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Honestly not sure what to title this serpentine "political spectrum": www.EXPRESSIVEEGG.ORG PRESENTS (THE TRUISH AND ACTUAL POLITICAL SPECTRUM OSCAR WILDE WILLIAM MORRIS BARACK OBAMA STALIN GEORGE ORWELL MY GRANDAD KRISHNAMURTI MARX JEREMY CORBYN FD ROOSEVELT STEVEN PINKER TONY BLAIR DONALD TRUMP HITLER IVAN ILLICH TOLSTOY ALDOUS HUXLEY NOAM CHOMSKY example proponents HENRY MILLER WILHELM REICH JOHN PILGER CHARLIE CHAPLIN MARK FISHER KEN LOACH MICHEL FOUCAULT SLAVOJ ŽIŽEK ADAM CURTIS ALAIN DE BOTTON NICK COHEN THE MAIL HENRY DAVIO THOREAU (see notes) ME BEZ FRANKJE BOYLE NATIONAL FRONT BARRY LONG GEORGE WOODCOCK NOE ITO MARK CURTIS MEDIALENS MARTIN LUTHER KING BERNIE SANDERS MICHAEL MOORE JORDAN PETERSON PLATO LAO TZU HUGO CHAVEZ RONALD REAGAN AYN RAND JOHN ZERZAN DH LAWRENCE MY MUM YOUNG RAN PRIEUR LEWIS MUMFORD AMY GOODMAN GEORGE GALLOWAY JOHN RUSKIN CLEMENT ATTLEE GEORGE MONBIOT HOLLYWOD HEGE ROBERT MCNAMARA ILL HICKS OLD RAN PRIEUR R PHILIP K DICK OB BLACK PETER KROPOTKIN JOHN LENNON RICHARD WOLFF DAVID CRAEBER CHARLES DICKENS MOST OF THE WORLD MORRISSEY JUNG ST.PAUL LAURIE PENNY CHURCHILL LENIN THE BBC THATCHER HENRY KISSINGER actual meaning official meaning - THE LEFT THE CENTRE 'the far left' / 'the loony left" THE FANATICAL RIGHT THE EXTREME LEFT THE FAR LEFT THE RIGHT THE FAR RIGHT *the left" 'insanity 'terrorism' / 'extremism *the right" politics DEMOCRACTIC 'ANARCHISM (MARKET) 'DEMOCRACY / 'INDIVIDUALISM OMNARCHISM / STANDARD ANARCHISM (SOCIAL) DEMOCRACY LIBERTARIANISH MARXISM / OFFICIAL SOCIALISM LIBERTARIAN / DEMOCRATIC SOCIALISM LIBERALISM (UK) FASCISM RADICAL ANARCHISM "REFUSUAL OF WORK" MOVEMENT INDIMDUALISM (POLITICAL) ANARCHO-SYNDICALISM UNOFFICIAL SOCIALISM SUPPORT FOR TOTALITARIAN SYSTEM TOTALITARIAN DICTATORSHIP INDMDUALISM (WILDIAN) POST-LEFTISM SITUATIONISM "ENLIGHTENED' MONARCHISM AUTHORITARIAN MONARCHISM "CAPITALISM (AKA PRIVATE CAPITALISM) ANARCHO-PRIMITIVISM "COMMUNISM' (AKA STATE CAPITALISM) PROFESSIONALISM CORPORATE SOCIALISM ('STAGVERSION') AUTHORITARIAN SOCIALISM LIBERALISM (US) / WAGE-SLAVERY FEUDALISM / TRADITIONAL SLAVERY THE OVERTON WINDOW (OFFICIALLY ACCEPTABLE / 'MAINSTREAM') Rule by democratic totalitarian systems, excess of choice, limitation of access to speech platforms, assimilation of minorities, belief in emotional-morality, 'imagination' and flexibility, and control by desire, debt and implicit threat of violence. No overt control of dissent (system selects for system-friendly voices). Huxleyan Dystopia. Most of the modern world (USA, Europe, Japan, etc.) Rule by unspoken context or by temporary and powerless leaders. No institutions (no need for them). lawless (soft guideline bounded), moneyless (gift-economy) and timeless. Used by most societies (and most friendships) for most of human history. Never been tried in a No state, extreme limitation of power. Citizen's income, local currencies, jubilees, etc. Extreme limits on energY consumption, complexity of institutions, power of technology. Untried. (N.b. Some strands of anarchism (e.g. Stirnan) are fanatical, extremely violent and cultdike). These are much publicised by 'the mainstream Rule by workers' councils, direct democracy, etc. Technophilic. Scattered examples in history (eg. Spanish civil war, pre-Bolshevik soviet Russia / Makhnovist Ukraine, etc). Rule by intellectuals and professionals oversee- ing democratic welfare state. Heavy restrictions on wealth-acquisition, privatisation, etc. Heavily unionised workplaces, heavily subsidised public services. Small or non-existant military. Very rare, but 1950s -1970s Britain, Scandinavia and Cuba exhibited many features. Rule by autocratic totalitarian people/ elites, limitation of choice, repression of speech and repression of minorities, belief in order, routine and rationalmorality and control by enclosure, fear and explicit violence. Violent repression of dissent (via "the party line). Orwellian Dystopia. Most of the pre-modern world + USSR, Nazi Germany, Saudi Arabia, etc ('the bad guys') government examples modern or agriIcultural society post B,000 BC. > SOCIAL STRATIFICATION AND AUTHORITARIANISM SOCIAL EQUALITY AND INDIVIDUAL FREEDOM (theology) PANTHEISM "SPIRITUALISM' MYSTIC THEISM THEISM ATHEISM AGNOTICISM EXPLANATORY NOTES Marx isn't to the right of Chomsky! FDR isn't to the left of Stalin! And so on and so forth. First of all the above graph represents the political spectrum as it actually is, in real life, rather than as it is presented in the mainstream media (MSM). In real life, for example, the USSR practiced state capitalism (a system where the state controlled surplus) which is only different to the private capitalism of the west (where private owners control surplus) in the most superficial details. Life for ordinary people under 'capitalism, 'communism' and 'fascism' is identical, because they all share the same basic attitude to money, law, growth, science, work and so on: hence Stalin, Blair, Hitler, Obama and co are all on the far right. The Overton Window is Nonsensel Another reason why this graph seems doubtful is, of course, because real people, in the real world, often have complex and contradictory views about a range of subjects. Most of the views of DH Lawrence, for example, were about as far left as you can possi- bly get; he rejected civilisation in toto. Yet he also suggested the working class should all be rounded up into Crystal Palace and gassed! My grandad used to read The Sun, voted conservative, praised Thatcher and regularly warned me about the blacks and gays up in London; yet in his actual behaviour he vigoriously reject- ed authoritarianism and inequality and believed that ordinary people did not need professionals to direct their activities. The Overton Window represents the limits of acceptable thought in mainstream media and politics. The left side is the position of the middle or professional class, the (new) Labour Party or Democrat Party, the Guardian, the BBC, the Washington Post and so on. These groups are firmly to the far right of the actual political spectrum, although it is difficult to perceive this as they also com- prise journalists and academics who are slightly to the left of them; Steven Pinker, Owen Jones, Christopher Hitchens and other corp employees (stagversives) are used to give an impression of balance and adversarialism, and to attract members of the 'anti-corp' or "socialist' demographic into their ads for carbon-neutral package holidays and ethical mousemats. To venture beyond the corp-es- tablishment friendly feminism' of Laurie Penny or the 'originality' of reactionary writers like Jared Diamond or Malcolm Gladwell-to suggest that wealth should be radically redistributed, that we should head towards a classless society or that the MSN is organ- ised to reward only establishment-friendly voices-is to go beyond the pale, into the land of woo' or, more ominously, 'extremism' This is why the Overton Window is ignored or dismissed in the MSM, which must maintain the illusion of 'impartiality, variety. 'balance' and even 'anti-establishment bias: It's also why maniacs like Nick Cohen and Oliver Kamm describe themselves as 'left-wing." So if the MSM left and right are fictions, what is left and right? On the left is individual freedom and equality, which is based on a basic basic trust in humanity, or in reality. On the right is authori- tarianism and social stratification, which is based on basic cynicism. The scale, therefore, is to some degree* one of sanity. The further right you go, the more you view the universe as a vast pyramid of power which people must do whatever is necessary to climb. For this reason I have listed 'theology, which bears upon one's funda- mental political outlook, the right being typically a place where aggressive atheism, abrahamic theism, sham 'yoga-and-mindful- ness' spirituality thrive, the left being a place of heretical (non-duat ist) theism, pantheism and the like, and the centre, typically, informed by reasonable agnostics and open-minded atheists. Likewise in no sense is Bill Hicks a Tolstoyan or Slavoj Žižek a Jungi- an or Thatcher a Hegelian. So the above scale is faithful to the range of political opinions outside the reverse telescope of the mainstream media, but it also represents a kind of schematic aggregate or rough approximation of the political position of major characters in Western political history (most of whom, yes, were white and male). Of course Hitler and Stalin, like a few ultra-ultra-ultra right wingers today, are officially just outside the acceptable spectrum (it's just not the done thing nowadays to explicitly persecute racial minori- ties). But their fundamental approach to society and to reality remains the same as Pinochet's, Thatcher's, Clinton's, Churchill's and so on: which is why in all their societies the poor end up getting shafted and nature ends up getting decimated. by Darren Allen llustrations by AI *ie. bearing in mind the approximations mentioned above -it's ludicrous to decisively rate anyone's sanity- hence 'truish-let alone cal Hicks saner than Orwell or Wilde saner than Morris. Honestly not sure what to title this serpentine "political spectrum"
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Can you do not: Lral uld. GELEGTIVE SERVICE SYSTEM ORDER TO REPORT FOR INDUCTION LOCAL HOMRn NG. EHEERAL BUILDING 1ocO URERIY AVE. PITTSDLRGH, PA. 15222 The Prealdest of the Un ted Etaten, Can you dont JOHN DOE 123 MAN ST. APR 23 1970. FNY TOWN, A I5222 GEEATING Yeu ar berelby erderel fer in durtian intan tha Awed Parcea of the Umitad Staton, and to report ASSEM BLY ROOM 17h FLOOR, FEDERAL BLDA a o0-IDCATY AVEHUE, ETTIOURGH, PA. 7 AM. MAY 20 1970 at: (hur for farwardine to an Armed. Feroes Induction 3ialin. EMPOREANT DOTICH (Rl El Pen Caetett If yuu aie su fas fus yeu w l d that perting in m e wi he Ortor wm e akn p ellteliy te eny al lnard and mai written eguet far t sefer ef yur deiery fr induetion, taking ths Orer ith you YOU HAVE HAD PREVIOUS KILITARY SERVIC EA BIU PVIDONCE WITt Vou. IF VOe GUARU ON A RESEHYE UUUNEME U A ENOE OE VOUAREAGE T Yr HAVE ANY oR AES NOWY A MEMBBR DE THE NAT IONAL YOU FOE SERV ICK IN PEVSICAL OR MENTAL CONDETION WHICH PHE ARMKD ORCES, REING A PEYSICI ANS CEITIFICA TE DESCRIBING ALREADV DUR NINEO a YTOER INCAL KOARD Valil sermnta re regired te ubenetiate depentergy chira in etr so edve banit allowarce for quarers. He ie ale telng th you vhe mperting to thi inat iom taies. The daeamena vill be retumed ts son. ieb FER LAW PUL WEFE OR EESTIMATE CIELD UNDEN 21 YARS Or AG elal, catiled ospyer phutatak uf taed pyefara itet h eh cvtitee, palile e hs l fmarrisg leri he ia alure nd eal t the etollan ef te ehneh er plie reeends: ( OR LRGA. AOPPED CHLD-cert ile ai rier ef adoption FOR CHILDOF DIVORCED SERVICE MEMJER (Chid castedy ef permon ather than elaim purt and E s, aa pon onder epet r (4) S OR DRESDENP PARENT re ta i shateesedc Ering jer Sania I Neuity AeURE Nantor Cund. Tf yau thav pply nt earl Esciel Securily Atminis Intien a. If u a la rePEB hring a neost at the IsureE con 14's elia and rer puls amien BH eak ekan ebter for 3 1a Iring enough mary b ait I rott fer jersoral puretaac rg fnem the plene of reyanine Loral Menrd w#l wenprlatin, and meala and ledidlag vhim Rg a and leeging Keen s in w nd feund nat quafed, rerarn transpertateA Tou P e Faune met uninet tuensted e ace te aten necesury, M or Indaclen KINK WIME Affai, e acevert any nta here W li w mly at if yos nar indanted Ti pte grr right to rar tn paer Jnh f anet iedeed. y wut renert fer wek Sse E pente aftar the eompeton of your irdue e eam na n. You may eupe le yut reeglarment riytu i Te1 do net repet hr work at the teginninr at year nex Ngaiariy ahesva g pelee ate tle sla l hur af tha day mamat n this Oriar sahl aes the ulelaitnr n faeud kuela WCal tdt ja rtan snt. Bning thia Orcer with y wes pen reperta Can you do not
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Seen at Bay City Brewing, San Diego, CA.: How far can you push your yeast? the palste, and of course, a sampling of San Diego beer Boererdz themed blind tsting was created by native San Diegan Eric Barnias to promote San Diego's incredible craft beer scme The bind tastings are designed to appead to the beer nov ce in a non-intimidating, social environment as well as challenge e beer connosmur f you'd liko more information on tmhe next San Diego themed tasting please visit www.BeerNerdz.com. For private or corporate event bookings, e-mail Eric@beerrerdz.com home brew suppler, located just steps within the Best Damn Beer Shop at Super Jt. Market. With everything you need to make beer in stock at this intest addition to the Best Damm family. shop a variety of speciaity grains, hops, brewing books and more. Between the adjoining bottle shop and brew sup- plies, this is the Best Damn one-stop beer shop in downtown, San Diego. Mention West Coaster and receive 5% off all starter kits for the month of December (expires 12/31/11). Cceanside yMatt Stelger th Character east is arguably the most important element of beer Virtually any sugar is fer- mentable, nd there are myriad bittering agent. But there is no substinute for the magical creature that turns sugar into alcehol. Is no surprise then that yeast is so expensive. Hops and grain for a S-gallon batch com ahout $30 and a packet of fiquid yeast averages $8 The x Y: grown produce, grocery, del and frozen foods from local comparies, and a giant bulk section, Barons Market prides ioeif on carying the best toor at the best prices in town. They even have a pretty grest swine selection too (if you're into that stuff), with over 100 bottles available for under $5. Barons Market han four store locations in the San Diego area includinG Point Loma, Rancho Bernardo, Temecula and Wildomar/Murrietta For more information, please visit www. tjaronsmarket.com. CLabed ille 20 Kart .cm Marcoe 01 de BEER NERDZ scond ronstie 1306 hot sorings way 760 215 800 AT real crime i ye tly need more than one! Toteal the system, some homebrewers (mclad- ing this one) have started yeast harvesting. Yeast can be washed after fermentation, or collected spe.aot.hrs. GreenFlashBrew.om 1430 vantage ct #104 760 597 9012 Yeast in various packages photo: Mart Steiger) Manzanita Brewing Company from the blow-off tube, and pitched into anew batch. But yeast that has been through a brew has aged a generation, with propagation comes the possibility of mutation. So the real question of washing isn't how, but if, and when How many generations of yeast can you reuse? As homebrewers we ask "What do the pros do?" Ballast Point Lead Brewer James Murray relies on strict quality controf "We try to shoot for yeast that is a minimum of 90% viable and has a cell count close to I bilhon cels/ro). We can gén- erally get close to 15 generations per strain of yeast." This method clearly works for BP, but doesn't offer much proctical advice to the homebrewer. Smaller operations like Hess Brewing rely on knowing the patterns and behavior of their yeast. CBO Mike Hes said, "1 reuse until the fermentation characteristics start to deterionate; a day longer to start or a few missed points of attenuation. Usually the biggest litnit for me is storage time. More than 2 woeks and I start getting the shakes" Hess does have advice for cheapskate homebrewers. "Don'tuse old yeast. If yot're worried about your yeast, you should be. Buy a new vial or source a uew, viable pitch." He.even offers a solution himself "T homebrewers want yeast, we're happy o share from the botteth of our conex Just come on by with a clean, sanitized container on yeast damping day, contact me direetly for Royal Uquor 1496 n coast wy 101 760 753 4534 day Nights! RENTALS LONG TERM T-TO-OWN 99/month Ow.com Ready to pull the trigger and go pro? There's a turnkey brewery for sale in the craft beer capital of the US- San Diego county. Located on Prospect Avenue in Santee, the property includes a 4000 sq. f. production facility along with a 600 sq. ft. tasting room. This is currently the site of Manza- nita Brewing Company, who's moving down the street to a bigger focation suited for the growing demand of their beers. Everything from clamps to the forklift is yours, making this a hard-to-come- by opportunity See below for more details: Brewhouse includes: Custom-built 3 barrel direct-fire brewhouse controlled by Brewtroller electronics. Mash Tun can handle 300 pounds of grain Cellar includes: Ten 5-barrei conical fermenting tanks, three 5-barel secondary tanks, and one 7-barrel Bright tark. All tanks are temperature controlled using the Brewtroller hardware with Fermtroller firmware with 5 ton glycol chiller. Also included is a walkin cooler for storage and office space. Originally two separate industrial suites that were combined, everything is easily accessible via the loading dock and garage doors behind the industrial suite, This brewery saw nearly 1100 barrels in 2011, and estimated maximum capacity is 1200 barrels per year. It can be kept as a nano-brewery or go into full production with distribution, and former dcupants Manzanita will assist in training and any questions. Note: the Manzanita name, recipes, or Enc LumberyardTavemandGr.com 967 s coast hwy 101 760 479 1857 North Park Scalldntiatnm ember 10th s& Her Fellas EncinifasAleHouse .com 1044 a coast mwy 780 943 718O Cardif client list are not for sale. 3176 No Call or visit Manzanita for more details. The tentative move in date is 1/31/2012. f you buy the property, mention you saw it in West Coaster and receive three months of free advertising (1/6 page size). Start brewing professionally in 2012! 9962 Prospect Avenue Suite E Santee, CA 92107 • (619) 334-1757 StadiumSarDiego.com 149 s el camino real 760 944 1065 -5953 pok! apthatkeg MagaraTruttuna n Shaton Tovem onm PizzaPort.com 135 n. highway 101 858 481.7332 TheodePraraLebeycom WhiteLabs.com 7564 trade sf 858 693.3441 ODef Hamfena Tovem.com 1524 30 f Atyior Clngn KarStrauss.com 9675 scranton rd 858.587.BREW North/South Park Lodge TorreyPines.com (hotel) 11480 n torrey pines rd 858 453.4420 AUGUST 2013 SAN DIEGO TROUBADOUR AUGUST 2013 SAN COAMestaurants.com/meru-reslauran 4282 esplanade court 858.450 1400 parlor s parlor showcase .com .com Porters Pub.netlean 9500 Gilman Dr 858.587 4828 RockBottom.com 8980 vila la jola dr 858 450 9277 PERSONSPLITAL KarlStrauss com 1044 wall st THE 858 551.BREW 52 by Lindsay White photos by Robbie Turylor song about my job at the zoo and played it at a party for a bunch of coworkers. It went over way better than I exrpected it to. From that point on acoustic/hip-hop/comedy was my genre." Deez lists early episodes of Saturday Night Live as a major comedic influence. "SNL was like a gate- way drug to stand-up comedy for me. From Adam LaJollaBrewHouse.com 7536 fay ave 858.456.6279 KarlStrauss.com 5985 santa fe st 858.273.BREW Above all, Deez's power- ful performance style is the bow that packages his music into a pleasant present rather than a gag gift. Local songwriter and gui- tarist Kenny Eng (Deez's best friend) knows this first hand, regularly shar- Jolla OBriensPu.nel 4848 convoy st 858.715.1745 "In 1981 Sublime and the Wu-Tang Clan gave birth to Rob Deez on the set of Saturday Night Live. You may wondet what the hell a sentence like t RandyJonesB8Q.com 7510 hazard center dr $215 819 296.9600 274 SD TapRoom.com 1269 garnet ave 858 274.1010 SanCiegorewng 10460 friars rd 819 284 2739 me t ace The Sprincies ARE FOR Cupcakes, site. pitch musi the m ing h this LiveWin 2103 el 619.29 music Ran SD Has 950 ho 619.29 ounce classic 5908 alcala 619.849.82 court bly a just lik enough ity, he atage p endurin the lo a Sate ieve C NOT FOR TOILET SEATS BestDamnBoert 1036 7h ave 519.212 8257 Eon t 7779M 319.446.000 Lckily, Dees teceived the parental support he needed n transfom is quick wit into & maicat endeavor. Td say ene of the thinga I value most about my upbringing is the freedom to make my own decisions and form my own opinions. I wasn't ever forced to subscribe to a religion, play an instrument, or play sports. I was given the freedom to do things that interested me... Tm afraid that if I was forced to leam how to play an instrument I would've just grown to resent it and perhaps I wouldn't be participating in this interview now." Empowered by the ability to choose his own path, Deez also benefitted from a carte blanche approach toward music. A baking soda and vinegar binnd of lyrical and musical influences resulted in the developimant of Rob Deez's volcanic performance style. "I remember liking Kris Kross, Das Efx, and NKOTB as a kid. As I got older my taste in music T UDN Jees gns owntiog j Son of a b*tch likes to get pissed and miause food (from "Squath the Beef from Trademark Infringement: My First CD) endo meet. Unlike a lot of musiclans he GCru- aly ikes what he does for a iving, Since 2004, be has worked at Scripps Merey Hospital, starting in an entry-level position and working his way up to endoscopy technician. "I was looking for a job and my [former] girlfriend's sister told me she could get me a job doing what she did. I didn't know what it entailed, I just knew that it was super close to where I üved; it was at the hospital I was bom at, and I'd get to wear scrubs. 1 had to drive up to Temecula for the inter- view, and the night beforehand I had lost my voice during a performance of The Wizard of Oz at the Saville Theatre [on the City College campus]. I was the cowardly lion, of course. I got the job due to my kick-ass personality. The job basically consisted of ordering and stocking supplies throughout the hospital. Everything from ace bandages to urinals. at Best, John Hull& Isac Cheong, Broni, Kelea Little, and Josh Damigo. "We all know each other's stulf so well, it just toms into a giant mutical orgy WORKS JDn. No genre boundaries mean rio style limita- tions, resulting in mass appeal. "T can play the same show in fTent of many diferent crowds and walk away knowing the crowd dug it.. Everyone enjoys laughing. I believe that that, more than anything, is why Im able to play for pretty much After doing that for two yuars a position opened up in endoscopy, One of the nurses encouraged me to apply for it. Once again, I didn't know what it entailed, but I kmew it paid more and had a better schedule. Turns out I was gonna be cauterizing bleeding sites and taking biopsies-you know, typ- ical hospital jargon. Anyway, they trained me on the job and now, seven years later, I'm telling you about it. My day consists of setting rooms up, interacting with patients, doctors, and nurses; tak- ing biopsies; cannulating bile ducts, deploying stents; extracting gallstones; and fine needle aspi- rations during endascopic ultrasounds. I love the job because it's close to home, it pays well, and it's rewarding, Making a difference in people's lives and what not. One of my favorite things about my job has got to be the look on an old person's face when you cover them up with a toasty warm blan- ket. It's tike the greatest thing they've ever experi- enced. You can see it in their eyes." To the average observer, the world of hospitals and scrubs and endoscopy departments doesn't exactly scream "LOL And to the average musician, daytime employment is often seen as an obligation to suffet throggh in order to make ends meet. But Deez's observation skills are above average; he manages to fertilize the most sterile of environments with his signature brand of funny. His song "Day Job" exemplifies a natural ability to bridge the gap between fun and the mundane. On a side note, I just created a new an overnight backpackung trip through a slot canyon in Utah, e few nights in Tosamite, win ming in the Merced, getting eaten alive by mos- quitos, enjoying a thunderstorm while drinking red wine from a Nalgene bottle in the shadow of the most impressive Half Dome. Il leave out the part about the beer, the shortcut, and the park ULTRAPURE SOLUTIONS In many tracks, he simultaneously walks the line between comedy and hip hop, embodying char- acteristics of the self-deprecating comedian... anstage" any crowd." Deez's scene-hopping gives him a unique per- spective and ability to observe the cultire of vari- ous pockets of San Diego music. I asked him to share his insights: The hip hop scenẹ: "One of my favorite things about hip hop is the collaboration taking place. Multiple lyricists on the same song, each with a different style, delivery, and point of view. Each song is like a musical buffet." The singer-songwriter scene: "One thing I really like about the singer-songwriter scene is how sup- portive of each other everyone is. Some of my best friends are other musicians I've met along the way. I wouldn't trade my relationships with these people for anything in the world. Okay, maybe I'd trade if for a full rack of baby back ribs at Phil's BBQ, but Waking up under the toilet bowl (that's just how 1 roll) No memory of the night before (that's just how I roll) My chest's scraped up and my shirt's got a hole (that's just how I roll) iew Tangers." Whether onstage or in the wilderness, Deez makes sure to sunound himself with good com- pany. He reflects, "The friends that I've made in the music scene mean the world to me. Some of Enough with the metaphors. Born in an actu- hospital (San Diego's Scripps Mercy) to actual arents. Gary Robert Lyons (Robby for short) was ised in North Park by Debra Louise Schmidt and ary Keith Lyons in a typical working class home "My mom is a jack of all retal. She's worked REL the San Diego Zoo, the Padres, most of e stores in the Misnion Valleg Mali, and the ard Rock Cafe. She currently works at the Omni ntel. My dad is collecting retirement from both e U.S. Navy and the state park system. He's irmently making some extra spending money by aching a motorcycle safety course and by driv- ig a school bus. 1 was afraid of ay dad growing p. mostly because he enforced the rules and I an't able get swray with as much when he was ound. But since ie was in the Mavy he warn't yound much. But onne I moved out my dad and I ecame best friends. It doesn't even feel like a ather/son relationahip. Ir fnelo like we're just a ouple of buds whợve known each other for a ong time. We can taik about liberally anything gathet without fear of judgment. t's pretty ool. My mom works all the time. Too much. F'm ..and the über-confident rapper I own the microphone, it's mine alone, king on my throne Try to invade my zone, Il break your dome, so take it home MC's just b*tch and moan, so I flip the pitch and switch the tone I'm original kids, ain't no clone, just me and hip hop here all alone ("How I Roll from Trademiark Infringement: My First CD) my best memories are things we've done togeth- er From climbing a fire escape in New York with Josh Damigo, to exploring a mine shaft in Death Valley with Kenny Eng, to driving through Vegra at 4 am and ariving in Zion National Park just in time to see the sunrise. Good times. I look for- ward to many more. AXEC erpanded to incorparate Nirvana, the Offspring Blink 182, Snoop Dogg, Eminem, Drum & Bass, and pretty much everything from the '40s, "50s and '60s. I tarted taking lyrics a little more seriously when I started istening to Wu-Tang Clan; that's also about the time I started rapping/free styling with friends in my garage. Around this time I was also teaching myself guitar chords hy learning how to play Sublime songs. Td say Wu-Tang and Sublime are my two biggest influences." Settling on Deez as his rap surname (Rob Dogg and Spitz were other options that never stuck), he looked to the Wu-Tang Clan as inspiration for his lyrical prowess. t wasn't until I started litening to Wa-Tang that my lyricism was kicked into high gear. I was inspired by the clever word play, metaphors, and punch lines. Dventually my thyming gained the approval of my friends in the garage, And I can't wait for more stories Erom Rob Deez, whether its eniconspies Or trips with butdfies He's got the akills to make fans piened He says he's "hip hups np of tee" I say he's folk muric's 5-Hour Energy Good deer, good jokes, good angs good timer Hip hap rhymes and sick punch lines ire Coront, Brb Deer se the fime Thank God for Wu-ng end Sublime that's it." The comedy scene: "I find the comedy scene to be the most entertaining, but also the most cut throat. It feels like there's a different comedy clique at each comedy venue and that branching out and performing at multiple venues is generally frowned upon. Im not one to quote the Mighty Mighty Bosstones, but that's the impression that I Deez incorporates the acoustic singer-song- writer sentiment to many of his tunes, not just with the obvious employment of his acoustic guitar, but with a subtle infusion of emotional longing and romance. This underlying vulnerability is perfectly placed amidst his light-hearted jokes and quick-spit thymes, adding a layer of depth while helping him dodge the dreaded cheesy-white-rapper label: RSO.COM | 51 Industry leader in the design, production and service of watl Check out our systems at Coronado Brewing C Ballast Point Brewing & Spirits, SaintArcher E On his upcoming sophomore album, Deet looks to Jeff Berkley of Berkiey Sound to help him cap- ture his on-stage magic and give it a fully produced polish. Though Deer's first albun, Trademark Infringement: My Pirst CD, is definitely worth a download, the rapper is eager to expand his musical horizons. Tm excited about it becase it's a real album with real instruments, being ptoduced by people who know what they're doing. My fint album was recorded in my living room with my Lintsay hied to Be Rob Deer for a Second from khis arthele get. Deer slays comedy-loving crowds with story- telling songs about real-life absurdities like jealous er-boyfriends: waterworksinc.us 1 858-409-011915490 Complex Street, One of these days I'm gonna be an old man And you're gonma be my old woman Yb, ours is a love that you seldom see We're aomna be vouna at heart when we're elderly Comina album, tenta- Word: fandane. Ive written songs to the gentle hum dawurt machina ifnt, b BRAND a bs et se Chaeroy i ly RVI ICESA badour sandie sandieg nopeg Seen at Bay City Brewing, San Diego, CA.
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Teaching the Friday 2:30pm class.: 日期 时间 | | 五 六 MON TUE WED THUR FRI 前伽房 SAT SUN 脊柱瑜伽 8:10-9:10 空中瑜伽 Air Yoga 阿斯汤伽 精准瑜伽 Precision Yoga 球瑜伽 Ball Yoga 舞韵瑜伽 阿斯汤加 Ashtona YOGO *SPINE YOGA *AeTNA VeYASA Dance Yoge 肠胃理疗 physiotherapy 9:30-10:30 流瑜伽 阴瑜伽 Yin Yoga 肠胃理疗 *physiotherapy 阴瑜伽 Yin Yoga 肠胃理疗 Gastrointestinal 哈他瑜伽 * ROWNO YOGA *HATHA YOGA 阿斯汤伽 19:30-20:30 肩颈理疗 HEOKR OTHERAPY 哈他瑜伽 Hattah Yoga 纤体瑜伽 *SLIM YOGA 空中瑜伽 *Air Yoga 哈他瑜伽 减脂体能训练 FAr Lo ACA Te *AaTANGA VVeYASA *HATHA YOGA 空中瑜伽 20:25-21:25 阴瑜伽 Yin Yoga 流瑜伽 阴瑜伽 舞韵瑜伽 肩颈瑜伽 Shoulder yoga 流瑜伽 Flow Yoga *AIR YOGA Flow Yoga *YIN YOGA Dance Yoga 操课房 动感普拉提 Dynamic Pilates 普拉提 有氧舞蹈 莱美踏板 Lamy pedal 冲击操 Impact fuck. 身心平衡 balance 14:30-15:30 莱美核心 *LA Me CORE Pilates. AEROBIC DANCE 莱美舞蹈 健美操 原力蹦床 FORCE TRAMPOLINE 搏击操 Les fight 有氧操 爵士舞 拉丁舞 LATIN DANCE 19:30-20:30 Aerobics. Aerobics LAI MEI DANCE Jazz 韩国热舞 形体芭蕾 Body Ballet 中国舞 Chine classic dance 尊巴 Zumba 腰腹核心 杠铃操 BODYPUMP 20:40-21:40纤腰肚皮舞 HoT DANCE N KOREA Core waist SUM BLY DANCE 单车 莱美单车 动感之夜 燃烧卡路里 王者之巅 自由摇摆 SPINNING 激情四射 * SPINNING 抖音狂欢 RPM SPINNING SPINNING 19:30-20:15 *SPINNING SPINNING 巅峰对决 * SPINNING 狂野周末 莱美单车 RPM 穿越丛林 疯狂骑士 SPINNING 莱美单车 风驰电挚 * SPINNING *SPINNING *SPINNING 20:40-21:25 RPM (实际课程以公众号及门店公布为准) Teaching the Friday 2:30pm class.
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To those more experienced with AniList, am I missing something?: Profile Home Anime List Manga List Browse Forum Fall 2017 Spring 2009 Fall 2011 Q Search TV 91% TV 90% TV 90% Туpe The second season of 3-gatsu no Lion In this world, alchemists are those who study and perform the art of alchemical transmutation-the science of manipulating and nsforming matter. They are bounded the Law of Equivalent Exchangin order to gain something, one must sacrifice something of equal value. A new adaption of the manga of the same name by Togashi Yoshihiro Anime A Hunter is one whovels the world doing all sorts of da erous tasks. From capturing crimina searching deep within uncharted lands for any lost treasures. Gon is a young boy whose father disappeared long ago, being a Manga 4? Studios Hagane no Renkinjutsushi: Fullmetal Alchemist Characters Young Edward Elric, nicknamed the Hunter. He believes if he could also Hunter x Hunter (2011) 3-gatsu no Lion 2 Staff Action, Adventure, Drama, Fantasy, Comedy BONES MADHOUSE Shaft Action, Adventu re, Fantasy Drama, Slice of Life Season All Spring 2011 Summer 2017 89% TV 90% TV Gintoki Self-proclaimed mad scientist Okabe Final season of the Monogatari Series, part 4/5. Contains the arcs Mayoi Hell, Hitagi Rendezvous, and Ougi Dark from the Owarimonogatari light novels. Rintarou lives in a small room in the fun Akihabara, where he invents future with fellow la members bis air haded chil Hashataan otak Yorozu reality E and alie "That is-the end of your youth. On the morning of the appointed day of the college entrance examinations, Koyomi Japan, whatev on. Ho haven't he threase he time b with their latest.creation, a Araragi headed towards North Shirahebi Shrine. What awaits him there with an "Phone Microwave" that can be controlled through text messages. spend Gintama Steins;Gate arimonogatari (Ge) Comedy, Mystery , Supernatural, Romance White Fox Bandai Namco Pictures Psychological, Sci-Fi, Thriller, Drama Ас Spring 2019 Fall 2012 Add to List TV 89% TV 88% The second cour of Shingeki no Kyojin's third season. There is peace again within the Walls, and the Survey Corps prepare for a new expedition to Shiganshina. Thanks to Hange's new weapon, the hopes to retake the lost territory once and for all are stronger than ever. But at their old home, known and powerful enemies are awaiting and a fierce battle is coming After a While Gintoki Sakata was away, the Yorozuya found themselves a new leader: Kintoki, Gintoki's golden-hai red doppelganger. In order to regain his former position, Gintoki will need the help of those around him, a troubling feat when no one can remember him! Between Kintoki and Gintoki, who will Completed Shimur upon a Kagura #4 Highest Rated All Time have be charact headquarters in confusion, Shinpachi #3 Highest Rated All Time finds that all the denizens of Edo have undergone impossi bly extreme changes, in both appearance and personality claim the throne as the main character? Shingeki no Kyojin 3 Part Gintama Gintama': Enchousen 2 Sunrise Suprise Wit Studio Genres & Tags A To those more experienced with AniList, am I missing something?

To those more experienced with AniList, am I missing something?

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Yeah just zoom in.: top off a CONTA INER OF HONEY, and puts some honey into his hair. He squirts some in his mouth and gargles. Then he takes the lid off the bottle, and rolls some on like deodorant. CUT TO: INT. BENSON HOUSE KITCHEN -CONTINUOUS Barry's mother, JANET BENSON, yells up at Bary. JANET BENSON Barry, breakfast is ready! CUT TO: "Bee Movie" JS REVISIONS 8/13/07 2. BARRY Sorry, I'm excite d. Barry's father, MARTIN BENSON, ENTERS. He's reading a NEWSPAPER with the HEADLINE, "Queen gives birth to thousandtuple ts: Resting Com forta bly." MARTIN BENSON Here's the gra duate. We're very proud of you, Son. And a perfect report card, all B's. JANET BENSON (mushing Barry's hair) Very proud. BARRY Ma! I've got a thing going here. Barry re-adjusts his hair, starts to leave. JANET BENSON You've got some lint on your fuzz. She picks it off. BARRY Ow, that's me! MARTIN BENSON Wave to us. We'll be in row 118,000. Barry zips off. BARRY Bye! JANET BENSON Barry, I told you, stop flying in the house! CUT TO: SEQ. 750 DRIVING TOo GRADUATION EXT. BEE SUBURB - MORNING A GARAGE DOOR OPENS. Barry drives out in his CAR. "Bee Movie" JS REVISIONS 8/13/07 3. ANGLE ON: Barry's friend, ADAM FLAYMAN, standing by the curb. He's reading a NEWSPAPER with the HEAD LINE: "Frisbee Hits Hive: Internet Down. Bee-stander: "I heard a sound, and next thing I going to his fune ra l? BARRY No, I'm not going to his funeral. Everybody knows you sting some one you die, you don't waste it on a squirre I. He was such a hot head. ADAM Yeah, I uess he could've just gotten out of the way. The DRIVE through a loop de loop. BARRY AND ADAM Whoa...Whooo...wheee!! ADAM I love this incorporating the amusement park right into our regular day. BARRY I guess that's why they say we don't need vacations. CUT TO: SEQ. 95 - GRADUATION EXT. GRADUATION CEREMONY - CONTINUOUS Barry and Adam come to a stop. They exit the car, and fly over the crowd to their seats. * BARRY * (re: graduation ceremony) * Boy, quite a bit of pomp..under * the circumstance s. * They land in the ir seats. BARRY (CONT'D) Well Adam, to day we are men. "Bee Movie" - JS REVISIONS 8/13/07 5. ADAM We are. BARRY Bee-meh. ADAM Amen! BARRY Hallelujah. Barry hits Adam's fore he ad. Adam goes into the rapture. An announce ment comes over the PA. ANNOUNCER (V.O) Students, faculty, distinguished bees...please welcome, Dean Buzzwe Il. ANGLE ON: DEAN BUZZWELL steps up to the podium. The podium has a sign that reads: "Welcome Graduating Class of:", with train-station style flipping numbers after it. BUZZWELL Welcome New Hive City graduating class of... The numbers on the podium change to 9:15. BUZZWE LL (CONT'D)9:15. (he clears his throat) And that concludes our graduation ceremonies. And begins your career at Honex Industries. BARRY Are we going to pick our job today? ADAM I heard it's just orientation. The rows of chairs change in transformer-like mechanical motion to Universal Studios type tour trams. Buzzwell walks off stage. BARRY (re: trams) Whoa, heads up! Here we go. "Bee Movie" - JS REVISIONS 8/13/07 6. SEQ. 125 - "FACTORY FEMALE VOICE (V.O) Keep your hands and antennas inside the tram at all times. (in Spanish) Dejen las manos y antennas adentro del tram a todos tiempos. BARRY I wonder what it's going to be like? ADAM A little scary. Barry shakes Adam. BARRY AND ADAM AAHHHH! The tram passes under SIGNS READING: "Honex: A Division of Honesco: A Part of the Hexagon Group." TRUDY Welcome to Honex, a division of Honesco, and a part of the Hexagon group. BARRY This is it! The Honex doors OPEN, revealing is? BARRY Yes, we're all cousins. ADAM Right. You're right. TRUDY At Honex, we also constantly strive to improve every aspect of bee existence. The se bees are stress testing a new helmet technology. ANGLE ON: A STUNT BEE in a HELMET getting hit with a NEWSPAPER, then a SHOE, then a FLYSWATTE R. He ge ts up, and gives a "thumb's up". The graduate bees APPLAUD. ADAM (re: stunt bee) What do you think he makes? BARRY Not enough. TRUDY And here we have our latest advancement, the Kre Iman. "Bee Movie" - JS REVISIONS 8/13/07 8. BARRY Wow, what does that do? TRUDY Catches that little strand of honey that hangs after you pour it. Saves us millions. ANGLE ON: The Krelman machine. Bees with hand-shaped hats on, rotating around a wheel to catch drips of honey. Adam's hand shoots up. ADAM Can any one work on the Kreiman? TRUDY Of course. Most bee jobs are small ones. But bees know that every small job, if it's done well, means a lot. There are over 3000 diffe rent bee occupations. But choose carefully. because you'll stay in the job that you pick for the rest of your life. The be es CHEER. ANGLE ON: Barry's smile dropping slightly. BARRY The same job for the rest of your life? I didn't know that. ADAM What's the difference? TRUDY And you'll be happy to know that bees as a species haven't had one day off in 27 million years. BARRY So you'll just work us to death? TRUDY (laughing) We'll sure try. Everyone LAUGHS except Barry. "Bee Movie" - JS REVISIONS 8/13/07 9. The tram drops downa log-flume READING: "Bee Goes Berserk: Stings Seven Then Self." ANGLE ON: A BEE filling his car's gas tank from a honey pump. He fills his car some, then takes a swig for himself. NEWSPAPER BEE (to the bee guzzling gas) Hey! Barry and Adam be gin to cross the street. "Bee Movie" - JS REVISIONS 8/13/07 10. BARRY Yeah but Adam, did you ever think that maybe things work a little too well around here? They stop in the middle of the stre et. The traffic moves perfectly around them. ADAM Like what? Give me one example. BARRY (thinks)...I don't know. But you know what I'm talking about. They walk off. SEQ. 400 - "MEET THE JOCKS" SFX: The SOUND of Pollen Jocks. PAN DOWN from the Honex statue. J-GATE ANNOUNCER Please clear the gate. Royal Nectar Force on approach. Royal Nectar Force on approach. BARRY Wait a second. Check it out. Hey, hey, those are Pollen jocks. ADAM Wow. FOUR PATROL BEES FLY in through the hive's giant Gothic entrance. The Patrol Bees are wearing fighter pilot helmets with black visors. ADAM (CONT'D) I've never seen them this close. BARRY They know what it's like to go outside the hive. ADAM Yeah, but some of them don't come back. "Bee Movie" - JSs REVISIONS 8/13/07 11. The ne ctar from the pollen jocks is removed from the ir backpacks, and loaded into trucks on the ir way to Honex. A SMALL CROWD forms around the Patrol Bees. Each one has a PIT CREW that takes the ir nectar. Lou Loduca hurries a pit crew along: LOU LODUCA You guys did great! You're mons ters. You're sky freaks!I love it! I love it! SCHOOL GIRLS are jumping up and down and squealing nearby. BARRY I wonder whe re those guys haue just been? ADAM I don't know. BARRY Their day's not planne d. Outside the hive, flying wvho- knows - whe re, doing who-lknows - what. ADAM You can't just decide one day to be a Pollen Jock. You have to be bred for that. BARRY Right. Pollen Jocks cross in close proximity to Barry and Adam. Some pollen falls off, onto Barry and Adam. BARRY (CONT'D) Look at that. That's m ore pollen than you and I will ever see in a life time. ADAM (playing with the pollen) It's just a status sym bol. I think bees make too biga deal out of it. BARRY Perha ps, unless you're wearing it, and the ladies see you wearing it. ANGLE ON: Two girl bees. " Bee Movie" - JS REVISIONS on the balcony alone, looking out over the city. Martin Benson ENTERS, snea ks up behind Barry and gooses him in his ribs. MARTIN BENSON Honex! BARRY Oh, Dad. You surprised me. MARTIN BENSON (laughing) Have you decided what you're interested in, Son? BARRY Well, there's a lot of choices. MARTIN BENSON But you only get one. Martin LAUGHS. BARRY Dad, do you ever get bored doing the same job every day? MARTIN BENSON Son, let me tell you som e thing about stirring. (making the stirring motion) You grab that stick and you just move it around, and you stir it around. You get yourse lf into a rhythm, it's a beautiful thing. BARRY You know dad, the more I think about it, maybe the honey field just isn't right for me. MARTIN BENSON And you were thinking Another BEE APPLICANT, SANDY SHRIMPKIN is EXITING. SANDY SHRIMPKIN Is it still available? BUZZWELL Hang on. (he looks at changing numbers on the board) Two left. And...one of them's yours. Congratulations Son, step to the side please. "Bee Movie" - JS REVISIONS 8/13/07 17. SANDY SHRIMPKIN Yeah! ADAM (to Sandy, leaving) What did you get? SANDY SHRIMPKIN Picking the crud out. That is stellar! ADAM Wow. BUZZWELL (to Adam and Barry) Couple of newbies? ADAM Yes Sir. Our first day. We are ready. BUZZWELL Well, step up and make your choice. ANGLE ON: A CHART listing the different sectors of Honex. Heating, Cooling, Viscosity, Krelman, Pollen Counting, Stunt Bee, Pouring, Stirrer, Humming, Regurgitating, Front Desk, Hair Removal, (CONT'D) Oh, I'm sorry. The KRrelman just closed out. ADAM Oh! He takes the hat off Adam. BUZZWELL Wax Monkey's always open. The Krelman goes from "Closed" to "Open". BUZZWELL (CONT'D) And the KreIman just opened up again. ADAM What happe ne d? BUZWELL Well, whe never a bee dies, that's an opening. (pointing at the board) See that? He's dead, dead, another dead one, deady, deadified, two more de a d. Dead from the neck up, dead from the ne ck down. But, that's life. ANGLE ON: Barry's disturbed expre ssion. ADAM (feeling pressure to decide) Oh, this is so hard. Heating, cooling, stunt bee, pourer, stirrer, humming, inspector no. 7, lint coordinator, stripe supervisor, antenna-ball polisher, mite wrangler-- Bary. Barry, what do you think I should- - Barry? (V.o) You're cra - - Barry HANGS UR ANGLE ON: Lou Loduca. LOU LODUCA If anyone's feeling brave, there's a Korean Deli on 83rd that gets their roses today. BARRY (timidly) Hey guys. BUZZ Well, look at that. SPLITZ Isn't that the kid we saw yesterday? LOU LODUCA (to Barry) Hold it son, flight deck's restricted. JACKSON It's olkay Lou, we're going to take him bears, and bats. "Bee Movie" FLIPS their goggles down. Pit crew bees CRANK their wings, and remove the starting blocks. We hear loud HUMMING. "Bee Movie- JS REVISIONS 8/13/07 22. LOU LODUCA (CONT' D) LOU LODUCA (CONT'D) Pound those petunia's, you striped stem-suckers! All of you, drain those flowe rs! A FLIGHT DECK GUY in de ep crouch hand-signals them out the archway as the backwash from the bee wings FLUTTERS his jump suit. Barry follows everyone. SEQ. 800 Splitz and Jacks on CHUCKLE. LOU LODUCA Really? Feeling lucky, are ya? A YOUNGER SMA LLE R BEE THAN BARRY. CHET, runs up with a release waiver for Bary to sign. CHET Sign here. Here. Just initial that. Thank you. LOU LODUCA Okay. you got a rain advisory today and as you all know, bees cannot fly in rain. So be careful. As always, (reading off clipboard) watch your brooms, hockey sticks, dogs, birds "FLYING WITH THE JOCKS" The bees climb above tree tops in formation. Barry is euphoric. BARRY Whoa! I'm out! I can't believe I'm out! So blue. Ha ha ha! (a beat) I feel so fast...and free. (re: kites in the sky) Box kite! Wow! They fly by several bicyclists, and approach a patch of flowers. BARRY (CONT'D) Flowers! Coming in at you like a missile! Ken HITS the ball back. Bary feels the g-forces. ANGLE ON The Pollen Jocks watching Barry pass by the m in SLOW MOTION. "Bee Movie" - JS REVISIO NS 8/13/07 26. BARRY (in slow motion) Help me! JACKSON You know, I don't think these are flowers. SPLITZ Should we tell him? JACKSON I think he knows. BARRY (O.S) What is this?! Vanessa HITS a higlh arcing lob. Ken waits, poised for the return. We see Bary having trouble mane uve ring the ball from fatigue. KEN (overly confident) Match point! ANGLE ON: Ken running up. He has a killer look in his eyes. He's going to hit the ultimate overhe ad smash. KEN (CONT'D) You can just start packing up Honey, because I believe you're about to eat it! ANGLE ON: Pollen Jocks. JACKSON JS REVISIONS 8/13/07 27. BARRY Yowser!!! SEQ. 1000- grasshopper) Eww, gross. CUT TO: INT CAR - CONTINUOUS The car is packed with a typical suburban family: MOTHER, FATHER, eight-year old BOY, LITTLE GIRL in a car seat and a GRANDMOTHER. A big slobbery DOG is behind a grate. Bary pops into the passenger compartment, hitting the Mother's magazine. MOTHER There's a bee in the car! They all notice the bee and start SCREAMING. BARRY Aaahhhh! Barry tum bles around the car. We see the faces from his POV. MOTHER Do something! "Bee Movie" starts to RAIN. He nimbly avoids the rain at first. BARRY (CONT'D) Whoa. Whoa! Can't fly in rain! Can't fly in rain! Can't fly in- A couple of drops hit him, his wings go limp and he starts falling. BARRY (CONT'D) Mayday! May day! Bee going down! Barry sees a window le dge and aims for it and just makes it. Shivering and exhausted, he crawls into an open window as it CLOSES. SEQ. 1100 - "VANESSA SAVES BARRY INT. VANESSA'S APARTMENT -CONTINUOUS Inside the window, Barry SHAKES off the rain like a dog. Vanessa, Ken, Andy, and Anna ENTER the apartment. VANESSA Ken, can you close the window please? KEN Huh? Oh. (to Andy) Hey, check out my new resume. I made it into a fold-out brochure. You see? it folds out. Ken holds up his brochure, with photos know what? I pre dicted global warming. I could feel it getting hotter. At first I thought it was just me. Bary's POV: Giant human mouth opening. KEN (CONT'D) Wait! Stop! Beeeeeee! ANNA Kill it! Kill it! They all JUMP up from their chairs. Andy looks around for something to use. Ken comes in for the kill with a big TIMBERLAND BOOT on each hand. KEN Stand back. These are winter boots. Vanessa ENTERS, and stops Ken from squashing Barry. VANESSA (grabs Ken's arm) Wait. Don't kill him. CLOSE UP: on Barry's puzzled face. KEN You know I'm allergic to them. This thing could kill me. "Bee Movie" - JS REVISIONS 8/13/07 32. VANESSA Why does his life have any less value than yours? She takes a GLASS TUMBLER and places it over Barry. KEN Why does his life have Movie"- JS REVISIONS 8/13/07 33. EXT. WINDOWSILL CONTINUOUS Bary stares over the window frame. He can't believe what's just happened. It is still RAINING. DISSOLVE TO: SEQ. 1200 "BARRY SPEAKS" EXT. WINDOWSILL - LATER Barry is still staring through the window. Inside, everyone's saying their good-byes. KEN Vanessa, next we e k? Yogurt night? VANESSA Uh, yeah sure Ken. You know, whatever. KEN You can put carob chips on the re. VANESSA Good night. KEN (as he exits) Supposed to be less calories, or something. VANESSA Bye. She shuts the door. Vanessa starts cleaning up. BARRY I've got to say sometlhing. She saved my life. I've got to say something. Alright, he re it goes. Barry flies in. "Bee Movie" APARTMENT- CONTINUOUS Barry hides himself on different PRODUCTS placed along VANESSA You're talking, BARRY Yes, I know, I know. VANESSA You're talking. BARRY I know, I'm sony. I'm so sorry. VANESSA It's okay. It's fine. It's just, I know I'm dreaming, but I don't recall going to bed. " Bee Movie" - JS REVISIONS 8/13/07 35. BARRY Well, you know I'm sure this is very disconcerting. VANESSA Well yeah. I mean this is a bit of a surprise to me. I mean...you're a bee. BARRY Yealh, I am a bee, and you know I'm not supposed to be doing this, but they were all trying to kill me and if it wasn't for you...I mean, I had to thank you. It's just the way I was raised. Vanessa intentionally JABS her hand with a FORK. VANESSA O w! BARRY That was a little we ird. VANESSA (to herself) I'm talking to a bee. BARRY Yealh. VANESSA I'm talking to a be e. BARRY BARRY Really? VANESSA It's just coffee. BARRY I hate to impose. "Bee Movie" - JS REVISIONS 8/13/07 37. VANESSA Don't be ridiculous. BARRY Actually, I would love a cup. VANESSA Hey. you want a little rum cake? BARRY I really shouldn't. VANESSA Have a little rum cake. BARRY No, no, no, I can't. VANESSA Oh, come on. BARRY You know, I'm trying to lose a couple micrograms he re. VANESSA Where? BARRY Well... These stripes don't help. VANESSA You look great. BARRY I don't know if you know anything about fashion. Vanessa starts POURING the coffee through an imaginary cup and directly onto the floor. BARRY (CONT'D) A re you alright? VANESSA No. DISSOLVE TO: SEQ. 1300 "ROOFTOP COFFEE" "Bee Movie" - JS REVISIONS 8/13/07 38. EXT. for the hive, but I can't do it the way they want. VANESSA I know how you feel. BARRY You do? VANESSA Sure, my parents wanted me to be a lawyer or doctor, but I wanted to be a florist. BARRY Really? VANESSA My only interest is flowers. BARRY Our new queen was just elected with that same campaign slogan. VANESSA Oh. BARRY Anyway, see there's my hive, right there. You can see it. VANESSA Oh, you're in Sheep Meadow. BARRY (excite d) Yes! You know the turtle pond? VANESSA Yes? BARRY I'm right off of that. VANESSA Oh, no way. I know that area. Do you know I lost a toe-ring there once? BARRY Really? "Bee Movie" - JS REVISIONS 8/13/07 40. VANESSA Yes. BARRY Why do girls put rings on their toes? VANESSA Why not? BARRY I don't know. It's like putting a hat on your knee. VANESSA Really? Okay. A JANITOR in the background changes a LIGHTBULB. To him, it appe ars that Vanessa is talking to an imaginary friend. JANITOR You all right, ma'am? VANESSA Oh, yeah, fine. Just having two cups of coffee. BARRY Anyway, this has been great. (wiping his mouth) Thanks for the coffee. Barry gazes at Vanessa. VANESSA Oh yeah, it's no trouble. BARRY Sorry I couldn't finish it. Vanessa giggles. BARRY (CONT'D) (re: coffee) If I did, l'd be up the rest of my life. Ummm. Can I take a piece of this with me? VANESSA Sure. Here, have a crumb. She takes a CRUMB from the plate and hands it to Barry. "Bee Movie" - JS REVISIONS 8/13/07 41. BARRY (a little dreamy) Oh, thanks. VANESSA Yeah. The re is an awkward pause. COAT BEE 2 Well, he's all set to go, we may as well try it. (into the mic) Okay Dave, pull the chute. The test bee opens his parachute. He's instantly blown against the rear wall. Adam and Barry ENTER. ADAM Sounds amazing. BARRY Oh, it was amazing. It was the scariest, Ihappiest moment of my life. ADAM Humans! Humans! I can't believe you were with humans! Giant scary humans! What we re they like? BARRY Huge and crazy. They talk crazy, they eat crazy giant things. They drive around real crazy. ADAM And do they try and kill you like on TV? BARRY Some of them. But some of the m don't. ADAM How'd you get back? BARRY Poodle. ADAM Look, you did it. And I'm glad. You saw whatever you wanted to see out there, you had your "experience", and now JS REVISIONS 8/13/07 43. ANGLE ON: LAB BEES examining a CANDY CORN through a micros cope. BARRY Well... ADAM Well? BARRY Well, I met some one . ADAM You met some one? Was she Bee-ish? BARRY Mmm. ADAM Not a WASP? Your parents will kill you. BARRY No, no, no, not a wasp. ADAM Spider? BARRY You know, I'm not attracted to the spiders. I know to everyone else it's like the hottest thing with the eight legs and all. I can't get by that face. Barry makes a spider face. ADAM So, who is she? BARRY She 's a human. ADAM Oh no, no, no, no. That didn't happen. You didn't do that. That is a bee law. You wouldn't break a bee law. BARRY Her name's Vanessa. "Bee JANET BENSON Would it kill you to just make a little honey? Barry ROLLS off the raft and SINKS to the bottom of the pool. We hear his parents MUFFLE D VOICES from above the surface. "Bee Movie" - JS REVISIO NS 8/13/07 47. JANET BENSON (CONT'D) (muffled) Barry, come out from under there. Your father's talking to you. Martin, would you talk to him? MARTIN BENSON Barry, I'm talking to you. DISSOLVE TO: EXT. PICNIC AREA DAY MUSIC: "Sugar Sugar" by the Archies. Bary and Vanessa are having a picnic. A MOSQUITO lands on Vanessa's leg. She SWATS it violently. Barry's head whips around, aglhast. They stare at each other awkwardly in a frozen moment, then BURST INTO HYSTERICAL LAUGHTER. Vanessa GETS UP. VANESSA You coming? BARRY Got everything? VANESSA All set. Vanessa gets into a one-man Ultra Light plane with a black and yellow paint scheme. She puts on her heImet. BARRY You go ahead, I'll catch up. VANESSA (come hither wink) Don't be too long. The Ultra Light takes off. Barry catches up. They fly sideby-side. VANESSA (CONT'D) Watch this! Vanessa does a loop, and FLIES right into the side of a mountain, BURSTING into a huge ball of flames. "Bee Movie" - JS REVISIONS 8/13/07 48. BARRY (yelling, anguished) Vanessa! EXT. BARRY'S PARENT'S HOUSE - CONTINUOUS ANGLE ON: Barry's face bursting through the surface of the pool, GASPING for air, eyes opening in horror. MARTIN BENSON We're still he re, Barry. JANET BENSON I told you not to yell at him. He doesn't respond when you yell at him. MARTIN BENSON Then why are you yelling at me? JANET BENSON Because you don't listen. MARTIN BENSON I'm not liste ning to this. Barry is toweling off, putting on his sweater. BARRY Sorry Mom, I've got to go. JANET BENSON Where are you going? BARRY Nowhere. I'm meeting a friend. Barry JUMPS off the balcony and EXITS. JANET BENSON (calling after him) A girl? Is this why you can't decide? BARRY Bye! JANET BENSON I just hope she's Bee-ish. CUT TO: "Bee Movie" "STREETWALK/SUPERMARKET" EXT. VANESSA'S FLORIST SHOP - DAY Vanessa FLIPS the sign to say "Sorry We Missed You", and locks the door. ANGLE ON: A POSTER on Vanessa's door for the Tournament of Roses Parade in Pasadena. Hivo, but it's a disease. It's a horrible, horrible disease. VANESSA Oh my. They turn the corner onto a busier avenue and people start to swat at Bary. MAN Dumb be es! VANESSA You must just want to sting all those jerks. BARRY We really try not to sting. It's usually fatal for us. VANESSA So you really have to watch your temper? They ENTER a SUPERMARKET. CUT TO: INT. SUPERMARKET BARRY Oh yeah, very care fully. You kick a wall, take a walk, write an angry letter and throw it out. You work through it like any em otion-- anger, jealousy, (under his breath) lust. Barry hops on top of some cardboard boxes in the middle of an aisle. A stock boy, HECTOR, whacks him with a rolled up magazine. VANESSA (to Barry) Oh my goodness. Are you okay? "Bee Movie" - JS JS REVISIONS 8/13/07 52. BARRY I never heard of him. Why is this here? VANESSA For pe ople. We eat it. BARRY Why? (gesturing around the market) You don't have enough food of your own? VA NESSA Well yes, we-- BARRY How do you even get it? VANESSA Well, be es make i... BARRY I know who makes it! And it's hard to make it! There's Heating and Cooling, and Stirring...you needa whole Kreiman thing. VANESSA It's organic. BARRY It's our-ganic! VANESSA It's just honey, Barry. BARRY Just...what?! Bees don't know about this. This is stealing. A lot of stealing! You've taken our homes, our schools, our hospitals. This is all we have. And it's on sale? I'm going to get to the bottom of this. I'm going to get to the bottom of JS REVISIONS 8/13/07 53. SEQ. 1800 "WINDSHIELD" EXT. BACK OF SUPERMARKET LOADING DOCK LATER THAT DAY Bary disguises himself by blacking out his yellow lines with a MAGIC MARKER and putting on some war paint. He sees Hector, the stock boy, with a knife CUTTING open cardboard boxes filled with honey jars. MAN You almost done? HECTOR Almost. Barry steps in some honey, making a SNAPPING noise. Hector stops and turns. HECTOR (CONT'D) He is here. I sense it. Hector grabs his BOX CUTTER. Barry REACTS, hides himself be hind the box again. HECTOR (CONT'D) (tallking too loud, to no one in particular) Well, I guess I'll go home now, and just leave this nice EXT. TRUCK WINDSHIELD MOOSEBLOOD But don't kill no more bugs! The Mosquito is FLUNG off of the wiper. MOOSEBLOOD (CONT'D) Beeeeeeeeeeeeee! BARRY Moose blood guy! "Bee Movie" - JS REVISIONS 8/13/07 57. Barry slides toward the end of the wiper, is thrown off, but he grabs the AERIAL and hangs on for dear life. Barry looks across and sees a CRICKET on another vehicle in the exact same predicament. They look at each other and SCREAM in unison. BARRY AND CRICKET Aaaaaaaaaah! ANOTHER BUG grabs onto the aerial, and screams as well. INT. TRUCK CAB- SAME TIME DRIVER You hear some thing? TRUCKER PASSENGER Like what? DRIVER Like tiny screaming. TRUCKER PASSENGER Turn off the radio. The driver reaches down and PRESSES a button, own. BARRY But what if you get in trouble? MOOSEBLOOD Trouble? You're a mosquito. You're in trouble! Nobody likes us. They're just all smacking. People see a mos quito, smack, smack! BARRY At least you're out in the world. You must meet a lot of girls. MOOSEBLOOD Mosquito girls try to trade up; get with a moth, dragonfly .. . mos quito girl don't want no mosquito. A BLOOD MOBILE pulls up alongside. MOOSEBLO0OD (CONT'D) Whoa, you have got to be kidding me. Moose blood's about to leave the building. So long bee. "Bee Movie minute, semi-automatic. Twice the nicotine, all the tar. They LAUGH again, nefariously. FREDDY (CONT'D) Couple of bre a ths of this, and it knocks them right out. They make the honey, and we make the money. BARRY"They make the honey, and we make the money?" Barry climbs onto the netting of Freddy's hat. He climbs up to the brim and looks over the edge. He sees the apiary boxes as Freddy SMOKES them. BARRY (CONT'D) Oh my. As Fre ddy turns around, Barry jumps into an open apiary box, and into an apartment. HOWARD and FRAN are just coming to from the smoking. BARRY (CONT'D) What's going on? Are you okay? HOWARD Yeah, it doesn't last too long. HE COUGHS a few times. BARRY How did you two get - JS REVISIONS 8/13/07 71. INT. COURTHOUSE - CONTINUOUS Barry SHUDDERS. VANESSA What's the matter? BARRY I don't know. I just got a chill. Montgomery ENTERS. He wallks by Barry's table shaking a honey packet. MONTGOMERY Well, if it isn't the B-Team. (re: the honey packet) Any of you boys work on this? He CHUCKLES. The JUDGE ENTERS. SEQ. 3000 "WITNESSES" BAILIFF All rise! The Honorable Judge Bumbleton presiding. JUDGE (shuffling papers) Alright...Case number 4475, Superior Court of New York. Barry Bee Bens on vs. the honey industry, is now in session. Mr. Montgomery, you are repre senting the five major food companies, collective ly. ANGLE Montgomery's BRIEFCASE. It has an embossed emblem of an EAGLE, holding a gavel in one talon and a briefcase in the other. MONTGOMERYA privilege. JUDGE Mr. Benson. Barry STANDS. JUDGE (CONT'D) You are representing all bees of the world? "Bee Movie" just an ordinary bee. And as a bee, honey's pretty important to me. It's important to all be es. We JS REVISIONS 8/13/07 74. INT. COURTHOUSE - LATER BARRY So, Mr. Klauss Vanderhayden of Honey Farms. Pretty big company you have there? MR. VANDERHAYDEN I suppose so. BARRY And I see you also own HoneyBurton, and Hon- Ron. MR. VANDERHAYDEN Yes. They provide beekeepers for our farms. BARRY Beekee per. I find that to be a very disturbing term, I have to say. I don't imagine you employ any bee free-ers, do you? MR. VANDERHAYDEN No. BARRY I'm sory. I couldn't hear you. MR. VANDERHAYDEN (louder) No. BARRY No. Because you don't free bees. You keep bees. And not only that, it seems you thought a bear would be an appropriate image for a jar of honey? MR. VANDERHAYDEN Well, they're very lovable cre atures. Yogi-be ar, Fozzy-bear, Build-a-bear. BARRY Yeah, you mean like this?! Vanessa and the SUPERINTE NDANT from her building ENTER with a invented it, we make it, and we protect it with our lives. Unfortunate ly, the re are some pe ople in this room who think they can take whatever they want from us cause we're the little guys. And what I'm hoping is that after this is all over, you'll see how by taking our honey, you're not only taking away everything we have, but everything we are. ANGLE ON: Vanessa smiling. ANGLE ON: The BEE GALLERY wiping tears away. CUT TO: INT. BENSON HOUSE Barry's family is watching the case on TV. JANET BENSON Oh, I wish he would dress like that all the time. So nice... CUT TO: INT. COURTROOM LATER JUDGE Call your first witness. CUT TO: "Bee Movie" Thank you. Liotta LAUGHS MANIACALLY. BARRY I also see from your resume that you're devilishly hands ome, but with a churning inner turmoil that's always ready to blow. LIOTTA I enjoy what I do. Is that a crime? "Bee Movie" - JS REVISIONS 8/13/07 77. BARRY Not yet it isn't. But is this what it's come to for you, Mr. Liotta? Exploiting tiny heI pless bees so you don't have to rehearse your part, and leam your lines, Sir? LIOTTA Watch it Benson, I could blow right now. BARRY This isn't a goodfella. This is a badfella! LIOTTA (exploding, trying to smash Barry with the Emmy) Why doe sn't some one just step on this little creep and we can all go home? You're all thinking it. Say it! JUDGE Order! Order in this courtroom! A MONTAGE OF NEWSPAPER HEADLINES FOLLOWS: really a special skill. KEN (to Barry) You think I don't see what you're doing? BARRY Hey look, I know how hard it is trying to find the right job. We certainly have that in common. KEN Do we? BARRY Well, bees have 100% employment, of course. But we do jobs like taking the crud out. KEN That's just what I was thinking about doing. Ken holds his table knife up. It slips out of his hand. He goes under the table to pick it up. "Bee Movie" champagne down on the table. Ken closes his eyes and buries his face in his hands. He gra bs a magazine on the way into the bathroom. SEQ. 2800- FRESHENER. KEN (CONT'D) I think something stinks in here. He sprays at Barry. BARRY I love the smell of flowers. KEN Yeah? How do you like the smell of flames? Ken lights the stream. BARRY Not as much. Barry flies in a circle. Ken, trying to stay with him, spins in place. ANGLE ON: Flames outside the bathroom door. Ken slips on the Italian Vogue, falls backward into the shower, pulling down the shower curtain. The can hits him in the head, followed by the shower curtain rod, and the rubber duck. Ken rea ches back, grabs the handheld shower head. He whips around, looking for Barry. ANGLE ON: A WATERBUG near the drain. WATERBUG Waterbug. Not taking sides. Barry is on the toilet tank. He comes out from behind a shampoo bottle, we a ring a chapstick cap as a MONTGOMERY So those aren't even your real parents! ANGLE ON: Barry's parents. MARTIN BENSON Oh, Barry. BARRY Yes they are! ADAM Hold me back! Vanessa holds him back with a COFFEE STIRRER. Montgomery points to Barry's parents. MONTGOMERY You're an illegitimate bee, aren't you Benson? ADAM He's denouncing bees! All the bees in the courtroom start to HUM. They're agitated. MONTGOMERY And don't y'all date your cousins? "Bee Movie" - JS REVISIONS 8/13/07 87. VANESSA (standing, letting go of Adam) Objection! Adam explodes from the table and flies towards Montgomery. ADAM I'm going to pin cushion this guy! Montgomery turns around and positions himself by the judge's bench. He sticks his butt out. Montgomery winks at his team. BARRY Adam, don't! It's what he wants! Adam shoves Bary out of the way. Adam STINGS Montgomery in the butt. The jury REACTS, aghast. MONTGOMERY Ow! I'm hit! Oh, lordy, I am hit! The judge BANGS her gavel. JUDGE Order! Order! Please, Mr. Montgomery. MONTGOMERY The venom! The venom is cours ing through my veins! I have been felled bya wing-ed beast of destruction. You see? You can't treat them like equals. They're strip-ed savages! Stinging's the only thing they know! It's their way! ANGLE ON: Adam, collapsed on the floor. Barry rushes to his side. BARRY Adam, stay with me. ADAM I can't feel my legs. Montgomery falls on the Bailiff. BAILIFF Take it easy. "Bee Movie" - JS REVISIONS 8/13/07 88. MONTGOMERY Oh, what angel of mercy will ADAM (pressing the button) Yeah...I blew the whole case, di dn't 1? "Bee Movie" - JS REVISIO NS 8/13/07 89. BARRY Oh, it doesn't matter. The important thing is you're alive. You could have died. ADAM I'd be be tter off dead. Look at me. Adam THROWS the blanket off his lap, revealing a GREEN SANDWICH SWORD STINGER. ADAM (CONT'D) (voice cracking) They got it from the cafeteria, they got it from downstairs. In a tuna sandwich. Look, there's a little celery still on it. BARRY What was it like to sting someone? ADAM I can't explain it. It was all adrenaline...and then...ecstasy. Barry looks at Adam. BARRY Alright. ADAM You think that was all a trap? BARRY Of course. I'm sory. I flew us right into this. What were we thinking? Look at us, we're just a couple of bugs in this world. ADAM What do you think the humans will do to us if they win? BARRY I don't know. ADAM I hear they put the roaches in motels. That doesn't sound so bad. "Bee Movie" - JS REVISIONS 8/13/07 90. BARRY Adam, they check in, but they don't check out. Adam GULPS. ADAM Oh my. ANGLE ON: the hospital window. We see THREE PEOPLE smoking outside on the sidewalk. The smoke drifts in. Adam COUGHS. ADAM (CONT'D) Say, could you get a nurse to close that window? BARRY Why? ADAM The smoke. Bees don't smoke. BARRY Right. Bees don't smoke. Bees don't smoke! But some bees are smoking. Adam, that's it! That's our case. Adam starts putting his clothes on. ADAM it is? It's not over? BARRY No. Get up. Get dressed. I've got to go good time. I actually once heard a pretty funny story abouta bee-- MONTGOMERY Your Honor, haven't these ridiculous bugs taken up enough of this court's valuable time? Montgomery rolls out from behind his table. He's sus pended in a LARGE BABY CHAIR with wheels. MONTGOMERY (CONT'D) How much longer are we going to allow these absurd shenanigans to go on? They have presented no compe Illing evidence to support their charges against my clients wiho have all run perfectly legitimate businesses. I move for a complete dismissal of this entire case. JUDGE Mr. Flayman, I am afraid I am going to have to consider Mr. Montgomery's motion. "Bee Movie" - JS REVISIONS 8/13/07 92. ADAM But you can't. We have a terrific case. MONTGOMERY Where is your crashing to the table. He bounces right back up. VANESSA (CONT'D) Oh, sorry. BARRY Ow!! I'm okay. Vanessa, do you know what this means? All the honey is finally going to belong to the bees. Now we won't have to work so hard all the time. Montgomery approaches Barry, surrounded by the press. The cameras and microphones go to Montgomery. MONTGOMERY (waving a finger) This is an unholy perversion of the balance of nature, Benson! You'll regret this. ANGLE ON: Barry's 'deer in headlights' expre ssion, as the press pushes microphones in his face. "Bee Movie" Ralph Lauren, and I have no pants. The Press follows Barry as he EXITS. ANGLE ON: Adam and Vanessa. ADAM (putting papers away) What if Montgomery's right? VANESSA What do you mean? ADAM We've been living the bee way a long time. 27 million years. DISSOLVE TO: SEQ. 3600 "HONEY ROUNDUP EXT. HONEY FARMS APIARY MONTAGE SARAH (V.o) Congratulations on your victory. What are you going to demand as a settlement? BARRY (V.O) (over montage) First, we're going to demand a complete shutdown of all bee work camps. Then, we want to get back all the honey that was ours to begin with. Every last drop. We demand an end to the glorification of the bear as anything more than a filthy, smelly, big-headed, bad breath, stink-machine. "Bee prance-about stage name! CUT TO: INT. A WOMAN'S SHOWER - MONTAGE A WOMAN is taking a shower, and using honey shampoo. An ATF&H age nt pulls the shower curtain aside, and grabs her bottle of shampoo. The woman SCREAMS. The agent turns to the 3 other agents, and Barry. ANGLE ON: Bary looking at the label on the shampoo bottle, shaking his head and writing in his clipboard. CUT TO: EXT. SUPERMARKET CAFE - MONTAGE Another customer, an old lady having her tea with a little jar of honey. gets her face pushed down onto the table and turned to the side by two agents. One of the agents has a gun on her. OLD LADY Can't breathe. CUT TO: EXT. CENTRAL PARK - MONTAGE An OIL DRUM of honey is connected to Barry's hive. "Bee Movie" - JS balconies of the gyms. CUT TO: EXT. CENTRAL PARK ANGLE ON: THE FLOWERS starting to DROOP. CUT TO: INT. J-GATE J-Gate is deserted. CUT TO: "Bee Movie" - JS REVISIONS 8/13/07 99. EXT. NEW HIVE CITY ANGLE ON: Bees sunning them selves. A TIMER DINGS, and they all turn over. CUT TO: EXT. CENTRAL PARK TIME LAPSE of Central Park turning brown. CUT TO: EXT. VANESSA'S FLORIST SHOP CLOSE-UP SHOT: Vanessa writes "Sorry. No more flowers." on a "Closed" sign, an turns it facing out. CUT TO: SEQ. 3700 - "IDLE HIVE EXT. NEW HIVE CITY-DAY Barry flies at high speed. TRACKING SHOT into the hive, through the lobby of Honex, and into Adam's office. CUT TO: INT. ADAM'S OFFICE - CONTINUOUS Barry meets Adam in his office. Adam's office is in JS REVISIONS 8/13/07 100. ADAM (exiting with a cardboard box of belongings) No, they're just home. They don't know what to do. BARRY Hmmm. ADAM They're laying out, they're sleeping in. I heard your Uncle Carl was on his way to San Antonio with a cricket. BARRY At least we got our honey back. They walk through the empty factory. ADAM Yeah, but sometimes I think, so what if the humans liked our honey? Who wouldn't? It's the greatest thing in the world. I was excited to be a part So, you take away the produce, that affects the entire animal kingdom. And then, of course... BARRY The human species? VANESSA (clearing throat) Ahem! BARRY Oh. So, if there 's no more pollination, it could all just go south here, couldn't it? VANESSA And I know this is also partly my fault. Barry takes a long SlGH. BARRY How about a suicide pact? VANESSA (not sure if he's joking) How would we do it? BARRY I'll sting you, you step on me. "Bee Movie" - JS REVISIONS 8/13/07 103. VANESSA That just kills you twice. BARRY Right, right. VANESSA Listen Barry. Sorry but I've got to get going. She EXITS. BARRY (looking out over the park) Had to open my mouth and talk... (looking back) Vanessa..? Vanessa is gone. CUT TO: SEQ. 3935 "GOING TO PASADENA" EXT. NY JS REVISIONS 8/13/07 104. BARRY (chuckling to himself) Tournament of Roses. Roses can't do sports. Wait a minute...roses. Roses? Roses!? Vanessa! Barry follows shortly after. He catches up to it, and he pounds on the window. Barry follows shortly after Vanessa's cab. He catches up to it, and he pounds on the window. marshall. BARRY You do that. This whole parade is a fiasco! She EXITS. Vanessa removes the step-ladder. The princess FALLS. Barry and Vanessa take off in the float. BARRY (CONT'D) Let's see what this baby will do. ANGLE ON: Guy with he a ds et talking to drivers. HEADSET GUY Hey! The float ZOOMS by. A young CHILD in the stands, TIMMY, cries. CUT TO: EXT. FLOAT STAGING AREA- A FEW MOMENTS LATER ANGLE ON: Vanessa putting the prince ss hat on. BARRY (V.O) Then all we do is blend in with traffic, without arousing suspicion. CUT TO: EXT. THE PARADE ROUTE - CONTINUOUS The floats go flying by the crowds. Barry and Vanessa's float CRASHES through the fence. CUT TO: "Bee Movie" - JS REVISIONS 8/13/07 109. EXT. LA FREEWAY Vanessa and Barry (0.C) Then, if we 're lucky, we'll have just enough pollen to do the job. DISSOLVE TO: SEQ. 4025 life raft explode d... Now one 's bald, one's in a boat, and they're both uncons cious. VANESSA Is that another bee joke? BARRY No. No one 's flying the plane. The AIR TRAFFIC CONTROLLER, BUD, spea ks over the radio. BUD This is JFK control tower. Flight 356, what's your status? Vanessa presses a button, and the intercom comes on. VANESSA This is Vanessa Bloome. I'm a florist from New York. BUD Whe re's the pilot? VANESSA He's unconscious and so is the copilot. BUD Not good. Is there any one onboard who has flight experience? A BEAT. BARRY As a matter of fact, there is. "Bee Movie" - JS REVISIONS 8/13/07 114. BUD Who's that? VANESSA Barry Benson. BUD From the honey trial? Oh great. BARRY Vanessa, this is nothing more than a big metal bee. It's got giant wings, huge engines. VANESSA I can't fly a plane. BARRY Why not? Isn't John Travolta a pilot? VANESSA Yes? BARRY How hard could it be? VANESSA Wait a minute. Barry, we're headed into some lightning. CUT TO: Vanessa shrugs, and takes the controls. SEQ. 4150-" BARRY FLIES P LANE" INT. BENSON HOUSE The family is all huddled around the TV at the Benson house. ANGLE ON: TV. Bob Bumble is broadcasting. BOB BUMBLE This is Bob Bum ble. We have some late-breaking news from JFK airport, whe re a very suspenseful scene is developing. Barry Benson, fresh off his stunning legal victory... "Bee Movie" - JS REVISIONS 8/13/07 115. Adam SPRAYS a can of HONEY-WHIP into his mouth. ADAM That's Bary. BOB BUMBLE..is now attempting to land a plane, what happened? BARRY (noticing the control panel) Wait a minute. I think we were on autopilot that whole time. VANESSA That may have been helping me. BARRY And now we're not! VANESSA (V.O.) (folding her arms) Well, then it turns out I cannot fly a plane. "Bee Movie" - JS REVISIONS 8/13/07 118. BARRY (CONT'D) Vanessa struggles with the yoke. CUT TO: EXT. AIRP LA NE The airplane goes into a steep dive. CUT TO: SEQ. 4175 CRASH LANDING" INT. J-GATE An ALERT SIGN READING: "Hive Alert. We Need:" Then the SIGNAL goes from "Two Bees" "Some Bees" "Every Bee There Is" Lou Loduca gathers the pollen jocks at J-Gate. LOU LODUCA All of you, let's get behind this fellow. Move it out! The bees follow Lou Loduca, and EXIT J-Gate. CUT TO: INT. The pollen jocks! VANESSA They do get behind a fellow. BARRY Black and yellow. LOU LODUCA (over headset) Hello. " Bee Movie" - JS REVISIONS 8/13/07 121. Alright you two, what do you say we drop this tin can on the bla cktop? VANESSA What blacktop? Where? I can't see anything. Can you? BARRY No, nothing. It's all cloudy. CUT TO: EXT. RUNWAY Adam SHOUTS. ADAM Come on, you've got to think bee, Barry. Thinking bee, thinking bee. ANGLE ON: Overhe ad shot of runway. The bees are in the formation of a flower. In unison they move, causing the flower to FLASH YELLOW AND BLACK. BEES (chanting) Thinking bee, thinking bee. CUT TO: INT. COCKPIT We see through the swirling mist and clouds. A GIANT SHAPE OF A FLOWER is forming in the middle of the runway. BARRY Wait a minute. I think I'm fee ling something. VANESSA What? BARRY I don't know, but it's strong. And it's pulling me, like a 27 million year old instinct. Bring the nose of the plane down. "Bee Movie" VANESSA Cut the engines? BARRY We're going in on bee power. Ready boys? LOU LODUCA Affirmative. CUT TO: "Bee Movie" - JS REVISIONS 8/13/07 123. INT. AIRP LA NE COCKPIT BARRY Good, good, easy now. Land on that flower! Ready boys? Give me full reverse. LoU LODUCA Spin it around! The plane attempts to land on top of an "Aloha Airlines" plane with flowers painted on it. BARRY (V.O) I mean the giant black and yellow pulsating flower made of millions of bees! VANESSA Which flower? BARRY That flower! VANESSA I'm aiming at the flower! The plane goes after a FAT GUY IN A HAWAIIAN SHIRT. BARRY (V.O) That's a fat guy in a flowered shirt! The other other flower! The big one. He snaps a photo and runs away. BARRY (CONT'D) Full forward. Ready "RUNWAY SPEECH" EXT.RUNWAY - CONTINUOUS The INFLATA BLE SLIDES pop out the side of the plane. The passengers escape. Barry and Vanessa slide down out of the cockpit. Barry and Vanessa exhale a huge breath. VANESSA Barry, we did it. You taught me how to fly. Vanessa raises her hand up for a high five. "Bee Movie" - JS REVISIONS 8/13/07 125. BARRY Yes. No high five. VANESSA Right. ADAM Bary, it worke d. Did you see the giant flower? BARRY What giant flowe r? Where? Of course I saw the flower! That was genius, man. Genius! ADAM Thank you. BARRY But we 're not done yet. Barry flies up to the wing of the plane, and addresses the bee crowd. BARRY (CONT'D) Listen everyone. This runway is Law". "Bee Movie" them anywhere. "Bee Movie" - JS REVISIONS 8/13/07 129. BARRY Not a problem, Vannie. Just leave it to me. Vanessa turns back to deal with a customer. VANESSA You're a life-saver, Barry. (to the next customer) Can I help who's next? Who's next? ANGLE ON: Vanessa smiling back at Barry. Barry smiles too, then snaps himself out of it. BARRY (speaks into his antennae) Alright. Scramble jocks, it's time to fly! VANESSA Thank you, Barry! EXT. FLOWER SHOP - CONTINUOUS ANGLE ON: Ken and Andy walking down the street. KEN (noticing the new sign) Augh! What in the world? It's that bee again! ANDY (guiding Ken prote ctive ly) Let it go, Kenny. KEN That bee is living my life! When will this nightmare end? ANDY Let it all go. They don't break stride. ANGLE ON: Camera in front of Barry as he flies out the door and up into the sky. Pollen jocks fold in formation behind him as they zoom into the park. BARRY (to Splitz) Beautiful day to fly. " Bee Movie" - JS REVISIONS 8/13/07 130. JACKSON Sure is. BARRY Between you and me, I was dying to get out of that office. FADE OUT: "Bee Movie" Yeah just zoom in.

Yeah just zoom in.

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Zoom in, you can trust me: top off a CONTA INER OF HONEY, and puts some honey into his hair. He squirts some in his mouth and gargles. Then he takes the lid off the bottle, and rolls some on like deodorant. CUT TO: INT. BENSON HOUSE KITCHEN -CONTINUOUS Barry's mother, JANET BENSON, yells up at Bary. JANET BENSON Barry, breakfast is ready! CUT TO: "Bee Movie" JS REVISIONS 8/13/07 2. BARRY Sorry, I'm excite d. Barry's father, MARTIN BENSON, ENTERS. He's reading a NEWSPAPER with the HEADLINE, "Queen gives birth to thousandtuple ts: Resting Com forta bly." MARTIN BENSON Here's the gra duate. We're very proud of you, Son. And a perfect report card, all B's. JANET BENSON (mushing Barry's hair) Very proud. BARRY Ma! I've got a thing going here. Barry re-adjusts his hair, starts to leave. JANET BENSON You've got some lint on your fuzz. She picks it off. BARRY Ow, that's me! MARTIN BENSON Wave to us. We'll be in row 118,000. Barry zips off. BARRY Bye! JANET BENSON Barry, I told you, stop flying in the house! CUT TO: SEQ. 750 DRIVING TOo GRADUATION EXT. BEE SUBURB - MORNING A GARAGE DOOR OPENS. Barry drives out in his CAR. "Bee Movie" JS REVISIONS 8/13/07 3. ANGLE ON: Barry's friend, ADAM FLAYMAN, standing by the curb. He's reading a NEWSPAPER with the HEAD LINE: "Frisbee Hits Hive: Internet Down. Bee-stander: "I heard a sound, and next thing I going to his fune ra l? BARRY No, I'm not going to his funeral. Everybody knows you sting some one you die, you don't waste it on a squirre I. He was such a hot head. ADAM Yeah, I uess he could've just gotten out of the way. The DRIVE through a loop de loop. BARRY AND ADAM Whoa...Whooo...wheee!! ADAM I love this incorporating the amusement park right into our regular day. BARRY I guess that's why they say we don't need vacations. CUT TO: SEQ. 95 - GRADUATION EXT. GRADUATION CEREMONY - CONTINUOUS Barry and Adam come to a stop. They exit the car, and fly over the crowd to their seats. * BARRY * (re: graduation ceremony) * Boy, quite a bit of pomp..under * the circumstance s. * They land in the ir seats. BARRY (CONT'D) Well Adam, to day we are men. "Bee Movie" - JS REVISIONS 8/13/07 5. ADAM We are. BARRY Bee-meh. ADAM Amen! BARRY Hallelujah. Barry hits Adam's fore he ad. Adam goes into the rapture. An announce ment comes over the PA. ANNOUNCER (V.O) Students, faculty, distinguished bees...please welcome, Dean Buzzwe Il. ANGLE ON: DEAN BUZZWELL steps up to the podium. The podium has a sign that reads: "Welcome Graduating Class of:", with train-station style flipping numbers after it. BUZZWELL Welcome New Hive City graduating class of... The numbers on the podium change to 9:15. BUZZWE LL (CONT'D)9:15. (he clears his throat) And that concludes our graduation ceremonies. And begins your career at Honex Industries. BARRY Are we going to pick our job today? ADAM I heard it's just orientation. The rows of chairs change in transformer-like mechanical motion to Universal Studios type tour trams. Buzzwell walks off stage. BARRY (re: trams) Whoa, heads up! Here we go. "Bee Movie" - JS REVISIONS 8/13/07 6. SEQ. 125 - "FACTORY FEMALE VOICE (V.O) Keep your hands and antennas inside the tram at all times. (in Spanish) Dejen las manos y antennas adentro del tram a todos tiempos. BARRY I wonder what it's going to be like? ADAM A little scary. Barry shakes Adam. BARRY AND ADAM AAHHHH! The tram passes under SIGNS READING: "Honex: A Division of Honesco: A Part of the Hexagon Group." TRUDY Welcome to Honex, a division of Honesco, and a part of the Hexagon group. BARRY This is it! The Honex doors OPEN, revealing is? BARRY Yes, we're all cousins. ADAM Right. You're right. TRUDY At Honex, we also constantly strive to improve every aspect of bee existence. The se bees are stress testing a new helmet technology. ANGLE ON: A STUNT BEE in a HELMET getting hit with a NEWSPAPER, then a SHOE, then a FLYSWATTE R. He ge ts up, and gives a "thumb's up". The graduate bees APPLAUD. ADAM (re: stunt bee) What do you think he makes? BARRY Not enough. TRUDY And here we have our latest advancement, the Kre Iman. "Bee Movie" - JS REVISIONS 8/13/07 8. BARRY Wow, what does that do? TRUDY Catches that little strand of honey that hangs after you pour it. Saves us millions. ANGLE ON: The Krelman machine. Bees with hand-shaped hats on, rotating around a wheel to catch drips of honey. Adam's hand shoots up. ADAM Can any one work on the Kreiman? TRUDY Of course. Most bee jobs are small ones. But bees know that every small job, if it's done well, means a lot. There are over 3000 diffe rent bee occupations. But choose carefully. because you'll stay in the job that you pick for the rest of your life. The be es CHEER. ANGLE ON: Barry's smile dropping slightly. BARRY The same job for the rest of your life? I didn't know that. ADAM What's the difference? TRUDY And you'll be happy to know that bees as a species haven't had one day off in 27 million years. BARRY So you'll just work us to death? TRUDY (laughing) We'll sure try. Everyone LAUGHS except Barry. "Bee Movie" - JS REVISIONS 8/13/07 9. The tram drops downa log-flume READING: "Bee Goes Berserk: Stings Seven Then Self." ANGLE ON: A BEE filling his car's gas tank from a honey pump. He fills his car some, then takes a swig for himself. NEWSPAPER BEE (to the bee guzzling gas) Hey! Barry and Adam be gin to cross the street. "Bee Movie" - JS REVISIONS 8/13/07 10. BARRY Yeah but Adam, did you ever think that maybe things work a little too well around here? They stop in the middle of the stre et. The traffic moves perfectly around them. ADAM Like what? Give me one example. BARRY (thinks)...I don't know. But you know what I'm talking about. They walk off. SEQ. 400 - "MEET THE JOCKS" SFX: The SOUND of Pollen Jocks. PAN DOWN from the Honex statue. J-GATE ANNOUNCER Please clear the gate. Royal Nectar Force on approach. Royal Nectar Force on approach. BARRY Wait a second. Check it out. Hey, hey, those are Pollen jocks. ADAM Wow. FOUR PATROL BEES FLY in through the hive's giant Gothic entrance. The Patrol Bees are wearing fighter pilot helmets with black visors. ADAM (CONT'D) I've never seen them this close. BARRY They know what it's like to go outside the hive. ADAM Yeah, but some of them don't come back. "Bee Movie" - JSs REVISIONS 8/13/07 11. The ne ctar from the pollen jocks is removed from the ir backpacks, and loaded into trucks on the ir way to Honex. A SMALL CROWD forms around the Patrol Bees. Each one has a PIT CREW that takes the ir nectar. Lou Loduca hurries a pit crew along: LOU LODUCA You guys did great! You're mons ters. You're sky freaks!I love it! I love it! SCHOOL GIRLS are jumping up and down and squealing nearby. BARRY I wonder whe re those guys haue just been? ADAM I don't know. BARRY Their day's not planne d. Outside the hive, flying wvho- knows - whe re, doing who-lknows - what. ADAM You can't just decide one day to be a Pollen Jock. You have to be bred for that. BARRY Right. Pollen Jocks cross in close proximity to Barry and Adam. Some pollen falls off, onto Barry and Adam. BARRY (CONT'D) Look at that. That's m ore pollen than you and I will ever see in a life time. ADAM (playing with the pollen) It's just a status sym bol. I think bees make too biga deal out of it. BARRY Perha ps, unless you're wearing it, and the ladies see you wearing it. ANGLE ON: Two girl bees. " Bee Movie" - JS REVISIONS on the balcony alone, looking out over the city. Martin Benson ENTERS, snea ks up behind Barry and gooses him in his ribs. MARTIN BENSON Honex! BARRY Oh, Dad. You surprised me. MARTIN BENSON (laughing) Have you decided what you're interested in, Son? BARRY Well, there's a lot of choices. MARTIN BENSON But you only get one. Martin LAUGHS. BARRY Dad, do you ever get bored doing the same job every day? MARTIN BENSON Son, let me tell you som e thing about stirring. (making the stirring motion) You grab that stick and you just move it around, and you stir it around. You get yourse lf into a rhythm, it's a beautiful thing. BARRY You know dad, the more I think about it, maybe the honey field just isn't right for me. MARTIN BENSON And you were thinking Another BEE APPLICANT, SANDY SHRIMPKIN is EXITING. SANDY SHRIMPKIN Is it still available? BUZZWELL Hang on. (he looks at changing numbers on the board) Two left. And...one of them's yours. Congratulations Son, step to the side please. "Bee Movie" - JS REVISIONS 8/13/07 17. SANDY SHRIMPKIN Yeah! ADAM (to Sandy, leaving) What did you get? SANDY SHRIMPKIN Picking the crud out. That is stellar! ADAM Wow. BUZZWELL (to Adam and Barry) Couple of newbies? ADAM Yes Sir. Our first day. We are ready. BUZZWELL Well, step up and make your choice. ANGLE ON: A CHART listing the different sectors of Honex. Heating, Cooling, Viscosity, Krelman, Pollen Counting, Stunt Bee, Pouring, Stirrer, Humming, Regurgitating, Front Desk, Hair Removal, (CONT'D) Oh, I'm sorry. The KRrelman just closed out. ADAM Oh! He takes the hat off Adam. BUZZWELL Wax Monkey's always open. The Krelman goes from "Closed" to "Open". BUZZWELL (CONT'D) And the KreIman just opened up again. ADAM What happe ne d? BUZWELL Well, whe never a bee dies, that's an opening. (pointing at the board) See that? He's dead, dead, another dead one, deady, deadified, two more de a d. Dead from the neck up, dead from the ne ck down. But, that's life. ANGLE ON: Barry's disturbed expre ssion. ADAM (feeling pressure to decide) Oh, this is so hard. Heating, cooling, stunt bee, pourer, stirrer, humming, inspector no. 7, lint coordinator, stripe supervisor, antenna-ball polisher, mite wrangler-- Bary. Barry, what do you think I should- - Barry? (V.o) You're cra - - Barry HANGS UR ANGLE ON: Lou Loduca. LOU LODUCA If anyone's feeling brave, there's a Korean Deli on 83rd that gets their roses today. BARRY (timidly) Hey guys. BUZZ Well, look at that. SPLITZ Isn't that the kid we saw yesterday? LOU LODUCA (to Barry) Hold it son, flight deck's restricted. JACKSON It's olkay Lou, we're going to take him bears, and bats. "Bee Movie" FLIPS their goggles down. Pit crew bees CRANK their wings, and remove the starting blocks. We hear loud HUMMING. "Bee Movie- JS REVISIONS 8/13/07 22. LOU LODUCA (CONT' D) LOU LODUCA (CONT'D) Pound those petunia's, you striped stem-suckers! All of you, drain those flowe rs! A FLIGHT DECK GUY in de ep crouch hand-signals them out the archway as the backwash from the bee wings FLUTTERS his jump suit. Barry follows everyone. SEQ. 800 Splitz and Jacks on CHUCKLE. LOU LODUCA Really? Feeling lucky, are ya? A YOUNGER SMA LLE R BEE THAN BARRY. CHET, runs up with a release waiver for Bary to sign. CHET Sign here. Here. Just initial that. Thank you. LOU LODUCA Okay. you got a rain advisory today and as you all know, bees cannot fly in rain. So be careful. As always, (reading off clipboard) watch your brooms, hockey sticks, dogs, birds "FLYING WITH THE JOCKS" The bees climb above tree tops in formation. Barry is euphoric. BARRY Whoa! I'm out! I can't believe I'm out! So blue. Ha ha ha! (a beat) I feel so fast...and free. (re: kites in the sky) Box kite! Wow! They fly by several bicyclists, and approach a patch of flowers. BARRY (CONT'D) Flowers! Coming in at you like a missile! Ken HITS the ball back. Bary feels the g-forces. ANGLE ON The Pollen Jocks watching Barry pass by the m in SLOW MOTION. "Bee Movie" - JS REVISIO NS 8/13/07 26. BARRY (in slow motion) Help me! JACKSON You know, I don't think these are flowers. SPLITZ Should we tell him? JACKSON I think he knows. BARRY (O.S) What is this?! Vanessa HITS a higlh arcing lob. Ken waits, poised for the return. We see Bary having trouble mane uve ring the ball from fatigue. KEN (overly confident) Match point! ANGLE ON: Ken running up. He has a killer look in his eyes. He's going to hit the ultimate overhe ad smash. KEN (CONT'D) You can just start packing up Honey, because I believe you're about to eat it! ANGLE ON: Pollen Jocks. JACKSON JS REVISIONS 8/13/07 27. BARRY Yowser!!! SEQ. 1000- grasshopper) Eww, gross. CUT TO: INT CAR - CONTINUOUS The car is packed with a typical suburban family: MOTHER, FATHER, eight-year old BOY, LITTLE GIRL in a car seat and a GRANDMOTHER. A big slobbery DOG is behind a grate. Bary pops into the passenger compartment, hitting the Mother's magazine. MOTHER There's a bee in the car! They all notice the bee and start SCREAMING. BARRY Aaahhhh! Barry tum bles around the car. We see the faces from his POV. MOTHER Do something! "Bee Movie" starts to RAIN. He nimbly avoids the rain at first. BARRY (CONT'D) Whoa. Whoa! Can't fly in rain! Can't fly in rain! Can't fly in- A couple of drops hit him, his wings go limp and he starts falling. BARRY (CONT'D) Mayday! May day! Bee going down! Barry sees a window le dge and aims for it and just makes it. Shivering and exhausted, he crawls into an open window as it CLOSES. SEQ. 1100 - "VANESSA SAVES BARRY INT. VANESSA'S APARTMENT -CONTINUOUS Inside the window, Barry SHAKES off the rain like a dog. Vanessa, Ken, Andy, and Anna ENTER the apartment. VANESSA Ken, can you close the window please? KEN Huh? Oh. (to Andy) Hey, check out my new resume. I made it into a fold-out brochure. You see? it folds out. Ken holds up his brochure, with photos know what? I pre dicted global warming. I could feel it getting hotter. At first I thought it was just me. Bary's POV: Giant human mouth opening. KEN (CONT'D) Wait! Stop! Beeeeeee! ANNA Kill it! Kill it! They all JUMP up from their chairs. Andy looks around for something to use. Ken comes in for the kill with a big TIMBERLAND BOOT on each hand. KEN Stand back. These are winter boots. Vanessa ENTERS, and stops Ken from squashing Barry. VANESSA (grabs Ken's arm) Wait. Don't kill him. CLOSE UP: on Barry's puzzled face. KEN You know I'm allergic to them. This thing could kill me. "Bee Movie" - JS REVISIONS 8/13/07 32. VANESSA Why does his life have any less value than yours? She takes a GLASS TUMBLER and places it over Barry. KEN Why does his life have Movie"- JS REVISIONS 8/13/07 33. EXT. WINDOWSILL CONTINUOUS Bary stares over the window frame. He can't believe what's just happened. It is still RAINING. DISSOLVE TO: SEQ. 1200 "BARRY SPEAKS" EXT. WINDOWSILL - LATER Barry is still staring through the window. Inside, everyone's saying their good-byes. KEN Vanessa, next we e k? Yogurt night? VANESSA Uh, yeah sure Ken. You know, whatever. KEN You can put carob chips on the re. VANESSA Good night. KEN (as he exits) Supposed to be less calories, or something. VANESSA Bye. She shuts the door. Vanessa starts cleaning up. BARRY I've got to say sometlhing. She saved my life. I've got to say something. Alright, he re it goes. Barry flies in. "Bee Movie" APARTMENT- CONTINUOUS Barry hides himself on different PRODUCTS placed along VANESSA You're talking, BARRY Yes, I know, I know. VANESSA You're talking. BARRY I know, I'm sony. I'm so sorry. VANESSA It's okay. It's fine. It's just, I know I'm dreaming, but I don't recall going to bed. " Bee Movie" - JS REVISIONS 8/13/07 35. BARRY Well, you know I'm sure this is very disconcerting. VANESSA Well yeah. I mean this is a bit of a surprise to me. I mean...you're a bee. BARRY Yealh, I am a bee, and you know I'm not supposed to be doing this, but they were all trying to kill me and if it wasn't for you...I mean, I had to thank you. It's just the way I was raised. Vanessa intentionally JABS her hand with a FORK. VANESSA O w! BARRY That was a little we ird. VANESSA (to herself) I'm talking to a bee. BARRY Yealh. VANESSA I'm talking to a be e. BARRY BARRY Really? VANESSA It's just coffee. BARRY I hate to impose. "Bee Movie" - JS REVISIONS 8/13/07 37. VANESSA Don't be ridiculous. BARRY Actually, I would love a cup. VANESSA Hey. you want a little rum cake? BARRY I really shouldn't. VANESSA Have a little rum cake. BARRY No, no, no, I can't. VANESSA Oh, come on. BARRY You know, I'm trying to lose a couple micrograms he re. VANESSA Where? BARRY Well... These stripes don't help. VANESSA You look great. BARRY I don't know if you know anything about fashion. Vanessa starts POURING the coffee through an imaginary cup and directly onto the floor. BARRY (CONT'D) A re you alright? VANESSA No. DISSOLVE TO: SEQ. 1300 "ROOFTOP COFFEE" "Bee Movie" - JS REVISIONS 8/13/07 38. EXT. for the hive, but I can't do it the way they want. VANESSA I know how you feel. BARRY You do? VANESSA Sure, my parents wanted me to be a lawyer or doctor, but I wanted to be a florist. BARRY Really? VANESSA My only interest is flowers. BARRY Our new queen was just elected with that same campaign slogan. VANESSA Oh. BARRY Anyway, see there's my hive, right there. You can see it. VANESSA Oh, you're in Sheep Meadow. BARRY (excite d) Yes! You know the turtle pond? VANESSA Yes? BARRY I'm right off of that. VANESSA Oh, no way. I know that area. Do you know I lost a toe-ring there once? BARRY Really? "Bee Movie" - JS REVISIONS 8/13/07 40. VANESSA Yes. BARRY Why do girls put rings on their toes? VANESSA Why not? BARRY I don't know. It's like putting a hat on your knee. VANESSA Really? Okay. A JANITOR in the background changes a LIGHTBULB. To him, it appe ars that Vanessa is talking to an imaginary friend. JANITOR You all right, ma'am? VANESSA Oh, yeah, fine. Just having two cups of coffee. BARRY Anyway, this has been great. (wiping his mouth) Thanks for the coffee. Barry gazes at Vanessa. VANESSA Oh yeah, it's no trouble. BARRY Sorry I couldn't finish it. Vanessa giggles. BARRY (CONT'D) (re: coffee) If I did, l'd be up the rest of my life. Ummm. Can I take a piece of this with me? VANESSA Sure. Here, have a crumb. She takes a CRUMB from the plate and hands it to Barry. "Bee Movie" - JS REVISIONS 8/13/07 41. BARRY (a little dreamy) Oh, thanks. VANESSA Yeah. The re is an awkward pause. COAT BEE 2 Well, he's all set to go, we may as well try it. (into the mic) Okay Dave, pull the chute. The test bee opens his parachute. He's instantly blown against the rear wall. Adam and Barry ENTER. ADAM Sounds amazing. BARRY Oh, it was amazing. It was the scariest, Ihappiest moment of my life. ADAM Humans! Humans! I can't believe you were with humans! Giant scary humans! What we re they like? BARRY Huge and crazy. They talk crazy, they eat crazy giant things. They drive around real crazy. ADAM And do they try and kill you like on TV? BARRY Some of them. But some of the m don't. ADAM How'd you get back? BARRY Poodle. ADAM Look, you did it. And I'm glad. You saw whatever you wanted to see out there, you had your "experience", and now JS REVISIONS 8/13/07 43. ANGLE ON: LAB BEES examining a CANDY CORN through a micros cope. BARRY Well... ADAM Well? BARRY Well, I met some one . ADAM You met some one? Was she Bee-ish? BARRY Mmm. ADAM Not a WASP? Your parents will kill you. BARRY No, no, no, not a wasp. ADAM Spider? BARRY You know, I'm not attracted to the spiders. I know to everyone else it's like the hottest thing with the eight legs and all. I can't get by that face. Barry makes a spider face. ADAM So, who is she? BARRY She 's a human. ADAM Oh no, no, no, no. That didn't happen. You didn't do that. That is a bee law. You wouldn't break a bee law. BARRY Her name's Vanessa. "Bee JANET BENSON Would it kill you to just make a little honey? Barry ROLLS off the raft and SINKS to the bottom of the pool. We hear his parents MUFFLE D VOICES from above the surface. "Bee Movie" - JS REVISIO NS 8/13/07 47. JANET BENSON (CONT'D) (muffled) Barry, come out from under there. Your father's talking to you. Martin, would you talk to him? MARTIN BENSON Barry, I'm talking to you. DISSOLVE TO: EXT. PICNIC AREA DAY MUSIC: "Sugar Sugar" by the Archies. Bary and Vanessa are having a picnic. A MOSQUITO lands on Vanessa's leg. She SWATS it violently. Barry's head whips around, aglhast. They stare at each other awkwardly in a frozen moment, then BURST INTO HYSTERICAL LAUGHTER. Vanessa GETS UP. VANESSA You coming? BARRY Got everything? VANESSA All set. Vanessa gets into a one-man Ultra Light plane with a black and yellow paint scheme. She puts on her heImet. BARRY You go ahead, I'll catch up. VANESSA (come hither wink) Don't be too long. The Ultra Light takes off. Barry catches up. They fly sideby-side. VANESSA (CONT'D) Watch this! Vanessa does a loop, and FLIES right into the side of a mountain, BURSTING into a huge ball of flames. "Bee Movie" - JS REVISIONS 8/13/07 48. BARRY (yelling, anguished) Vanessa! EXT. BARRY'S PARENT'S HOUSE - CONTINUOUS ANGLE ON: Barry's face bursting through the surface of the pool, GASPING for air, eyes opening in horror. MARTIN BENSON We're still he re, Barry. JANET BENSON I told you not to yell at him. He doesn't respond when you yell at him. MARTIN BENSON Then why are you yelling at me? JANET BENSON Because you don't listen. MARTIN BENSON I'm not liste ning to this. Barry is toweling off, putting on his sweater. BARRY Sorry Mom, I've got to go. JANET BENSON Where are you going? BARRY Nowhere. I'm meeting a friend. Barry JUMPS off the balcony and EXITS. JANET BENSON (calling after him) A girl? Is this why you can't decide? BARRY Bye! JANET BENSON I just hope she's Bee-ish. CUT TO: "Bee Movie" "STREETWALK/SUPERMARKET" EXT. VANESSA'S FLORIST SHOP - DAY Vanessa FLIPS the sign to say "Sorry We Missed You", and locks the door. ANGLE ON: A POSTER on Vanessa's door for the Tournament of Roses Parade in Pasadena. Hivo, but it's a disease. It's a horrible, horrible disease. VANESSA Oh my. They turn the corner onto a busier avenue and people start to swat at Bary. MAN Dumb be es! VANESSA You must just want to sting all those jerks. BARRY We really try not to sting. It's usually fatal for us. VANESSA So you really have to watch your temper? They ENTER a SUPERMARKET. CUT TO: INT. SUPERMARKET BARRY Oh yeah, very care fully. You kick a wall, take a walk, write an angry letter and throw it out. You work through it like any em otion-- anger, jealousy, (under his breath) lust. Barry hops on top of some cardboard boxes in the middle of an aisle. A stock boy, HECTOR, whacks him with a rolled up magazine. VANESSA (to Barry) Oh my goodness. Are you okay? "Bee Movie" - JS JS REVISIONS 8/13/07 52. BARRY I never heard of him. Why is this here? VANESSA For pe ople. We eat it. BARRY Why? (gesturing around the market) You don't have enough food of your own? VA NESSA Well yes, we-- BARRY How do you even get it? VANESSA Well, be es make i... BARRY I know who makes it! And it's hard to make it! There's Heating and Cooling, and Stirring...you needa whole Kreiman thing. VANESSA It's organic. BARRY It's our-ganic! VANESSA It's just honey, Barry. BARRY Just...what?! Bees don't know about this. This is stealing. A lot of stealing! You've taken our homes, our schools, our hospitals. This is all we have. And it's on sale? I'm going to get to the bottom of this. I'm going to get to the bottom of JS REVISIONS 8/13/07 53. SEQ. 1800 "WINDSHIELD" EXT. BACK OF SUPERMARKET LOADING DOCK LATER THAT DAY Bary disguises himself by blacking out his yellow lines with a MAGIC MARKER and putting on some war paint. He sees Hector, the stock boy, with a knife CUTTING open cardboard boxes filled with honey jars. MAN You almost done? HECTOR Almost. Barry steps in some honey, making a SNAPPING noise. Hector stops and turns. HECTOR (CONT'D) He is here. I sense it. Hector grabs his BOX CUTTER. Barry REACTS, hides himself be hind the box again. HECTOR (CONT'D) (tallking too loud, to no one in particular) Well, I guess I'll go home now, and just leave this nice EXT. TRUCK WINDSHIELD MOOSEBLOOD But don't kill no more bugs! The Mosquito is FLUNG off of the wiper. MOOSEBLOOD (CONT'D) Beeeeeeeeeeeeee! BARRY Moose blood guy! "Bee Movie" - JS REVISIONS 8/13/07 57. Barry slides toward the end of the wiper, is thrown off, but he grabs the AERIAL and hangs on for dear life. Barry looks across and sees a CRICKET on another vehicle in the exact same predicament. They look at each other and SCREAM in unison. BARRY AND CRICKET Aaaaaaaaaah! ANOTHER BUG grabs onto the aerial, and screams as well. INT. TRUCK CAB- SAME TIME DRIVER You hear some thing? TRUCKER PASSENGER Like what? DRIVER Like tiny screaming. TRUCKER PASSENGER Turn off the radio. The driver reaches down and PRESSES a button, own. BARRY But what if you get in trouble? MOOSEBLOOD Trouble? You're a mosquito. You're in trouble! Nobody likes us. They're just all smacking. People see a mos quito, smack, smack! BARRY At least you're out in the world. You must meet a lot of girls. MOOSEBLOOD Mosquito girls try to trade up; get with a moth, dragonfly .. . mos quito girl don't want no mosquito. A BLOOD MOBILE pulls up alongside. MOOSEBLO0OD (CONT'D) Whoa, you have got to be kidding me. Moose blood's about to leave the building. So long bee. "Bee Movie minute, semi-automatic. Twice the nicotine, all the tar. They LAUGH again, nefariously. FREDDY (CONT'D) Couple of bre a ths of this, and it knocks them right out. They make the honey, and we make the money. BARRY"They make the honey, and we make the money?" Barry climbs onto the netting of Freddy's hat. He climbs up to the brim and looks over the edge. He sees the apiary boxes as Freddy SMOKES them. BARRY (CONT'D) Oh my. As Fre ddy turns around, Barry jumps into an open apiary box, and into an apartment. HOWARD and FRAN are just coming to from the smoking. BARRY (CONT'D) What's going on? Are you okay? HOWARD Yeah, it doesn't last too long. HE COUGHS a few times. BARRY How did you two get - JS REVISIONS 8/13/07 71. INT. COURTHOUSE - CONTINUOUS Barry SHUDDERS. VANESSA What's the matter? BARRY I don't know. I just got a chill. Montgomery ENTERS. He wallks by Barry's table shaking a honey packet. MONTGOMERY Well, if it isn't the B-Team. (re: the honey packet) Any of you boys work on this? He CHUCKLES. The JUDGE ENTERS. SEQ. 3000 "WITNESSES" BAILIFF All rise! The Honorable Judge Bumbleton presiding. JUDGE (shuffling papers) Alright...Case number 4475, Superior Court of New York. Barry Bee Bens on vs. the honey industry, is now in session. Mr. Montgomery, you are repre senting the five major food companies, collective ly. ANGLE Montgomery's BRIEFCASE. It has an embossed emblem of an EAGLE, holding a gavel in one talon and a briefcase in the other. MONTGOMERYA privilege. JUDGE Mr. Benson. Barry STANDS. JUDGE (CONT'D) You are representing all bees of the world? "Bee Movie" just an ordinary bee. And as a bee, honey's pretty important to me. It's important to all be es. We JS REVISIONS 8/13/07 74. INT. COURTHOUSE - LATER BARRY So, Mr. Klauss Vanderhayden of Honey Farms. Pretty big company you have there? MR. VANDERHAYDEN I suppose so. BARRY And I see you also own HoneyBurton, and Hon- Ron. MR. VANDERHAYDEN Yes. They provide beekeepers for our farms. BARRY Beekee per. I find that to be a very disturbing term, I have to say. I don't imagine you employ any bee free-ers, do you? MR. VANDERHAYDEN No. BARRY I'm sory. I couldn't hear you. MR. VANDERHAYDEN (louder) No. BARRY No. Because you don't free bees. You keep bees. And not only that, it seems you thought a bear would be an appropriate image for a jar of honey? MR. VANDERHAYDEN Well, they're very lovable cre atures. Yogi-be ar, Fozzy-bear, Build-a-bear. BARRY Yeah, you mean like this?! Vanessa and the SUPERINTE NDANT from her building ENTER with a invented it, we make it, and we protect it with our lives. Unfortunate ly, the re are some pe ople in this room who think they can take whatever they want from us cause we're the little guys. And what I'm hoping is that after this is all over, you'll see how by taking our honey, you're not only taking away everything we have, but everything we are. ANGLE ON: Vanessa smiling. ANGLE ON: The BEE GALLERY wiping tears away. CUT TO: INT. BENSON HOUSE Barry's family is watching the case on TV. JANET BENSON Oh, I wish he would dress like that all the time. So nice... CUT TO: INT. COURTROOM LATER JUDGE Call your first witness. CUT TO: "Bee Movie" Thank you. Liotta LAUGHS MANIACALLY. BARRY I also see from your resume that you're devilishly hands ome, but with a churning inner turmoil that's always ready to blow. LIOTTA I enjoy what I do. Is that a crime? "Bee Movie" - JS REVISIONS 8/13/07 77. BARRY Not yet it isn't. But is this what it's come to for you, Mr. Liotta? Exploiting tiny heI pless bees so you don't have to rehearse your part, and leam your lines, Sir? LIOTTA Watch it Benson, I could blow right now. BARRY This isn't a goodfella. This is a badfella! LIOTTA (exploding, trying to smash Barry with the Emmy) Why doe sn't some one just step on this little creep and we can all go home? You're all thinking it. Say it! JUDGE Order! Order in this courtroom! A MONTAGE OF NEWSPAPER HEADLINES FOLLOWS: really a special skill. KEN (to Barry) You think I don't see what you're doing? BARRY Hey look, I know how hard it is trying to find the right job. We certainly have that in common. KEN Do we? BARRY Well, bees have 100% employment, of course. But we do jobs like taking the crud out. KEN That's just what I was thinking about doing. Ken holds his table knife up. It slips out of his hand. He goes under the table to pick it up. "Bee Movie" champagne down on the table. Ken closes his eyes and buries his face in his hands. He gra bs a magazine on the way into the bathroom. SEQ. 2800- FRESHENER. KEN (CONT'D) I think something stinks in here. He sprays at Barry. BARRY I love the smell of flowers. KEN Yeah? How do you like the smell of flames? Ken lights the stream. BARRY Not as much. Barry flies in a circle. Ken, trying to stay with him, spins in place. ANGLE ON: Flames outside the bathroom door. Ken slips on the Italian Vogue, falls backward into the shower, pulling down the shower curtain. The can hits him in the head, followed by the shower curtain rod, and the rubber duck. Ken rea ches back, grabs the handheld shower head. He whips around, looking for Barry. ANGLE ON: A WATERBUG near the drain. WATERBUG Waterbug. Not taking sides. Barry is on the toilet tank. He comes out from behind a shampoo bottle, we a ring a chapstick cap as a MONTGOMERY So those aren't even your real parents! ANGLE ON: Barry's parents. MARTIN BENSON Oh, Barry. BARRY Yes they are! ADAM Hold me back! Vanessa holds him back with a COFFEE STIRRER. Montgomery points to Barry's parents. MONTGOMERY You're an illegitimate bee, aren't you Benson? ADAM He's denouncing bees! All the bees in the courtroom start to HUM. They're agitated. MONTGOMERY And don't y'all date your cousins? "Bee Movie" - JS REVISIONS 8/13/07 87. VANESSA (standing, letting go of Adam) Objection! Adam explodes from the table and flies towards Montgomery. ADAM I'm going to pin cushion this guy! Montgomery turns around and positions himself by the judge's bench. He sticks his butt out. Montgomery winks at his team. BARRY Adam, don't! It's what he wants! Adam shoves Bary out of the way. Adam STINGS Montgomery in the butt. The jury REACTS, aghast. MONTGOMERY Ow! I'm hit! Oh, lordy, I am hit! The judge BANGS her gavel. JUDGE Order! Order! Please, Mr. Montgomery. MONTGOMERY The venom! The venom is cours ing through my veins! I have been felled bya wing-ed beast of destruction. You see? You can't treat them like equals. They're strip-ed savages! Stinging's the only thing they know! It's their way! ANGLE ON: Adam, collapsed on the floor. Barry rushes to his side. BARRY Adam, stay with me. ADAM I can't feel my legs. Montgomery falls on the Bailiff. BAILIFF Take it easy. "Bee Movie" - JS REVISIONS 8/13/07 88. MONTGOMERY Oh, what angel of mercy will ADAM (pressing the button) Yeah...I blew the whole case, di dn't 1? "Bee Movie" - JS REVISIO NS 8/13/07 89. BARRY Oh, it doesn't matter. The important thing is you're alive. You could have died. ADAM I'd be be tter off dead. Look at me. Adam THROWS the blanket off his lap, revealing a GREEN SANDWICH SWORD STINGER. ADAM (CONT'D) (voice cracking) They got it from the cafeteria, they got it from downstairs. In a tuna sandwich. Look, there's a little celery still on it. BARRY What was it like to sting someone? ADAM I can't explain it. It was all adrenaline...and then...ecstasy. Barry looks at Adam. BARRY Alright. ADAM You think that was all a trap? BARRY Of course. I'm sory. I flew us right into this. What were we thinking? Look at us, we're just a couple of bugs in this world. ADAM What do you think the humans will do to us if they win? BARRY I don't know. ADAM I hear they put the roaches in motels. That doesn't sound so bad. "Bee Movie" - JS REVISIONS 8/13/07 90. BARRY Adam, they check in, but they don't check out. Adam GULPS. ADAM Oh my. ANGLE ON: the hospital window. We see THREE PEOPLE smoking outside on the sidewalk. The smoke drifts in. Adam COUGHS. ADAM (CONT'D) Say, could you get a nurse to close that window? BARRY Why? ADAM The smoke. Bees don't smoke. BARRY Right. Bees don't smoke. Bees don't smoke! But some bees are smoking. Adam, that's it! That's our case. Adam starts putting his clothes on. ADAM it is? It's not over? BARRY No. Get up. Get dressed. I've got to go good time. I actually once heard a pretty funny story abouta bee-- MONTGOMERY Your Honor, haven't these ridiculous bugs taken up enough of this court's valuable time? Montgomery rolls out from behind his table. He's sus pended in a LARGE BABY CHAIR with wheels. MONTGOMERY (CONT'D) How much longer are we going to allow these absurd shenanigans to go on? They have presented no compe Illing evidence to support their charges against my clients wiho have all run perfectly legitimate businesses. I move for a complete dismissal of this entire case. JUDGE Mr. Flayman, I am afraid I am going to have to consider Mr. Montgomery's motion. "Bee Movie" - JS REVISIONS 8/13/07 92. ADAM But you can't. We have a terrific case. MONTGOMERY Where is your crashing to the table. He bounces right back up. VANESSA (CONT'D) Oh, sorry. BARRY Ow!! I'm okay. Vanessa, do you know what this means? All the honey is finally going to belong to the bees. Now we won't have to work so hard all the time. Montgomery approaches Barry, surrounded by the press. The cameras and microphones go to Montgomery. MONTGOMERY (waving a finger) This is an unholy perversion of the balance of nature, Benson! You'll regret this. ANGLE ON: Barry's 'deer in headlights' expre ssion, as the press pushes microphones in his face. "Bee Movie" Ralph Lauren, and I have no pants. The Press follows Barry as he EXITS. ANGLE ON: Adam and Vanessa. ADAM (putting papers away) What if Montgomery's right? VANESSA What do you mean? ADAM We've been living the bee way a long time. 27 million years. DISSOLVE TO: SEQ. 3600 "HONEY ROUNDUP EXT. HONEY FARMS APIARY MONTAGE SARAH (V.o) Congratulations on your victory. What are you going to demand as a settlement? BARRY (V.O) (over montage) First, we're going to demand a complete shutdown of all bee work camps. Then, we want to get back all the honey that was ours to begin with. Every last drop. We demand an end to the glorification of the bear as anything more than a filthy, smelly, big-headed, bad breath, stink-machine. "Bee prance-about stage name! CUT TO: INT. A WOMAN'S SHOWER - MONTAGE A WOMAN is taking a shower, and using honey shampoo. An ATF&H age nt pulls the shower curtain aside, and grabs her bottle of shampoo. The woman SCREAMS. The agent turns to the 3 other agents, and Barry. ANGLE ON: Bary looking at the label on the shampoo bottle, shaking his head and writing in his clipboard. CUT TO: EXT. SUPERMARKET CAFE - MONTAGE Another customer, an old lady having her tea with a little jar of honey. gets her face pushed down onto the table and turned to the side by two agents. One of the agents has a gun on her. OLD LADY Can't breathe. CUT TO: EXT. CENTRAL PARK - MONTAGE An OIL DRUM of honey is connected to Barry's hive. "Bee Movie" - JS balconies of the gyms. CUT TO: EXT. CENTRAL PARK ANGLE ON: THE FLOWERS starting to DROOP. CUT TO: INT. J-GATE J-Gate is deserted. CUT TO: "Bee Movie" - JS REVISIONS 8/13/07 99. EXT. NEW HIVE CITY ANGLE ON: Bees sunning them selves. A TIMER DINGS, and they all turn over. CUT TO: EXT. CENTRAL PARK TIME LAPSE of Central Park turning brown. CUT TO: EXT. VANESSA'S FLORIST SHOP CLOSE-UP SHOT: Vanessa writes "Sorry. No more flowers." on a "Closed" sign, an turns it facing out. CUT TO: SEQ. 3700 - "IDLE HIVE EXT. NEW HIVE CITY-DAY Barry flies at high speed. TRACKING SHOT into the hive, through the lobby of Honex, and into Adam's office. CUT TO: INT. ADAM'S OFFICE - CONTINUOUS Barry meets Adam in his office. Adam's office is in JS REVISIONS 8/13/07 100. ADAM (exiting with a cardboard box of belongings) No, they're just home. They don't know what to do. BARRY Hmmm. ADAM They're laying out, they're sleeping in. I heard your Uncle Carl was on his way to San Antonio with a cricket. BARRY At least we got our honey back. They walk through the empty factory. ADAM Yeah, but sometimes I think, so what if the humans liked our honey? Who wouldn't? It's the greatest thing in the world. I was excited to be a part So, you take away the produce, that affects the entire animal kingdom. And then, of course... BARRY The human species? VANESSA (clearing throat) Ahem! BARRY Oh. So, if there 's no more pollination, it could all just go south here, couldn't it? VANESSA And I know this is also partly my fault. Barry takes a long SlGH. BARRY How about a suicide pact? VANESSA (not sure if he's joking) How would we do it? BARRY I'll sting you, you step on me. "Bee Movie" - JS REVISIONS 8/13/07 103. VANESSA That just kills you twice. BARRY Right, right. VANESSA Listen Barry. Sorry but I've got to get going. She EXITS. BARRY (looking out over the park) Had to open my mouth and talk... (looking back) Vanessa..? Vanessa is gone. CUT TO: SEQ. 3935 "GOING TO PASADENA" EXT. NY JS REVISIONS 8/13/07 104. BARRY (chuckling to himself) Tournament of Roses. Roses can't do sports. Wait a minute...roses. Roses? Roses!? Vanessa! Barry follows shortly after. He catches up to it, and he pounds on the window. Barry follows shortly after Vanessa's cab. He catches up to it, and he pounds on the window. marshall. BARRY You do that. This whole parade is a fiasco! She EXITS. Vanessa removes the step-ladder. The princess FALLS. Barry and Vanessa take off in the float. BARRY (CONT'D) Let's see what this baby will do. ANGLE ON: Guy with he a ds et talking to drivers. HEADSET GUY Hey! The float ZOOMS by. A young CHILD in the stands, TIMMY, cries. CUT TO: EXT. FLOAT STAGING AREA- A FEW MOMENTS LATER ANGLE ON: Vanessa putting the prince ss hat on. BARRY (V.O) Then all we do is blend in with traffic, without arousing suspicion. CUT TO: EXT. THE PARADE ROUTE - CONTINUOUS The floats go flying by the crowds. Barry and Vanessa's float CRASHES through the fence. CUT TO: "Bee Movie" - JS REVISIONS 8/13/07 109. EXT. LA FREEWAY Vanessa and Barry (0.C) Then, if we 're lucky, we'll have just enough pollen to do the job. DISSOLVE TO: SEQ. 4025 life raft explode d... Now one 's bald, one's in a boat, and they're both uncons cious. VANESSA Is that another bee joke? BARRY No. No one 's flying the plane. The AIR TRAFFIC CONTROLLER, BUD, spea ks over the radio. BUD This is JFK control tower. Flight 356, what's your status? Vanessa presses a button, and the intercom comes on. VANESSA This is Vanessa Bloome. I'm a florist from New York. BUD Whe re's the pilot? VANESSA He's unconscious and so is the copilot. BUD Not good. Is there any one onboard who has flight experience? A BEAT. BARRY As a matter of fact, there is. "Bee Movie" - JS REVISIONS 8/13/07 114. BUD Who's that? VANESSA Barry Benson. BUD From the honey trial? Oh great. BARRY Vanessa, this is nothing more than a big metal bee. It's got giant wings, huge engines. VANESSA I can't fly a plane. BARRY Why not? Isn't John Travolta a pilot? VANESSA Yes? BARRY How hard could it be? VANESSA Wait a minute. Barry, we're headed into some lightning. CUT TO: Vanessa shrugs, and takes the controls. SEQ. 4150-" BARRY FLIES P LANE" INT. BENSON HOUSE The family is all huddled around the TV at the Benson house. ANGLE ON: TV. Bob Bumble is broadcasting. BOB BUMBLE This is Bob Bum ble. We have some late-breaking news from JFK airport, whe re a very suspenseful scene is developing. Barry Benson, fresh off his stunning legal victory... "Bee Movie" - JS REVISIONS 8/13/07 115. Adam SPRAYS a can of HONEY-WHIP into his mouth. ADAM That's Bary. BOB BUMBLE..is now attempting to land a plane, what happened? BARRY (noticing the control panel) Wait a minute. I think we were on autopilot that whole time. VANESSA That may have been helping me. BARRY And now we're not! VANESSA (V.O.) (folding her arms) Well, then it turns out I cannot fly a plane. "Bee Movie" - JS REVISIONS 8/13/07 118. BARRY (CONT'D) Vanessa struggles with the yoke. CUT TO: EXT. AIRP LA NE The airplane goes into a steep dive. CUT TO: SEQ. 4175 CRASH LANDING" INT. J-GATE An ALERT SIGN READING: "Hive Alert. We Need:" Then the SIGNAL goes from "Two Bees" "Some Bees" "Every Bee There Is" Lou Loduca gathers the pollen jocks at J-Gate. LOU LODUCA All of you, let's get behind this fellow. Move it out! The bees follow Lou Loduca, and EXIT J-Gate. CUT TO: INT. The pollen jocks! VANESSA They do get behind a fellow. BARRY Black and yellow. LOU LODUCA (over headset) Hello. " Bee Movie" - JS REVISIONS 8/13/07 121. Alright you two, what do you say we drop this tin can on the bla cktop? VANESSA What blacktop? Where? I can't see anything. Can you? BARRY No, nothing. It's all cloudy. CUT TO: EXT. RUNWAY Adam SHOUTS. ADAM Come on, you've got to think bee, Barry. Thinking bee, thinking bee. ANGLE ON: Overhe ad shot of runway. The bees are in the formation of a flower. In unison they move, causing the flower to FLASH YELLOW AND BLACK. BEES (chanting) Thinking bee, thinking bee. CUT TO: INT. COCKPIT We see through the swirling mist and clouds. A GIANT SHAPE OF A FLOWER is forming in the middle of the runway. BARRY Wait a minute. I think I'm fee ling something. VANESSA What? BARRY I don't know, but it's strong. And it's pulling me, like a 27 million year old instinct. Bring the nose of the plane down. "Bee Movie" VANESSA Cut the engines? BARRY We're going in on bee power. Ready boys? LOU LODUCA Affirmative. CUT TO: "Bee Movie" - JS REVISIONS 8/13/07 123. INT. AIRP LA NE COCKPIT BARRY Good, good, easy now. Land on that flower! Ready boys? Give me full reverse. LoU LODUCA Spin it around! The plane attempts to land on top of an "Aloha Airlines" plane with flowers painted on it. BARRY (V.O) I mean the giant black and yellow pulsating flower made of millions of bees! VANESSA Which flower? BARRY That flower! VANESSA I'm aiming at the flower! The plane goes after a FAT GUY IN A HAWAIIAN SHIRT. BARRY (V.O) That's a fat guy in a flowered shirt! The other other flower! The big one. He snaps a photo and runs away. BARRY (CONT'D) Full forward. Ready "RUNWAY SPEECH" EXT.RUNWAY - CONTINUOUS The INFLATA BLE SLIDES pop out the side of the plane. The passengers escape. Barry and Vanessa slide down out of the cockpit. Barry and Vanessa exhale a huge breath. VANESSA Barry, we did it. You taught me how to fly. Vanessa raises her hand up for a high five. "Bee Movie" - JS REVISIONS 8/13/07 125. BARRY Yes. No high five. VANESSA Right. ADAM Bary, it worke d. Did you see the giant flower? BARRY What giant flowe r? Where? Of course I saw the flower! That was genius, man. Genius! ADAM Thank you. BARRY But we 're not done yet. Barry flies up to the wing of the plane, and addresses the bee crowd. BARRY (CONT'D) Listen everyone. This runway is Law". "Bee Movie" them anywhere. "Bee Movie" - JS REVISIONS 8/13/07 129. BARRY Not a problem, Vannie. Just leave it to me. Vanessa turns back to deal with a customer. VANESSA You're a life-saver, Barry. (to the next customer) Can I help who's next? Who's next? ANGLE ON: Vanessa smiling back at Barry. Barry smiles too, then snaps himself out of it. BARRY (speaks into his antennae) Alright. Scramble jocks, it's time to fly! VANESSA Thank you, Barry! EXT. FLOWER SHOP - CONTINUOUS ANGLE ON: Ken and Andy walking down the street. KEN (noticing the new sign) Augh! What in the world? It's that bee again! ANDY (guiding Ken prote ctive ly) Let it go, Kenny. KEN That bee is living my life! When will this nightmare end? ANDY Let it all go. They don't break stride. ANGLE ON: Camera in front of Barry as he flies out the door and up into the sky. Pollen jocks fold in formation behind him as they zoom into the park. BARRY (to Splitz) Beautiful day to fly. " Bee Movie" - JS REVISIONS 8/13/07 130. JACKSON Sure is. BARRY Between you and me, I was dying to get out of that office. FADE OUT: "Bee Movie" Zoom in, you can trust me

Zoom in, you can trust me

Save
Just Zoom in. You Can trust Me: top off a CONTA INER OF HONEY, and puts some honey into his hair. He squirts some in his mouth and gargles. Then he takes the lid off the bottle, and rolls some on like deodorant. CUT TO: INT. BENSON HOUSE KITCHEN -CONTINUOUS Barry's mother, JANET BENSON, yells up at Bary. JANET BENSON Barry, breakfast is ready! CUT TO: "Bee Movie" JS REVISIONS 8/13/07 2. BARRY Sorry, I'm excite d. Barry's father, MARTIN BENSON, ENTERS. He's reading a NEWSPAPER with the HEADLINE, "Queen gives birth to thousandtuple ts: Resting Com forta bly." MARTIN BENSON Here's the gra duate. We're very proud of you, Son. And a perfect report card, all B's. JANET BENSON (mushing Barry's hair) Very proud. BARRY Ma! I've got a thing going here. Barry re-adjusts his hair, starts to leave. JANET BENSON You've got some lint on your fuzz. She picks it off. BARRY Ow, that's me! MARTIN BENSON Wave to us. We'll be in row 118,000. Barry zips off. BARRY Bye! JANET BENSON Barry, I told you, stop flying in the house! CUT TO: SEQ. 750 DRIVING TOo GRADUATION EXT. BEE SUBURB - MORNING A GARAGE DOOR OPENS. Barry drives out in his CAR. "Bee Movie" JS REVISIONS 8/13/07 3. ANGLE ON: Barry's friend, ADAM FLAYMAN, standing by the curb. He's reading a NEWSPAPER with the HEAD LINE: "Frisbee Hits Hive: Internet Down. Bee-stander: "I heard a sound, and next thing I going to his fune ra l? BARRY No, I'm not going to his funeral. Everybody knows you sting some one you die, you don't waste it on a squirre I. He was such a hot head. ADAM Yeah, I uess he could've just gotten out of the way. The DRIVE through a loop de loop. BARRY AND ADAM Whoa...Whooo...wheee!! ADAM I love this incorporating the amusement park right into our regular day. BARRY I guess that's why they say we don't need vacations. CUT TO: SEQ. 95 - GRADUATION EXT. GRADUATION CEREMONY - CONTINUOUS Barry and Adam come to a stop. They exit the car, and fly over the crowd to their seats. * BARRY * (re: graduation ceremony) * Boy, quite a bit of pomp..under * the circumstance s. * They land in the ir seats. BARRY (CONT'D) Well Adam, to day we are men. "Bee Movie" - JS REVISIONS 8/13/07 5. ADAM We are. BARRY Bee-meh. ADAM Amen! BARRY Hallelujah. Barry hits Adam's fore he ad. Adam goes into the rapture. An announce ment comes over the PA. ANNOUNCER (V.O) Students, faculty, distinguished bees...please welcome, Dean Buzzwe Il. ANGLE ON: DEAN BUZZWELL steps up to the podium. The podium has a sign that reads: "Welcome Graduating Class of:", with train-station style flipping numbers after it. BUZZWELL Welcome New Hive City graduating class of... The numbers on the podium change to 9:15. BUZZWE LL (CONT'D)9:15. (he clears his throat) And that concludes our graduation ceremonies. And begins your career at Honex Industries. BARRY Are we going to pick our job today? ADAM I heard it's just orientation. The rows of chairs change in transformer-like mechanical motion to Universal Studios type tour trams. Buzzwell walks off stage. BARRY (re: trams) Whoa, heads up! Here we go. "Bee Movie" - JS REVISIONS 8/13/07 6. SEQ. 125 - "FACTORY FEMALE VOICE (V.O) Keep your hands and antennas inside the tram at all times. (in Spanish) Dejen las manos y antennas adentro del tram a todos tiempos. BARRY I wonder what it's going to be like? ADAM A little scary. Barry shakes Adam. BARRY AND ADAM AAHHHH! The tram passes under SIGNS READING: "Honex: A Division of Honesco: A Part of the Hexagon Group." TRUDY Welcome to Honex, a division of Honesco, and a part of the Hexagon group. BARRY This is it! The Honex doors OPEN, revealing is? BARRY Yes, we're all cousins. ADAM Right. You're right. TRUDY At Honex, we also constantly strive to improve every aspect of bee existence. The se bees are stress testing a new helmet technology. ANGLE ON: A STUNT BEE in a HELMET getting hit with a NEWSPAPER, then a SHOE, then a FLYSWATTE R. He ge ts up, and gives a "thumb's up". The graduate bees APPLAUD. ADAM (re: stunt bee) What do you think he makes? BARRY Not enough. TRUDY And here we have our latest advancement, the Kre Iman. "Bee Movie" - JS REVISIONS 8/13/07 8. BARRY Wow, what does that do? TRUDY Catches that little strand of honey that hangs after you pour it. Saves us millions. ANGLE ON: The Krelman machine. Bees with hand-shaped hats on, rotating around a wheel to catch drips of honey. Adam's hand shoots up. ADAM Can any one work on the Kreiman? TRUDY Of course. Most bee jobs are small ones. But bees know that every small job, if it's done well, means a lot. There are over 3000 diffe rent bee occupations. But choose carefully. because you'll stay in the job that you pick for the rest of your life. The be es CHEER. ANGLE ON: Barry's smile dropping slightly. BARRY The same job for the rest of your life? I didn't know that. ADAM What's the difference? TRUDY And you'll be happy to know that bees as a species haven't had one day off in 27 million years. BARRY So you'll just work us to death? TRUDY (laughing) We'll sure try. Everyone LAUGHS except Barry. "Bee Movie" - JS REVISIONS 8/13/07 9. The tram drops downa log-flume READING: "Bee Goes Berserk: Stings Seven Then Self." ANGLE ON: A BEE filling his car's gas tank from a honey pump. He fills his car some, then takes a swig for himself. NEWSPAPER BEE (to the bee guzzling gas) Hey! Barry and Adam be gin to cross the street. "Bee Movie" - JS REVISIONS 8/13/07 10. BARRY Yeah but Adam, did you ever think that maybe things work a little too well around here? They stop in the middle of the stre et. The traffic moves perfectly around them. ADAM Like what? Give me one example. BARRY (thinks)...I don't know. But you know what I'm talking about. They walk off. SEQ. 400 - "MEET THE JOCKS" SFX: The SOUND of Pollen Jocks. PAN DOWN from the Honex statue. J-GATE ANNOUNCER Please clear the gate. Royal Nectar Force on approach. Royal Nectar Force on approach. BARRY Wait a second. Check it out. Hey, hey, those are Pollen jocks. ADAM Wow. FOUR PATROL BEES FLY in through the hive's giant Gothic entrance. The Patrol Bees are wearing fighter pilot helmets with black visors. ADAM (CONT'D) I've never seen them this close. BARRY They know what it's like to go outside the hive. ADAM Yeah, but some of them don't come back. "Bee Movie" - JSs REVISIONS 8/13/07 11. The ne ctar from the pollen jocks is removed from the ir backpacks, and loaded into trucks on the ir way to Honex. A SMALL CROWD forms around the Patrol Bees. Each one has a PIT CREW that takes the ir nectar. Lou Loduca hurries a pit crew along: LOU LODUCA You guys did great! You're mons ters. You're sky freaks!I love it! I love it! SCHOOL GIRLS are jumping up and down and squealing nearby. BARRY I wonder whe re those guys haue just been? ADAM I don't know. BARRY Their day's not planne d. Outside the hive, flying wvho- knows - whe re, doing who-lknows - what. ADAM You can't just decide one day to be a Pollen Jock. You have to be bred for that. BARRY Right. Pollen Jocks cross in close proximity to Barry and Adam. Some pollen falls off, onto Barry and Adam. BARRY (CONT'D) Look at that. That's m ore pollen than you and I will ever see in a life time. ADAM (playing with the pollen) It's just a status sym bol. I think bees make too biga deal out of it. BARRY Perha ps, unless you're wearing it, and the ladies see you wearing it. ANGLE ON: Two girl bees. " Bee Movie" - JS REVISIONS on the balcony alone, looking out over the city. Martin Benson ENTERS, snea ks up behind Barry and gooses him in his ribs. MARTIN BENSON Honex! BARRY Oh, Dad. You surprised me. MARTIN BENSON (laughing) Have you decided what you're interested in, Son? BARRY Well, there's a lot of choices. MARTIN BENSON But you only get one. Martin LAUGHS. BARRY Dad, do you ever get bored doing the same job every day? MARTIN BENSON Son, let me tell you som e thing about stirring. (making the stirring motion) You grab that stick and you just move it around, and you stir it around. You get yourse lf into a rhythm, it's a beautiful thing. BARRY You know dad, the more I think about it, maybe the honey field just isn't right for me. MARTIN BENSON And you were thinking Another BEE APPLICANT, SANDY SHRIMPKIN is EXITING. SANDY SHRIMPKIN Is it still available? BUZZWELL Hang on. (he looks at changing numbers on the board) Two left. And...one of them's yours. Congratulations Son, step to the side please. "Bee Movie" - JS REVISIONS 8/13/07 17. SANDY SHRIMPKIN Yeah! ADAM (to Sandy, leaving) What did you get? SANDY SHRIMPKIN Picking the crud out. That is stellar! ADAM Wow. BUZZWELL (to Adam and Barry) Couple of newbies? ADAM Yes Sir. Our first day. We are ready. BUZZWELL Well, step up and make your choice. ANGLE ON: A CHART listing the different sectors of Honex. Heating, Cooling, Viscosity, Krelman, Pollen Counting, Stunt Bee, Pouring, Stirrer, Humming, Regurgitating, Front Desk, Hair Removal, (CONT'D) Oh, I'm sorry. The KRrelman just closed out. ADAM Oh! He takes the hat off Adam. BUZZWELL Wax Monkey's always open. The Krelman goes from "Closed" to "Open". BUZZWELL (CONT'D) And the KreIman just opened up again. ADAM What happe ne d? BUZWELL Well, whe never a bee dies, that's an opening. (pointing at the board) See that? He's dead, dead, another dead one, deady, deadified, two more de a d. Dead from the neck up, dead from the ne ck down. But, that's life. ANGLE ON: Barry's disturbed expre ssion. ADAM (feeling pressure to decide) Oh, this is so hard. Heating, cooling, stunt bee, pourer, stirrer, humming, inspector no. 7, lint coordinator, stripe supervisor, antenna-ball polisher, mite wrangler-- Bary. Barry, what do you think I should- - Barry? (V.o) You're cra - - Barry HANGS UR ANGLE ON: Lou Loduca. LOU LODUCA If anyone's feeling brave, there's a Korean Deli on 83rd that gets their roses today. BARRY (timidly) Hey guys. BUZZ Well, look at that. SPLITZ Isn't that the kid we saw yesterday? LOU LODUCA (to Barry) Hold it son, flight deck's restricted. JACKSON It's olkay Lou, we're going to take him bears, and bats. "Bee Movie" FLIPS their goggles down. Pit crew bees CRANK their wings, and remove the starting blocks. We hear loud HUMMING. "Bee Movie- JS REVISIONS 8/13/07 22. LOU LODUCA (CONT' D) LOU LODUCA (CONT'D) Pound those petunia's, you striped stem-suckers! All of you, drain those flowe rs! A FLIGHT DECK GUY in de ep crouch hand-signals them out the archway as the backwash from the bee wings FLUTTERS his jump suit. Barry follows everyone. SEQ. 800 Splitz and Jacks on CHUCKLE. LOU LODUCA Really? Feeling lucky, are ya? A YOUNGER SMA LLE R BEE THAN BARRY. CHET, runs up with a release waiver for Bary to sign. CHET Sign here. Here. Just initial that. Thank you. LOU LODUCA Okay. you got a rain advisory today and as you all know, bees cannot fly in rain. So be careful. As always, (reading off clipboard) watch your brooms, hockey sticks, dogs, birds "FLYING WITH THE JOCKS" The bees climb above tree tops in formation. Barry is euphoric. BARRY Whoa! I'm out! I can't believe I'm out! So blue. Ha ha ha! (a beat) I feel so fast...and free. (re: kites in the sky) Box kite! Wow! They fly by several bicyclists, and approach a patch of flowers. BARRY (CONT'D) Flowers! Coming in at you like a missile! Ken HITS the ball back. Bary feels the g-forces. ANGLE ON The Pollen Jocks watching Barry pass by the m in SLOW MOTION. "Bee Movie" - JS REVISIO NS 8/13/07 26. BARRY (in slow motion) Help me! JACKSON You know, I don't think these are flowers. SPLITZ Should we tell him? JACKSON I think he knows. BARRY (O.S) What is this?! Vanessa HITS a higlh arcing lob. Ken waits, poised for the return. We see Bary having trouble mane uve ring the ball from fatigue. KEN (overly confident) Match point! ANGLE ON: Ken running up. He has a killer look in his eyes. He's going to hit the ultimate overhe ad smash. KEN (CONT'D) You can just start packing up Honey, because I believe you're about to eat it! ANGLE ON: Pollen Jocks. JACKSON JS REVISIONS 8/13/07 27. BARRY Yowser!!! SEQ. 1000- grasshopper) Eww, gross. CUT TO: INT CAR - CONTINUOUS The car is packed with a typical suburban family: MOTHER, FATHER, eight-year old BOY, LITTLE GIRL in a car seat and a GRANDMOTHER. A big slobbery DOG is behind a grate. Bary pops into the passenger compartment, hitting the Mother's magazine. MOTHER There's a bee in the car! They all notice the bee and start SCREAMING. BARRY Aaahhhh! Barry tum bles around the car. We see the faces from his POV. MOTHER Do something! "Bee Movie" starts to RAIN. He nimbly avoids the rain at first. BARRY (CONT'D) Whoa. Whoa! Can't fly in rain! Can't fly in rain! Can't fly in- A couple of drops hit him, his wings go limp and he starts falling. BARRY (CONT'D) Mayday! May day! Bee going down! Barry sees a window le dge and aims for it and just makes it. Shivering and exhausted, he crawls into an open window as it CLOSES. SEQ. 1100 - "VANESSA SAVES BARRY INT. VANESSA'S APARTMENT -CONTINUOUS Inside the window, Barry SHAKES off the rain like a dog. Vanessa, Ken, Andy, and Anna ENTER the apartment. VANESSA Ken, can you close the window please? KEN Huh? Oh. (to Andy) Hey, check out my new resume. I made it into a fold-out brochure. You see? it folds out. Ken holds up his brochure, with photos know what? I pre dicted global warming. I could feel it getting hotter. At first I thought it was just me. Bary's POV: Giant human mouth opening. KEN (CONT'D) Wait! Stop! Beeeeeee! ANNA Kill it! Kill it! They all JUMP up from their chairs. Andy looks around for something to use. Ken comes in for the kill with a big TIMBERLAND BOOT on each hand. KEN Stand back. These are winter boots. Vanessa ENTERS, and stops Ken from squashing Barry. VANESSA (grabs Ken's arm) Wait. Don't kill him. CLOSE UP: on Barry's puzzled face. KEN You know I'm allergic to them. This thing could kill me. "Bee Movie" - JS REVISIONS 8/13/07 32. VANESSA Why does his life have any less value than yours? She takes a GLASS TUMBLER and places it over Barry. KEN Why does his life have Movie"- JS REVISIONS 8/13/07 33. EXT. WINDOWSILL CONTINUOUS Bary stares over the window frame. He can't believe what's just happened. It is still RAINING. DISSOLVE TO: SEQ. 1200 "BARRY SPEAKS" EXT. WINDOWSILL - LATER Barry is still staring through the window. Inside, everyone's saying their good-byes. KEN Vanessa, next we e k? Yogurt night? VANESSA Uh, yeah sure Ken. You know, whatever. KEN You can put carob chips on the re. VANESSA Good night. KEN (as he exits) Supposed to be less calories, or something. VANESSA Bye. She shuts the door. Vanessa starts cleaning up. BARRY I've got to say sometlhing. She saved my life. I've got to say something. Alright, he re it goes. Barry flies in. "Bee Movie" APARTMENT- CONTINUOUS Barry hides himself on different PRODUCTS placed along VANESSA You're talking, BARRY Yes, I know, I know. VANESSA You're talking. BARRY I know, I'm sony. I'm so sorry. VANESSA It's okay. It's fine. It's just, I know I'm dreaming, but I don't recall going to bed. " Bee Movie" - JS REVISIONS 8/13/07 35. BARRY Well, you know I'm sure this is very disconcerting. VANESSA Well yeah. I mean this is a bit of a surprise to me. I mean...you're a bee. BARRY Yealh, I am a bee, and you know I'm not supposed to be doing this, but they were all trying to kill me and if it wasn't for you...I mean, I had to thank you. It's just the way I was raised. Vanessa intentionally JABS her hand with a FORK. VANESSA O w! BARRY That was a little we ird. VANESSA (to herself) I'm talking to a bee. BARRY Yealh. VANESSA I'm talking to a be e. BARRY BARRY Really? VANESSA It's just coffee. BARRY I hate to impose. "Bee Movie" - JS REVISIONS 8/13/07 37. VANESSA Don't be ridiculous. BARRY Actually, I would love a cup. VANESSA Hey. you want a little rum cake? BARRY I really shouldn't. VANESSA Have a little rum cake. BARRY No, no, no, I can't. VANESSA Oh, come on. BARRY You know, I'm trying to lose a couple micrograms he re. VANESSA Where? BARRY Well... These stripes don't help. VANESSA You look great. BARRY I don't know if you know anything about fashion. Vanessa starts POURING the coffee through an imaginary cup and directly onto the floor. BARRY (CONT'D) A re you alright? VANESSA No. DISSOLVE TO: SEQ. 1300 "ROOFTOP COFFEE" "Bee Movie" - JS REVISIONS 8/13/07 38. EXT. for the hive, but I can't do it the way they want. VANESSA I know how you feel. BARRY You do? VANESSA Sure, my parents wanted me to be a lawyer or doctor, but I wanted to be a florist. BARRY Really? VANESSA My only interest is flowers. BARRY Our new queen was just elected with that same campaign slogan. VANESSA Oh. BARRY Anyway, see there's my hive, right there. You can see it. VANESSA Oh, you're in Sheep Meadow. BARRY (excite d) Yes! You know the turtle pond? VANESSA Yes? BARRY I'm right off of that. VANESSA Oh, no way. I know that area. Do you know I lost a toe-ring there once? BARRY Really? "Bee Movie" - JS REVISIONS 8/13/07 40. VANESSA Yes. BARRY Why do girls put rings on their toes? VANESSA Why not? BARRY I don't know. It's like putting a hat on your knee. VANESSA Really? Okay. A JANITOR in the background changes a LIGHTBULB. To him, it appe ars that Vanessa is talking to an imaginary friend. JANITOR You all right, ma'am? VANESSA Oh, yeah, fine. Just having two cups of coffee. BARRY Anyway, this has been great. (wiping his mouth) Thanks for the coffee. Barry gazes at Vanessa. VANESSA Oh yeah, it's no trouble. BARRY Sorry I couldn't finish it. Vanessa giggles. BARRY (CONT'D) (re: coffee) If I did, l'd be up the rest of my life. Ummm. Can I take a piece of this with me? VANESSA Sure. Here, have a crumb. She takes a CRUMB from the plate and hands it to Barry. "Bee Movie" - JS REVISIONS 8/13/07 41. BARRY (a little dreamy) Oh, thanks. VANESSA Yeah. The re is an awkward pause. COAT BEE 2 Well, he's all set to go, we may as well try it. (into the mic) Okay Dave, pull the chute. The test bee opens his parachute. He's instantly blown against the rear wall. Adam and Barry ENTER. ADAM Sounds amazing. BARRY Oh, it was amazing. It was the scariest, Ihappiest moment of my life. ADAM Humans! Humans! I can't believe you were with humans! Giant scary humans! What we re they like? BARRY Huge and crazy. They talk crazy, they eat crazy giant things. They drive around real crazy. ADAM And do they try and kill you like on TV? BARRY Some of them. But some of the m don't. ADAM How'd you get back? BARRY Poodle. ADAM Look, you did it. And I'm glad. You saw whatever you wanted to see out there, you had your "experience", and now JS REVISIONS 8/13/07 43. ANGLE ON: LAB BEES examining a CANDY CORN through a micros cope. BARRY Well... ADAM Well? BARRY Well, I met some one . ADAM You met some one? Was she Bee-ish? BARRY Mmm. ADAM Not a WASP? Your parents will kill you. BARRY No, no, no, not a wasp. ADAM Spider? BARRY You know, I'm not attracted to the spiders. I know to everyone else it's like the hottest thing with the eight legs and all. I can't get by that face. Barry makes a spider face. ADAM So, who is she? BARRY She 's a human. ADAM Oh no, no, no, no. That didn't happen. You didn't do that. That is a bee law. You wouldn't break a bee law. BARRY Her name's Vanessa. "Bee JANET BENSON Would it kill you to just make a little honey? Barry ROLLS off the raft and SINKS to the bottom of the pool. We hear his parents MUFFLE D VOICES from above the surface. "Bee Movie" - JS REVISIO NS 8/13/07 47. JANET BENSON (CONT'D) (muffled) Barry, come out from under there. Your father's talking to you. Martin, would you talk to him? MARTIN BENSON Barry, I'm talking to you. DISSOLVE TO: EXT. PICNIC AREA DAY MUSIC: "Sugar Sugar" by the Archies. Bary and Vanessa are having a picnic. A MOSQUITO lands on Vanessa's leg. She SWATS it violently. Barry's head whips around, aglhast. They stare at each other awkwardly in a frozen moment, then BURST INTO HYSTERICAL LAUGHTER. Vanessa GETS UP. VANESSA You coming? BARRY Got everything? VANESSA All set. Vanessa gets into a one-man Ultra Light plane with a black and yellow paint scheme. She puts on her heImet. BARRY You go ahead, I'll catch up. VANESSA (come hither wink) Don't be too long. The Ultra Light takes off. Barry catches up. They fly sideby-side. VANESSA (CONT'D) Watch this! Vanessa does a loop, and FLIES right into the side of a mountain, BURSTING into a huge ball of flames. "Bee Movie" - JS REVISIONS 8/13/07 48. BARRY (yelling, anguished) Vanessa! EXT. BARRY'S PARENT'S HOUSE - CONTINUOUS ANGLE ON: Barry's face bursting through the surface of the pool, GASPING for air, eyes opening in horror. MARTIN BENSON We're still he re, Barry. JANET BENSON I told you not to yell at him. He doesn't respond when you yell at him. MARTIN BENSON Then why are you yelling at me? JANET BENSON Because you don't listen. MARTIN BENSON I'm not liste ning to this. Barry is toweling off, putting on his sweater. BARRY Sorry Mom, I've got to go. JANET BENSON Where are you going? BARRY Nowhere. I'm meeting a friend. Barry JUMPS off the balcony and EXITS. JANET BENSON (calling after him) A girl? Is this why you can't decide? BARRY Bye! JANET BENSON I just hope she's Bee-ish. CUT TO: "Bee Movie" "STREETWALK/SUPERMARKET" EXT. VANESSA'S FLORIST SHOP - DAY Vanessa FLIPS the sign to say "Sorry We Missed You", and locks the door. ANGLE ON: A POSTER on Vanessa's door for the Tournament of Roses Parade in Pasadena. Hivo, but it's a disease. It's a horrible, horrible disease. VANESSA Oh my. They turn the corner onto a busier avenue and people start to swat at Bary. MAN Dumb be es! VANESSA You must just want to sting all those jerks. BARRY We really try not to sting. It's usually fatal for us. VANESSA So you really have to watch your temper? They ENTER a SUPERMARKET. CUT TO: INT. SUPERMARKET BARRY Oh yeah, very care fully. You kick a wall, take a walk, write an angry letter and throw it out. You work through it like any em otion-- anger, jealousy, (under his breath) lust. Barry hops on top of some cardboard boxes in the middle of an aisle. A stock boy, HECTOR, whacks him with a rolled up magazine. VANESSA (to Barry) Oh my goodness. Are you okay? "Bee Movie" - JS JS REVISIONS 8/13/07 52. BARRY I never heard of him. Why is this here? VANESSA For pe ople. We eat it. BARRY Why? (gesturing around the market) You don't have enough food of your own? VA NESSA Well yes, we-- BARRY How do you even get it? VANESSA Well, be es make i... BARRY I know who makes it! And it's hard to make it! There's Heating and Cooling, and Stirring...you needa whole Kreiman thing. VANESSA It's organic. BARRY It's our-ganic! VANESSA It's just honey, Barry. BARRY Just...what?! Bees don't know about this. This is stealing. A lot of stealing! You've taken our homes, our schools, our hospitals. This is all we have. And it's on sale? I'm going to get to the bottom of this. I'm going to get to the bottom of JS REVISIONS 8/13/07 53. SEQ. 1800 "WINDSHIELD" EXT. BACK OF SUPERMARKET LOADING DOCK LATER THAT DAY Bary disguises himself by blacking out his yellow lines with a MAGIC MARKER and putting on some war paint. He sees Hector, the stock boy, with a knife CUTTING open cardboard boxes filled with honey jars. MAN You almost done? HECTOR Almost. Barry steps in some honey, making a SNAPPING noise. Hector stops and turns. HECTOR (CONT'D) He is here. I sense it. Hector grabs his BOX CUTTER. Barry REACTS, hides himself be hind the box again. HECTOR (CONT'D) (tallking too loud, to no one in particular) Well, I guess I'll go home now, and just leave this nice EXT. TRUCK WINDSHIELD MOOSEBLOOD But don't kill no more bugs! The Mosquito is FLUNG off of the wiper. MOOSEBLOOD (CONT'D) Beeeeeeeeeeeeee! BARRY Moose blood guy! "Bee Movie" - JS REVISIONS 8/13/07 57. Barry slides toward the end of the wiper, is thrown off, but he grabs the AERIAL and hangs on for dear life. Barry looks across and sees a CRICKET on another vehicle in the exact same predicament. They look at each other and SCREAM in unison. BARRY AND CRICKET Aaaaaaaaaah! ANOTHER BUG grabs onto the aerial, and screams as well. INT. TRUCK CAB- SAME TIME DRIVER You hear some thing? TRUCKER PASSENGER Like what? DRIVER Like tiny screaming. TRUCKER PASSENGER Turn off the radio. The driver reaches down and PRESSES a button, own. BARRY But what if you get in trouble? MOOSEBLOOD Trouble? You're a mosquito. You're in trouble! Nobody likes us. They're just all smacking. People see a mos quito, smack, smack! BARRY At least you're out in the world. You must meet a lot of girls. MOOSEBLOOD Mosquito girls try to trade up; get with a moth, dragonfly .. . mos quito girl don't want no mosquito. A BLOOD MOBILE pulls up alongside. MOOSEBLO0OD (CONT'D) Whoa, you have got to be kidding me. Moose blood's about to leave the building. So long bee. "Bee Movie minute, semi-automatic. Twice the nicotine, all the tar. They LAUGH again, nefariously. FREDDY (CONT'D) Couple of bre a ths of this, and it knocks them right out. They make the honey, and we make the money. BARRY"They make the honey, and we make the money?" Barry climbs onto the netting of Freddy's hat. He climbs up to the brim and looks over the edge. He sees the apiary boxes as Freddy SMOKES them. BARRY (CONT'D) Oh my. As Fre ddy turns around, Barry jumps into an open apiary box, and into an apartment. HOWARD and FRAN are just coming to from the smoking. BARRY (CONT'D) What's going on? Are you okay? HOWARD Yeah, it doesn't last too long. HE COUGHS a few times. BARRY How did you two get - JS REVISIONS 8/13/07 71. INT. COURTHOUSE - CONTINUOUS Barry SHUDDERS. VANESSA What's the matter? BARRY I don't know. I just got a chill. Montgomery ENTERS. He wallks by Barry's table shaking a honey packet. MONTGOMERY Well, if it isn't the B-Team. (re: the honey packet) Any of you boys work on this? He CHUCKLES. The JUDGE ENTERS. SEQ. 3000 "WITNESSES" BAILIFF All rise! The Honorable Judge Bumbleton presiding. JUDGE (shuffling papers) Alright...Case number 4475, Superior Court of New York. Barry Bee Bens on vs. the honey industry, is now in session. Mr. Montgomery, you are repre senting the five major food companies, collective ly. ANGLE Montgomery's BRIEFCASE. It has an embossed emblem of an EAGLE, holding a gavel in one talon and a briefcase in the other. MONTGOMERYA privilege. JUDGE Mr. Benson. Barry STANDS. JUDGE (CONT'D) You are representing all bees of the world? "Bee Movie" just an ordinary bee. And as a bee, honey's pretty important to me. It's important to all be es. We JS REVISIONS 8/13/07 74. INT. COURTHOUSE - LATER BARRY So, Mr. Klauss Vanderhayden of Honey Farms. Pretty big company you have there? MR. VANDERHAYDEN I suppose so. BARRY And I see you also own HoneyBurton, and Hon- Ron. MR. VANDERHAYDEN Yes. They provide beekeepers for our farms. BARRY Beekee per. I find that to be a very disturbing term, I have to say. I don't imagine you employ any bee free-ers, do you? MR. VANDERHAYDEN No. BARRY I'm sory. I couldn't hear you. MR. VANDERHAYDEN (louder) No. BARRY No. Because you don't free bees. You keep bees. And not only that, it seems you thought a bear would be an appropriate image for a jar of honey? MR. VANDERHAYDEN Well, they're very lovable cre atures. Yogi-be ar, Fozzy-bear, Build-a-bear. BARRY Yeah, you mean like this?! Vanessa and the SUPERINTE NDANT from her building ENTER with a invented it, we make it, and we protect it with our lives. Unfortunate ly, the re are some pe ople in this room who think they can take whatever they want from us cause we're the little guys. And what I'm hoping is that after this is all over, you'll see how by taking our honey, you're not only taking away everything we have, but everything we are. ANGLE ON: Vanessa smiling. ANGLE ON: The BEE GALLERY wiping tears away. CUT TO: INT. BENSON HOUSE Barry's family is watching the case on TV. JANET BENSON Oh, I wish he would dress like that all the time. So nice... CUT TO: INT. COURTROOM LATER JUDGE Call your first witness. CUT TO: "Bee Movie" Thank you. Liotta LAUGHS MANIACALLY. BARRY I also see from your resume that you're devilishly hands ome, but with a churning inner turmoil that's always ready to blow. LIOTTA I enjoy what I do. Is that a crime? "Bee Movie" - JS REVISIONS 8/13/07 77. BARRY Not yet it isn't. But is this what it's come to for you, Mr. Liotta? Exploiting tiny heI pless bees so you don't have to rehearse your part, and leam your lines, Sir? LIOTTA Watch it Benson, I could blow right now. BARRY This isn't a goodfella. This is a badfella! LIOTTA (exploding, trying to smash Barry with the Emmy) Why doe sn't some one just step on this little creep and we can all go home? You're all thinking it. Say it! JUDGE Order! Order in this courtroom! A MONTAGE OF NEWSPAPER HEADLINES FOLLOWS: really a special skill. KEN (to Barry) You think I don't see what you're doing? BARRY Hey look, I know how hard it is trying to find the right job. We certainly have that in common. KEN Do we? BARRY Well, bees have 100% employment, of course. But we do jobs like taking the crud out. KEN That's just what I was thinking about doing. Ken holds his table knife up. It slips out of his hand. He goes under the table to pick it up. "Bee Movie" champagne down on the table. Ken closes his eyes and buries his face in his hands. He gra bs a magazine on the way into the bathroom. SEQ. 2800- FRESHENER. KEN (CONT'D) I think something stinks in here. He sprays at Barry. BARRY I love the smell of flowers. KEN Yeah? How do you like the smell of flames? Ken lights the stream. BARRY Not as much. Barry flies in a circle. Ken, trying to stay with him, spins in place. ANGLE ON: Flames outside the bathroom door. Ken slips on the Italian Vogue, falls backward into the shower, pulling down the shower curtain. The can hits him in the head, followed by the shower curtain rod, and the rubber duck. Ken rea ches back, grabs the handheld shower head. He whips around, looking for Barry. ANGLE ON: A WATERBUG near the drain. WATERBUG Waterbug. Not taking sides. Barry is on the toilet tank. He comes out from behind a shampoo bottle, we a ring a chapstick cap as a MONTGOMERY So those aren't even your real parents! ANGLE ON: Barry's parents. MARTIN BENSON Oh, Barry. BARRY Yes they are! ADAM Hold me back! Vanessa holds him back with a COFFEE STIRRER. Montgomery points to Barry's parents. MONTGOMERY You're an illegitimate bee, aren't you Benson? ADAM He's denouncing bees! All the bees in the courtroom start to HUM. They're agitated. MONTGOMERY And don't y'all date your cousins? "Bee Movie" - JS REVISIONS 8/13/07 87. VANESSA (standing, letting go of Adam) Objection! Adam explodes from the table and flies towards Montgomery. ADAM I'm going to pin cushion this guy! Montgomery turns around and positions himself by the judge's bench. He sticks his butt out. Montgomery winks at his team. BARRY Adam, don't! It's what he wants! Adam shoves Bary out of the way. Adam STINGS Montgomery in the butt. The jury REACTS, aghast. MONTGOMERY Ow! I'm hit! Oh, lordy, I am hit! The judge BANGS her gavel. JUDGE Order! Order! Please, Mr. Montgomery. MONTGOMERY The venom! The venom is cours ing through my veins! I have been felled bya wing-ed beast of destruction. You see? You can't treat them like equals. They're strip-ed savages! Stinging's the only thing they know! It's their way! ANGLE ON: Adam, collapsed on the floor. Barry rushes to his side. BARRY Adam, stay with me. ADAM I can't feel my legs. Montgomery falls on the Bailiff. BAILIFF Take it easy. "Bee Movie" - JS REVISIONS 8/13/07 88. MONTGOMERY Oh, what angel of mercy will ADAM (pressing the button) Yeah...I blew the whole case, di dn't 1? "Bee Movie" - JS REVISIO NS 8/13/07 89. BARRY Oh, it doesn't matter. The important thing is you're alive. You could have died. ADAM I'd be be tter off dead. Look at me. Adam THROWS the blanket off his lap, revealing a GREEN SANDWICH SWORD STINGER. ADAM (CONT'D) (voice cracking) They got it from the cafeteria, they got it from downstairs. In a tuna sandwich. Look, there's a little celery still on it. BARRY What was it like to sting someone? ADAM I can't explain it. It was all adrenaline...and then...ecstasy. Barry looks at Adam. BARRY Alright. ADAM You think that was all a trap? BARRY Of course. I'm sory. I flew us right into this. What were we thinking? Look at us, we're just a couple of bugs in this world. ADAM What do you think the humans will do to us if they win? BARRY I don't know. ADAM I hear they put the roaches in motels. That doesn't sound so bad. "Bee Movie" - JS REVISIONS 8/13/07 90. BARRY Adam, they check in, but they don't check out. Adam GULPS. ADAM Oh my. ANGLE ON: the hospital window. We see THREE PEOPLE smoking outside on the sidewalk. The smoke drifts in. Adam COUGHS. ADAM (CONT'D) Say, could you get a nurse to close that window? BARRY Why? ADAM The smoke. Bees don't smoke. BARRY Right. Bees don't smoke. Bees don't smoke! But some bees are smoking. Adam, that's it! That's our case. Adam starts putting his clothes on. ADAM it is? It's not over? BARRY No. Get up. Get dressed. I've got to go good time. I actually once heard a pretty funny story abouta bee-- MONTGOMERY Your Honor, haven't these ridiculous bugs taken up enough of this court's valuable time? Montgomery rolls out from behind his table. He's sus pended in a LARGE BABY CHAIR with wheels. MONTGOMERY (CONT'D) How much longer are we going to allow these absurd shenanigans to go on? They have presented no compe Illing evidence to support their charges against my clients wiho have all run perfectly legitimate businesses. I move for a complete dismissal of this entire case. JUDGE Mr. Flayman, I am afraid I am going to have to consider Mr. Montgomery's motion. "Bee Movie" - JS REVISIONS 8/13/07 92. ADAM But you can't. We have a terrific case. MONTGOMERY Where is your crashing to the table. He bounces right back up. VANESSA (CONT'D) Oh, sorry. BARRY Ow!! I'm okay. Vanessa, do you know what this means? All the honey is finally going to belong to the bees. Now we won't have to work so hard all the time. Montgomery approaches Barry, surrounded by the press. The cameras and microphones go to Montgomery. MONTGOMERY (waving a finger) This is an unholy perversion of the balance of nature, Benson! You'll regret this. ANGLE ON: Barry's 'deer in headlights' expre ssion, as the press pushes microphones in his face. "Bee Movie" Ralph Lauren, and I have no pants. The Press follows Barry as he EXITS. ANGLE ON: Adam and Vanessa. ADAM (putting papers away) What if Montgomery's right? VANESSA What do you mean? ADAM We've been living the bee way a long time. 27 million years. DISSOLVE TO: SEQ. 3600 "HONEY ROUNDUP EXT. HONEY FARMS APIARY MONTAGE SARAH (V.o) Congratulations on your victory. What are you going to demand as a settlement? BARRY (V.O) (over montage) First, we're going to demand a complete shutdown of all bee work camps. Then, we want to get back all the honey that was ours to begin with. Every last drop. We demand an end to the glorification of the bear as anything more than a filthy, smelly, big-headed, bad breath, stink-machine. "Bee prance-about stage name! CUT TO: INT. A WOMAN'S SHOWER - MONTAGE A WOMAN is taking a shower, and using honey shampoo. An ATF&H age nt pulls the shower curtain aside, and grabs her bottle of shampoo. The woman SCREAMS. The agent turns to the 3 other agents, and Barry. ANGLE ON: Bary looking at the label on the shampoo bottle, shaking his head and writing in his clipboard. CUT TO: EXT. SUPERMARKET CAFE - MONTAGE Another customer, an old lady having her tea with a little jar of honey. gets her face pushed down onto the table and turned to the side by two agents. One of the agents has a gun on her. OLD LADY Can't breathe. CUT TO: EXT. CENTRAL PARK - MONTAGE An OIL DRUM of honey is connected to Barry's hive. "Bee Movie" - JS balconies of the gyms. CUT TO: EXT. CENTRAL PARK ANGLE ON: THE FLOWERS starting to DROOP. CUT TO: INT. J-GATE J-Gate is deserted. CUT TO: "Bee Movie" - JS REVISIONS 8/13/07 99. EXT. NEW HIVE CITY ANGLE ON: Bees sunning them selves. A TIMER DINGS, and they all turn over. CUT TO: EXT. CENTRAL PARK TIME LAPSE of Central Park turning brown. CUT TO: EXT. VANESSA'S FLORIST SHOP CLOSE-UP SHOT: Vanessa writes "Sorry. No more flowers." on a "Closed" sign, an turns it facing out. CUT TO: SEQ. 3700 - "IDLE HIVE EXT. NEW HIVE CITY-DAY Barry flies at high speed. TRACKING SHOT into the hive, through the lobby of Honex, and into Adam's office. CUT TO: INT. ADAM'S OFFICE - CONTINUOUS Barry meets Adam in his office. Adam's office is in JS REVISIONS 8/13/07 100. ADAM (exiting with a cardboard box of belongings) No, they're just home. They don't know what to do. BARRY Hmmm. ADAM They're laying out, they're sleeping in. I heard your Uncle Carl was on his way to San Antonio with a cricket. BARRY At least we got our honey back. They walk through the empty factory. ADAM Yeah, but sometimes I think, so what if the humans liked our honey? Who wouldn't? It's the greatest thing in the world. I was excited to be a part So, you take away the produce, that affects the entire animal kingdom. And then, of course... BARRY The human species? VANESSA (clearing throat) Ahem! BARRY Oh. So, if there 's no more pollination, it could all just go south here, couldn't it? VANESSA And I know this is also partly my fault. Barry takes a long SlGH. BARRY How about a suicide pact? VANESSA (not sure if he's joking) How would we do it? BARRY I'll sting you, you step on me. "Bee Movie" - JS REVISIONS 8/13/07 103. VANESSA That just kills you twice. BARRY Right, right. VANESSA Listen Barry. Sorry but I've got to get going. She EXITS. BARRY (looking out over the park) Had to open my mouth and talk... (looking back) Vanessa..? Vanessa is gone. CUT TO: SEQ. 3935 "GOING TO PASADENA" EXT. NY JS REVISIONS 8/13/07 104. BARRY (chuckling to himself) Tournament of Roses. Roses can't do sports. Wait a minute...roses. Roses? Roses!? Vanessa! Barry follows shortly after. He catches up to it, and he pounds on the window. Barry follows shortly after Vanessa's cab. He catches up to it, and he pounds on the window. marshall. BARRY You do that. This whole parade is a fiasco! She EXITS. Vanessa removes the step-ladder. The princess FALLS. Barry and Vanessa take off in the float. BARRY (CONT'D) Let's see what this baby will do. ANGLE ON: Guy with he a ds et talking to drivers. HEADSET GUY Hey! The float ZOOMS by. A young CHILD in the stands, TIMMY, cries. CUT TO: EXT. FLOAT STAGING AREA- A FEW MOMENTS LATER ANGLE ON: Vanessa putting the prince ss hat on. BARRY (V.O) Then all we do is blend in with traffic, without arousing suspicion. CUT TO: EXT. THE PARADE ROUTE - CONTINUOUS The floats go flying by the crowds. Barry and Vanessa's float CRASHES through the fence. CUT TO: "Bee Movie" - JS REVISIONS 8/13/07 109. EXT. LA FREEWAY Vanessa and Barry (0.C) Then, if we 're lucky, we'll have just enough pollen to do the job. DISSOLVE TO: SEQ. 4025 life raft explode d... Now one 's bald, one's in a boat, and they're both uncons cious. VANESSA Is that another bee joke? BARRY No. No one 's flying the plane. The AIR TRAFFIC CONTROLLER, BUD, spea ks over the radio. BUD This is JFK control tower. Flight 356, what's your status? Vanessa presses a button, and the intercom comes on. VANESSA This is Vanessa Bloome. I'm a florist from New York. BUD Whe re's the pilot? VANESSA He's unconscious and so is the copilot. BUD Not good. Is there any one onboard who has flight experience? A BEAT. BARRY As a matter of fact, there is. "Bee Movie" - JS REVISIONS 8/13/07 114. BUD Who's that? VANESSA Barry Benson. BUD From the honey trial? Oh great. BARRY Vanessa, this is nothing more than a big metal bee. It's got giant wings, huge engines. VANESSA I can't fly a plane. BARRY Why not? Isn't John Travolta a pilot? VANESSA Yes? BARRY How hard could it be? VANESSA Wait a minute. Barry, we're headed into some lightning. CUT TO: Vanessa shrugs, and takes the controls. SEQ. 4150-" BARRY FLIES P LANE" INT. BENSON HOUSE The family is all huddled around the TV at the Benson house. ANGLE ON: TV. Bob Bumble is broadcasting. BOB BUMBLE This is Bob Bum ble. We have some late-breaking news from JFK airport, whe re a very suspenseful scene is developing. Barry Benson, fresh off his stunning legal victory... "Bee Movie" - JS REVISIONS 8/13/07 115. Adam SPRAYS a can of HONEY-WHIP into his mouth. ADAM That's Bary. BOB BUMBLE..is now attempting to land a plane, what happened? BARRY (noticing the control panel) Wait a minute. I think we were on autopilot that whole time. VANESSA That may have been helping me. BARRY And now we're not! VANESSA (V.O.) (folding her arms) Well, then it turns out I cannot fly a plane. "Bee Movie" - JS REVISIONS 8/13/07 118. BARRY (CONT'D) Vanessa struggles with the yoke. CUT TO: EXT. AIRP LA NE The airplane goes into a steep dive. CUT TO: SEQ. 4175 CRASH LANDING" INT. J-GATE An ALERT SIGN READING: "Hive Alert. We Need:" Then the SIGNAL goes from "Two Bees" "Some Bees" "Every Bee There Is" Lou Loduca gathers the pollen jocks at J-Gate. LOU LODUCA All of you, let's get behind this fellow. Move it out! The bees follow Lou Loduca, and EXIT J-Gate. CUT TO: INT. The pollen jocks! VANESSA They do get behind a fellow. BARRY Black and yellow. LOU LODUCA (over headset) Hello. " Bee Movie" - JS REVISIONS 8/13/07 121. Alright you two, what do you say we drop this tin can on the bla cktop? VANESSA What blacktop? Where? I can't see anything. Can you? BARRY No, nothing. It's all cloudy. CUT TO: EXT. RUNWAY Adam SHOUTS. ADAM Come on, you've got to think bee, Barry. Thinking bee, thinking bee. ANGLE ON: Overhe ad shot of runway. The bees are in the formation of a flower. In unison they move, causing the flower to FLASH YELLOW AND BLACK. BEES (chanting) Thinking bee, thinking bee. CUT TO: INT. COCKPIT We see through the swirling mist and clouds. A GIANT SHAPE OF A FLOWER is forming in the middle of the runway. BARRY Wait a minute. I think I'm fee ling something. VANESSA What? BARRY I don't know, but it's strong. And it's pulling me, like a 27 million year old instinct. Bring the nose of the plane down. "Bee Movie" VANESSA Cut the engines? BARRY We're going in on bee power. Ready boys? LOU LODUCA Affirmative. CUT TO: "Bee Movie" - JS REVISIONS 8/13/07 123. INT. AIRP LA NE COCKPIT BARRY Good, good, easy now. Land on that flower! Ready boys? Give me full reverse. LoU LODUCA Spin it around! The plane attempts to land on top of an "Aloha Airlines" plane with flowers painted on it. BARRY (V.O) I mean the giant black and yellow pulsating flower made of millions of bees! VANESSA Which flower? BARRY That flower! VANESSA I'm aiming at the flower! The plane goes after a FAT GUY IN A HAWAIIAN SHIRT. BARRY (V.O) That's a fat guy in a flowered shirt! The other other flower! The big one. He snaps a photo and runs away. BARRY (CONT'D) Full forward. Ready "RUNWAY SPEECH" EXT.RUNWAY - CONTINUOUS The INFLATA BLE SLIDES pop out the side of the plane. The passengers escape. Barry and Vanessa slide down out of the cockpit. Barry and Vanessa exhale a huge breath. VANESSA Barry, we did it. You taught me how to fly. Vanessa raises her hand up for a high five. "Bee Movie" - JS REVISIONS 8/13/07 125. BARRY Yes. No high five. VANESSA Right. ADAM Bary, it worke d. Did you see the giant flower? BARRY What giant flowe r? Where? Of course I saw the flower! That was genius, man. Genius! ADAM Thank you. BARRY But we 're not done yet. Barry flies up to the wing of the plane, and addresses the bee crowd. BARRY (CONT'D) Listen everyone. This runway is Law". "Bee Movie" them anywhere. "Bee Movie" - JS REVISIONS 8/13/07 129. BARRY Not a problem, Vannie. Just leave it to me. Vanessa turns back to deal with a customer. VANESSA You're a life-saver, Barry. (to the next customer) Can I help who's next? Who's next? ANGLE ON: Vanessa smiling back at Barry. Barry smiles too, then snaps himself out of it. BARRY (speaks into his antennae) Alright. Scramble jocks, it's time to fly! VANESSA Thank you, Barry! EXT. FLOWER SHOP - CONTINUOUS ANGLE ON: Ken and Andy walking down the street. KEN (noticing the new sign) Augh! What in the world? It's that bee again! ANDY (guiding Ken prote ctive ly) Let it go, Kenny. KEN That bee is living my life! When will this nightmare end? ANDY Let it all go. They don't break stride. ANGLE ON: Camera in front of Barry as he flies out the door and up into the sky. Pollen jocks fold in formation behind him as they zoom into the park. BARRY (to Splitz) Beautiful day to fly. " Bee Movie" - JS REVISIONS 8/13/07 130. JACKSON Sure is. BARRY Between you and me, I was dying to get out of that office. FADE OUT: "Bee Movie" Just Zoom in. You Can trust Me

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My university confessions page is a goldmine (sry about my editing skills): 3:08 1 UVic Confessions & Crushes 4 hrs # 8729 Why do all the guys I meet at parties and who are actually interesting, decent people and not assholes go to SFU or UBC? Step it up UVIC boys causeI dont wanna take a ferry for a date... or bring your mainland friends over more often lol Like Share Comment 30 Oldest Top Fan rarnauicipiary ueUy a GApIano ue metaphysical foundations, the underlying "code", of the cosmos to resolve some of the greatest mysteries of life. I'm planning a podcast on politics and philosophy with a similar style to the Eric Andre Show. I've invented a planetary machine that can compute and solve complex social economic problems. I even wrote a philosophy of law paper about some of the theoretical underpinnings of it and the paper even won a prize. My ex was suffering from both physical and mental illness, but she was a bit abusive so instead of just dumping her without regard for her health I took the time to make sure that she was safe, and I still often help her out even though we aren't together anymore. I'm from Brazil, I play advanced classical piano, and my other hobbies include improv, archery and Shaolin swordfighting. I've even had girls TELL me that I'm interesting, sweet and cute, but still, nobody shows any interest in me. Am I missing something? don't even know how I could possi bly be more interesting and "decent" than I already am, but I welcome suggestions! I can figure out how the universe works, but when you say there are no interesting single guys at UVic, it leaves me utterly befuddled. Top Fan I'm a philosopher working on a transdiciplinary theory that explains the metaphysical foundations, the underlying "code", of the cosmos to resolve some of the greatest mysteries of life. I'm planning a podcast on politics and philosophy with a similar style to the Eric Andre Show. I've invented a planetary machine that can compute and solve complex social- economic problems. I even wrote a philosophy of law paper about some of the theoretical underpinnings of it and the paper even won a prize. My ex was suffering from both physical and mental illness, but she was a bit abusive so instead of just dumping her without regard for her health I took the time to make su was safe, and I still often help her out even though we aren't together anymore. I'm from Brazil, I play advanced classical piano, and my other hobbies include improv, that she 3 My university confessions page is a goldmine (sry about my editing skills)
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Boooooooooomer: When children tell their own story..- f the e caion r aerials, bst w e f e shat the eesh ans legiskato ly vei abost both sides of the isse w. s ses a ww nber cscientioa esouss t pepare fo Resources in hand, the first-year legislator asked i so the legislator read how homeschoolers evaae Wve id c ewwation ypically askn Wthe kids i homescoo whhy, and w favorite s thar ea he r o e wa gdat or on bst hrng sy sewn yon people so attentive and mehooded stdents are the most efective test hearn y artment of education official had seen our broche, C ack to the hering ublic school students and asked is he swer. And thac ahese kids ro doubt the results. The edu A o clearty n the legislative lobbying arena The bill beiore the Arinona House Ed hooding that we have. We see t S tested betre department had am cation official refused to give when our legislator opined that homeschoo should be paid because they were so successful. Then he complimented the homeschool kids in the audience for their model deportment during the four y were. WY questio mittee was slated to be second on a ull docket that day in 1951 The alreadypacked hearing stted at 8:30 a.m. The first bill received its hearing, buthe committee inexpli bly skipped our bill- chairman and the author of the night have intended to stall te, hoping to discourage the hoolers so that they woula re the bill was heard omeschoolers stuck impres The on Com- time Son although we could surmise that "have never seen young people so attentive and respectful as these kids plus hours in that hearing room. I believe their behavior had as much to do with his support of our esition as had the favorabte statistics, which resultedm our eventual r bill finally received a hearing a httle lled our billI, a representative from the ent of Education approached the mic bill. After she finished her Why do I believe this? Because I have seen firsthand the impact young people have on legislators. For success in that hearing. argument, ittee members had the opportunity many our former National Center f friendly new legislator gripped his years, HSLDA, through Home Education, administered the Congressional A Program (CAP). The program aimed to train famil be effective grassroots lobbyists in Congress. In ad ane family from each conan ame at a Time Thanks, Boomer Boooooooooomer
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Boomer is bae: When children tell their own story..- f the e caion r aerials, bst w e f e shat the eesh ans legiskato ly vei abost both sides of the isse w. s ses a ww nber cscientioa esouss t pepare fo Resources in hand, the first-year legislator asked i so the legislator read how homeschoolers evaae Wve id c ewwation ypically askn Wthe kids i homescoo whhy, and w favorite s thar ea he r o e wa gdat or on bst hrng sy sewn yon people so attentive and mehooded stdents are the most efective test hearn y artment of education official had seen our broche, C ack to the hering ublic school students and asked is he swer. And thac ahese kids ro doubt the results. The edu A o clearty n the legislative lobbying arena The bill beiore the Arinona House Ed hooding that we have. We see t S tested betre department had am cation official refused to give when our legislator opined that homeschoo should be paid because they were so successful. Then he complimented the homeschool kids in the audience for their model deportment during the four y were. WY questio mittee was slated to be second on a ull docket that day in 1951 The alreadypacked hearing stted at 8:30 a.m. The first bill received its hearing, buthe committee inexpli bly skipped our bill- chairman and the author of the night have intended to stall te, hoping to discourage the hoolers so that they woula re the bill was heard omeschoolers stuck impres The on Com- time Son although we could surmise that "have never seen young people so attentive and respectful as these kids plus hours in that hearing room. I believe their behavior had as much to do with his support of our esition as had the favorabte statistics, which resultedm our eventual r bill finally received a hearing a httle lled our billI, a representative from the ent of Education approached the mic bill. After she finished her Why do I believe this? Because I have seen firsthand the impact young people have on legislators. For success in that hearing. argument, ittee members had the opportunity many our former National Center f friendly new legislator gripped his years, HSLDA, through Home Education, administered the Congressional A Program (CAP). The program aimed to train famil be effective grassroots lobbyists in Congress. In ad ane family from each conan ame at a Time Thanks, Boomer Boomer is bae
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