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arm Memes

Threes
Threes
Repeat
Repeat
Died
Died
Broken Arms
Broken Arms
Do You Want
Do You Want
comfort
comfort
hitting
hitting
stay away
stay away
skydive
skydive
swimmer
swimmer 

    
                    

                

            
        
    

    
    
    






            

            
            

                

                    
                

                

                    
                    
                    

                        


	


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                            Elon Musk shared a crude meme of a man with one extremely strong arm and made a dad joke ...
                        
                    

                    
                

            
        
    
    






    

    
    
    

        

            








        

    

    
    

        

            









    

        
        
        
        
        
        
        
    

    

        caitas-cooing:

wendell-or-something:
honestmerchantsailor:

passivity:
Would also be really annoying if they wore heat resistant gloves to throw back the hot tear gas canisters and if this got shared to all those protesting…
Would be a further shame if people started covering cameras (as seen in Hong Kong, with protestors using poles and rakes to lift cardboard boxes over security cameras), blinding drone optics with laser pointers, and flooding police-run reporting apps with junk data.
It would be a shame if the protesters noted that plainclothes cops can be identified a number of ways, such as wearing steel-toed boots; an armband or wristband of a particular color; driving white, black, or dark blue cars with concealed lights; or having the outline of cuffs visible in the back pocket or the bumps of an armor vest’s shoulder straps under their shirt.
It would be a shame if the protesters began making their signs out of inch-thick plywood to stop rubber bullets, forming a tight shield wall to prevent police from singling out and mobbing individual protesters. It would be a shame if the people behind the shield wall held up umbrellas so that tear gas canisters fired over the heads of the front line will be bounced away. It would be a shame if protesters began constructing improvised armor vests out of duct tape, hardback books, and ceramic tiles.
It would be a shame if protesters started wearing safety glasses, hard hats, respirators, and gardening gloves, all of which can be found at the same hardware stores as the plywood. It would be a shame if they started using traffic cones (the kind without the hole in the top) upside-down buckets, or other improvised lids to contain tear gas by placing them over the canisters.
It would be a shame if protesters learned that police scanners are legal to own in the US, allowing them to learn where police are moving and what routes they intend to take. It would be a shame if they discovered that these scanners can be used to send as well as receive, allowing them to flood the scanner frequencies with noise.
All this would be a terrible, terrible shame.



a word of caution about the plywood though… I just reblogged a post earlier today saying that if a rubber bullet hits that and shatters it, the splinters can put you in more danger. depending on how you’re holding it up, it can also damage your arm if you’ve strapped it on somehow, and carrying a shield can make you a target for them to shoot things at, so it might actually be safer on the whole if you don’t try to construct a shield, counter intuitive though that may seem.



It’d be a shame if I reblogged this and people read it: caitas-cooing:

wendell-or-something:
honestmerchantsailor:

passivity:
Would also be really annoying if they wore heat resistant gloves to throw back the hot tear gas canisters and if this got shared to all those protesting…
Would be a further shame if people started covering cameras (as seen in Hong Kong, with protestors using poles and rakes to lift cardboard boxes over security cameras), blinding drone optics with laser pointers, and flooding police-run reporting apps with junk data.
It would be a shame if the protesters noted that plainclothes cops can be identified a number of ways, such as wearing steel-toed boots; an armband or wristband of a particular color; driving white, black, or dark blue cars with concealed lights; or having the outline of cuffs visible in the back pocket or the bumps of an armor vest’s shoulder straps under their shirt.
It would be a shame if the protesters began making their signs out of inch-thick plywood to stop rubber bullets, forming a tight shield wall to prevent police from singling out and mobbing individual protesters. It would be a shame if the people behind the shield wall held up umbrellas so that tear gas canisters fired over the heads of the front line will be bounced away. It would be a shame if protesters began constructing improvised armor vests out of duct tape, hardback books, and ceramic tiles.
It would be a shame if protesters started wearing safety glasses, hard hats, respirators, and gardening gloves, all of which can be found at the same hardware stores as the plywood. It would be a shame if they started using traffic cones (the kind without the hole in the top) upside-down buckets, or other improvised lids to contain tear gas by placing them over the canisters.
It would be a shame if protesters learned that police scanners are legal to own in the US, allowing them to learn where police are moving and what routes they intend to take. It would be a shame if they discovered that these scanners can be used to send as well as receive, allowing them to flood the scanner frequencies with noise.
All this would be a terrible, terrible shame.



a word of caution about the plywood though… I just reblogged a post earlier today saying that if a rubber bullet hits that and shatters it, the splinters can put you in more danger. depending on how you’re holding it up, it can also damage your arm if you’ve strapped it on somehow, and carrying a shield can make you a target for them to shoot things at, so it might actually be safer on the whole if you don’t try to construct a shield, counter intuitive though that may seem.



It’d be a shame if I reblogged this and people read it
        

            
            

                
                
                    caitas-cooing:

wendell-or-something:
honestmerchantsailor:

passivity:
Would also be really annoying if they wore heat resistant gloves to throw back the hot tear gas canisters and if this got shared to all those protesting…
Would be a further shame if people started covering cameras (as seen in Hong Kong, with protestors using poles and rakes to lift cardboard boxes over security cameras), blinding drone optics with laser pointers, and flooding police-run reporting apps with junk data.
It would be a shame if the protesters noted that plainclothes cops can be identified a number of ways, such as wearing steel-toed boots; an armband or wristband of a particular color; driving white, black, or dark blue cars with concealed lights; or having the outline of cuffs visible in the back pocket or the bumps of an armor vest’s shoulder straps under their shirt.
It would be a shame if the protesters began making their signs out of inch-thick plywood to stop rubber bullets, forming a tight shield wall to prevent police from singling out and mobbing individual protesters. It would be a shame if the people behind the shield wall held up umbrellas so that tear gas canisters fired over the heads of the front line will be bounced away. It would be a shame if protesters began constructing improvised armor vests out of duct tape, hardback books, and ceramic tiles.
It would be a shame if protesters started wearing safety glasses, hard hats, respirators, and gardening gloves, all of which can be found at the same hardware stores as the plywood. It would be a shame if they started using traffic cones (the kind without the hole in the top) upside-down buckets, or other improvised lids to contain tear gas by placing them over the canisters.
It would be a shame if protesters learned that police scanners are legal to own in the US, allowing them to learn where police are moving and what routes they intend to take. It would be a shame if they discovered that these scanners can be used to send as well as receive, allowing them to flood the scanner frequencies with noise.
All this would be a terrible, terrible shame.



a word of caution about the plywood though… I just reblogged a post earlier today saying that if a rubber bullet hits that and shatters it, the splinters can put you in more danger. depending on how you’re holding it up, it can also damage your arm if you’ve strapped it on somehow, and carrying a shield can make you a target for them to shoot things at, so it might actually be safer on the whole if you don’t try to construct a shield, counter intuitive though that may seem.



It’d be a shame if I reblogged this and people read it: caitas-cooing:

wendell-or-something:
honestmerchantsailor:

passivity:
Would also be really annoying if they wore heat resistant gloves to throw back the hot tear gas canisters and if this got shared to all those protesting…
Would be a further shame if people started covering cameras (as seen in Hong Kong, with protestors using poles and rakes to lift cardboard boxes over security cameras), blinding drone optics with laser pointers, and flooding police-run reporting apps with junk data.
It would be a shame if the protesters noted that plainclothes cops can be identified a number of ways, such as wearing steel-toed boots; an armband or wristband of a particular color; driving white, black, or dark blue cars with concealed lights; or having the outline of cuffs visible in the back pocket or the bumps of an armor vest’s shoulder straps under their shirt.
It would be a shame if the protesters began making their signs out of inch-thick plywood to stop rubber bullets, forming a tight shield wall to prevent police from singling out and mobbing individual protesters. It would be a shame if the people behind the shield wall held up umbrellas so that tear gas canisters fired over the heads of the front line will be bounced away. It would be a shame if protesters began constructing improvised armor vests out of duct tape, hardback books, and ceramic tiles.
It would be a shame if protesters started wearing safety glasses, hard hats, respirators, and gardening gloves, all of which can be found at the same hardware stores as the plywood. It would be a shame if they started using traffic cones (the kind without the hole in the top) upside-down buckets, or other improvised lids to contain tear gas by placing them over the canisters.
It would be a shame if protesters learned that police scanners are legal to own in the US, allowing them to learn where police are moving and what routes they intend to take. It would be a shame if they discovered that these scanners can be used to send as well as receive, allowing them to flood the scanner frequencies with noise.
All this would be a terrible, terrible shame.



a word of caution about the plywood though… I just reblogged a post earlier today saying that if a rubber bullet hits that and shatters it, the splinters can put you in more danger. depending on how you’re holding it up, it can also damage your arm if you’ve strapped it on somehow, and carrying a shield can make you a target for them to shoot things at, so it might actually be safer on the whole if you don’t try to construct a shield, counter intuitive though that may seem.



It’d be a shame if I reblogged this and people read it
                    
                
            

            
                
                
caitas-cooing:

wendell-or-something:
honestmerchantsailor:

passivity:
Would also be really annoying if they wore heat resistant gloves...

                
            
            
        

    

    

        
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        ruxiecat121:

love-buckybarnes:


A group of people were traveling in a boat. One of them took a drill and began to drill a hole beneath himself.
His companions said to him: “Why are you doing this?” Replied the man: “What concern is it of yours? Am I not drilling under my own place?”
Said they to him: “But you will flood the boat for us all!” (Quoted in Midrash Rabbah, Vayikra 4:6).

It’s basically saying how one person’s action has a ripple affect of other people, much like the domino effect, one bad deed will affect many lives in a negative way.

There’s a saying I learned a long time ago as a child. I didn’t understand it as well then as I do now.“Your freedom to swing your arm stops the moment your arm hits my face.”
: ruxiecat121:

love-buckybarnes:


A group of people were traveling in a boat. One of them took a drill and began to drill a hole beneath himself.
His companions said to him: “Why are you doing this?” Replied the man: “What concern is it of yours? Am I not drilling under my own place?”
Said they to him: “But you will flood the boat for us all!” (Quoted in Midrash Rabbah, Vayikra 4:6).

It’s basically saying how one person’s action has a ripple affect of other people, much like the domino effect, one bad deed will affect many lives in a negative way.

There’s a saying I learned a long time ago as a child. I didn’t understand it as well then as I do now.“Your freedom to swing your arm stops the moment your arm hits my face.”

        

            
            

                
                
                    ruxiecat121:

love-buckybarnes:


A group of people were traveling in a boat. One of them took a drill and began to drill a hole beneath himself.
His companions said to him: “Why are you doing this?” Replied the man: “What concern is it of yours? Am I not drilling under my own place?”
Said they to him: “But you will flood the boat for us all!” (Quoted in Midrash Rabbah, Vayikra 4:6).

It’s basically saying how one person’s action has a ripple affect of other people, much like the domino effect, one bad deed will affect many lives in a negative way.

There’s a saying I learned a long time ago as a child. I didn’t understand it as well then as I do now.“Your freedom to swing your arm stops the moment your arm hits my face.”
: ruxiecat121:

love-buckybarnes:


A group of people were traveling in a boat. One of them took a drill and began to drill a hole beneath himself.
His companions said to him: “Why are you doing this?” Replied the man: “What concern is it of yours? Am I not drilling under my own place?”
Said they to him: “But you will flood the boat for us all!” (Quoted in Midrash Rabbah, Vayikra 4:6).

It’s basically saying how one person’s action has a ripple affect of other people, much like the domino effect, one bad deed will affect many lives in a negative way.

There’s a saying I learned a long time ago as a child. I didn’t understand it as well then as I do now.“Your freedom to swing your arm stops the moment your arm hits my face.”

                    
                
            

            
                
                
ruxiecat121:

love-buckybarnes:


A group of people were traveling in a boat. One of them took a drill and began to drill a hole beneath...

                
            
            
        

    

    

        
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        quicksillver:
rise-up-ting-ting-like-glitter:

quicksillver:
[ID two versions of the same inked drawing of the comic versions of Clint Barton and Bucky Barnes. One is colored, the other is black and white. Bucky has on a blue jacket and tac pants. He’s also wearing a belt that’s attached to a thigh holster and a shoulder holster. His right arm is draped around Clint’s shoulders. His head is tilted and he has a small smirk on his face. Clint is dressed in a tight-fitting long sleeved purple shirt with his light purple chevron on his chest. He has olive green joggers on and a hip quiver. He’s holding his right arm close to him and has a sort of shy or embarrassed look on his face. end ID]
I thought Clint’s chest chevron was a boob window in the uncoloured version XD

[ID same drawing as above except now Clint’s chevron is a titty window, like it should be. end ID]
: quicksillver:
rise-up-ting-ting-like-glitter:

quicksillver:
[ID two versions of the same inked drawing of the comic versions of Clint Barton and Bucky Barnes. One is colored, the other is black and white. Bucky has on a blue jacket and tac pants. He’s also wearing a belt that’s attached to a thigh holster and a shoulder holster. His right arm is draped around Clint’s shoulders. His head is tilted and he has a small smirk on his face. Clint is dressed in a tight-fitting long sleeved purple shirt with his light purple chevron on his chest. He has olive green joggers on and a hip quiver. He’s holding his right arm close to him and has a sort of shy or embarrassed look on his face. end ID]
I thought Clint’s chest chevron was a boob window in the uncoloured version XD

[ID same drawing as above except now Clint’s chevron is a titty window, like it should be. end ID]

        

            
            

                
                
                    quicksillver:
rise-up-ting-ting-like-glitter:

quicksillver:
[ID two versions of the same inked drawing of the comic versions of Clint Barton and Bucky Barnes. One is colored, the other is black and white. Bucky has on a blue jacket and tac pants. He’s also wearing a belt that’s attached to a thigh holster and a shoulder holster. His right arm is draped around Clint’s shoulders. His head is tilted and he has a small smirk on his face. Clint is dressed in a tight-fitting long sleeved purple shirt with his light purple chevron on his chest. He has olive green joggers on and a hip quiver. He’s holding his right arm close to him and has a sort of shy or embarrassed look on his face. end ID]
I thought Clint’s chest chevron was a boob window in the uncoloured version XD

[ID same drawing as above except now Clint’s chevron is a titty window, like it should be. end ID]
: quicksillver:
rise-up-ting-ting-like-glitter:

quicksillver:
[ID two versions of the same inked drawing of the comic versions of Clint Barton and Bucky Barnes. One is colored, the other is black and white. Bucky has on a blue jacket and tac pants. He’s also wearing a belt that’s attached to a thigh holster and a shoulder holster. His right arm is draped around Clint’s shoulders. His head is tilted and he has a small smirk on his face. Clint is dressed in a tight-fitting long sleeved purple shirt with his light purple chevron on his chest. He has olive green joggers on and a hip quiver. He’s holding his right arm close to him and has a sort of shy or embarrassed look on his face. end ID]
I thought Clint’s chest chevron was a boob window in the uncoloured version XD

[ID same drawing as above except now Clint’s chevron is a titty window, like it should be. end ID]

                    
                
            

            
            
        

    

    

        
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        legitimatelala:
a-snarling-slytherin:

satanstrousers:

sweaterkittensahoy:


leaper182:


jenovaii:


littlekiwi37-archive:


nicole-coenen:
Women Self Defense in 1947

I’m not sure what’s the best part of this video: the fact that she’s in heels, the fact that she does the whole thing looking like she don’t give a fuck, that chick in the back just exercising and enjoying the show, or the fact that both men and women are observing this and the girls are laughing and the guys look concerned/pensive as fuck as they watch all their tactics get shut down like nothing is even happening.


… msties is it just me or is this familiar?


Some of these are moves I haven’t seen before.


Some of this looks similar to the self defense I learned in a course three or four years ago. It’s definitely got some judo in it (arm bars, throws, fighting to and from the ground). I love this lady. She is rad. I feel like she, much like the rad lady I had as my self defense teacher, would also warn the women that if they don’t think they can gouge out someone’s eyes, don’t start trying because you’ll attack better with something you can follow through on.


crimelords I’m sorry I couldn’t not reblog this for you


The cheerful music makes it even better 



Exactly the music sets it off
: legitimatelala:
a-snarling-slytherin:

satanstrousers:

sweaterkittensahoy:


leaper182:


jenovaii:


littlekiwi37-archive:


nicole-coenen:
Women Self Defense in 1947

I’m not sure what’s the best part of this video: the fact that she’s in heels, the fact that she does the whole thing looking like she don’t give a fuck, that chick in the back just exercising and enjoying the show, or the fact that both men and women are observing this and the girls are laughing and the guys look concerned/pensive as fuck as they watch all their tactics get shut down like nothing is even happening.


… msties is it just me or is this familiar?


Some of these are moves I haven’t seen before.


Some of this looks similar to the self defense I learned in a course three or four years ago. It’s definitely got some judo in it (arm bars, throws, fighting to and from the ground). I love this lady. She is rad. I feel like she, much like the rad lady I had as my self defense teacher, would also warn the women that if they don’t think they can gouge out someone’s eyes, don’t start trying because you’ll attack better with something you can follow through on.


crimelords I’m sorry I couldn’t not reblog this for you


The cheerful music makes it even better 



Exactly the music sets it off

        

            
            

                
                
                    legitimatelala:
a-snarling-slytherin:

satanstrousers:

sweaterkittensahoy:


leaper182:


jenovaii:


littlekiwi37-archive:


nicole-coenen:
Women Self Defense in 1947

I’m not sure what’s the best part of this video: the fact that she’s in heels, the fact that she does the whole thing looking like she don’t give a fuck, that chick in the back just exercising and enjoying the show, or the fact that both men and women are observing this and the girls are laughing and the guys look concerned/pensive as fuck as they watch all their tactics get shut down like nothing is even happening.


… msties is it just me or is this familiar?


Some of these are moves I haven’t seen before.


Some of this looks similar to the self defense I learned in a course three or four years ago. It’s definitely got some judo in it (arm bars, throws, fighting to and from the ground). I love this lady. She is rad. I feel like she, much like the rad lady I had as my self defense teacher, would also warn the women that if they don’t think they can gouge out someone’s eyes, don’t start trying because you’ll attack better with something you can follow through on.


crimelords I’m sorry I couldn’t not reblog this for you


The cheerful music makes it even better 



Exactly the music sets it off
: legitimatelala:
a-snarling-slytherin:

satanstrousers:

sweaterkittensahoy:


leaper182:


jenovaii:


littlekiwi37-archive:


nicole-coenen:
Women Self Defense in 1947

I’m not sure what’s the best part of this video: the fact that she’s in heels, the fact that she does the whole thing looking like she don’t give a fuck, that chick in the back just exercising and enjoying the show, or the fact that both men and women are observing this and the girls are laughing and the guys look concerned/pensive as fuck as they watch all their tactics get shut down like nothing is even happening.


… msties is it just me or is this familiar?


Some of these are moves I haven’t seen before.


Some of this looks similar to the self defense I learned in a course three or four years ago. It’s definitely got some judo in it (arm bars, throws, fighting to and from the ground). I love this lady. She is rad. I feel like she, much like the rad lady I had as my self defense teacher, would also warn the women that if they don’t think they can gouge out someone’s eyes, don’t start trying because you’ll attack better with something you can follow through on.


crimelords I’m sorry I couldn’t not reblog this for you


The cheerful music makes it even better 



Exactly the music sets it off

                    
                    

                    
                
            

            
            
        

    

    

        
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        cereusblue:
unnameablethings:


dragonsateyourtoast:

redporkpadthai:

dragonsateyourtoast:

otherwindow:

otherwindow:
This is how the golden age of piracy ended.
The first mermaid to get tattoos :)


“we didn’t know any better,” the crewman says, and swallows, presenting the chest to the captain. “what do we do now?”
“kill it,” the captain says, but the ice is melting in his eyes.
“we can’t,” the first mate says desperately, praying she won’t have to fight her captain on this. “we can’t. we - i won’t. we won’t.”
“i know.”
x
“daddy,” she says, floating in a tub of seawater in the hold, “daddy, la-la, la-la-la.”
her voice rings like bells. her accent is strange; her mouth isn’t made for human words. it mesmerises even the hardiest amongst them and she wasn’t even trying. the crew has taken to diving for shellfish near the shorelines for her; she loves them, splitting the shells apart with strength seen in no human toddler, slurping down the slimy molluscs inside and laughing, all plump brown cheeks and needle-sharp teeth. she sometimes splashes them for fun with her smooth, rubbery brown tail. even when they get soaked they laugh. they love her.
“daddy,” she calls again, and he can hear the worry in her voice. the storm rocking the ship is harsh and uncaring, and if they go down, she would be the only survivor.
“don’t worry,” he says, and goes over, sitting next to the tub. the first mate, leaning against the wall, pretends not to notice as he quietly begins to sing.
x
“father,” she says, one day, as she leans on the edge of the dock and the captain sits next to her, “why am I here?”
“your mother abandoned you,” he says, as he always has. “we found you adrift, and couldn’t bear to leave you there.”
she picks at the salt-soaked boards, uncertain. her hair is pulled back in a fluffy black puff, the white linen holding it slipping almost over one of her dark eyes. one of her first tattoos, a many-limbed kraken, curls over her right shoulder and down her arm, delicate tendrils wrapped around her calloused fingertips. “alright,” she says.
x
“why am I really here?” she asks the first mate, watching the sun set over the water in streaks of liquid metal that pooled in the troughs of the waves and glittered on the seafoam.
“we didn’t know any better,” the first mate says, staring into the water. “we didn’t know- we didn’t know anything. we didn’t understand why she fought so viciously to guard her treasure. we could not know she protected something a thousand times more precious than the purest gold.”
she wants to be furious, but she can’t. she already knew the answer, from reading the guilt in her father’s eyes and the empty space in her own history. and she can’t hate her family.
“it’s alright,” she says. “i do have a family, anyways. i don’t think i would have liked my other life near as much.”
x
her kraken grows, spreading its tendrils over her torso and arms. she grows too, too large to come on board the ship without being hauled up in a boat from the water. she sings when the storms come and swims before the ship to guide it to safety. she fights off more than one beast of the seas, and gathers a set of scars across her back that she bears with pride. “i don’t mind,” she says, when the captain fusses over her, “now i match all of you.”
the first time their ship is threatened, really threatened, is by another fleet. a friend turned enemy of the first mate. “we shouldn’t fight him,” she says, peering through the spyglass.
“why not?” the mermaid asks.
“he’ll win,” the first mate says.
the mermaid tips her head sideways. Her eyes, dark as the deep waters, gleam in the noon light. “are you sure?” she asks.
x
the enemy fleet surrenders after the flagship is sunk in the night, the anchor ripped off the ship and the planks torn off the hull. the surviving crew, wild-eyed and delirious, whimper and say a sea serpent came from the water and attacked them, say it was longer than the boat and crushed it in its coils. the first mate hears this and has to hide her laughter. the captain apologizes to his daughter for doubting her.
“don’t worry,” she says, with a bright laugh, “it was fun.”
x
the second time, they are pushed by a storm into a royal fleet. they can’t possibly fight them, and they don’t have the time to escape.
“let me up,” the mermaid urges, surfacing starboard and shouting to the crew. “bring me up, quickly, quickly.”
they lower the boat and she piles her sinous form into it, and uses her claws to help the crew pull her up. once on the deck she flops out of the boat and makes her way over to the bow. the crew tries to help but she’s so heavy they can barely lift parts of her.
she crawls up out in front of the rail and wraps her long webbed tail around the prow. the figurehead has served them well so far but they need more right now. she wraps herself around the figurehead and raises her body up into the wind takes a breath of the stinging salt air and sings.
the storm carries her voice on its front to the royal navy. they are enchanted, so stunned by her song that they drop the rigging ropes and let the tillers drift. the pirates sail through the center of the fleet, trailing the storm behind them, and by the time the fleet has managed to regain its senses they are buried in wind and rain and the pirates are gone.
x
she declines guns. instead she carries a harpoon and its launcher, and uses them to board enemy ships, hauling her massive form out of the water to coil on the deck and dispatch enemies with ruthless efficiency. her family is feared across all the sea.
x
“you know we are dying,” the captain says, looking down at her.
she floats next to the ship, so massive she could hold it in her arms. her eyes are wise.
“i know,” she says, “i can feel it coming.”
the first mate stands next to the captain. she never had a lover or a child, and neither did he, but to the mermaid they are her parents. she will always love her daughter. the tattoos are graven in dark swirls across the mermaid’s deep brown skin and the flesh of her tail, even spiraling onto the spiked webbing on her spine and face. her hair is still tied back, this time with a sail that could not be patched one last time. 
“we love you,” the first mate says simply, looking down. her own tightly coiled black hair falls in to her face; she shakes the locs out of the way and smiles through her tears. the captain pretends he isnt crying either.
“i love you too,” the mermaid says, and reached up to pull the ship down just a bit, just to hold them one last time.
“guard the ship,” the captain says. “you always have but you know they’re lost without you.”
“without you,” the mermaid corrects, with a shrug that makes waves. “what will we do?”
“i don’t know,” the captain says. “but you’ll help them, won’t you?”
“of course i will,” she scoffs, rolling her eyes. “i will always protect my family.”
x
the captain and the first mate are gone. the ship has a new captain, young and fearless - of the things she can afford to disregard. she fears and loves the ocean, as all captains do. she does not fear the royal fleet. and she does not fear the mermaid.
“you know, i heard stories about you when i was a little girl,” she says, trailing her fingers in the water next to the dock.
the mermaid stares at her with one eye the size of a dinner table. “is that so?” she hums, smirking with teeth sharper than the swords of the entire navy.
“they said you could sink an entire fleet and that you had skin tougher than dragon scales,” the new captain says, grinning right back at the monster who could eat her without a moment’s hesitation. “i always thought they were telling tall tales.”
“and now?”
“they were right,” the new captain says. “how did they ever befriend you?”
the mermaid smiles, fully this time, her dark eyes gleaming under the white linen sail. “they didn’t know any better.”

She protects her family.

Hi everybody! Guess what’s being posted on AO3 now at the following link!
https://archiveofourown.org/works/22498384/chapters/53760817
That’s right! Here you go. I’ll be uploading it in some chunks, because I want to make sure I have everything I wanted edited cleanly finished, but follow the story there!




HEY GUYS GUESS WHATS BACK ON THE DASHBOARD AND BETTER THAN EVER
: cereusblue:
unnameablethings:


dragonsateyourtoast:

redporkpadthai:

dragonsateyourtoast:

otherwindow:

otherwindow:
This is how the golden age of piracy ended.
The first mermaid to get tattoos :)


“we didn’t know any better,” the crewman says, and swallows, presenting the chest to the captain. “what do we do now?”
“kill it,” the captain says, but the ice is melting in his eyes.
“we can’t,” the first mate says desperately, praying she won’t have to fight her captain on this. “we can’t. we - i won’t. we won’t.”
“i know.”
x
“daddy,” she says, floating in a tub of seawater in the hold, “daddy, la-la, la-la-la.”
her voice rings like bells. her accent is strange; her mouth isn’t made for human words. it mesmerises even the hardiest amongst them and she wasn’t even trying. the crew has taken to diving for shellfish near the shorelines for her; she loves them, splitting the shells apart with strength seen in no human toddler, slurping down the slimy molluscs inside and laughing, all plump brown cheeks and needle-sharp teeth. she sometimes splashes them for fun with her smooth, rubbery brown tail. even when they get soaked they laugh. they love her.
“daddy,” she calls again, and he can hear the worry in her voice. the storm rocking the ship is harsh and uncaring, and if they go down, she would be the only survivor.
“don’t worry,” he says, and goes over, sitting next to the tub. the first mate, leaning against the wall, pretends not to notice as he quietly begins to sing.
x
“father,” she says, one day, as she leans on the edge of the dock and the captain sits next to her, “why am I here?”
“your mother abandoned you,” he says, as he always has. “we found you adrift, and couldn’t bear to leave you there.”
she picks at the salt-soaked boards, uncertain. her hair is pulled back in a fluffy black puff, the white linen holding it slipping almost over one of her dark eyes. one of her first tattoos, a many-limbed kraken, curls over her right shoulder and down her arm, delicate tendrils wrapped around her calloused fingertips. “alright,” she says.
x
“why am I really here?” she asks the first mate, watching the sun set over the water in streaks of liquid metal that pooled in the troughs of the waves and glittered on the seafoam.
“we didn’t know any better,” the first mate says, staring into the water. “we didn’t know- we didn’t know anything. we didn’t understand why she fought so viciously to guard her treasure. we could not know she protected something a thousand times more precious than the purest gold.”
she wants to be furious, but she can’t. she already knew the answer, from reading the guilt in her father’s eyes and the empty space in her own history. and she can’t hate her family.
“it’s alright,” she says. “i do have a family, anyways. i don’t think i would have liked my other life near as much.”
x
her kraken grows, spreading its tendrils over her torso and arms. she grows too, too large to come on board the ship without being hauled up in a boat from the water. she sings when the storms come and swims before the ship to guide it to safety. she fights off more than one beast of the seas, and gathers a set of scars across her back that she bears with pride. “i don’t mind,” she says, when the captain fusses over her, “now i match all of you.”
the first time their ship is threatened, really threatened, is by another fleet. a friend turned enemy of the first mate. “we shouldn’t fight him,” she says, peering through the spyglass.
“why not?” the mermaid asks.
“he’ll win,” the first mate says.
the mermaid tips her head sideways. Her eyes, dark as the deep waters, gleam in the noon light. “are you sure?” she asks.
x
the enemy fleet surrenders after the flagship is sunk in the night, the anchor ripped off the ship and the planks torn off the hull. the surviving crew, wild-eyed and delirious, whimper and say a sea serpent came from the water and attacked them, say it was longer than the boat and crushed it in its coils. the first mate hears this and has to hide her laughter. the captain apologizes to his daughter for doubting her.
“don’t worry,” she says, with a bright laugh, “it was fun.”
x
the second time, they are pushed by a storm into a royal fleet. they can’t possibly fight them, and they don’t have the time to escape.
“let me up,” the mermaid urges, surfacing starboard and shouting to the crew. “bring me up, quickly, quickly.”
they lower the boat and she piles her sinous form into it, and uses her claws to help the crew pull her up. once on the deck she flops out of the boat and makes her way over to the bow. the crew tries to help but she’s so heavy they can barely lift parts of her.
she crawls up out in front of the rail and wraps her long webbed tail around the prow. the figurehead has served them well so far but they need more right now. she wraps herself around the figurehead and raises her body up into the wind takes a breath of the stinging salt air and sings.
the storm carries her voice on its front to the royal navy. they are enchanted, so stunned by her song that they drop the rigging ropes and let the tillers drift. the pirates sail through the center of the fleet, trailing the storm behind them, and by the time the fleet has managed to regain its senses they are buried in wind and rain and the pirates are gone.
x
she declines guns. instead she carries a harpoon and its launcher, and uses them to board enemy ships, hauling her massive form out of the water to coil on the deck and dispatch enemies with ruthless efficiency. her family is feared across all the sea.
x
“you know we are dying,” the captain says, looking down at her.
she floats next to the ship, so massive she could hold it in her arms. her eyes are wise.
“i know,” she says, “i can feel it coming.”
the first mate stands next to the captain. she never had a lover or a child, and neither did he, but to the mermaid they are her parents. she will always love her daughter. the tattoos are graven in dark swirls across the mermaid’s deep brown skin and the flesh of her tail, even spiraling onto the spiked webbing on her spine and face. her hair is still tied back, this time with a sail that could not be patched one last time. 
“we love you,” the first mate says simply, looking down. her own tightly coiled black hair falls in to her face; she shakes the locs out of the way and smiles through her tears. the captain pretends he isnt crying either.
“i love you too,” the mermaid says, and reached up to pull the ship down just a bit, just to hold them one last time.
“guard the ship,” the captain says. “you always have but you know they’re lost without you.”
“without you,” the mermaid corrects, with a shrug that makes waves. “what will we do?”
“i don’t know,” the captain says. “but you’ll help them, won’t you?”
“of course i will,” she scoffs, rolling her eyes. “i will always protect my family.”
x
the captain and the first mate are gone. the ship has a new captain, young and fearless - of the things she can afford to disregard. she fears and loves the ocean, as all captains do. she does not fear the royal fleet. and she does not fear the mermaid.
“you know, i heard stories about you when i was a little girl,” she says, trailing her fingers in the water next to the dock.
the mermaid stares at her with one eye the size of a dinner table. “is that so?” she hums, smirking with teeth sharper than the swords of the entire navy.
“they said you could sink an entire fleet and that you had skin tougher than dragon scales,” the new captain says, grinning right back at the monster who could eat her without a moment’s hesitation. “i always thought they were telling tall tales.”
“and now?”
“they were right,” the new captain says. “how did they ever befriend you?”
the mermaid smiles, fully this time, her dark eyes gleaming under the white linen sail. “they didn’t know any better.”

She protects her family.

Hi everybody! Guess what’s being posted on AO3 now at the following link!
https://archiveofourown.org/works/22498384/chapters/53760817
That’s right! Here you go. I’ll be uploading it in some chunks, because I want to make sure I have everything I wanted edited cleanly finished, but follow the story there!




HEY GUYS GUESS WHATS BACK ON THE DASHBOARD AND BETTER THAN EVER

        

            
            

                
                
                    cereusblue:
unnameablethings:


dragonsateyourtoast:

redporkpadthai:

dragonsateyourtoast:

otherwindow:

otherwindow:
This is how the golden age of piracy ended.
The first mermaid to get tattoos :)


“we didn’t know any better,” the crewman says, and swallows, presenting the chest to the captain. “what do we do now?”
“kill it,” the captain says, but the ice is melting in his eyes.
“we can’t,” the first mate says desperately, praying she won’t have to fight her captain on this. “we can’t. we - i won’t. we won’t.”
“i know.”
x
“daddy,” she says, floating in a tub of seawater in the hold, “daddy, la-la, la-la-la.”
her voice rings like bells. her accent is strange; her mouth isn’t made for human words. it mesmerises even the hardiest amongst them and she wasn’t even trying. the crew has taken to diving for shellfish near the shorelines for her; she loves them, splitting the shells apart with strength seen in no human toddler, slurping down the slimy molluscs inside and laughing, all plump brown cheeks and needle-sharp teeth. she sometimes splashes them for fun with her smooth, rubbery brown tail. even when they get soaked they laugh. they love her.
“daddy,” she calls again, and he can hear the worry in her voice. the storm rocking the ship is harsh and uncaring, and if they go down, she would be the only survivor.
“don’t worry,” he says, and goes over, sitting next to the tub. the first mate, leaning against the wall, pretends not to notice as he quietly begins to sing.
x
“father,” she says, one day, as she leans on the edge of the dock and the captain sits next to her, “why am I here?”
“your mother abandoned you,” he says, as he always has. “we found you adrift, and couldn’t bear to leave you there.”
she picks at the salt-soaked boards, uncertain. her hair is pulled back in a fluffy black puff, the white linen holding it slipping almost over one of her dark eyes. one of her first tattoos, a many-limbed kraken, curls over her right shoulder and down her arm, delicate tendrils wrapped around her calloused fingertips. “alright,” she says.
x
“why am I really here?” she asks the first mate, watching the sun set over the water in streaks of liquid metal that pooled in the troughs of the waves and glittered on the seafoam.
“we didn’t know any better,” the first mate says, staring into the water. “we didn’t know- we didn’t know anything. we didn’t understand why she fought so viciously to guard her treasure. we could not know she protected something a thousand times more precious than the purest gold.”
she wants to be furious, but she can’t. she already knew the answer, from reading the guilt in her father’s eyes and the empty space in her own history. and she can’t hate her family.
“it’s alright,” she says. “i do have a family, anyways. i don’t think i would have liked my other life near as much.”
x
her kraken grows, spreading its tendrils over her torso and arms. she grows too, too large to come on board the ship without being hauled up in a boat from the water. she sings when the storms come and swims before the ship to guide it to safety. she fights off more than one beast of the seas, and gathers a set of scars across her back that she bears with pride. “i don’t mind,” she says, when the captain fusses over her, “now i match all of you.”
the first time their ship is threatened, really threatened, is by another fleet. a friend turned enemy of the first mate. “we shouldn’t fight him,” she says, peering through the spyglass.
“why not?” the mermaid asks.
“he’ll win,” the first mate says.
the mermaid tips her head sideways. Her eyes, dark as the deep waters, gleam in the noon light. “are you sure?” she asks.
x
the enemy fleet surrenders after the flagship is sunk in the night, the anchor ripped off the ship and the planks torn off the hull. the surviving crew, wild-eyed and delirious, whimper and say a sea serpent came from the water and attacked them, say it was longer than the boat and crushed it in its coils. the first mate hears this and has to hide her laughter. the captain apologizes to his daughter for doubting her.
“don’t worry,” she says, with a bright laugh, “it was fun.”
x
the second time, they are pushed by a storm into a royal fleet. they can’t possibly fight them, and they don’t have the time to escape.
“let me up,” the mermaid urges, surfacing starboard and shouting to the crew. “bring me up, quickly, quickly.”
they lower the boat and she piles her sinous form into it, and uses her claws to help the crew pull her up. once on the deck she flops out of the boat and makes her way over to the bow. the crew tries to help but she’s so heavy they can barely lift parts of her.
she crawls up out in front of the rail and wraps her long webbed tail around the prow. the figurehead has served them well so far but they need more right now. she wraps herself around the figurehead and raises her body up into the wind takes a breath of the stinging salt air and sings.
the storm carries her voice on its front to the royal navy. they are enchanted, so stunned by her song that they drop the rigging ropes and let the tillers drift. the pirates sail through the center of the fleet, trailing the storm behind them, and by the time the fleet has managed to regain its senses they are buried in wind and rain and the pirates are gone.
x
she declines guns. instead she carries a harpoon and its launcher, and uses them to board enemy ships, hauling her massive form out of the water to coil on the deck and dispatch enemies with ruthless efficiency. her family is feared across all the sea.
x
“you know we are dying,” the captain says, looking down at her.
she floats next to the ship, so massive she could hold it in her arms. her eyes are wise.
“i know,” she says, “i can feel it coming.”
the first mate stands next to the captain. she never had a lover or a child, and neither did he, but to the mermaid they are her parents. she will always love her daughter. the tattoos are graven in dark swirls across the mermaid’s deep brown skin and the flesh of her tail, even spiraling onto the spiked webbing on her spine and face. her hair is still tied back, this time with a sail that could not be patched one last time. 
“we love you,” the first mate says simply, looking down. her own tightly coiled black hair falls in to her face; she shakes the locs out of the way and smiles through her tears. the captain pretends he isnt crying either.
“i love you too,” the mermaid says, and reached up to pull the ship down just a bit, just to hold them one last time.
“guard the ship,” the captain says. “you always have but you know they’re lost without you.”
“without you,” the mermaid corrects, with a shrug that makes waves. “what will we do?”
“i don’t know,” the captain says. “but you’ll help them, won’t you?”
“of course i will,” she scoffs, rolling her eyes. “i will always protect my family.”
x
the captain and the first mate are gone. the ship has a new captain, young and fearless - of the things she can afford to disregard. she fears and loves the ocean, as all captains do. she does not fear the royal fleet. and she does not fear the mermaid.
“you know, i heard stories about you when i was a little girl,” she says, trailing her fingers in the water next to the dock.
the mermaid stares at her with one eye the size of a dinner table. “is that so?” she hums, smirking with teeth sharper than the swords of the entire navy.
“they said you could sink an entire fleet and that you had skin tougher than dragon scales,” the new captain says, grinning right back at the monster who could eat her without a moment’s hesitation. “i always thought they were telling tall tales.”
“and now?”
“they were right,” the new captain says. “how did they ever befriend you?”
the mermaid smiles, fully this time, her dark eyes gleaming under the white linen sail. “they didn’t know any better.”

She protects her family.

Hi everybody! Guess what’s being posted on AO3 now at the following link!
https://archiveofourown.org/works/22498384/chapters/53760817
That’s right! Here you go. I’ll be uploading it in some chunks, because I want to make sure I have everything I wanted edited cleanly finished, but follow the story there!




HEY GUYS GUESS WHATS BACK ON THE DASHBOARD AND BETTER THAN EVER
: cereusblue:
unnameablethings:


dragonsateyourtoast:

redporkpadthai:

dragonsateyourtoast:

otherwindow:

otherwindow:
This is how the golden age of piracy ended.
The first mermaid to get tattoos :)


“we didn’t know any better,” the crewman says, and swallows, presenting the chest to the captain. “what do we do now?”
“kill it,” the captain says, but the ice is melting in his eyes.
“we can’t,” the first mate says desperately, praying she won’t have to fight her captain on this. “we can’t. we - i won’t. we won’t.”
“i know.”
x
“daddy,” she says, floating in a tub of seawater in the hold, “daddy, la-la, la-la-la.”
her voice rings like bells. her accent is strange; her mouth isn’t made for human words. it mesmerises even the hardiest amongst them and she wasn’t even trying. the crew has taken to diving for shellfish near the shorelines for her; she loves them, splitting the shells apart with strength seen in no human toddler, slurping down the slimy molluscs inside and laughing, all plump brown cheeks and needle-sharp teeth. she sometimes splashes them for fun with her smooth, rubbery brown tail. even when they get soaked they laugh. they love her.
“daddy,” she calls again, and he can hear the worry in her voice. the storm rocking the ship is harsh and uncaring, and if they go down, she would be the only survivor.
“don’t worry,” he says, and goes over, sitting next to the tub. the first mate, leaning against the wall, pretends not to notice as he quietly begins to sing.
x
“father,” she says, one day, as she leans on the edge of the dock and the captain sits next to her, “why am I here?”
“your mother abandoned you,” he says, as he always has. “we found you adrift, and couldn’t bear to leave you there.”
she picks at the salt-soaked boards, uncertain. her hair is pulled back in a fluffy black puff, the white linen holding it slipping almost over one of her dark eyes. one of her first tattoos, a many-limbed kraken, curls over her right shoulder and down her arm, delicate tendrils wrapped around her calloused fingertips. “alright,” she says.
x
“why am I really here?” she asks the first mate, watching the sun set over the water in streaks of liquid metal that pooled in the troughs of the waves and glittered on the seafoam.
“we didn’t know any better,” the first mate says, staring into the water. “we didn’t know- we didn’t know anything. we didn’t understand why she fought so viciously to guard her treasure. we could not know she protected something a thousand times more precious than the purest gold.”
she wants to be furious, but she can’t. she already knew the answer, from reading the guilt in her father’s eyes and the empty space in her own history. and she can’t hate her family.
“it’s alright,” she says. “i do have a family, anyways. i don’t think i would have liked my other life near as much.”
x
her kraken grows, spreading its tendrils over her torso and arms. she grows too, too large to come on board the ship without being hauled up in a boat from the water. she sings when the storms come and swims before the ship to guide it to safety. she fights off more than one beast of the seas, and gathers a set of scars across her back that she bears with pride. “i don’t mind,” she says, when the captain fusses over her, “now i match all of you.”
the first time their ship is threatened, really threatened, is by another fleet. a friend turned enemy of the first mate. “we shouldn’t fight him,” she says, peering through the spyglass.
“why not?” the mermaid asks.
“he’ll win,” the first mate says.
the mermaid tips her head sideways. Her eyes, dark as the deep waters, gleam in the noon light. “are you sure?” she asks.
x
the enemy fleet surrenders after the flagship is sunk in the night, the anchor ripped off the ship and the planks torn off the hull. the surviving crew, wild-eyed and delirious, whimper and say a sea serpent came from the water and attacked them, say it was longer than the boat and crushed it in its coils. the first mate hears this and has to hide her laughter. the captain apologizes to his daughter for doubting her.
“don’t worry,” she says, with a bright laugh, “it was fun.”
x
the second time, they are pushed by a storm into a royal fleet. they can’t possibly fight them, and they don’t have the time to escape.
“let me up,” the mermaid urges, surfacing starboard and shouting to the crew. “bring me up, quickly, quickly.”
they lower the boat and she piles her sinous form into it, and uses her claws to help the crew pull her up. once on the deck she flops out of the boat and makes her way over to the bow. the crew tries to help but she’s so heavy they can barely lift parts of her.
she crawls up out in front of the rail and wraps her long webbed tail around the prow. the figurehead has served them well so far but they need more right now. she wraps herself around the figurehead and raises her body up into the wind takes a breath of the stinging salt air and sings.
the storm carries her voice on its front to the royal navy. they are enchanted, so stunned by her song that they drop the rigging ropes and let the tillers drift. the pirates sail through the center of the fleet, trailing the storm behind them, and by the time the fleet has managed to regain its senses they are buried in wind and rain and the pirates are gone.
x
she declines guns. instead she carries a harpoon and its launcher, and uses them to board enemy ships, hauling her massive form out of the water to coil on the deck and dispatch enemies with ruthless efficiency. her family is feared across all the sea.
x
“you know we are dying,” the captain says, looking down at her.
she floats next to the ship, so massive she could hold it in her arms. her eyes are wise.
“i know,” she says, “i can feel it coming.”
the first mate stands next to the captain. she never had a lover or a child, and neither did he, but to the mermaid they are her parents. she will always love her daughter. the tattoos are graven in dark swirls across the mermaid’s deep brown skin and the flesh of her tail, even spiraling onto the spiked webbing on her spine and face. her hair is still tied back, this time with a sail that could not be patched one last time. 
“we love you,” the first mate says simply, looking down. her own tightly coiled black hair falls in to her face; she shakes the locs out of the way and smiles through her tears. the captain pretends he isnt crying either.
“i love you too,” the mermaid says, and reached up to pull the ship down just a bit, just to hold them one last time.
“guard the ship,” the captain says. “you always have but you know they’re lost without you.”
“without you,” the mermaid corrects, with a shrug that makes waves. “what will we do?”
“i don’t know,” the captain says. “but you’ll help them, won’t you?”
“of course i will,” she scoffs, rolling her eyes. “i will always protect my family.”
x
the captain and the first mate are gone. the ship has a new captain, young and fearless - of the things she can afford to disregard. she fears and loves the ocean, as all captains do. she does not fear the royal fleet. and she does not fear the mermaid.
“you know, i heard stories about you when i was a little girl,” she says, trailing her fingers in the water next to the dock.
the mermaid stares at her with one eye the size of a dinner table. “is that so?” she hums, smirking with teeth sharper than the swords of the entire navy.
“they said you could sink an entire fleet and that you had skin tougher than dragon scales,” the new captain says, grinning right back at the monster who could eat her without a moment’s hesitation. “i always thought they were telling tall tales.”
“and now?”
“they were right,” the new captain says. “how did they ever befriend you?”
the mermaid smiles, fully this time, her dark eyes gleaming under the white linen sail. “they didn’t know any better.”

She protects her family.

Hi everybody! Guess what’s being posted on AO3 now at the following link!
https://archiveofourown.org/works/22498384/chapters/53760817
That’s right! Here you go. I’ll be uploading it in some chunks, because I want to make sure I have everything I wanted edited cleanly finished, but follow the story there!




HEY GUYS GUESS WHATS BACK ON THE DASHBOARD AND BETTER THAN EVER

                    
                
            

            
                
                
cereusblue:
unnameablethings:


dragonsateyourtoast:

redporkpadthai:

dragonsateyourtoast:

otherwindow:

otherwindow:
This is how the g...

                
            
            
        

    

    

        
Save

    



        

    

    
    

        

            








        

    

    
    

        

            








        

    

    
    

        

            








        

    

    
    

        

            









    

        
        
        
        
        
        
        
    

    

        a-snarling-slytherin:

satanstrousers:

sweaterkittensahoy:


leaper182:


jenovaii:


littlekiwi37-archive:


nicole-coenen:
Women Self Defense in 1947

I’m not sure what’s the best part of this video: the fact that she’s in heels, the fact that she does the whole thing looking like she don’t give a fuck, that chick in the back just exercising and enjoying the show, or the fact that both men and women are observing this and the girls are laughing and the guys look concerned/pensive as fuck as they watch all their tactics get shut down like nothing is even happening.


… msties is it just me or is this familiar?


Some of these are moves I haven’t seen before.


Some of this looks similar to the self defense I learned in a course three or four years ago. It’s definitely got some judo in it (arm bars, throws, fighting to and from the ground). I love this lady. She is rad. I feel like she, much like the rad lady I had as my self defense teacher, would also warn the women that if they don’t think they can gouge out someone’s eyes, don’t start trying because you’ll attack better with something you can follow through on.


crimelords I’m sorry I couldn’t not reblog this for you


The cheerful music makes it even better 
: a-snarling-slytherin:

satanstrousers:

sweaterkittensahoy:


leaper182:


jenovaii:


littlekiwi37-archive:


nicole-coenen:
Women Self Defense in 1947

I’m not sure what’s the best part of this video: the fact that she’s in heels, the fact that she does the whole thing looking like she don’t give a fuck, that chick in the back just exercising and enjoying the show, or the fact that both men and women are observing this and the girls are laughing and the guys look concerned/pensive as fuck as they watch all their tactics get shut down like nothing is even happening.


… msties is it just me or is this familiar?


Some of these are moves I haven’t seen before.


Some of this looks similar to the self defense I learned in a course three or four years ago. It’s definitely got some judo in it (arm bars, throws, fighting to and from the ground). I love this lady. She is rad. I feel like she, much like the rad lady I had as my self defense teacher, would also warn the women that if they don’t think they can gouge out someone’s eyes, don’t start trying because you’ll attack better with something you can follow through on.


crimelords I’m sorry I couldn’t not reblog this for you


The cheerful music makes it even better 

        

            
            

                
                
                    a-snarling-slytherin:

satanstrousers:

sweaterkittensahoy:


leaper182:


jenovaii:


littlekiwi37-archive:


nicole-coenen:
Women Self Defense in 1947

I’m not sure what’s the best part of this video: the fact that she’s in heels, the fact that she does the whole thing looking like she don’t give a fuck, that chick in the back just exercising and enjoying the show, or the fact that both men and women are observing this and the girls are laughing and the guys look concerned/pensive as fuck as they watch all their tactics get shut down like nothing is even happening.


… msties is it just me or is this familiar?


Some of these are moves I haven’t seen before.


Some of this looks similar to the self defense I learned in a course three or four years ago. It’s definitely got some judo in it (arm bars, throws, fighting to and from the ground). I love this lady. She is rad. I feel like she, much like the rad lady I had as my self defense teacher, would also warn the women that if they don’t think they can gouge out someone’s eyes, don’t start trying because you’ll attack better with something you can follow through on.


crimelords I’m sorry I couldn’t not reblog this for you


The cheerful music makes it even better 
: a-snarling-slytherin:

satanstrousers:

sweaterkittensahoy:


leaper182:


jenovaii:


littlekiwi37-archive:


nicole-coenen:
Women Self Defense in 1947

I’m not sure what’s the best part of this video: the fact that she’s in heels, the fact that she does the whole thing looking like she don’t give a fuck, that chick in the back just exercising and enjoying the show, or the fact that both men and women are observing this and the girls are laughing and the guys look concerned/pensive as fuck as they watch all their tactics get shut down like nothing is even happening.


… msties is it just me or is this familiar?


Some of these are moves I haven’t seen before.


Some of this looks similar to the self defense I learned in a course three or four years ago. It’s definitely got some judo in it (arm bars, throws, fighting to and from the ground). I love this lady. She is rad. I feel like she, much like the rad lady I had as my self defense teacher, would also warn the women that if they don’t think they can gouge out someone’s eyes, don’t start trying because you’ll attack better with something you can follow through on.


crimelords I’m sorry I couldn’t not reblog this for you


The cheerful music makes it even better 

                    
                    

                    
                
            

            
            
        

    

    

        
Save

    



        

    

    
    

        

            








        

    

    
    

        

            








        

    

    
    

        

            









    

        
        
        
        
        
        
        
    

    

        ironwoman359:
cereusblue:

unnameablethings:


dragonsateyourtoast:

redporkpadthai:

dragonsateyourtoast:

otherwindow:

otherwindow:
This is how the golden age of piracy ended.
The first mermaid to get tattoos :)


“we didn’t know any better,” the crewman says, and swallows, presenting the chest to the captain. “what do we do now?”
“kill it,” the captain says, but the ice is melting in his eyes.
“we can’t,” the first mate says desperately, praying she won’t have to fight her captain on this. “we can’t. we - i won’t. we won’t.”
“i know.”
x
“daddy,” she says, floating in a tub of seawater in the hold, “daddy, la-la, la-la-la.”
her voice rings like bells. her accent is strange; her mouth isn’t made for human words. it mesmerises even the hardiest amongst them and she wasn’t even trying. the crew has taken to diving for shellfish near the shorelines for her; she loves them, splitting the shells apart with strength seen in no human toddler, slurping down the slimy molluscs inside and laughing, all plump brown cheeks and needle-sharp teeth. she sometimes splashes them for fun with her smooth, rubbery brown tail. even when they get soaked they laugh. they love her.
“daddy,” she calls again, and he can hear the worry in her voice. the storm rocking the ship is harsh and uncaring, and if they go down, she would be the only survivor.
“don’t worry,” he says, and goes over, sitting next to the tub. the first mate, leaning against the wall, pretends not to notice as he quietly begins to sing.
x
“father,” she says, one day, as she leans on the edge of the dock and the captain sits next to her, “why am I here?”
“your mother abandoned you,” he says, as he always has. “we found you adrift, and couldn’t bear to leave you there.”
she picks at the salt-soaked boards, uncertain. her hair is pulled back in a fluffy black puff, the white linen holding it slipping almost over one of her dark eyes. one of her first tattoos, a many-limbed kraken, curls over her right shoulder and down her arm, delicate tendrils wrapped around her calloused fingertips. “alright,” she says.
x
“why am I really here?” she asks the first mate, watching the sun set over the water in streaks of liquid metal that pooled in the troughs of the waves and glittered on the seafoam.
“we didn’t know any better,” the first mate says, staring into the water. “we didn’t know- we didn’t know anything. we didn’t understand why she fought so viciously to guard her treasure. we could not know she protected something a thousand times more precious than the purest gold.”
she wants to be furious, but she can’t. she already knew the answer, from reading the guilt in her father’s eyes and the empty space in her own history. and she can’t hate her family.
“it’s alright,” she says. “i do have a family, anyways. i don’t think i would have liked my other life near as much.”
x
her kraken grows, spreading its tendrils over her torso and arms. she grows too, too large to come on board the ship without being hauled up in a boat from the water. she sings when the storms come and swims before the ship to guide it to safety. she fights off more than one beast of the seas, and gathers a set of scars across her back that she bears with pride. “i don’t mind,” she says, when the captain fusses over her, “now i match all of you.”
the first time their ship is threatened, really threatened, is by another fleet. a friend turned enemy of the first mate. “we shouldn’t fight him,” she says, peering through the spyglass.
“why not?” the mermaid asks.
“he’ll win,” the first mate says.
the mermaid tips her head sideways. Her eyes, dark as the deep waters, gleam in the noon light. “are you sure?” she asks.
x
the enemy fleet surrenders after the flagship is sunk in the night, the anchor ripped off the ship and the planks torn off the hull. the surviving crew, wild-eyed and delirious, whimper and say a sea serpent came from the water and attacked them, say it was longer than the boat and crushed it in its coils. the first mate hears this and has to hide her laughter. the captain apologizes to his daughter for doubting her.
“don’t worry,” she says, with a bright laugh, “it was fun.”
x
the second time, they are pushed by a storm into a royal fleet. they can’t possibly fight them, and they don’t have the time to escape.
“let me up,” the mermaid urges, surfacing starboard and shouting to the crew. “bring me up, quickly, quickly.”
they lower the boat and she piles her sinous form into it, and uses her claws to help the crew pull her up. once on the deck she flops out of the boat and makes her way over to the bow. the crew tries to help but she’s so heavy they can barely lift parts of her.
she crawls up out in front of the rail and wraps her long webbed tail around the prow. the figurehead has served them well so far but they need more right now. she wraps herself around the figurehead and raises her body up into the wind takes a breath of the stinging salt air and sings.
the storm carries her voice on its front to the royal navy. they are enchanted, so stunned by her song that they drop the rigging ropes and let the tillers drift. the pirates sail through the center of the fleet, trailing the storm behind them, and by the time the fleet has managed to regain its senses they are buried in wind and rain and the pirates are gone.
x
she declines guns. instead she carries a harpoon and its launcher, and uses them to board enemy ships, hauling her massive form out of the water to coil on the deck and dispatch enemies with ruthless efficiency. her family is feared across all the sea.
x
“you know we are dying,” the captain says, looking down at her.
she floats next to the ship, so massive she could hold it in her arms. her eyes are wise.
“i know,” she says, “i can feel it coming.”
the first mate stands next to the captain. she never had a lover or a child, and neither did he, but to the mermaid they are her parents. she will always love her daughter. the tattoos are graven in dark swirls across the mermaid’s deep brown skin and the flesh of her tail, even spiraling onto the spiked webbing on her spine and face. her hair is still tied back, this time with a sail that could not be patched one last time. 
“we love you,” the first mate says simply, looking down. her own tightly coiled black hair falls in to her face; she shakes the locs out of the way and smiles through her tears. the captain pretends he isnt crying either.
“i love you too,” the mermaid says, and reached up to pull the ship down just a bit, just to hold them one last time.
“guard the ship,” the captain says. “you always have but you know they’re lost without you.”
“without you,” the mermaid corrects, with a shrug that makes waves. “what will we do?”
“i don’t know,” the captain says. “but you’ll help them, won’t you?”
“of course i will,” she scoffs, rolling her eyes. “i will always protect my family.”
x
the captain and the first mate are gone. the ship has a new captain, young and fearless - of the things she can afford to disregard. she fears and loves the ocean, as all captains do. she does not fear the royal fleet. and she does not fear the mermaid.
“you know, i heard stories about you when i was a little girl,” she says, trailing her fingers in the water next to the dock.
the mermaid stares at her with one eye the size of a dinner table. “is that so?” she hums, smirking with teeth sharper than the swords of the entire navy.
“they said you could sink an entire fleet and that you had skin tougher than dragon scales,” the new captain says, grinning right back at the monster who could eat her without a moment’s hesitation. “i always thought they were telling tall tales.”
“and now?”
“they were right,” the new captain says. “how did they ever befriend you?”
the mermaid smiles, fully this time, her dark eyes gleaming under the white linen sail. “they didn’t know any better.”

She protects her family.

Hi everybody! Guess what’s being posted on AO3 now at the following link!
https://archiveofourown.org/works/22498384/chapters/53760817
That’s right! Here you go. I’ll be uploading it in some chunks, because I want to make sure I have everything I wanted edited cleanly finished, but follow the story there!




HEY GUYS GUESS WHATS BACK ON THE DASHBOARD AND BETTER THAN EVER



I love this
: ironwoman359:
cereusblue:

unnameablethings:


dragonsateyourtoast:

redporkpadthai:

dragonsateyourtoast:

otherwindow:

otherwindow:
This is how the golden age of piracy ended.
The first mermaid to get tattoos :)


“we didn’t know any better,” the crewman says, and swallows, presenting the chest to the captain. “what do we do now?”
“kill it,” the captain says, but the ice is melting in his eyes.
“we can’t,” the first mate says desperately, praying she won’t have to fight her captain on this. “we can’t. we - i won’t. we won’t.”
“i know.”
x
“daddy,” she says, floating in a tub of seawater in the hold, “daddy, la-la, la-la-la.”
her voice rings like bells. her accent is strange; her mouth isn’t made for human words. it mesmerises even the hardiest amongst them and she wasn’t even trying. the crew has taken to diving for shellfish near the shorelines for her; she loves them, splitting the shells apart with strength seen in no human toddler, slurping down the slimy molluscs inside and laughing, all plump brown cheeks and needle-sharp teeth. she sometimes splashes them for fun with her smooth, rubbery brown tail. even when they get soaked they laugh. they love her.
“daddy,” she calls again, and he can hear the worry in her voice. the storm rocking the ship is harsh and uncaring, and if they go down, she would be the only survivor.
“don’t worry,” he says, and goes over, sitting next to the tub. the first mate, leaning against the wall, pretends not to notice as he quietly begins to sing.
x
“father,” she says, one day, as she leans on the edge of the dock and the captain sits next to her, “why am I here?”
“your mother abandoned you,” he says, as he always has. “we found you adrift, and couldn’t bear to leave you there.”
she picks at the salt-soaked boards, uncertain. her hair is pulled back in a fluffy black puff, the white linen holding it slipping almost over one of her dark eyes. one of her first tattoos, a many-limbed kraken, curls over her right shoulder and down her arm, delicate tendrils wrapped around her calloused fingertips. “alright,” she says.
x
“why am I really here?” she asks the first mate, watching the sun set over the water in streaks of liquid metal that pooled in the troughs of the waves and glittered on the seafoam.
“we didn’t know any better,” the first mate says, staring into the water. “we didn’t know- we didn’t know anything. we didn’t understand why she fought so viciously to guard her treasure. we could not know she protected something a thousand times more precious than the purest gold.”
she wants to be furious, but she can’t. she already knew the answer, from reading the guilt in her father’s eyes and the empty space in her own history. and she can’t hate her family.
“it’s alright,” she says. “i do have a family, anyways. i don’t think i would have liked my other life near as much.”
x
her kraken grows, spreading its tendrils over her torso and arms. she grows too, too large to come on board the ship without being hauled up in a boat from the water. she sings when the storms come and swims before the ship to guide it to safety. she fights off more than one beast of the seas, and gathers a set of scars across her back that she bears with pride. “i don’t mind,” she says, when the captain fusses over her, “now i match all of you.”
the first time their ship is threatened, really threatened, is by another fleet. a friend turned enemy of the first mate. “we shouldn’t fight him,” she says, peering through the spyglass.
“why not?” the mermaid asks.
“he’ll win,” the first mate says.
the mermaid tips her head sideways. Her eyes, dark as the deep waters, gleam in the noon light. “are you sure?” she asks.
x
the enemy fleet surrenders after the flagship is sunk in the night, the anchor ripped off the ship and the planks torn off the hull. the surviving crew, wild-eyed and delirious, whimper and say a sea serpent came from the water and attacked them, say it was longer than the boat and crushed it in its coils. the first mate hears this and has to hide her laughter. the captain apologizes to his daughter for doubting her.
“don’t worry,” she says, with a bright laugh, “it was fun.”
x
the second time, they are pushed by a storm into a royal fleet. they can’t possibly fight them, and they don’t have the time to escape.
“let me up,” the mermaid urges, surfacing starboard and shouting to the crew. “bring me up, quickly, quickly.”
they lower the boat and she piles her sinous form into it, and uses her claws to help the crew pull her up. once on the deck she flops out of the boat and makes her way over to the bow. the crew tries to help but she’s so heavy they can barely lift parts of her.
she crawls up out in front of the rail and wraps her long webbed tail around the prow. the figurehead has served them well so far but they need more right now. she wraps herself around the figurehead and raises her body up into the wind takes a breath of the stinging salt air and sings.
the storm carries her voice on its front to the royal navy. they are enchanted, so stunned by her song that they drop the rigging ropes and let the tillers drift. the pirates sail through the center of the fleet, trailing the storm behind them, and by the time the fleet has managed to regain its senses they are buried in wind and rain and the pirates are gone.
x
she declines guns. instead she carries a harpoon and its launcher, and uses them to board enemy ships, hauling her massive form out of the water to coil on the deck and dispatch enemies with ruthless efficiency. her family is feared across all the sea.
x
“you know we are dying,” the captain says, looking down at her.
she floats next to the ship, so massive she could hold it in her arms. her eyes are wise.
“i know,” she says, “i can feel it coming.”
the first mate stands next to the captain. she never had a lover or a child, and neither did he, but to the mermaid they are her parents. she will always love her daughter. the tattoos are graven in dark swirls across the mermaid’s deep brown skin and the flesh of her tail, even spiraling onto the spiked webbing on her spine and face. her hair is still tied back, this time with a sail that could not be patched one last time. 
“we love you,” the first mate says simply, looking down. her own tightly coiled black hair falls in to her face; she shakes the locs out of the way and smiles through her tears. the captain pretends he isnt crying either.
“i love you too,” the mermaid says, and reached up to pull the ship down just a bit, just to hold them one last time.
“guard the ship,” the captain says. “you always have but you know they’re lost without you.”
“without you,” the mermaid corrects, with a shrug that makes waves. “what will we do?”
“i don’t know,” the captain says. “but you’ll help them, won’t you?”
“of course i will,” she scoffs, rolling her eyes. “i will always protect my family.”
x
the captain and the first mate are gone. the ship has a new captain, young and fearless - of the things she can afford to disregard. she fears and loves the ocean, as all captains do. she does not fear the royal fleet. and she does not fear the mermaid.
“you know, i heard stories about you when i was a little girl,” she says, trailing her fingers in the water next to the dock.
the mermaid stares at her with one eye the size of a dinner table. “is that so?” she hums, smirking with teeth sharper than the swords of the entire navy.
“they said you could sink an entire fleet and that you had skin tougher than dragon scales,” the new captain says, grinning right back at the monster who could eat her without a moment’s hesitation. “i always thought they were telling tall tales.”
“and now?”
“they were right,” the new captain says. “how did they ever befriend you?”
the mermaid smiles, fully this time, her dark eyes gleaming under the white linen sail. “they didn’t know any better.”

She protects her family.

Hi everybody! Guess what’s being posted on AO3 now at the following link!
https://archiveofourown.org/works/22498384/chapters/53760817
That’s right! Here you go. I’ll be uploading it in some chunks, because I want to make sure I have everything I wanted edited cleanly finished, but follow the story there!




HEY GUYS GUESS WHATS BACK ON THE DASHBOARD AND BETTER THAN EVER



I love this

        

            
            

                
                
                    ironwoman359:
cereusblue:

unnameablethings:


dragonsateyourtoast:

redporkpadthai:

dragonsateyourtoast:

otherwindow:

otherwindow:
This is how the golden age of piracy ended.
The first mermaid to get tattoos :)


“we didn’t know any better,” the crewman says, and swallows, presenting the chest to the captain. “what do we do now?”
“kill it,” the captain says, but the ice is melting in his eyes.
“we can’t,” the first mate says desperately, praying she won’t have to fight her captain on this. “we can’t. we - i won’t. we won’t.”
“i know.”
x
“daddy,” she says, floating in a tub of seawater in the hold, “daddy, la-la, la-la-la.”
her voice rings like bells. her accent is strange; her mouth isn’t made for human words. it mesmerises even the hardiest amongst them and she wasn’t even trying. the crew has taken to diving for shellfish near the shorelines for her; she loves them, splitting the shells apart with strength seen in no human toddler, slurping down the slimy molluscs inside and laughing, all plump brown cheeks and needle-sharp teeth. she sometimes splashes them for fun with her smooth, rubbery brown tail. even when they get soaked they laugh. they love her.
“daddy,” she calls again, and he can hear the worry in her voice. the storm rocking the ship is harsh and uncaring, and if they go down, she would be the only survivor.
“don’t worry,” he says, and goes over, sitting next to the tub. the first mate, leaning against the wall, pretends not to notice as he quietly begins to sing.
x
“father,” she says, one day, as she leans on the edge of the dock and the captain sits next to her, “why am I here?”
“your mother abandoned you,” he says, as he always has. “we found you adrift, and couldn’t bear to leave you there.”
she picks at the salt-soaked boards, uncertain. her hair is pulled back in a fluffy black puff, the white linen holding it slipping almost over one of her dark eyes. one of her first tattoos, a many-limbed kraken, curls over her right shoulder and down her arm, delicate tendrils wrapped around her calloused fingertips. “alright,” she says.
x
“why am I really here?” she asks the first mate, watching the sun set over the water in streaks of liquid metal that pooled in the troughs of the waves and glittered on the seafoam.
“we didn’t know any better,” the first mate says, staring into the water. “we didn’t know- we didn’t know anything. we didn’t understand why she fought so viciously to guard her treasure. we could not know she protected something a thousand times more precious than the purest gold.”
she wants to be furious, but she can’t. she already knew the answer, from reading the guilt in her father’s eyes and the empty space in her own history. and she can’t hate her family.
“it’s alright,” she says. “i do have a family, anyways. i don’t think i would have liked my other life near as much.”
x
her kraken grows, spreading its tendrils over her torso and arms. she grows too, too large to come on board the ship without being hauled up in a boat from the water. she sings when the storms come and swims before the ship to guide it to safety. she fights off more than one beast of the seas, and gathers a set of scars across her back that she bears with pride. “i don’t mind,” she says, when the captain fusses over her, “now i match all of you.”
the first time their ship is threatened, really threatened, is by another fleet. a friend turned enemy of the first mate. “we shouldn’t fight him,” she says, peering through the spyglass.
“why not?” the mermaid asks.
“he’ll win,” the first mate says.
the mermaid tips her head sideways. Her eyes, dark as the deep waters, gleam in the noon light. “are you sure?” she asks.
x
the enemy fleet surrenders after the flagship is sunk in the night, the anchor ripped off the ship and the planks torn off the hull. the surviving crew, wild-eyed and delirious, whimper and say a sea serpent came from the water and attacked them, say it was longer than the boat and crushed it in its coils. the first mate hears this and has to hide her laughter. the captain apologizes to his daughter for doubting her.
“don’t worry,” she says, with a bright laugh, “it was fun.”
x
the second time, they are pushed by a storm into a royal fleet. they can’t possibly fight them, and they don’t have the time to escape.
“let me up,” the mermaid urges, surfacing starboard and shouting to the crew. “bring me up, quickly, quickly.”
they lower the boat and she piles her sinous form into it, and uses her claws to help the crew pull her up. once on the deck she flops out of the boat and makes her way over to the bow. the crew tries to help but she’s so heavy they can barely lift parts of her.
she crawls up out in front of the rail and wraps her long webbed tail around the prow. the figurehead has served them well so far but they need more right now. she wraps herself around the figurehead and raises her body up into the wind takes a breath of the stinging salt air and sings.
the storm carries her voice on its front to the royal navy. they are enchanted, so stunned by her song that they drop the rigging ropes and let the tillers drift. the pirates sail through the center of the fleet, trailing the storm behind them, and by the time the fleet has managed to regain its senses they are buried in wind and rain and the pirates are gone.
x
she declines guns. instead she carries a harpoon and its launcher, and uses them to board enemy ships, hauling her massive form out of the water to coil on the deck and dispatch enemies with ruthless efficiency. her family is feared across all the sea.
x
“you know we are dying,” the captain says, looking down at her.
she floats next to the ship, so massive she could hold it in her arms. her eyes are wise.
“i know,” she says, “i can feel it coming.”
the first mate stands next to the captain. she never had a lover or a child, and neither did he, but to the mermaid they are her parents. she will always love her daughter. the tattoos are graven in dark swirls across the mermaid’s deep brown skin and the flesh of her tail, even spiraling onto the spiked webbing on her spine and face. her hair is still tied back, this time with a sail that could not be patched one last time. 
“we love you,” the first mate says simply, looking down. her own tightly coiled black hair falls in to her face; she shakes the locs out of the way and smiles through her tears. the captain pretends he isnt crying either.
“i love you too,” the mermaid says, and reached up to pull the ship down just a bit, just to hold them one last time.
“guard the ship,” the captain says. “you always have but you know they’re lost without you.”
“without you,” the mermaid corrects, with a shrug that makes waves. “what will we do?”
“i don’t know,” the captain says. “but you’ll help them, won’t you?”
“of course i will,” she scoffs, rolling her eyes. “i will always protect my family.”
x
the captain and the first mate are gone. the ship has a new captain, young and fearless - of the things she can afford to disregard. she fears and loves the ocean, as all captains do. she does not fear the royal fleet. and she does not fear the mermaid.
“you know, i heard stories about you when i was a little girl,” she says, trailing her fingers in the water next to the dock.
the mermaid stares at her with one eye the size of a dinner table. “is that so?” she hums, smirking with teeth sharper than the swords of the entire navy.
“they said you could sink an entire fleet and that you had skin tougher than dragon scales,” the new captain says, grinning right back at the monster who could eat her without a moment’s hesitation. “i always thought they were telling tall tales.”
“and now?”
“they were right,” the new captain says. “how did they ever befriend you?”
the mermaid smiles, fully this time, her dark eyes gleaming under the white linen sail. “they didn’t know any better.”

She protects her family.

Hi everybody! Guess what’s being posted on AO3 now at the following link!
https://archiveofourown.org/works/22498384/chapters/53760817
That’s right! Here you go. I’ll be uploading it in some chunks, because I want to make sure I have everything I wanted edited cleanly finished, but follow the story there!




HEY GUYS GUESS WHATS BACK ON THE DASHBOARD AND BETTER THAN EVER



I love this
: ironwoman359:
cereusblue:

unnameablethings:


dragonsateyourtoast:

redporkpadthai:

dragonsateyourtoast:

otherwindow:

otherwindow:
This is how the golden age of piracy ended.
The first mermaid to get tattoos :)


“we didn’t know any better,” the crewman says, and swallows, presenting the chest to the captain. “what do we do now?”
“kill it,” the captain says, but the ice is melting in his eyes.
“we can’t,” the first mate says desperately, praying she won’t have to fight her captain on this. “we can’t. we - i won’t. we won’t.”
“i know.”
x
“daddy,” she says, floating in a tub of seawater in the hold, “daddy, la-la, la-la-la.”
her voice rings like bells. her accent is strange; her mouth isn’t made for human words. it mesmerises even the hardiest amongst them and she wasn’t even trying. the crew has taken to diving for shellfish near the shorelines for her; she loves them, splitting the shells apart with strength seen in no human toddler, slurping down the slimy molluscs inside and laughing, all plump brown cheeks and needle-sharp teeth. she sometimes splashes them for fun with her smooth, rubbery brown tail. even when they get soaked they laugh. they love her.
“daddy,” she calls again, and he can hear the worry in her voice. the storm rocking the ship is harsh and uncaring, and if they go down, she would be the only survivor.
“don’t worry,” he says, and goes over, sitting next to the tub. the first mate, leaning against the wall, pretends not to notice as he quietly begins to sing.
x
“father,” she says, one day, as she leans on the edge of the dock and the captain sits next to her, “why am I here?”
“your mother abandoned you,” he says, as he always has. “we found you adrift, and couldn’t bear to leave you there.”
she picks at the salt-soaked boards, uncertain. her hair is pulled back in a fluffy black puff, the white linen holding it slipping almost over one of her dark eyes. one of her first tattoos, a many-limbed kraken, curls over her right shoulder and down her arm, delicate tendrils wrapped around her calloused fingertips. “alright,” she says.
x
“why am I really here?” she asks the first mate, watching the sun set over the water in streaks of liquid metal that pooled in the troughs of the waves and glittered on the seafoam.
“we didn’t know any better,” the first mate says, staring into the water. “we didn’t know- we didn’t know anything. we didn’t understand why she fought so viciously to guard her treasure. we could not know she protected something a thousand times more precious than the purest gold.”
she wants to be furious, but she can’t. she already knew the answer, from reading the guilt in her father’s eyes and the empty space in her own history. and she can’t hate her family.
“it’s alright,” she says. “i do have a family, anyways. i don’t think i would have liked my other life near as much.”
x
her kraken grows, spreading its tendrils over her torso and arms. she grows too, too large to come on board the ship without being hauled up in a boat from the water. she sings when the storms come and swims before the ship to guide it to safety. she fights off more than one beast of the seas, and gathers a set of scars across her back that she bears with pride. “i don’t mind,” she says, when the captain fusses over her, “now i match all of you.”
the first time their ship is threatened, really threatened, is by another fleet. a friend turned enemy of the first mate. “we shouldn’t fight him,” she says, peering through the spyglass.
“why not?” the mermaid asks.
“he’ll win,” the first mate says.
the mermaid tips her head sideways. Her eyes, dark as the deep waters, gleam in the noon light. “are you sure?” she asks.
x
the enemy fleet surrenders after the flagship is sunk in the night, the anchor ripped off the ship and the planks torn off the hull. the surviving crew, wild-eyed and delirious, whimper and say a sea serpent came from the water and attacked them, say it was longer than the boat and crushed it in its coils. the first mate hears this and has to hide her laughter. the captain apologizes to his daughter for doubting her.
“don’t worry,” she says, with a bright laugh, “it was fun.”
x
the second time, they are pushed by a storm into a royal fleet. they can’t possibly fight them, and they don’t have the time to escape.
“let me up,” the mermaid urges, surfacing starboard and shouting to the crew. “bring me up, quickly, quickly.”
they lower the boat and she piles her sinous form into it, and uses her claws to help the crew pull her up. once on the deck she flops out of the boat and makes her way over to the bow. the crew tries to help but she’s so heavy they can barely lift parts of her.
she crawls up out in front of the rail and wraps her long webbed tail around the prow. the figurehead has served them well so far but they need more right now. she wraps herself around the figurehead and raises her body up into the wind takes a breath of the stinging salt air and sings.
the storm carries her voice on its front to the royal navy. they are enchanted, so stunned by her song that they drop the rigging ropes and let the tillers drift. the pirates sail through the center of the fleet, trailing the storm behind them, and by the time the fleet has managed to regain its senses they are buried in wind and rain and the pirates are gone.
x
she declines guns. instead she carries a harpoon and its launcher, and uses them to board enemy ships, hauling her massive form out of the water to coil on the deck and dispatch enemies with ruthless efficiency. her family is feared across all the sea.
x
“you know we are dying,” the captain says, looking down at her.
she floats next to the ship, so massive she could hold it in her arms. her eyes are wise.
“i know,” she says, “i can feel it coming.”
the first mate stands next to the captain. she never had a lover or a child, and neither did he, but to the mermaid they are her parents. she will always love her daughter. the tattoos are graven in dark swirls across the mermaid’s deep brown skin and the flesh of her tail, even spiraling onto the spiked webbing on her spine and face. her hair is still tied back, this time with a sail that could not be patched one last time. 
“we love you,” the first mate says simply, looking down. her own tightly coiled black hair falls in to her face; she shakes the locs out of the way and smiles through her tears. the captain pretends he isnt crying either.
“i love you too,” the mermaid says, and reached up to pull the ship down just a bit, just to hold them one last time.
“guard the ship,” the captain says. “you always have but you know they’re lost without you.”
“without you,” the mermaid corrects, with a shrug that makes waves. “what will we do?”
“i don’t know,” the captain says. “but you’ll help them, won’t you?”
“of course i will,” she scoffs, rolling her eyes. “i will always protect my family.”
x
the captain and the first mate are gone. the ship has a new captain, young and fearless - of the things she can afford to disregard. she fears and loves the ocean, as all captains do. she does not fear the royal fleet. and she does not fear the mermaid.
“you know, i heard stories about you when i was a little girl,” she says, trailing her fingers in the water next to the dock.
the mermaid stares at her with one eye the size of a dinner table. “is that so?” she hums, smirking with teeth sharper than the swords of the entire navy.
“they said you could sink an entire fleet and that you had skin tougher than dragon scales,” the new captain says, grinning right back at the monster who could eat her without a moment’s hesitation. “i always thought they were telling tall tales.”
“and now?”
“they were right,” the new captain says. “how did they ever befriend you?”
the mermaid smiles, fully this time, her dark eyes gleaming under the white linen sail. “they didn’t know any better.”

She protects her family.

Hi everybody! Guess what’s being posted on AO3 now at the following link!
https://archiveofourown.org/works/22498384/chapters/53760817
That’s right! Here you go. I’ll be uploading it in some chunks, because I want to make sure I have everything I wanted edited cleanly finished, but follow the story there!




HEY GUYS GUESS WHATS BACK ON THE DASHBOARD AND BETTER THAN EVER



I love this

                    
                
            

            
                
                
ironwoman359:
cereusblue:

unnameablethings:


dragonsateyourtoast:

redporkpadthai:

dragonsateyourtoast:

otherwindow:

otherwindow:
Th...

                
            
            
        

    

    

        
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        derryderrydown:
thecringeandwincefactory:

meowren:

malchay:

So, I looked in the comments, expecting to see discourse or historical background etc, but I found none. Therefore, I decided to learn more and add background. Apparently this machine was used because of polio because polio paralyzes your lungs. According to the wiki article on this bad boy, patients would spend two weeks in there sometimes. They still have these machines, though much, much more modern but they’re barely used at all anymore: “In 1959, there were 1,200 people using tank respirators in the United States, but by 2004 there were only 39. By 2014, there were only 10 people left with an iron lung.” (x)

I’ve read about one man who still lives in an iron lung. He taught himself how to breathe again by gulping down air, but it’s quite laborious because of the paralysis. His name is Paul Alexander, and he’s a lawyer. He’s 71 years old and has spent 65 years in an iron lung. Wild, right? He’s been working on a memoir that he was inspired to write by the recent resurgence of cases of polio caused by anti-vaccers.
Source: https://www.google.com/amp/s/www.cbc.ca/amp/1.4414081 (can’t hyperlink because I’m on mobile, apologies)

It’s amazing to me to recognize that we only defeated polio in this past century - that my mother’s father had it (he got lucky, it only deformed his feet and thereby kept him out of a couple wars); my mother got the big vaccination that left her upper arm scarred; and by the time I was vaccinated, polio basically didn’t exist. My grandfather must have been born like around 1900, so - in the space of less than 75 years, this was no longer something that parents dreaded the possibility of every summer.

In the 1950s, my mother would go to the corner shop. The owners had a daughter a few years older than my mum. She lived in an iron lung in the back of the shop.Vaccinate your fucking kids.
: derryderrydown:
thecringeandwincefactory:

meowren:

malchay:

So, I looked in the comments, expecting to see discourse or historical background etc, but I found none. Therefore, I decided to learn more and add background. Apparently this machine was used because of polio because polio paralyzes your lungs. According to the wiki article on this bad boy, patients would spend two weeks in there sometimes. They still have these machines, though much, much more modern but they’re barely used at all anymore: “In 1959, there were 1,200 people using tank respirators in the United States, but by 2004 there were only 39. By 2014, there were only 10 people left with an iron lung.” (x)

I’ve read about one man who still lives in an iron lung. He taught himself how to breathe again by gulping down air, but it’s quite laborious because of the paralysis. His name is Paul Alexander, and he’s a lawyer. He’s 71 years old and has spent 65 years in an iron lung. Wild, right? He’s been working on a memoir that he was inspired to write by the recent resurgence of cases of polio caused by anti-vaccers.
Source: https://www.google.com/amp/s/www.cbc.ca/amp/1.4414081 (can’t hyperlink because I’m on mobile, apologies)

It’s amazing to me to recognize that we only defeated polio in this past century - that my mother’s father had it (he got lucky, it only deformed his feet and thereby kept him out of a couple wars); my mother got the big vaccination that left her upper arm scarred; and by the time I was vaccinated, polio basically didn’t exist. My grandfather must have been born like around 1900, so - in the space of less than 75 years, this was no longer something that parents dreaded the possibility of every summer.

In the 1950s, my mother would go to the corner shop. The owners had a daughter a few years older than my mum. She lived in an iron lung in the back of the shop.Vaccinate your fucking kids.

        

            
            

                
                
                    derryderrydown:
thecringeandwincefactory:

meowren:

malchay:

So, I looked in the comments, expecting to see discourse or historical background etc, but I found none. Therefore, I decided to learn more and add background. Apparently this machine was used because of polio because polio paralyzes your lungs. According to the wiki article on this bad boy, patients would spend two weeks in there sometimes. They still have these machines, though much, much more modern but they’re barely used at all anymore: “In 1959, there were 1,200 people using tank respirators in the United States, but by 2004 there were only 39. By 2014, there were only 10 people left with an iron lung.” (x)

I’ve read about one man who still lives in an iron lung. He taught himself how to breathe again by gulping down air, but it’s quite laborious because of the paralysis. His name is Paul Alexander, and he’s a lawyer. He’s 71 years old and has spent 65 years in an iron lung. Wild, right? He’s been working on a memoir that he was inspired to write by the recent resurgence of cases of polio caused by anti-vaccers.
Source: https://www.google.com/amp/s/www.cbc.ca/amp/1.4414081 (can’t hyperlink because I’m on mobile, apologies)

It’s amazing to me to recognize that we only defeated polio in this past century - that my mother’s father had it (he got lucky, it only deformed his feet and thereby kept him out of a couple wars); my mother got the big vaccination that left her upper arm scarred; and by the time I was vaccinated, polio basically didn’t exist. My grandfather must have been born like around 1900, so - in the space of less than 75 years, this was no longer something that parents dreaded the possibility of every summer.

In the 1950s, my mother would go to the corner shop. The owners had a daughter a few years older than my mum. She lived in an iron lung in the back of the shop.Vaccinate your fucking kids.
: derryderrydown:
thecringeandwincefactory:

meowren:

malchay:

So, I looked in the comments, expecting to see discourse or historical background etc, but I found none. Therefore, I decided to learn more and add background. Apparently this machine was used because of polio because polio paralyzes your lungs. According to the wiki article on this bad boy, patients would spend two weeks in there sometimes. They still have these machines, though much, much more modern but they’re barely used at all anymore: “In 1959, there were 1,200 people using tank respirators in the United States, but by 2004 there were only 39. By 2014, there were only 10 people left with an iron lung.” (x)

I’ve read about one man who still lives in an iron lung. He taught himself how to breathe again by gulping down air, but it’s quite laborious because of the paralysis. His name is Paul Alexander, and he’s a lawyer. He’s 71 years old and has spent 65 years in an iron lung. Wild, right? He’s been working on a memoir that he was inspired to write by the recent resurgence of cases of polio caused by anti-vaccers.
Source: https://www.google.com/amp/s/www.cbc.ca/amp/1.4414081 (can’t hyperlink because I’m on mobile, apologies)

It’s amazing to me to recognize that we only defeated polio in this past century - that my mother’s father had it (he got lucky, it only deformed his feet and thereby kept him out of a couple wars); my mother got the big vaccination that left her upper arm scarred; and by the time I was vaccinated, polio basically didn’t exist. My grandfather must have been born like around 1900, so - in the space of less than 75 years, this was no longer something that parents dreaded the possibility of every summer.

In the 1950s, my mother would go to the corner shop. The owners had a daughter a few years older than my mum. She lived in an iron lung in the back of the shop.Vaccinate your fucking kids.

                    
                
            

            
            
        

    

    

        
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        hawksonfire:

quicksillver:

My @marvelreversebigbang piece in collab with @hawksonfire!!
read it here: angels warned me never to fall down
[ID black and white painting of Clint Barton and Bucky Barnes. Bucky is falling through the air, rifle slung over his back. He has his bionic arm wrapped around Clint’s neck as Clint is reaching out for him, hand around Bucky’s shoulder prepared to catch him. Clint has one arm wrapped around a metal bar, the only thing keeping them both from falling. end ID]

Everyone needs to look at this amazingly gorgeous piece of art right now!!!! It’s so incredible and I love it with my whole heart!!! Thank you for creating it and letting me write a super cool fic for it! <33333
: MOUE
hawksonfire:

quicksillver:

My @marvelreversebigbang piece in collab with @hawksonfire!!
read it here: angels warned me never to fall down
[ID black and white painting of Clint Barton and Bucky Barnes. Bucky is falling through the air, rifle slung over his back. He has his bionic arm wrapped around Clint’s neck as Clint is reaching out for him, hand around Bucky’s shoulder prepared to catch him. Clint has one arm wrapped around a metal bar, the only thing keeping them both from falling. end ID]

Everyone needs to look at this amazingly gorgeous piece of art right now!!!! It’s so incredible and I love it with my whole heart!!! Thank you for creating it and letting me write a super cool fic for it! <33333

        

            
            

                
                
                    hawksonfire:

quicksillver:

My @marvelreversebigbang piece in collab with @hawksonfire!!
read it here: angels warned me never to fall down
[ID black and white painting of Clint Barton and Bucky Barnes. Bucky is falling through the air, rifle slung over his back. He has his bionic arm wrapped around Clint’s neck as Clint is reaching out for him, hand around Bucky’s shoulder prepared to catch him. Clint has one arm wrapped around a metal bar, the only thing keeping them both from falling. end ID]

Everyone needs to look at this amazingly gorgeous piece of art right now!!!! It’s so incredible and I love it with my whole heart!!! Thank you for creating it and letting me write a super cool fic for it! <33333
: MOUE
hawksonfire:

quicksillver:

My @marvelreversebigbang piece in collab with @hawksonfire!!
read it here: angels warned me never to fall down
[ID black and white painting of Clint Barton and Bucky Barnes. Bucky is falling through the air, rifle slung over his back. He has his bionic arm wrapped around Clint’s neck as Clint is reaching out for him, hand around Bucky’s shoulder prepared to catch him. Clint has one arm wrapped around a metal bar, the only thing keeping them both from falling. end ID]

Everyone needs to look at this amazingly gorgeous piece of art right now!!!! It’s so incredible and I love it with my whole heart!!! Thank you for creating it and letting me write a super cool fic for it! <33333

                    
                
            

            
                
                
hawksonfire:

quicksillver:

My @marvelreversebigbang piece in collab with @hawksonfire!!
read it here: angels warned me never to fall do...

                
            
            
        

    

    

        
Save