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e-e-e-s: dudeinpyjamas: anadiableau: Okay but honestly fucking shit like this when they show Zuko’s scar side when talking about Sozin and then having the bar pass and have his non-scar side when Iroh says Roku is his great grandfather if EXACTLY the kind of shit that elevates this show to where really no other show has ever come and probably never will I mean if you frame it in a photo it looks much better, in reality it was a moving shot. Still nice but not amazing. What really is an amzing shot is this Who is realy imprisioned here? The way this shot is framed makes it clear that Zuko is in a prison of his own mind. In fact you can look at how Zuko and Iroh are generally framed in this scene Zuko: and Iroh: Even in shots where Iroh is framed together with the iron bars he is far removed from them while Zuko is right in front: What takes the cake though is the following shot sequence: When it shows Iroh it zooms in from this: To this: While with Zuko it’s the exact reverse. It zooms out from this: To this: Say what you want but man Avatar had some amazing shot composition.  Also the reason The Last Airbender was better than Korra is because atla had Zuko and Iroh, while Korra didn’t. Fight me. In addition to this scene being very well done, the whole The Avatar and the Firelord episode is just genius. It just makes the parallels between Zuko and Aang so much more powerful in retrospect. They weren’t on parallel paths just because. They were on parallel paths because they’re two parts of one lineage: Roku’s Fire Nation lineage and his spiritual-mediator Avatar lineage. And throughout the series the two of them are paired up through visual language, and the show even goes as far as match-cuts between the two of them as they’re in different locations and different fights. I forget where, but I KNOW there’s a shot where Aang is dodging in a fight and basically running towards the viewer and it cuts straight to Zuko doing the exact same thing, like they’re two enactments of one story. And the twin blades? Zuko himself says they’re two halves of a single weapon, and shouldn’t be thought of as separate. The twin blades which we really first see in The Blue Spirit storyline, in which Aang asks Zuko if they COULD HAVE BEEN FRIENDS. It’s been stated that the blades represent the good and evil parts of Zuko, but isn’t that just a direct result of him grappling with his lineage, which is directly tied to Aang? In conclusion: I am not ok and will never be ok. Thanks Avatar. : e-e-e-s: dudeinpyjamas: anadiableau: Okay but honestly fucking shit like this when they show Zuko’s scar side when talking about Sozin and then having the bar pass and have his non-scar side when Iroh says Roku is his great grandfather if EXACTLY the kind of shit that elevates this show to where really no other show has ever come and probably never will I mean if you frame it in a photo it looks much better, in reality it was a moving shot. Still nice but not amazing. What really is an amzing shot is this Who is realy imprisioned here? The way this shot is framed makes it clear that Zuko is in a prison of his own mind. In fact you can look at how Zuko and Iroh are generally framed in this scene Zuko: and Iroh: Even in shots where Iroh is framed together with the iron bars he is far removed from them while Zuko is right in front: What takes the cake though is the following shot sequence: When it shows Iroh it zooms in from this: To this: While with Zuko it’s the exact reverse. It zooms out from this: To this: Say what you want but man Avatar had some amazing shot composition.  Also the reason The Last Airbender was better than Korra is because atla had Zuko and Iroh, while Korra didn’t. Fight me. In addition to this scene being very well done, the whole The Avatar and the Firelord episode is just genius. It just makes the parallels between Zuko and Aang so much more powerful in retrospect. They weren’t on parallel paths just because. They were on parallel paths because they’re two parts of one lineage: Roku’s Fire Nation lineage and his spiritual-mediator Avatar lineage. And throughout the series the two of them are paired up through visual language, and the show even goes as far as match-cuts between the two of them as they’re in different locations and different fights. I forget where, but I KNOW there’s a shot where Aang is dodging in a fight and basically running towards the viewer and it cuts straight to Zuko doing the exact same thing, like they’re two enactments of one story. And the twin blades? Zuko himself says they’re two halves of a single weapon, and shouldn’t be thought of as separate. The twin blades which we really first see in The Blue Spirit storyline, in which Aang asks Zuko if they COULD HAVE BEEN FRIENDS. It’s been stated that the blades represent the good and evil parts of Zuko, but isn’t that just a direct result of him grappling with his lineage, which is directly tied to Aang? In conclusion: I am not ok and will never be ok. Thanks Avatar.
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say what: bicky @incorrectbucko Sep 11, 2018 bucky meeting peter parker, a skinny kid from new york who thinks it's his job to save the whole world: fuck. another one. t561 1.8K 4 bicky @incorrectbucko Sep 11, 2018 steve in tfa: i apologise for going against orders sir, won't happen again steve in infinity war: im going to do whatever the hell i want and if general ross has a problem, he can go right ahead and suck my serum-enhanced ding dong t 465 1.5K 6 bicky @incorrectbucko Sep 11, 2018 steve: im gonna go after bucky sam: that's a terrible idea. he tried to kill us all steve: you don't have to come sam: we leave at 2 1 114 1 653 bicky @incorrectbucko Sep 11, 2018 my favourite movie is steve:bucky bicky @incorrectbucko Sep 10, 2018 captain america: the winter soldier is basically a movie called steve rogers: bucky barnes 1 t 67 430 bicky @incorrectbucko Sep 12, 2018 the death triplets: steve: you get hurt? hurt them back. you get killed? walk it off. thor: "it'll kill you" "only if i die" bucky: "they're not planning on taking you alive" "that's smart. good strategy" ti 370 1.2K bicky @incorrectbucko Sep 13, 2018 steve: well, you know what they say. what doesn't kill you- bucky: should've tried harder steve: bucky no bucky: and should fear for its life because i know you will avenge me steve: sam: well hes not wrong t 261 1.1K 1 > bicky @incorrectbucko Sep 13, 2018 bucky, skateboarding into his therapists office with sunglasses on and a juice box in his hand: theresa, you would not fucking believe what suppressed memory resurfaced last night t805 2.6K
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lolzandtrollz: Psychologist Writes The Most Perfect Letter To His Daughter: A psychologist goes to Target and after visiting the make-up aisle, he decides to write this letter to his young daughter: Dear Little One, As I write this, I'm sitting in the makeup aisle of our local Target store. A friend recently texted me froma different makeup aisle and told me it felt like one of the most oppressive places in the world. I wanted to find out what he meant. Flat OOOKS HAN UR LAF And now that I'm sitting here, I'm beginning to agree with him. Words have power, and the words on display in this aisle have a deep power. Words and phrases like: Affordably gorgeous, Infallible, Flawless finish, Brilliant strength, Liquid power, Go nude, Age defying, Instant age rewind, Choose your dream, Nearly naked, and Natural beauty. When you have a daughter you start to realize she's just as strong as everyone else in the house-a force to be reckoned with, a soul on fire with the same life and gifts and passions as any man. But sitting in this store aisle, you also begin to realize most people won't see her that way. Theyll see her as a pretty face and a body to enjoy. And they'll tell her she has to look a certain way to have any worth or influence. But words do have power and maybe, just maybe, the words of a father can begin to compete with the words of the world. Maybe a father's words can deliver his daughter through this gauntlet of institutionalized shame and into a deep, unshakeable sense of her own worthiness and beauty. A father's words aren't different words, but they are words with a radically different meaning: BRILLIANT STRENGTH: May your strength be not in your fingernails but in your heat. May you discem in your center who you are, and then may you fearfully but tenaciously live it out in the world. CHOOSE YOUR DREAM: But not from a department store shelf. Find the still-quiet place within you. A real dream has been planted there. Discover what you want to do in the world. And when you have chosen, may you faithfully pursue it, with integrity and with hope. NAKED: The world wants you to take your clothes off. Please keep them on. But take your gloves off. Pull no punches. Say what is in your heart. Be vulnerable. Embrace risk. Love a world that barely knows what it means to love itself. Do so nakedly. Openly. With abandon. INFALLIBLE: May you be constantly, infallibly aware that infallibility doesn't exist. It's an illusion created by people interested in your wallet. If you choose to seek perfection, may it be in an infallible grace-for yourself, and for everyone around you. AGE DEFYING: Your skin will wrinkle and your youth will fade, but your soul is ageless. It will always know how to play and how to enjoy and how to revel in this one-chance life. May you always defiantly resist the aging of your spirit. FLAWLESS FINISH: Your finish has nothing to do with how your face looks today and everything to do with how your life looks on your last day. May your years be a preparation for that day. May you be aged by grace, may you grow in wisdom, and may your love become big enough to embrace all people. May your flawiess finish be a peaceful embrace of the end and the unknown that follows, and may it thus be a gift to everyone who cherishes you. Little One, you love everything pink and frilly and I wll surely understand if someday makeup is important to you. But I pray three words will remain more important to you-the last three words you say every night, when I ask the question: "Where are you the most beautiful?" Three words so bright no concealer can cover them. Where are you the most beautiful? On the inside. From my heart to yours, Daddy you should probably go to TheMetaPicture.com lolzandtrollz: Psychologist Writes The Most Perfect Letter To His Daughter

lolzandtrollz: Psychologist Writes The Most Perfect Letter To His Daughter

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porgmumma: Can we talk about a few things here?First of all how he lifts her chin up and she stops crying just a second to try to give him a smile? That she doesn’t quite want to say what he already knows. The way that  in the second gif he rubs her back? To Johnny POST MK X all he cared about was Cassie Sonya. He wanted to protect the two most important girls to him and he failed in many ways with Cassie growing up but he wanted to make a difference. Also the way he rubs her back kinda also shows that he’s trying to calm her cause clearly this whole scene we see how upset and what not she is. TRULY IT SHOWS THAT EVEN THOUGH JOHNNY MIGHTA FUCKING FUCKED UP WHEN HE WAS RAISING CASSIE AND SONYA AND HIM WERE APART HE STILL FUCKING CARES.JOHNNY CAGE CHARACTER DEVELOPMENT IS  THE BEST FUCKING THING TO SEE IN MK 11 TO WATCH HIM YELL AT HIS YOUNGER SELF.: mortal-kombat11 porgmumma: Can we talk about a few things here?First of all how he lifts her chin up and she stops crying just a second to try to give him a smile? That she doesn’t quite want to say what he already knows. The way that  in the second gif he rubs her back? To Johnny POST MK X all he cared about was Cassie Sonya. He wanted to protect the two most important girls to him and he failed in many ways with Cassie growing up but he wanted to make a difference. Also the way he rubs her back kinda also shows that he’s trying to calm her cause clearly this whole scene we see how upset and what not she is. TRULY IT SHOWS THAT EVEN THOUGH JOHNNY MIGHTA FUCKING FUCKED UP WHEN HE WAS RAISING CASSIE AND SONYA AND HIM WERE APART HE STILL FUCKING CARES.JOHNNY CAGE CHARACTER DEVELOPMENT IS  THE BEST FUCKING THING TO SEE IN MK 11 TO WATCH HIM YELL AT HIS YOUNGER SELF.
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kaylapocalypse:  ok  so i know what you’re thinking “oh i remember that scene i don’t need to click on the video to recall it”. But you should. Like… if you’re anywhere near your mid-twenties, chances are that you watched shrek (1) when you were a kid and maybe a few times again in your late teens, but your memory absolutely doesn’t do it justice. The comedic timing through this whole movie is insane. Also, the fact that the animation style is aging literally just adds to the hilarity instead of poorly dating it. The nuance of every gesture is so well done and specific.  I am literally convinced that this movie is a masterpiece and that will be historically relevant maybe 100 years from now as a perfect time capsule of our culture. This scene in particular illustrates it especially well; particularly for being only like 1 minute long. Highlights/Breakdown The timing in the way Robin says savior and the way he says beast.  the character solidifying disregard and disrespect of “Please! Monster!” Fiona’s sheer brute strength when she pokes him in the shoulder so hard it spins him around–strength that he disregards which is why hes surprised as hell when he gets his ass beat Just the entire french accent that isn’t even a good french accent at all. The accordion man in the tree, the prop bushes. that one of the prop bushes falls down to reveal that its a wood cut-out subtly in the background  Shrek and fiona watching with horror as he begins his song. Donkey never cracking his excited smile, fully immersed in the Lore™; which is actually part of a longer running joke through the film which is that occasionally when certain characters do things would be reacted to poorly irl, the surrounding characters react like you would if you saw that irl not like characters in a story. Like instead of getting drawn into the lore of their circumstances they just stand there, staring like “yikesssss” shrek’s exhaustion and impatience when the song goes into the “saucy little maid” bit.  “what hes basically saying is he likes to get paid.”  the chaos of that statement. combined with shrek and fiona having a eye contact conversation above the performance, exchanging “wtf” gestures.  When the song escalates into a dance fight, Shrek’s exhaustion turns into general mounting amusement like “wow is this really turning into a dance fight. wow hes really snapping in unison” which is additionally apart of the above long running joke Fiona interrupting robin with a kick. the fuckin sound his head makes when it hits the rock.  The fight after isn’t as dynamic timing wise, just a classic animated fight scene but that song though. *kisses fingers like a chef* Watching this does give me an appreciation for 2D animation though because say what you will but Cinderella has aged a lot better than Shrek in terms of visual quality.With 2D you get fairly consistent quality. With old 3D you get uncanny valley nightmares.: kaylapocalypse:  ok  so i know what you’re thinking “oh i remember that scene i don’t need to click on the video to recall it”. But you should. Like… if you’re anywhere near your mid-twenties, chances are that you watched shrek (1) when you were a kid and maybe a few times again in your late teens, but your memory absolutely doesn’t do it justice. The comedic timing through this whole movie is insane. Also, the fact that the animation style is aging literally just adds to the hilarity instead of poorly dating it. The nuance of every gesture is so well done and specific.  I am literally convinced that this movie is a masterpiece and that will be historically relevant maybe 100 years from now as a perfect time capsule of our culture. This scene in particular illustrates it especially well; particularly for being only like 1 minute long. Highlights/Breakdown The timing in the way Robin says savior and the way he says beast.  the character solidifying disregard and disrespect of “Please! Monster!” Fiona’s sheer brute strength when she pokes him in the shoulder so hard it spins him around–strength that he disregards which is why hes surprised as hell when he gets his ass beat Just the entire french accent that isn’t even a good french accent at all. The accordion man in the tree, the prop bushes. that one of the prop bushes falls down to reveal that its a wood cut-out subtly in the background  Shrek and fiona watching with horror as he begins his song. Donkey never cracking his excited smile, fully immersed in the Lore™; which is actually part of a longer running joke through the film which is that occasionally when certain characters do things would be reacted to poorly irl, the surrounding characters react like you would if you saw that irl not like characters in a story. Like instead of getting drawn into the lore of their circumstances they just stand there, staring like “yikesssss” shrek’s exhaustion and impatience when the song goes into the “saucy little maid” bit.  “what hes basically saying is he likes to get paid.”  the chaos of that statement. combined with shrek and fiona having a eye contact conversation above the performance, exchanging “wtf” gestures.  When the song escalates into a dance fight, Shrek’s exhaustion turns into general mounting amusement like “wow is this really turning into a dance fight. wow hes really snapping in unison” which is additionally apart of the above long running joke Fiona interrupting robin with a kick. the fuckin sound his head makes when it hits the rock.  The fight after isn’t as dynamic timing wise, just a classic animated fight scene but that song though. *kisses fingers like a chef* Watching this does give me an appreciation for 2D animation though because say what you will but Cinderella has aged a lot better than Shrek in terms of visual quality.With 2D you get fairly consistent quality. With old 3D you get uncanny valley nightmares.
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