furious, but she can’t. she already knew the answer, from reading the guilt in her father’s eyes and the empty space in her own history. and she can’t hate her family. “it’s alright,” she says. “i do have a family, anyways. i don’t think i would have liked my other life near as much.” x her kraken grows, spreading its tendrils over her torso and arms. she grows too, too large to come on board the ship without being hauled up in a boat from the water. she sings when the storms come and swims before the ship to guide it to safety. she fights off more than one beast of the seas, and gathers a set of scars across her back that she bears with pride. “i don’t mind,” she says, when the captain fusses over her, “now i match all of you.” the first time their ship is threatened, really threatened, is by another fleet. a friend turned enemy of the first mate. “we shouldn’t fight him,” she says, peering through the spyglass. “why not?” the mermaid asks. “he’ll win,” the first mate says. the mermaid tips her head sideways. Her eyes, dark as the deep waters, gleam in the noon light. “are you sure?” she asks. x the enemy fleet surrenders after the flagship is sunk in the night, the anchor ripped off the ship and the planks torn off the hull. the surviving crew, wild-eyed and delirious, whimper and say a sea serpent came from the water and attacked them, say it was longer than the boat and crushed it in its coils. the first mate hears this and has to hide her laughter. the captain apologizes to his daughter for doubting her. “don’t worry,” she says, with a bright laugh, “it was fun.” x the second time, they are pushed by a storm into a royal fleet. they can’t possibly fight them, and they don’t have the time to escape. “let me up,” the mermaid urges, surfacing starboard and shouting to the crew. “bring me up, quickly, quickly.” they lower the boat and she piles her sinous form into it, and uses her claws to help the crew pull her up. once on the deck she flops out of the boat and makes her way over to the bow. the crew tries to help but she’s so heavy they can barely lift parts of her. she crawls up out in front of the rail and wraps her long webbed tail around the prow. the figurehead has served them well so far but they need more right now. she wraps herself around the figurehead and raises her body up into the wind takes a breath of the stinging salt air and sings. the storm carries her voice on its front to the royal navy. they are enchanted, so stunned by her song that they drop the rigging ropes and let the tillers drift. the pirates sail through the center of the fleet, trailing the storm behind them, and by the time the fleet has managed to regain its senses they are buried in wind and rain and the pirates are gone. x she declines guns. instead she carries a harpoon and its launcher, and uses them to board enemy ships, hauling her massive form out of the water to coil on the deck and dispatch enemies with ruthless efficiency. her family is feared across all the sea. x “you know we are dying,” the captain says, looking down at her. she floats next to the ship, so massive she could hold it in her arms. her eyes are wise. “i know,” she says, “i can feel it coming.” the first mate stands next to the captain. she never had a lover or a child, and neither did he, but to the mermaid they are her parents. she will always love her daughter. the tattoos are graven in dark swirls across the mermaid’s deep brown skin and the flesh of her tail, even spiraling onto the spiked webbing on her spine and face. her hair is still tied back, this time with a sail that could not be patched one last time. “we love you,” the first mate says simply, looking down. her own tightly coiled black hair falls in to her face; she shakes the locs out of the way and smiles through her tears. the captain pretends he isnt crying either. “i love you too,” the mermaid says, and reached up to pull the ship down just a bit, just to hold them one last time. “guard the ship,” the captain says. “you always have but you know they’re lost without you.” “without you,” the mermaid corrects, with a shrug that makes waves. “what will we do?” “i don’t know,” the captain says. “but you’ll help them, won’t you?” “of course i will,” she scoffs, rolling her eyes. “i will always protect my family.” x the captain and the first mate are gone. the ship has a new captain, young and fearless - of the things she can afford to disregard. she fears and loves the ocean, as all captains do. she does not fear the royal fleet. and she does not fear the mermaid. “you know, i heard stories about you when i was a little girl,” she says, trailing her fingers in the water next to the dock. the mermaid stares at her with one eye the size of a dinner table. “is that so?” she hums, smirking with teeth sharper than the swords of the entire navy. “they said you could sink an entire fleet and that you had skin tougher than dragon scales,” the new captain says, grinning right back at the monster who could eat her without a moment’s hesitation. “i always thought they were telling tall tales.” “and now?” “they were right,” the new captain says. “how did they ever befriend you?” the mermaid smiles, fully this time, her dark eyes gleaming under the white linen sail. “they didn’t know any better.” She protects her family. Hi everybody! Guess what’s being posted on AO3 now at the following link! https://archiveofourown.org/works/22498384/chapters/53760817 That’s right! Here you go. I’ll be uploading it in some chunks, because I want to make sure I have everything I wanted edited cleanly finished, but follow the story there! HEY GUYS GUESS WHATS BACK ON THE DASHBOARD AND BETTER THAN EVER I love this : ironwoman359: cereusblue: unnameablethings: dragonsateyourtoast: redporkpadthai: dragonsateyourtoast: otherwindow: otherwindow: This is how the golden age of piracy ended. The first mermaid to get tattoos :) “we didn’t know any better,” the crewman says, and swallows, presenting the chest to the captain. “what do we do now?” “kill it,” the captain says, but the ice is melting in his eyes. “we can’t,” the first mate says desperately, praying she won’t have to fight her captain on this. “we can’t. we - i won’t. we won’t.” “i know.” x “daddy,” she says, floating in a tub of seawater in the hold, “daddy, la-la, la-la-la.” her voice rings like bells. her accent is strange; her mouth isn’t made for human words. it mesmerises even the hardiest amongst them and she wasn’t even trying. the crew has taken to diving for shellfish near the shorelines for her; she loves them, splitting the shells apart with strength seen in no human toddler, slurping down the slimy molluscs inside and laughing, all plump brown cheeks and needle-sharp teeth. she sometimes splashes them for fun with her smooth, rubbery brown tail. even when they get soaked they laugh. they love her. “daddy,” she calls again, and he can hear the worry in her voice. the storm rocking the ship is harsh and uncaring, and if they go down, she would be the only survivor. “don’t worry,” he says, and goes over, sitting next to the tub. the first mate, leaning against the wall, pretends not to notice as he quietly begins to sing. x “father,” she says, one day, as she leans on the edge of the dock and the captain sits next to her, “why am I here?” “your mother abandoned you,” he says, as he always has. “we found you adrift, and couldn’t bear to leave you there.” she picks at the salt-soaked boards, uncertain. her hair is pulled back in a fluffy black puff, the white linen holding it slipping almost over one of her dark eyes. one of her first tattoos, a many-limbed kraken, curls over her right shoulder and down her arm, delicate tendrils wrapped around her calloused fingertips. “alright,” she says. x “why am I really here?” she asks the first mate, watching the sun set over the water in streaks of liquid metal that pooled in the troughs of the waves and glittered on the seafoam. “we didn’t know any better,” the first mate says, staring into the water. “we didn’t know- we didn’t know anything. we didn’t understand why she fought so viciously to guard her treasure. we could not know she protected something a thousand times more precious than the purest gold.” she wants to be furious, but she can’t. she already knew the answer, from reading the guilt in her father’s eyes and the empty space in her own history. and she can’t hate her family. “it’s alright,” she says. “i do have a family, anyways. i don’t think i would have liked my other life near as much.” x her kraken grows, spreading its tendrils over her torso and arms. she grows too, too large to come on board the ship without being hauled up in a boat from the water. she sings when the storms come and swims before the ship to guide it to safety. she fights off more than one beast of the seas, and gathers a set of scars across her back that she bears with pride. “i don’t mind,” she says, when the captain fusses over her, “now i match all of you.” the first time their ship is threatened, really threatened, is by another fleet. a friend turned enemy of the first mate. “we shouldn’t fight him,” she says, peering through the spyglass. “why not?” the mermaid asks. “he’ll win,” the first mate says. the mermaid tips her head sideways. Her eyes, dark as the deep waters, gleam in the noon light. “are you sure?” she asks. x the enemy fleet surrenders after the flagship is sunk in the night, the anchor ripped off the ship and the planks torn off the hull. the surviving crew, wild-eyed and delirious, whimper and say a sea serpent came from the water and attacked them, say it was longer than the boat and crushed it in its coils. the first mate hears this and has to hide her laughter. the captain apologizes to his daughter for doubting her. “don’t worry,” she says, with a bright laugh, “it was fun.” x the second time, they are pushed by a storm into a royal fleet. they can’t possibly fight them, and they don’t have the time to escape. “let me up,” the mermaid urges, surfacing starboard and shouting to the crew. “bring me up, quickly, quickly.” they lower the boat and she piles her sinous form into it, and uses her claws to help the crew pull her up. once on the deck she flops out of the boat and makes her way over to the bow. the crew tries to help but she’s so heavy they can barely lift parts of her. she crawls up out in front of the rail and wraps her long webbed tail around the prow. the figurehead has served them well so far but they need more right now. she wraps herself around the figurehead and raises her body up into the wind takes a breath of the stinging salt air and sings. the storm carries her voice on its front to the royal navy. they are enchanted, so stunned by her song that they drop the rigging ropes and let the tillers drift. the pirates sail through the center of the fleet, trailing the storm behind them, and by the time the fleet has managed to regain its senses they are buried in wind and rain and the pirates are gone. x she declines guns. instead she carries a harpoon and its launcher, and uses them to board enemy ships, hauling her massive form out of the water to coil on the deck and dispatch enemies with ruthless efficiency. her family is feared across all the sea. x “you know we are dying,” the captain says, looking down at her. she floats next to the ship, so massive she could hold it in her arms. her eyes are wise. “i know,” she says, “i can feel it coming.” the first mate stands next to the captain. she never had a lover or a child, and neither did he, but to the mermaid they are her parents. she will always love her daughter. the tattoos are graven in dark swirls across the mermaid’s deep brown skin and the flesh of her tail, even spiraling onto the spiked webbing on her spine and face. her hair is still tied back, this time with a sail that could not be patched one last time. “we love you,” the first mate says simply, looking down. her own tightly coiled black hair falls in to her face; she shakes the locs out of the way and smiles through her tears. the captain pretends he isnt crying either. “i love you too,” the mermaid says, and reached up to pull the ship down just a bit, just to hold them one last time. “guard the ship,” the captain says. “you always have but you know they’re lost without you.” “without you,” the mermaid corrects, with a shrug that makes waves. “what will we do?” “i don’t know,” the captain says. “but you’ll help them, won’t you?” “of course i will,” she scoffs, rolling her eyes. “i will always protect my family.” x the captain and the first mate are gone. the ship has a new captain, young and fearless - of the things she can afford to disregard. she fears and loves the ocean, as all captains do. she does not fear the royal fleet. and she does not fear the mermaid. “you know, i heard stories about you when i was a little girl,” she says, trailing her fingers in the water next to the dock. the mermaid stares at her with one eye the size of a dinner table. “is that so?” she hums, smirking with teeth sharper than the swords of the entire navy. “they said you could sink an entire fleet and that you had skin tougher than dragon scales,” the new captain says, grinning right back at the monster who could eat her without a moment’s hesitation. “i always thought they were telling tall tales.” “and now?” “they were right,” the new captain says. “how did they ever befriend you?” the mermaid smiles, fully this time, her dark eyes gleaming under the white linen sail. “they didn’t know any better.” She protects her family. Hi everybody! Guess what’s being posted on AO3 now at the following link! https://archiveofourown.org/works/22498384/chapters/53760817 That’s right! Here you go. I’ll be uploading it in some chunks, because I want to make sure I have everything I wanted edited cleanly finished, but follow the story there! HEY GUYS GUESS WHATS BACK ON THE DASHBOARD AND BETTER THAN EVER I love this

ironwoman359: cereusblue: unnameablethings: dragonsateyourtoast: redporkpadthai: dragonsateyourtoast: otherwindow: otherwindow: Th...

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crapolainabox: pizzaqueen361: telltaleclerk: frontier001: auntiope-3000: telltaleclerk: I JUST learned that this shirt cost them $10,000 to put into this movie… but they refused to compromise because they were like: he’s the hugest Golden Girls fan… this has to make the movie… so they paid $10,000 to use Bea Arthur’s likeness on this shirt…  Ryan Reynolds, you’re doing Deadpool so right. They traded all the guns in the final climactic showdown for Bea Arthur’s face. Worth it. Reynolds paid it himself, out of pocket. It didn’t come from the budget. He talked with Bea’s sons and they agreed to it for a donation to Bea’s favorite charity. ☺️ I did not know that. That’s so much better than I could have imagined. The Bea Arthur Residence Officially Opens To Homeless LGBT Youth in NYC : crapolainabox: pizzaqueen361: telltaleclerk: frontier001: auntiope-3000: telltaleclerk: I JUST learned that this shirt cost them $10,000 to put into this movie… but they refused to compromise because they were like: he’s the hugest Golden Girls fan… this has to make the movie… so they paid $10,000 to use Bea Arthur’s likeness on this shirt…  Ryan Reynolds, you’re doing Deadpool so right. They traded all the guns in the final climactic showdown for Bea Arthur’s face. Worth it. Reynolds paid it himself, out of pocket. It didn’t come from the budget. He talked with Bea’s sons and they agreed to it for a donation to Bea’s favorite charity. ☺️ I did not know that. That’s so much better than I could have imagined. The Bea Arthur Residence Officially Opens To Homeless LGBT Youth in NYC

crapolainabox: pizzaqueen361: telltaleclerk: frontier001: auntiope-3000: telltaleclerk: I JUST learned that this shirt cost them $1...

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