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ding-dong-the-bitch-is-dead: ayalaatreides: professor-maple-mod: phoenix-phoenix: stuckinremission: “Sweet dreams are made of this. Who am I to disagree?“ Holy shit this fucking super power. The avengers did Quicksilver WRONG. Holy shit The brilliant thing about this isn’t just the CGI, it’s the clever little touches of humor– mussing the boy’s hair, saving the goldfish, drinking the soda can, the moonwalk, lining up the dart with the dartboard. I notice new details every time I see this clip. You can watch this scene with zero context and still fully enjoy it. You don’t need to know who he is or who he’s saving or why. There’s a guy who runs real fast and he’s saving people from an explosion, and he’s having a blast with it, and that’s all you need to know. It’s entertaining and fully comprehensible even if you know nothing about the movie. That’s damn good filmmaking. @theproblemkyd @blackkatmagic My favorite Live Action Quicksilver! I love Evan Peters! I just,,,, the fact that it’s fast until he shows up, then it slows down, then speeds up as soon as he leaves? And the fact that nothing actually stops moving, you can see everything still going on around him, rather than being so slow any movement is imperceptible so it just kind of looks like he’s frozen time or whatever? The fact that it shows how he can manipulate physics and stuff when he’s going so fast, like using floorboards that are being blown apart as stepping stones to a girl in the stairs? All of it is just so good I love this scene so goddamn much: ding-dong-the-bitch-is-dead: ayalaatreides: professor-maple-mod: phoenix-phoenix: stuckinremission: “Sweet dreams are made of this. Who am I to disagree?“ Holy shit this fucking super power. The avengers did Quicksilver WRONG. Holy shit The brilliant thing about this isn’t just the CGI, it’s the clever little touches of humor– mussing the boy’s hair, saving the goldfish, drinking the soda can, the moonwalk, lining up the dart with the dartboard. I notice new details every time I see this clip. You can watch this scene with zero context and still fully enjoy it. You don’t need to know who he is or who he’s saving or why. There’s a guy who runs real fast and he’s saving people from an explosion, and he’s having a blast with it, and that’s all you need to know. It’s entertaining and fully comprehensible even if you know nothing about the movie. That’s damn good filmmaking. @theproblemkyd @blackkatmagic My favorite Live Action Quicksilver! I love Evan Peters! I just,,,, the fact that it’s fast until he shows up, then it slows down, then speeds up as soon as he leaves? And the fact that nothing actually stops moving, you can see everything still going on around him, rather than being so slow any movement is imperceptible so it just kind of looks like he’s frozen time or whatever? The fact that it shows how he can manipulate physics and stuff when he’s going so fast, like using floorboards that are being blown apart as stepping stones to a girl in the stairs? All of it is just so good I love this scene so goddamn much
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cereusblue: unnameablethings: dragonsateyourtoast: redporkpadthai: dragonsateyourtoast: otherwindow: otherwindow: This is how the golden age of piracy ended. The first mermaid to get tattoos :) “we didn’t know any better,” the crewman says, and swallows, presenting the chest to the captain. “what do we do now?” “kill it,” the captain says, but the ice is melting in his eyes. “we can’t,” the first mate says desperately, praying she won’t have to fight her captain on this. “we can’t. we - i won’t. we won’t.” “i know.” x “daddy,” she says, floating in a tub of seawater in the hold, “daddy, la-la, la-la-la.” her voice rings like bells. her accent is strange; her mouth isn’t made for human words. it mesmerises even the hardiest amongst them and she wasn’t even trying. the crew has taken to diving for shellfish near the shorelines for her; she loves them, splitting the shells apart with strength seen in no human toddler, slurping down the slimy molluscs inside and laughing, all plump brown cheeks and needle-sharp teeth. she sometimes splashes them for fun with her smooth, rubbery brown tail. even when they get soaked they laugh. they love her. “daddy,” she calls again, and he can hear the worry in her voice. the storm rocking the ship is harsh and uncaring, and if they go down, she would be the only survivor. “don’t worry,” he says, and goes over, sitting next to the tub. the first mate, leaning against the wall, pretends not to notice as he quietly begins to sing. x “father,” she says, one day, as she leans on the edge of the dock and the captain sits next to her, “why am I here?” “your mother abandoned you,” he says, as he always has. “we found you adrift, and couldn’t bear to leave you there.” she picks at the salt-soaked boards, uncertain. her hair is pulled back in a fluffy black puff, the white linen holding it slipping almost over one of her dark eyes. one of her first tattoos, a many-limbed kraken, curls over her right shoulder and down her arm, delicate tendrils wrapped around her calloused fingertips. “alright,” she says. x “why am I really here?” she asks the first mate, watching the sun set over the water in streaks of liquid metal that pooled in the troughs of the waves and glittered on the seafoam. “we didn’t know any better,” the first mate says, staring into the water. “we didn’t know- we didn’t know anything. we didn’t understand why she fought so viciously to guard her treasure. we could not know she protected something a thousand times more precious than the purest gold.” she wants to be furious, but she can’t. she already knew the answer, from reading the guilt in her father’s eyes and the empty space in her own history. and she can’t hate her family. “it’s alright,” she says. “i do have a family, anyways. i don’t think i would have liked my other life near as much.” x her kraken grows, spreading its tendrils over her torso and arms. she grows too, too large to come on board the ship without being hauled up in a boat from the water. she sings when the storms come and swims before the ship to guide it to safety. she fights off more than one beast of the seas, and gathers a set of scars across her back that she bears with pride. “i don’t mind,” she says, when the captain fusses over her, “now i match all of you.” the first time their ship is threatened, really threatened, is by another fleet. a friend turned enemy of the first mate. “we shouldn’t fight him,” she says, peering through the spyglass. “why not?” the mermaid asks. “he’ll win,” the first mate says. the mermaid tips her head sideways. Her eyes, dark as the deep waters, gleam in the noon light. “are you sure?” she asks. x the enemy fleet surrenders after the flagship is sunk in the night, the anchor ripped off the ship and the planks torn off the hull. the surviving crew, wild-eyed and delirious, whimper and say a sea serpent came from the water and attacked them, say it was longer than the boat and crushed it in its coils. the first mate hears this and has to hide her laughter. the captain apologizes to his daughter for doubting her. “don’t worry,” she says, with a bright laugh, “it was fun.” x the second time, they are pushed by a storm into a royal fleet. they can’t possibly fight them, and they don’t have the time to escape. “let me up,” the mermaid urges, surfacing starboard and shouting to the crew. “bring me up, quickly, quickly.” they lower the boat and she piles her sinous form into it, and uses her claws to help the crew pull her up. once on the deck she flops out of the boat and makes her way over to the bow. the crew tries to help but she’s so heavy they can barely lift parts of her. she crawls up out in front of the rail and wraps her long webbed tail around the prow. the figurehead has served them well so far but they need more right now. she wraps herself around the figurehead and raises her body up into the wind takes a breath of the stinging salt air and sings. the storm carries her voice on its front to the royal navy. they are enchanted, so stunned by her song that they drop the rigging ropes and let the tillers drift. the pirates sail through the center of the fleet, trailing the storm behind them, and by the time the fleet has managed to regain its senses they are buried in wind and rain and the pirates are gone. x she declines guns. instead she carries a harpoon and its launcher, and uses them to board enemy ships, hauling her massive form out of the water to coil on the deck and dispatch enemies with ruthless efficiency. her family is feared across all the sea. x “you know we are dying,” the captain says, looking down at her. she floats next to the ship, so massive she could hold it in her arms. her eyes are wise. “i know,” she says, “i can feel it coming.” the first mate stands next to the captain. she never had a lover or a child, and neither did he, but to the mermaid they are her parents. she will always love her daughter. the tattoos are graven in dark swirls across the mermaid’s deep brown skin and the flesh of her tail, even spiraling onto the spiked webbing on her spine and face. her hair is still tied back, this time with a sail that could not be patched one last time. “we love you,” the first mate says simply, looking down. her own tightly coiled black hair falls in to her face; she shakes the locs out of the way and smiles through her tears. the captain pretends he isnt crying either. “i love you too,” the mermaid says, and reached up to pull the ship down just a bit, just to hold them one last time. “guard the ship,” the captain says. “you always have but you know they’re lost without you.” “without you,” the mermaid corrects, with a shrug that makes waves. “what will we do?” “i don’t know,” the captain says. “but you’ll help them, won’t you?” “of course i will,” she scoffs, rolling her eyes. “i will always protect my family.” x the captain and the first mate are gone. the ship has a new captain, young and fearless - of the things she can afford to disregard. she fears and loves the ocean, as all captains do. she does not fear the royal fleet. and she does not fear the mermaid. “you know, i heard stories about you when i was a little girl,” she says, trailing her fingers in the water next to the dock. the mermaid stares at her with one eye the size of a dinner table. “is that so?” she hums, smirking with teeth sharper than the swords of the entire navy. “they said you could sink an entire fleet and that you had skin tougher than dragon scales,” the new captain says, grinning right back at the monster who could eat her without a moment’s hesitation. “i always thought they were telling tall tales.” “and now?” “they were right,” the new captain says. “how did they ever befriend you?” the mermaid smiles, fully this time, her dark eyes gleaming under the white linen sail. “they didn’t know any better.” She protects her family. Hi everybody! Guess what’s being posted on AO3 now at the following link! https://archiveofourown.org/works/22498384/chapters/53760817 That’s right! Here you go. I’ll be uploading it in some chunks, because I want to make sure I have everything I wanted edited cleanly finished, but follow the story there! HEY GUYS GUESS WHATS BACK ON THE DASHBOARD AND BETTER THAN EVER : cereusblue: unnameablethings: dragonsateyourtoast: redporkpadthai: dragonsateyourtoast: otherwindow: otherwindow: This is how the golden age of piracy ended. The first mermaid to get tattoos :) “we didn’t know any better,” the crewman says, and swallows, presenting the chest to the captain. “what do we do now?” “kill it,” the captain says, but the ice is melting in his eyes. “we can’t,” the first mate says desperately, praying she won’t have to fight her captain on this. “we can’t. we - i won’t. we won’t.” “i know.” x “daddy,” she says, floating in a tub of seawater in the hold, “daddy, la-la, la-la-la.” her voice rings like bells. her accent is strange; her mouth isn’t made for human words. it mesmerises even the hardiest amongst them and she wasn’t even trying. the crew has taken to diving for shellfish near the shorelines for her; she loves them, splitting the shells apart with strength seen in no human toddler, slurping down the slimy molluscs inside and laughing, all plump brown cheeks and needle-sharp teeth. she sometimes splashes them for fun with her smooth, rubbery brown tail. even when they get soaked they laugh. they love her. “daddy,” she calls again, and he can hear the worry in her voice. the storm rocking the ship is harsh and uncaring, and if they go down, she would be the only survivor. “don’t worry,” he says, and goes over, sitting next to the tub. the first mate, leaning against the wall, pretends not to notice as he quietly begins to sing. x “father,” she says, one day, as she leans on the edge of the dock and the captain sits next to her, “why am I here?” “your mother abandoned you,” he says, as he always has. “we found you adrift, and couldn’t bear to leave you there.” she picks at the salt-soaked boards, uncertain. her hair is pulled back in a fluffy black puff, the white linen holding it slipping almost over one of her dark eyes. one of her first tattoos, a many-limbed kraken, curls over her right shoulder and down her arm, delicate tendrils wrapped around her calloused fingertips. “alright,” she says. x “why am I really here?” she asks the first mate, watching the sun set over the water in streaks of liquid metal that pooled in the troughs of the waves and glittered on the seafoam. “we didn’t know any better,” the first mate says, staring into the water. “we didn’t know- we didn’t know anything. we didn’t understand why she fought so viciously to guard her treasure. we could not know she protected something a thousand times more precious than the purest gold.” she wants to be furious, but she can’t. she already knew the answer, from reading the guilt in her father’s eyes and the empty space in her own history. and she can’t hate her family. “it’s alright,” she says. “i do have a family, anyways. i don’t think i would have liked my other life near as much.” x her kraken grows, spreading its tendrils over her torso and arms. she grows too, too large to come on board the ship without being hauled up in a boat from the water. she sings when the storms come and swims before the ship to guide it to safety. she fights off more than one beast of the seas, and gathers a set of scars across her back that she bears with pride. “i don’t mind,” she says, when the captain fusses over her, “now i match all of you.” the first time their ship is threatened, really threatened, is by another fleet. a friend turned enemy of the first mate. “we shouldn’t fight him,” she says, peering through the spyglass. “why not?” the mermaid asks. “he’ll win,” the first mate says. the mermaid tips her head sideways. Her eyes, dark as the deep waters, gleam in the noon light. “are you sure?” she asks. x the enemy fleet surrenders after the flagship is sunk in the night, the anchor ripped off the ship and the planks torn off the hull. the surviving crew, wild-eyed and delirious, whimper and say a sea serpent came from the water and attacked them, say it was longer than the boat and crushed it in its coils. the first mate hears this and has to hide her laughter. the captain apologizes to his daughter for doubting her. “don’t worry,” she says, with a bright laugh, “it was fun.” x the second time, they are pushed by a storm into a royal fleet. they can’t possibly fight them, and they don’t have the time to escape. “let me up,” the mermaid urges, surfacing starboard and shouting to the crew. “bring me up, quickly, quickly.” they lower the boat and she piles her sinous form into it, and uses her claws to help the crew pull her up. once on the deck she flops out of the boat and makes her way over to the bow. the crew tries to help but she’s so heavy they can barely lift parts of her. she crawls up out in front of the rail and wraps her long webbed tail around the prow. the figurehead has served them well so far but they need more right now. she wraps herself around the figurehead and raises her body up into the wind takes a breath of the stinging salt air and sings. the storm carries her voice on its front to the royal navy. they are enchanted, so stunned by her song that they drop the rigging ropes and let the tillers drift. the pirates sail through the center of the fleet, trailing the storm behind them, and by the time the fleet has managed to regain its senses they are buried in wind and rain and the pirates are gone. x she declines guns. instead she carries a harpoon and its launcher, and uses them to board enemy ships, hauling her massive form out of the water to coil on the deck and dispatch enemies with ruthless efficiency. her family is feared across all the sea. x “you know we are dying,” the captain says, looking down at her. she floats next to the ship, so massive she could hold it in her arms. her eyes are wise. “i know,” she says, “i can feel it coming.” the first mate stands next to the captain. she never had a lover or a child, and neither did he, but to the mermaid they are her parents. she will always love her daughter. the tattoos are graven in dark swirls across the mermaid’s deep brown skin and the flesh of her tail, even spiraling onto the spiked webbing on her spine and face. her hair is still tied back, this time with a sail that could not be patched one last time. “we love you,” the first mate says simply, looking down. her own tightly coiled black hair falls in to her face; she shakes the locs out of the way and smiles through her tears. the captain pretends he isnt crying either. “i love you too,” the mermaid says, and reached up to pull the ship down just a bit, just to hold them one last time. “guard the ship,” the captain says. “you always have but you know they’re lost without you.” “without you,” the mermaid corrects, with a shrug that makes waves. “what will we do?” “i don’t know,” the captain says. “but you’ll help them, won’t you?” “of course i will,” she scoffs, rolling her eyes. “i will always protect my family.” x the captain and the first mate are gone. the ship has a new captain, young and fearless - of the things she can afford to disregard. she fears and loves the ocean, as all captains do. she does not fear the royal fleet. and she does not fear the mermaid. “you know, i heard stories about you when i was a little girl,” she says, trailing her fingers in the water next to the dock. the mermaid stares at her with one eye the size of a dinner table. “is that so?” she hums, smirking with teeth sharper than the swords of the entire navy. “they said you could sink an entire fleet and that you had skin tougher than dragon scales,” the new captain says, grinning right back at the monster who could eat her without a moment’s hesitation. “i always thought they were telling tall tales.” “and now?” “they were right,” the new captain says. “how did they ever befriend you?” the mermaid smiles, fully this time, her dark eyes gleaming under the white linen sail. “they didn’t know any better.” She protects her family. Hi everybody! Guess what’s being posted on AO3 now at the following link! https://archiveofourown.org/works/22498384/chapters/53760817 That’s right! Here you go. I’ll be uploading it in some chunks, because I want to make sure I have everything I wanted edited cleanly finished, but follow the story there! HEY GUYS GUESS WHATS BACK ON THE DASHBOARD AND BETTER THAN EVER

cereusblue: unnameablethings: dragonsateyourtoast: redporkpadthai: dragonsateyourtoast: otherwindow: otherwindow: This is how the g...

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cheeseanonioncrisps: roseverdict: roseverdict: jus-tea: Daddy’s at the food store, Mummy’s out of town, She’s working at the hospital since Rhona came to town, Hide away, hide away, Miss Rhona’s come to town, Hide away, hide away, she’s come to take us down. Miss Rhona’s at the doorstep, I’ll keep 6 feet away, But Grandma needs the paper, I’ll take her some today, Hide away, hide away, Miss Rhona’s come to stay, Hide away, hide away, we can’t come out to play. But Grandma needs the paper, I’ll take her some today, And here’s a note from Rhona, she wanted me to say, Hide away, hide away, keep 6 feet away, Hide away, hide away, she took us down today. [Image ID: Tumblr user @neanderthyall says in the notes, “I thought that 6 feet was kind of a double meaning. Like six feet away to stop the spread, but when people die they’re six feet underground, and its six feet of the dirt that keeps you apart. Like ‘Hide away, hide away, even though it hurts Hide away, hide away, or the six feet will be dirt’.” End ID.] HI DON’T LEAVE THIS IN THE NOTES THAT’S ACTUALLY BRILLIANT It’s not a proper creepy nursery rhyme until it’s got an eery childrens’ game attached to it though (think ring-a-round-the-roses or oranges and lemons). One child shall be designated ‘Miss (Mr, Mx) Rhona’ and will have to cover their eyes (hide away). They then have to try to catch the other kids— think Blind Man’s Bluff. The children running away chant the rhyme, to make it easier for ‘Rhona’ to find them. Any child tagged becomes another ‘Rhona’ and must also cover their eyes and join in the chase. The winner is the last child left uninfected. Meanwhile all adults in the area must watch with a vague sense of unease, and whisper to each other “do you know what that’s inspired by?” : cheeseanonioncrisps: roseverdict: roseverdict: jus-tea: Daddy’s at the food store, Mummy’s out of town, She’s working at the hospital since Rhona came to town, Hide away, hide away, Miss Rhona’s come to town, Hide away, hide away, she’s come to take us down. Miss Rhona’s at the doorstep, I’ll keep 6 feet away, But Grandma needs the paper, I’ll take her some today, Hide away, hide away, Miss Rhona’s come to stay, Hide away, hide away, we can’t come out to play. But Grandma needs the paper, I’ll take her some today, And here’s a note from Rhona, she wanted me to say, Hide away, hide away, keep 6 feet away, Hide away, hide away, she took us down today. [Image ID: Tumblr user @neanderthyall says in the notes, “I thought that 6 feet was kind of a double meaning. Like six feet away to stop the spread, but when people die they’re six feet underground, and its six feet of the dirt that keeps you apart. Like ‘Hide away, hide away, even though it hurts Hide away, hide away, or the six feet will be dirt’.” End ID.] HI DON’T LEAVE THIS IN THE NOTES THAT’S ACTUALLY BRILLIANT It’s not a proper creepy nursery rhyme until it’s got an eery childrens’ game attached to it though (think ring-a-round-the-roses or oranges and lemons). One child shall be designated ‘Miss (Mr, Mx) Rhona’ and will have to cover their eyes (hide away). They then have to try to catch the other kids— think Blind Man’s Bluff. The children running away chant the rhyme, to make it easier for ‘Rhona’ to find them. Any child tagged becomes another ‘Rhona’ and must also cover their eyes and join in the chase. The winner is the last child left uninfected. Meanwhile all adults in the area must watch with a vague sense of unease, and whisper to each other “do you know what that’s inspired by?”

cheeseanonioncrisps: roseverdict: roseverdict: jus-tea: Daddy’s at the food store, Mummy’s out of town, She’s working at the hospita...

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chapter-master-darius: randomnightlord: feniczoroark: randomnightlord: feniczoroark: randomnightlord: feniczoroark: randomnightlord: feniczoroark: just-another-guardsman: wh40kartwork: Krieger by Rotaken The certified madlad Huh neatWaitThat gun looks familiarHmmm. Ah.Whack The Gatling MG42 is literally the worst fucking thing i have ever seen in my life of being interested in history and Videogames Worst design yes and I can name so much of the pointless bullshit with itHell. Only remembered the piece of shit weapon because I once spent half an hour staring at its stock for study Also didn’t it have like one or two mags? Those things only really held up to 100 shots at best. 200 shots for a Gatling gun mg42 that probably shoots even faster than the 1400rpm the original hasThat is no lmg. Thats a shotgun with a weight of like 40 kilos by the looks of it It had 1 magazine. No reloadability (also had no dust tray cover release thing or drum release). Some bs about balancing. 250 rounds in game for somme reason. Last I checked those kinds of drums could only hold a 50 round belt. Lowest firerate on any modern rotary barrel weapon is 1000rpm of the Gau-19, the same wepaon can achive 2000rpm. But thats 50cal/12.7. Assuming this uses the same ammo as the MG42, than that would be 7.92×57, the nearest weapons we have for that is the US M134 which has a firerate of 3000rpm to 6000rpm or the Russian GShG-7.62 (a 4 barreled one) which has 3500rpm to 6000rpm. So realistically the 50 round belt would be used up in 1 second to half a second. The 250 belt would be 5 seconds to 2 and a half seconds. Thats nowhere near enough. So again, bad design. Also if it uses a belt it would need a delinker.The barrel shroud was left on each individual barrel, forcing the barrels apart. More weight. Would also need a more powerful rotor to spin it. Gatling weapons forgo barrel shrouds because the multiple barrels are to help cooling.The foregrip was in the right place but wasn’t reinforced enough/where it connects with the weapon needed to be a bit more forward.The barrels had to “spin up” first. That would realistically waste ammo. Electric rotart guns start firing immediately and at a high firerate which climbs over like, a second or two as the motor warms up. Also upon the trigger being released they stop spinning immediatly. But that things barrels kept spinning, which would eject unfired rounds. Also the barrels never seemed to line up with any kind of breach, instead coming to rest in some random ass place, no sense whatsoever.IT HAS NO SIGHTSWHERE IS ITS POWER SOURCE That gun is a fucking mess and i hate it so much. The 1960 plasma one angers me more. (3 barrels that dont spin. Only one barrel is ever used. Why. Why then3 barrels. Somehow plays worse than that stupid ass gatling mg42/46. Bunch other reasons I’m too angry and tired for atm)Also as for the art that started this. 40k already has rotor cannons which normal humans can pick up, although thosw only got ised in 30k (and 40k as the soulfire cannon used by magnus’ lads) Aye. The only wolfenstein weapon i actually liked in the new Games was the Hatchet. Even the knife in New Order was a total nightmare You two are overlooking the fact that these weapons were used to brutally murder Nazis. Focus on the good things, yeah? True. I fully agree but technical nonsense makes me angery: chapter-master-darius: randomnightlord: feniczoroark: randomnightlord: feniczoroark: randomnightlord: feniczoroark: randomnightlord: feniczoroark: just-another-guardsman: wh40kartwork: Krieger by Rotaken The certified madlad Huh neatWaitThat gun looks familiarHmmm. Ah.Whack The Gatling MG42 is literally the worst fucking thing i have ever seen in my life of being interested in history and Videogames Worst design yes and I can name so much of the pointless bullshit with itHell. Only remembered the piece of shit weapon because I once spent half an hour staring at its stock for study Also didn’t it have like one or two mags? Those things only really held up to 100 shots at best. 200 shots for a Gatling gun mg42 that probably shoots even faster than the 1400rpm the original hasThat is no lmg. Thats a shotgun with a weight of like 40 kilos by the looks of it It had 1 magazine. No reloadability (also had no dust tray cover release thing or drum release). Some bs about balancing. 250 rounds in game for somme reason. Last I checked those kinds of drums could only hold a 50 round belt. Lowest firerate on any modern rotary barrel weapon is 1000rpm of the Gau-19, the same wepaon can achive 2000rpm. But thats 50cal/12.7. Assuming this uses the same ammo as the MG42, than that would be 7.92×57, the nearest weapons we have for that is the US M134 which has a firerate of 3000rpm to 6000rpm or the Russian GShG-7.62 (a 4 barreled one) which has 3500rpm to 6000rpm. So realistically the 50 round belt would be used up in 1 second to half a second. The 250 belt would be 5 seconds to 2 and a half seconds. Thats nowhere near enough. So again, bad design. Also if it uses a belt it would need a delinker.The barrel shroud was left on each individual barrel, forcing the barrels apart. More weight. Would also need a more powerful rotor to spin it. Gatling weapons forgo barrel shrouds because the multiple barrels are to help cooling.The foregrip was in the right place but wasn’t reinforced enough/where it connects with the weapon needed to be a bit more forward.The barrels had to “spin up” first. That would realistically waste ammo. Electric rotart guns start firing immediately and at a high firerate which climbs over like, a second or two as the motor warms up. Also upon the trigger being released they stop spinning immediatly. But that things barrels kept spinning, which would eject unfired rounds. Also the barrels never seemed to line up with any kind of breach, instead coming to rest in some random ass place, no sense whatsoever.IT HAS NO SIGHTSWHERE IS ITS POWER SOURCE That gun is a fucking mess and i hate it so much. The 1960 plasma one angers me more. (3 barrels that dont spin. Only one barrel is ever used. Why. Why then3 barrels. Somehow plays worse than that stupid ass gatling mg42/46. Bunch other reasons I’m too angry and tired for atm)Also as for the art that started this. 40k already has rotor cannons which normal humans can pick up, although thosw only got ised in 30k (and 40k as the soulfire cannon used by magnus’ lads) Aye. The only wolfenstein weapon i actually liked in the new Games was the Hatchet. Even the knife in New Order was a total nightmare You two are overlooking the fact that these weapons were used to brutally murder Nazis. Focus on the good things, yeah? True. I fully agree but technical nonsense makes me angery
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feniczoroark: randomnightlord: feniczoroark: randomnightlord: feniczoroark: randomnightlord: feniczoroark: just-another-guardsman: wh40kartwork: Krieger by Rotaken The certified madlad Huh neatWaitThat gun looks familiarHmmm. Ah.Whack The Gatling MG42 is literally the worst fucking thing i have ever seen in my life of being interested in history and Videogames Worst design yes and I can name so much of the pointless bullshit with itHell. Only remembered the piece of shit weapon because I once spent half an hour staring at its stock for study Also didn’t it have like one or two mags? Those things only really held up to 100 shots at best. 200 shots for a Gatling gun mg42 that probably shoots even faster than the 1400rpm the original hasThat is no lmg. Thats a shotgun with a weight of like 40 kilos by the looks of it It had 1 magazine. No reloadability (also had no dust tray cover release thing or drum release). Some bs about balancing. 250 rounds in game for somme reason. Last I checked those kinds of drums could only hold a 50 round belt. Lowest firerate on any modern rotary barrel weapon is 1000rpm of the Gau-19, the same wepaon can achive 2000rpm. But thats 50cal/12.7. Assuming this uses the same ammo as the MG42, than that would be 7.92×57, the nearest weapons we have for that is the US M134 which has a firerate of 3000rpm to 6000rpm or the Russian GShG-7.62 (a 4 barreled one) which has 3500rpm to 6000rpm. So realistically the 50 round belt would be used up in 1 second to half a second. The 250 belt would be 5 seconds to 2 and a half seconds. Thats nowhere near enough. So again, bad design. Also if it uses a belt it would need a delinker.The barrel shroud was left on each individual barrel, forcing the barrels apart. More weight. Would also need a more powerful rotor to spin it. Gatling weapons forgo barrel shrouds because the multiple barrels are to help cooling.The foregrip was in the right place but wasn’t reinforced enough/where it connects with the weapon needed to be a bit more forward.The barrels had to “spin up” first. That would realistically waste ammo. Electric rotart guns start firing immediately and at a high firerate which climbs over like, a second or two as the motor warms up. Also upon the trigger being released they stop spinning immediatly. But that things barrels kept spinning, which would eject unfired rounds. Also the barrels never seemed to line up with any kind of breach, instead coming to rest in some random ass place, no sense whatsoever.IT HAS NO SIGHTSWHERE IS ITS POWER SOURCE That gun is a fucking mess and i hate it so much. The 1960 plasma one angers me more. (3 barrels that dont spin. Only one barrel is ever used. Why. Why then3 barrels. Somehow plays worse than that stupid ass gatling mg42/46. Bunch other reasons I’m too angry and tired for atm)Also as for the art that started this. 40k already has rotor cannons which normal humans can pick up, although thosw only got ised in 30k (and 40k as the soulfire cannon used by magnus’ lads) Aye. The only wolfenstein weapon i actually liked in the new Games was the Hatchet. Even the knife in New Order was a total nightmare : feniczoroark: randomnightlord: feniczoroark: randomnightlord: feniczoroark: randomnightlord: feniczoroark: just-another-guardsman: wh40kartwork: Krieger by Rotaken The certified madlad Huh neatWaitThat gun looks familiarHmmm. Ah.Whack The Gatling MG42 is literally the worst fucking thing i have ever seen in my life of being interested in history and Videogames Worst design yes and I can name so much of the pointless bullshit with itHell. Only remembered the piece of shit weapon because I once spent half an hour staring at its stock for study Also didn’t it have like one or two mags? Those things only really held up to 100 shots at best. 200 shots for a Gatling gun mg42 that probably shoots even faster than the 1400rpm the original hasThat is no lmg. Thats a shotgun with a weight of like 40 kilos by the looks of it It had 1 magazine. No reloadability (also had no dust tray cover release thing or drum release). Some bs about balancing. 250 rounds in game for somme reason. Last I checked those kinds of drums could only hold a 50 round belt. Lowest firerate on any modern rotary barrel weapon is 1000rpm of the Gau-19, the same wepaon can achive 2000rpm. But thats 50cal/12.7. Assuming this uses the same ammo as the MG42, than that would be 7.92×57, the nearest weapons we have for that is the US M134 which has a firerate of 3000rpm to 6000rpm or the Russian GShG-7.62 (a 4 barreled one) which has 3500rpm to 6000rpm. So realistically the 50 round belt would be used up in 1 second to half a second. The 250 belt would be 5 seconds to 2 and a half seconds. Thats nowhere near enough. So again, bad design. Also if it uses a belt it would need a delinker.The barrel shroud was left on each individual barrel, forcing the barrels apart. More weight. Would also need a more powerful rotor to spin it. Gatling weapons forgo barrel shrouds because the multiple barrels are to help cooling.The foregrip was in the right place but wasn’t reinforced enough/where it connects with the weapon needed to be a bit more forward.The barrels had to “spin up” first. That would realistically waste ammo. Electric rotart guns start firing immediately and at a high firerate which climbs over like, a second or two as the motor warms up. Also upon the trigger being released they stop spinning immediatly. But that things barrels kept spinning, which would eject unfired rounds. Also the barrels never seemed to line up with any kind of breach, instead coming to rest in some random ass place, no sense whatsoever.IT HAS NO SIGHTSWHERE IS ITS POWER SOURCE That gun is a fucking mess and i hate it so much. The 1960 plasma one angers me more. (3 barrels that dont spin. Only one barrel is ever used. Why. Why then3 barrels. Somehow plays worse than that stupid ass gatling mg42/46. Bunch other reasons I’m too angry and tired for atm)Also as for the art that started this. 40k already has rotor cannons which normal humans can pick up, although thosw only got ised in 30k (and 40k as the soulfire cannon used by magnus’ lads) Aye. The only wolfenstein weapon i actually liked in the new Games was the Hatchet. Even the knife in New Order was a total nightmare
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starkswhee: queercyberoceancowgirl: tulparightsactivist: cheshireinthemiddle: joekewlio: systlin: jabberwockypie: kayrowhitesyrup: black-girl-against-feminism: keyhollow: surprisebitch: pancakes are made of eggs omfg Y’all are crazy if you think a chicken won’t happily eat eggs. Y’all insane if you think a chicken won’t tear some nuggets UP. You are ON CRACK if you think a chicken won’t just, eat another injured chicken Me and some friends were collecting eggs on this farm. We dropped one of them and they went absolutely apeshit over that damn egg. Not even the shell was left. I know people think chickens are herbivores but they absolutely aren’t. Chickens are omnivores. They eat meat, they eat eat all sorts of fruits and vegetables. This isn’t really well known to people who live off of farms or who have never spent time on one. It’s also thanks to tv and movies not showing this side of chickens. It’s why eggs and chicken meat saying they come from “free-range vegetarian chickens” are HILARIOUS, because if they’re free-range, you can’t control that, and the tiny dinosaurs ARE going to eat a lot of things. And if a mouse meets an early demise because it came near the tiny dinosaurs … ¯\_(ツ)_/¯ As a kid I once threw the neighbor’s chickens a chicken nugget just to see what would happen. Answer; they fuckin demolished it. Tore it apart and wolfed it down in seconds.  Rose tinted chicken glasses used to be a very common invention for chickens, because if they saw a speck of blood on another chicken they would gang up on it and murder it to death and feast on it. Actual piranhas don’t act like Hollywood piranhas. Chickens, however, do act like Hollywood piranhas. Those fuckers get a taste for blood and they become fucking ravenous fiends. They’re still very much dinosaur. Pancakes are looking a little tame, huh? : starkswhee: queercyberoceancowgirl: tulparightsactivist: cheshireinthemiddle: joekewlio: systlin: jabberwockypie: kayrowhitesyrup: black-girl-against-feminism: keyhollow: surprisebitch: pancakes are made of eggs omfg Y’all are crazy if you think a chicken won’t happily eat eggs. Y’all insane if you think a chicken won’t tear some nuggets UP. You are ON CRACK if you think a chicken won’t just, eat another injured chicken Me and some friends were collecting eggs on this farm. We dropped one of them and they went absolutely apeshit over that damn egg. Not even the shell was left. I know people think chickens are herbivores but they absolutely aren’t. Chickens are omnivores. They eat meat, they eat eat all sorts of fruits and vegetables. This isn’t really well known to people who live off of farms or who have never spent time on one. It’s also thanks to tv and movies not showing this side of chickens. It’s why eggs and chicken meat saying they come from “free-range vegetarian chickens” are HILARIOUS, because if they’re free-range, you can’t control that, and the tiny dinosaurs ARE going to eat a lot of things. And if a mouse meets an early demise because it came near the tiny dinosaurs … ¯\_(ツ)_/¯ As a kid I once threw the neighbor’s chickens a chicken nugget just to see what would happen. Answer; they fuckin demolished it. Tore it apart and wolfed it down in seconds.  Rose tinted chicken glasses used to be a very common invention for chickens, because if they saw a speck of blood on another chicken they would gang up on it and murder it to death and feast on it. Actual piranhas don’t act like Hollywood piranhas. Chickens, however, do act like Hollywood piranhas. Those fuckers get a taste for blood and they become fucking ravenous fiends. They’re still very much dinosaur. Pancakes are looking a little tame, huh?
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gaming: Gaming Spotlight: Gamers vs COVID-19 Gamers vs COVID-19 is a community of virus-killing, society-supporting, game-loving heroes, founded to raise awareness about the importance of social distancing, good hygiene, and positivity in combating the spread of COVID-19. They were founded by a group of anonymous gamers and medical professionals, most of whom work in or adjacent to the esports industry. You can join them by signing the pledge at www.gamersvscovid19.com! Lots of parts of the internet thrive on misinformation—how does this initiative strive to combat that? Our resources are heavily researched, and we rely on citations from institutions such as the US FDA, US CDC, and the WHO. Each of these is referenced on our page, so you don’t need to take our word for it. We also have contributing medical professionals who help to fact check our distributions, but that doesn’t mean we’re giving medical advice.  Of course, when it comes to questions about viruses and disease, we always encourage anybody to go directly to a vetted source of information like those we’ve already mentioned. Besides gaming, what are other ways to practice social distancing? Social distancing is just the act of removing yourself from public spaces as often as possible. For many of us, that means replacing public activities with online gaming, but for you, it might mean reading, playing music, baking, painting, coding, or whatever you love to do from the comfort of your home. We started this movement in part to remind everybody that social distancing doesn’t mean social isolation: we’re all in this together, even when we’re apart. What are other ways we can contribute if we still have to go to work? You can still live by our pledge and help save the world if you go to work! Not everybody has the luxury of being able to totally isolate themselves. Some people have to go to jobs, while others may need to care for relatives or go out for other necessities. Social distancing is the active decision to restrict your time in public spaces to the minimum required amount, which is going to vary from person to person.  What’s important is that you spend every minute you can at home and that you stay home if you’ve felt sick or been in close contact with somebody who has a confirmed case of coronavirus. Even if you feel healthy, give others a gap of at least six feet whenever possible and don’t touch other people physically. Wash your hands thoroughly with soap and water frequently (especially when exiting or entering a public space), and never touch your face, eyes or mouth with unwashed hands. You can also help amplify the message by not meeting friends in public, sharing the pledge, and shifting in-person meetups to online activities instead. How do you build a community through gaming?  Contrary to old stereotypes, gamers are inherently social. Building a community around an important issue like COVID-19 is just a matter of reaching out and getting help from big amplifiers. Once this message is in front of people, we’ve found gamers eager to join and help. It’s been truly uplifting in a challenging time. The gaming space is supremely lucky to have so many amazing influencers who care deeply about their fans and broader communities. This is an international epidemic, and it’s going to take international cooperation and acts of courage to overcome it. We will do whatever it takes for as long as it takes, and every gamer from the biggest pro to the average joe is making an impact by consciously deciding to sign the pledge and change their lifestyles until COVID-19 is controlled. Take the pledge over on the website! In the first few hours, over 10,000 gamers signed up, including the likes of Castro1021, FallenNCS, Sjokz, Nickeh30, Voyboy, JKap415, HungryBox, Goldenboy, Ocelot, G2Pengu, Slasher, SirActionSlacks, Sheever, and too many other gamers to name. We’re excited about every person who comes on and decides this is a movement worth supporting. Social distancing only works if everyone chooses to make a sacrifice for the greater good. : gaming: Gaming Spotlight: Gamers vs COVID-19 Gamers vs COVID-19 is a community of virus-killing, society-supporting, game-loving heroes, founded to raise awareness about the importance of social distancing, good hygiene, and positivity in combating the spread of COVID-19. They were founded by a group of anonymous gamers and medical professionals, most of whom work in or adjacent to the esports industry. You can join them by signing the pledge at www.gamersvscovid19.com! Lots of parts of the internet thrive on misinformation—how does this initiative strive to combat that? Our resources are heavily researched, and we rely on citations from institutions such as the US FDA, US CDC, and the WHO. Each of these is referenced on our page, so you don’t need to take our word for it. We also have contributing medical professionals who help to fact check our distributions, but that doesn’t mean we’re giving medical advice.  Of course, when it comes to questions about viruses and disease, we always encourage anybody to go directly to a vetted source of information like those we’ve already mentioned. Besides gaming, what are other ways to practice social distancing? Social distancing is just the act of removing yourself from public spaces as often as possible. For many of us, that means replacing public activities with online gaming, but for you, it might mean reading, playing music, baking, painting, coding, or whatever you love to do from the comfort of your home. We started this movement in part to remind everybody that social distancing doesn’t mean social isolation: we’re all in this together, even when we’re apart. What are other ways we can contribute if we still have to go to work? You can still live by our pledge and help save the world if you go to work! Not everybody has the luxury of being able to totally isolate themselves. Some people have to go to jobs, while others may need to care for relatives or go out for other necessities. Social distancing is the active decision to restrict your time in public spaces to the minimum required amount, which is going to vary from person to person.  What’s important is that you spend every minute you can at home and that you stay home if you’ve felt sick or been in close contact with somebody who has a confirmed case of coronavirus. Even if you feel healthy, give others a gap of at least six feet whenever possible and don’t touch other people physically. Wash your hands thoroughly with soap and water frequently (especially when exiting or entering a public space), and never touch your face, eyes or mouth with unwashed hands. You can also help amplify the message by not meeting friends in public, sharing the pledge, and shifting in-person meetups to online activities instead. How do you build a community through gaming?  Contrary to old stereotypes, gamers are inherently social. Building a community around an important issue like COVID-19 is just a matter of reaching out and getting help from big amplifiers. Once this message is in front of people, we’ve found gamers eager to join and help. It’s been truly uplifting in a challenging time. The gaming space is supremely lucky to have so many amazing influencers who care deeply about their fans and broader communities. This is an international epidemic, and it’s going to take international cooperation and acts of courage to overcome it. We will do whatever it takes for as long as it takes, and every gamer from the biggest pro to the average joe is making an impact by consciously deciding to sign the pledge and change their lifestyles until COVID-19 is controlled. Take the pledge over on the website! In the first few hours, over 10,000 gamers signed up, including the likes of Castro1021, FallenNCS, Sjokz, Nickeh30, Voyboy, JKap415, HungryBox, Goldenboy, Ocelot, G2Pengu, Slasher, SirActionSlacks, Sheever, and too many other gamers to name. We’re excited about every person who comes on and decides this is a movement worth supporting. Social distancing only works if everyone chooses to make a sacrifice for the greater good.

gaming: Gaming Spotlight: Gamers vs COVID-19 Gamers vs COVID-19 is a community of virus-killing, society-supporting, game-loving heroes,...

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keeperofstarrywisdom: meatswitch: earthgears: ENLìL Wind turbine seeing this makes it look like such an obvious thing that should be installed all over the place. “The turbine is designed vertically with long blades. It covers less area on the ground and is easy to handle. It can easily be assembled and disassembled which makes it durable. Solar panels are fixed at the top of the turbine to generate extra electricity. The device is capable of producing approximately 1 kilowatt per hour of electricity. A single ENLIL turbine can easily provide the average daily electricity needs of two households. Apart from that, the turbine also contains inbuilt sensors like carbon footprint sensors, to detect earthquakes and IOT platform. The safety and comfort of the city are also ensured. The turbine can be installed in parks, near seashores, rooftops, households but the roads are the ideal locations for the device. The big vehicles like buses can provide a lot of wind energy. The speeding vehicles on the highway can provide enough wind for these turbines to work all day and night without stopping. The energy generated can be transported to places or it can be used for maintenance of roadways.“  -Dhruvika Singh, BuzzOnEarth.com : keeperofstarrywisdom: meatswitch: earthgears: ENLìL Wind turbine seeing this makes it look like such an obvious thing that should be installed all over the place. “The turbine is designed vertically with long blades. It covers less area on the ground and is easy to handle. It can easily be assembled and disassembled which makes it durable. Solar panels are fixed at the top of the turbine to generate extra electricity. The device is capable of producing approximately 1 kilowatt per hour of electricity. A single ENLIL turbine can easily provide the average daily electricity needs of two households. Apart from that, the turbine also contains inbuilt sensors like carbon footprint sensors, to detect earthquakes and IOT platform. The safety and comfort of the city are also ensured. The turbine can be installed in parks, near seashores, rooftops, households but the roads are the ideal locations for the device. The big vehicles like buses can provide a lot of wind energy. The speeding vehicles on the highway can provide enough wind for these turbines to work all day and night without stopping. The energy generated can be transported to places or it can be used for maintenance of roadways.“  -Dhruvika Singh, BuzzOnEarth.com
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ironwoman359: cereusblue: unnameablethings: dragonsateyourtoast: redporkpadthai: dragonsateyourtoast: otherwindow: otherwindow: This is how the golden age of piracy ended. The first mermaid to get tattoos :) “we didn’t know any better,” the crewman says, and swallows, presenting the chest to the captain. “what do we do now?” “kill it,” the captain says, but the ice is melting in his eyes. “we can’t,” the first mate says desperately, praying she won’t have to fight her captain on this. “we can’t. we - i won’t. we won’t.” “i know.” x “daddy,” she says, floating in a tub of seawater in the hold, “daddy, la-la, la-la-la.” her voice rings like bells. her accent is strange; her mouth isn’t made for human words. it mesmerises even the hardiest amongst them and she wasn’t even trying. the crew has taken to diving for shellfish near the shorelines for her; she loves them, splitting the shells apart with strength seen in no human toddler, slurping down the slimy molluscs inside and laughing, all plump brown cheeks and needle-sharp teeth. she sometimes splashes them for fun with her smooth, rubbery brown tail. even when they get soaked they laugh. they love her. “daddy,” she calls again, and he can hear the worry in her voice. the storm rocking the ship is harsh and uncaring, and if they go down, she would be the only survivor. “don’t worry,” he says, and goes over, sitting next to the tub. the first mate, leaning against the wall, pretends not to notice as he quietly begins to sing. x “father,” she says, one day, as she leans on the edge of the dock and the captain sits next to her, “why am I here?” “your mother abandoned you,” he says, as he always has. “we found you adrift, and couldn’t bear to leave you there.” she picks at the salt-soaked boards, uncertain. her hair is pulled back in a fluffy black puff, the white linen holding it slipping almost over one of her dark eyes. one of her first tattoos, a many-limbed kraken, curls over her right shoulder and down her arm, delicate tendrils wrapped around her calloused fingertips. “alright,” she says. x “why am I really here?” she asks the first mate, watching the sun set over the water in streaks of liquid metal that pooled in the troughs of the waves and glittered on the seafoam. “we didn’t know any better,” the first mate says, staring into the water. “we didn’t know- we didn’t know anything. we didn’t understand why she fought so viciously to guard her treasure. we could not know she protected something a thousand times more precious than the purest gold.” she wants to be furious, but she can’t. she already knew the answer, from reading the guilt in her father’s eyes and the empty space in her own history. and she can’t hate her family. “it’s alright,” she says. “i do have a family, anyways. i don’t think i would have liked my other life near as much.” x her kraken grows, spreading its tendrils over her torso and arms. she grows too, too large to come on board the ship without being hauled up in a boat from the water. she sings when the storms come and swims before the ship to guide it to safety. she fights off more than one beast of the seas, and gathers a set of scars across her back that she bears with pride. “i don’t mind,” she says, when the captain fusses over her, “now i match all of you.” the first time their ship is threatened, really threatened, is by another fleet. a friend turned enemy of the first mate. “we shouldn’t fight him,” she says, peering through the spyglass. “why not?” the mermaid asks. “he’ll win,” the first mate says. the mermaid tips her head sideways. Her eyes, dark as the deep waters, gleam in the noon light. “are you sure?” she asks. x the enemy fleet surrenders after the flagship is sunk in the night, the anchor ripped off the ship and the planks torn off the hull. the surviving crew, wild-eyed and delirious, whimper and say a sea serpent came from the water and attacked them, say it was longer than the boat and crushed it in its coils. the first mate hears this and has to hide her laughter. the captain apologizes to his daughter for doubting her. “don’t worry,” she says, with a bright laugh, “it was fun.” x the second time, they are pushed by a storm into a royal fleet. they can’t possibly fight them, and they don’t have the time to escape. “let me up,” the mermaid urges, surfacing starboard and shouting to the crew. “bring me up, quickly, quickly.” they lower the boat and she piles her sinous form into it, and uses her claws to help the crew pull her up. once on the deck she flops out of the boat and makes her way over to the bow. the crew tries to help but she’s so heavy they can barely lift parts of her. she crawls up out in front of the rail and wraps her long webbed tail around the prow. the figurehead has served them well so far but they need more right now. she wraps herself around the figurehead and raises her body up into the wind takes a breath of the stinging salt air and sings. the storm carries her voice on its front to the royal navy. they are enchanted, so stunned by her song that they drop the rigging ropes and let the tillers drift. the pirates sail through the center of the fleet, trailing the storm behind them, and by the time the fleet has managed to regain its senses they are buried in wind and rain and the pirates are gone. x she declines guns. instead she carries a harpoon and its launcher, and uses them to board enemy ships, hauling her massive form out of the water to coil on the deck and dispatch enemies with ruthless efficiency. her family is feared across all the sea. x “you know we are dying,” the captain says, looking down at her. she floats next to the ship, so massive she could hold it in her arms. her eyes are wise. “i know,” she says, “i can feel it coming.” the first mate stands next to the captain. she never had a lover or a child, and neither did he, but to the mermaid they are her parents. she will always love her daughter. the tattoos are graven in dark swirls across the mermaid’s deep brown skin and the flesh of her tail, even spiraling onto the spiked webbing on her spine and face. her hair is still tied back, this time with a sail that could not be patched one last time. “we love you,” the first mate says simply, looking down. her own tightly coiled black hair falls in to her face; she shakes the locs out of the way and smiles through her tears. the captain pretends he isnt crying either. “i love you too,” the mermaid says, and reached up to pull the ship down just a bit, just to hold them one last time. “guard the ship,” the captain says. “you always have but you know they’re lost without you.” “without you,” the mermaid corrects, with a shrug that makes waves. “what will we do?” “i don’t know,” the captain says. “but you’ll help them, won’t you?” “of course i will,” she scoffs, rolling her eyes. “i will always protect my family.” x the captain and the first mate are gone. the ship has a new captain, young and fearless - of the things she can afford to disregard. she fears and loves the ocean, as all captains do. she does not fear the royal fleet. and she does not fear the mermaid. “you know, i heard stories about you when i was a little girl,” she says, trailing her fingers in the water next to the dock. the mermaid stares at her with one eye the size of a dinner table. “is that so?” she hums, smirking with teeth sharper than the swords of the entire navy. “they said you could sink an entire fleet and that you had skin tougher than dragon scales,” the new captain says, grinning right back at the monster who could eat her without a moment’s hesitation. “i always thought they were telling tall tales.” “and now?” “they were right,” the new captain says. “how did they ever befriend you?” the mermaid smiles, fully this time, her dark eyes gleaming under the white linen sail. “they didn’t know any better.” She protects her family. Hi everybody! Guess what’s being posted on AO3 now at the following link! https://archiveofourown.org/works/22498384/chapters/53760817 That’s right! Here you go. I’ll be uploading it in some chunks, because I want to make sure I have everything I wanted edited cleanly finished, but follow the story there! HEY GUYS GUESS WHATS BACK ON THE DASHBOARD AND BETTER THAN EVER I love this : ironwoman359: cereusblue: unnameablethings: dragonsateyourtoast: redporkpadthai: dragonsateyourtoast: otherwindow: otherwindow: This is how the golden age of piracy ended. The first mermaid to get tattoos :) “we didn’t know any better,” the crewman says, and swallows, presenting the chest to the captain. “what do we do now?” “kill it,” the captain says, but the ice is melting in his eyes. “we can’t,” the first mate says desperately, praying she won’t have to fight her captain on this. “we can’t. we - i won’t. we won’t.” “i know.” x “daddy,” she says, floating in a tub of seawater in the hold, “daddy, la-la, la-la-la.” her voice rings like bells. her accent is strange; her mouth isn’t made for human words. it mesmerises even the hardiest amongst them and she wasn’t even trying. the crew has taken to diving for shellfish near the shorelines for her; she loves them, splitting the shells apart with strength seen in no human toddler, slurping down the slimy molluscs inside and laughing, all plump brown cheeks and needle-sharp teeth. she sometimes splashes them for fun with her smooth, rubbery brown tail. even when they get soaked they laugh. they love her. “daddy,” she calls again, and he can hear the worry in her voice. the storm rocking the ship is harsh and uncaring, and if they go down, she would be the only survivor. “don’t worry,” he says, and goes over, sitting next to the tub. the first mate, leaning against the wall, pretends not to notice as he quietly begins to sing. x “father,” she says, one day, as she leans on the edge of the dock and the captain sits next to her, “why am I here?” “your mother abandoned you,” he says, as he always has. “we found you adrift, and couldn’t bear to leave you there.” she picks at the salt-soaked boards, uncertain. her hair is pulled back in a fluffy black puff, the white linen holding it slipping almost over one of her dark eyes. one of her first tattoos, a many-limbed kraken, curls over her right shoulder and down her arm, delicate tendrils wrapped around her calloused fingertips. “alright,” she says. x “why am I really here?” she asks the first mate, watching the sun set over the water in streaks of liquid metal that pooled in the troughs of the waves and glittered on the seafoam. “we didn’t know any better,” the first mate says, staring into the water. “we didn’t know- we didn’t know anything. we didn’t understand why she fought so viciously to guard her treasure. we could not know she protected something a thousand times more precious than the purest gold.” she wants to be furious, but she can’t. she already knew the answer, from reading the guilt in her father’s eyes and the empty space in her own history. and she can’t hate her family. “it’s alright,” she says. “i do have a family, anyways. i don’t think i would have liked my other life near as much.” x her kraken grows, spreading its tendrils over her torso and arms. she grows too, too large to come on board the ship without being hauled up in a boat from the water. she sings when the storms come and swims before the ship to guide it to safety. she fights off more than one beast of the seas, and gathers a set of scars across her back that she bears with pride. “i don’t mind,” she says, when the captain fusses over her, “now i match all of you.” the first time their ship is threatened, really threatened, is by another fleet. a friend turned enemy of the first mate. “we shouldn’t fight him,” she says, peering through the spyglass. “why not?” the mermaid asks. “he’ll win,” the first mate says. the mermaid tips her head sideways. Her eyes, dark as the deep waters, gleam in the noon light. “are you sure?” she asks. x the enemy fleet surrenders after the flagship is sunk in the night, the anchor ripped off the ship and the planks torn off the hull. the surviving crew, wild-eyed and delirious, whimper and say a sea serpent came from the water and attacked them, say it was longer than the boat and crushed it in its coils. the first mate hears this and has to hide her laughter. the captain apologizes to his daughter for doubting her. “don’t worry,” she says, with a bright laugh, “it was fun.” x the second time, they are pushed by a storm into a royal fleet. they can’t possibly fight them, and they don’t have the time to escape. “let me up,” the mermaid urges, surfacing starboard and shouting to the crew. “bring me up, quickly, quickly.” they lower the boat and she piles her sinous form into it, and uses her claws to help the crew pull her up. once on the deck she flops out of the boat and makes her way over to the bow. the crew tries to help but she’s so heavy they can barely lift parts of her. she crawls up out in front of the rail and wraps her long webbed tail around the prow. the figurehead has served them well so far but they need more right now. she wraps herself around the figurehead and raises her body up into the wind takes a breath of the stinging salt air and sings. the storm carries her voice on its front to the royal navy. they are enchanted, so stunned by her song that they drop the rigging ropes and let the tillers drift. the pirates sail through the center of the fleet, trailing the storm behind them, and by the time the fleet has managed to regain its senses they are buried in wind and rain and the pirates are gone. x she declines guns. instead she carries a harpoon and its launcher, and uses them to board enemy ships, hauling her massive form out of the water to coil on the deck and dispatch enemies with ruthless efficiency. her family is feared across all the sea. x “you know we are dying,” the captain says, looking down at her. she floats next to the ship, so massive she could hold it in her arms. her eyes are wise. “i know,” she says, “i can feel it coming.” the first mate stands next to the captain. she never had a lover or a child, and neither did he, but to the mermaid they are her parents. she will always love her daughter. the tattoos are graven in dark swirls across the mermaid’s deep brown skin and the flesh of her tail, even spiraling onto the spiked webbing on her spine and face. her hair is still tied back, this time with a sail that could not be patched one last time. “we love you,” the first mate says simply, looking down. her own tightly coiled black hair falls in to her face; she shakes the locs out of the way and smiles through her tears. the captain pretends he isnt crying either. “i love you too,” the mermaid says, and reached up to pull the ship down just a bit, just to hold them one last time. “guard the ship,” the captain says. “you always have but you know they’re lost without you.” “without you,” the mermaid corrects, with a shrug that makes waves. “what will we do?” “i don’t know,” the captain says. “but you’ll help them, won’t you?” “of course i will,” she scoffs, rolling her eyes. “i will always protect my family.” x the captain and the first mate are gone. the ship has a new captain, young and fearless - of the things she can afford to disregard. she fears and loves the ocean, as all captains do. she does not fear the royal fleet. and she does not fear the mermaid. “you know, i heard stories about you when i was a little girl,” she says, trailing her fingers in the water next to the dock. the mermaid stares at her with one eye the size of a dinner table. “is that so?” she hums, smirking with teeth sharper than the swords of the entire navy. “they said you could sink an entire fleet and that you had skin tougher than dragon scales,” the new captain says, grinning right back at the monster who could eat her without a moment’s hesitation. “i always thought they were telling tall tales.” “and now?” “they were right,” the new captain says. “how did they ever befriend you?” the mermaid smiles, fully this time, her dark eyes gleaming under the white linen sail. “they didn’t know any better.” She protects her family. Hi everybody! Guess what’s being posted on AO3 now at the following link! https://archiveofourown.org/works/22498384/chapters/53760817 That’s right! Here you go. I’ll be uploading it in some chunks, because I want to make sure I have everything I wanted edited cleanly finished, but follow the story there! HEY GUYS GUESS WHATS BACK ON THE DASHBOARD AND BETTER THAN EVER I love this

ironwoman359: cereusblue: unnameablethings: dragonsateyourtoast: redporkpadthai: dragonsateyourtoast: otherwindow: otherwindow: Th...

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epicdndmemes: Gifts of Fire and Ice The Gift of Fire to Save Us…The Gift of Fire to Awaken Us…Valinet is a gifter. She’s good with fire magic, but little does she know she is one of the most powerful gifters of the empire. Torn between the life she knows and one that she does not, Valinet and her brother Serg must decide if they will brave the dangers of the Middle Desert to seek protection in WindFall.With their lives turned upside down, they must find their own path within the empire. Pushed apart by fate, they struggle to stay connected to one another, while noble Bloodlines seek their own ambitions. Are the Bloodlines seeking Valinet? Will they seek to employ her or try to take her power? Can Serg keep himself out of the watchful eyes of the Bloodlines?Gifts of Fire and Ice is book one of the FireNight Prophecies. It brings the Fire Empire into focus just as it is starting to unravel. Noble Bloodlines seek to weaken the emperor’s grasp, pulling in Valinet, Serg, and even the emperor’s own children. They must play every hand they have to win.Links to the book (On Sale March 2, 2020):AmazonBarnes and NobleApple BooksKobo Paperback also available on Amazon and B&NHardcover available on B&N : epicdndmemes: Gifts of Fire and Ice The Gift of Fire to Save Us…The Gift of Fire to Awaken Us…Valinet is a gifter. She’s good with fire magic, but little does she know she is one of the most powerful gifters of the empire. Torn between the life she knows and one that she does not, Valinet and her brother Serg must decide if they will brave the dangers of the Middle Desert to seek protection in WindFall.With their lives turned upside down, they must find their own path within the empire. Pushed apart by fate, they struggle to stay connected to one another, while noble Bloodlines seek their own ambitions. Are the Bloodlines seeking Valinet? Will they seek to employ her or try to take her power? Can Serg keep himself out of the watchful eyes of the Bloodlines?Gifts of Fire and Ice is book one of the FireNight Prophecies. It brings the Fire Empire into focus just as it is starting to unravel. Noble Bloodlines seek to weaken the emperor’s grasp, pulling in Valinet, Serg, and even the emperor’s own children. They must play every hand they have to win.Links to the book (On Sale March 2, 2020):AmazonBarnes and NobleApple BooksKobo Paperback also available on Amazon and B&NHardcover available on B&N

epicdndmemes: Gifts of Fire and Ice The Gift of Fire to Save Us…The Gift of Fire to Awaken Us…Valinet is a gifter. She’s good with fire m...

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scifiseries: Gifts of Fire and Ice The Gift of Fire to Save Us…The Gift of Fire to Awaken Us…Valinet is a gifter. She’s good with fire magic, but little does she know she is one of the most powerful gifters of the empire. Torn between the life she knows and one that she does not, Valinet and her brother Serg must decide if they will brave the dangers of the Middle Desert to seek protection in WindFall.With their lives turned upside down, they must find their own path within the empire. Pushed apart by fate, they struggle to stay connected to one another, while noble Bloodlines seek their own ambitions. Are the Bloodlines seeking Valinet? Will they seek to employ her or try to take her power? Can Serg keep himself out of the watchful eyes of the Bloodlines?Gifts of Fire and Ice is book one of the FireNight Prophecies. It brings the Fire Empire into focus just as it is starting to unravel. Noble Bloodlines seek to weaken the emperor’s grasp, pulling in Valinet, Serg, and even the emperor’s own children. They must play every hand they have to win.Links to the book (On Sale March 2, 2020):AmazonBarnes and NobleApple BooksKobo Paperback also available on Amazon and B&NHardcover available on B&N : scifiseries: Gifts of Fire and Ice The Gift of Fire to Save Us…The Gift of Fire to Awaken Us…Valinet is a gifter. She’s good with fire magic, but little does she know she is one of the most powerful gifters of the empire. Torn between the life she knows and one that she does not, Valinet and her brother Serg must decide if they will brave the dangers of the Middle Desert to seek protection in WindFall.With their lives turned upside down, they must find their own path within the empire. Pushed apart by fate, they struggle to stay connected to one another, while noble Bloodlines seek their own ambitions. Are the Bloodlines seeking Valinet? Will they seek to employ her or try to take her power? Can Serg keep himself out of the watchful eyes of the Bloodlines?Gifts of Fire and Ice is book one of the FireNight Prophecies. It brings the Fire Empire into focus just as it is starting to unravel. Noble Bloodlines seek to weaken the emperor’s grasp, pulling in Valinet, Serg, and even the emperor’s own children. They must play every hand they have to win.Links to the book (On Sale March 2, 2020):AmazonBarnes and NobleApple BooksKobo Paperback also available on Amazon and B&NHardcover available on B&N

scifiseries: Gifts of Fire and Ice The Gift of Fire to Save Us…The Gift of Fire to Awaken Us…Valinet is a gifter. She’s good with fire...

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getaroomyouheck: something i still really love about berserk is how out of context, guts here looks like the fucking villain to some kind of shonen. clad in black armor, one eye shining in demonic rage, about to slash apart a child and elves but nope, he’s our fucking protagonist! and that heavenly, beautiful elf, is actually a disgusting murderer and even then, in a lot of cases, guts ends up as terrifying if not more than the apostles he hunts and slaughters. his sheer fucking will and lengths of depravity he’s willing to submit himself into his hunt during the black swordsman/lost children/conviction arc is one of the most interesting yet also depressing conflicts presented in berserk. he’s destroying his own humanity and blacking himself out, becoming as much of a demon as the ones he supposedly kills guts might be an amazing character, but as a person he is horrifically fucked up in many ways. yet, we always understand why he is the way he is it’s incredible storytelling @dasspaghettimonster : getaroomyouheck: something i still really love about berserk is how out of context, guts here looks like the fucking villain to some kind of shonen. clad in black armor, one eye shining in demonic rage, about to slash apart a child and elves but nope, he’s our fucking protagonist! and that heavenly, beautiful elf, is actually a disgusting murderer and even then, in a lot of cases, guts ends up as terrifying if not more than the apostles he hunts and slaughters. his sheer fucking will and lengths of depravity he’s willing to submit himself into his hunt during the black swordsman/lost children/conviction arc is one of the most interesting yet also depressing conflicts presented in berserk. he’s destroying his own humanity and blacking himself out, becoming as much of a demon as the ones he supposedly kills guts might be an amazing character, but as a person he is horrifically fucked up in many ways. yet, we always understand why he is the way he is it’s incredible storytelling @dasspaghettimonster
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animatedamerican: photos-of-space:Moon Pattern … wait, something’s not right with the caption here. That can’t be the same time each day, that’s not how moonrise times work – moonrise at the new moon and at the full moon are almost twelve hours apart.Okay, I have googled the image and found a more precise explanation: this is the calculated position of the moon at intervals of 24 hours and 41 minutes, thus capturing the way the time of moonrise drifts backward over the course of the lunar month. Further, this composite represents the 28-day cycle but actually took a year to capture, owing to weather difficulties.Still an amazing composite photo, and deserves proper credit.: animatedamerican: photos-of-space:Moon Pattern … wait, something’s not right with the caption here. That can’t be the same time each day, that’s not how moonrise times work – moonrise at the new moon and at the full moon are almost twelve hours apart.Okay, I have googled the image and found a more precise explanation: this is the calculated position of the moon at intervals of 24 hours and 41 minutes, thus capturing the way the time of moonrise drifts backward over the course of the lunar month. Further, this composite represents the 28-day cycle but actually took a year to capture, owing to weather difficulties.Still an amazing composite photo, and deserves proper credit.

animatedamerican: photos-of-space:Moon Pattern … wait, something’s not right with the caption here. That can’t be the same time each day...

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elphiethewitch: greenwire: uncommonbish: it really PISSES me off that i have to look to find out things like this. THIS IS A BIG DEALTHIS should be all over the news, especially since everyone in the mentions says they want to help but none of us know how) This remains an underreported issue, particularly in Western-based media outlets. Many of these stories are from 2017 and comparatively few stories could be found on this issue (they are published a few months apart instead of daily or weekly like stories about Mueller and Kate Middleton and whatever the president tweeted last). I am listing sources from various global sources below.  https://www.bbc.com/news/world-africa-42492687 http://time.com/5042560/libya-slave-trade/ https://www.aljazeera.com/news/2018/01/slavery-libya-life-container-180121084314393.html https://www.aljazeera.com/news/2017/11/african-refugees-bought-sold-murdered-libya-171129103602048.html https://www.npr.org/sections/parallels/2018/03/21/595497429/migrants-passing-through-libya-could-end-up-being-sold-as-slaves In case anyone was wondering… were living in a dystopian hellscape. What the actual fuck happened to “never again”!? And why the fuck are the leaders of other big world nations looking away as these gross human rights violations happen? Hell is real and we’re in it. : elphiethewitch: greenwire: uncommonbish: it really PISSES me off that i have to look to find out things like this. THIS IS A BIG DEALTHIS should be all over the news, especially since everyone in the mentions says they want to help but none of us know how) This remains an underreported issue, particularly in Western-based media outlets. Many of these stories are from 2017 and comparatively few stories could be found on this issue (they are published a few months apart instead of daily or weekly like stories about Mueller and Kate Middleton and whatever the president tweeted last). I am listing sources from various global sources below.  https://www.bbc.com/news/world-africa-42492687 http://time.com/5042560/libya-slave-trade/ https://www.aljazeera.com/news/2018/01/slavery-libya-life-container-180121084314393.html https://www.aljazeera.com/news/2017/11/african-refugees-bought-sold-murdered-libya-171129103602048.html https://www.npr.org/sections/parallels/2018/03/21/595497429/migrants-passing-through-libya-could-end-up-being-sold-as-slaves In case anyone was wondering… were living in a dystopian hellscape. What the actual fuck happened to “never again”!? And why the fuck are the leaders of other big world nations looking away as these gross human rights violations happen? Hell is real and we’re in it.
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