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Children, Clothes, and Fail: gaming: Indie Game Spotlight: Untitled Goose Game  Oh, boy, do we have an extra super horrible Indie Game Spotlight exclusive for you today! We’re talking, of course, of Untitled Goose Game, a slapstick simulator, where you play a goose hassling a town full of people who would very much like you to stop hassling them, please. It feels a bit like playing the videogame version of an old cartoon, complete with reactive soundtrack. Everything that happens in the game is very low stakes (the goose doesn’t get involved in political scandals, or drive a car off a ramp etc.), but there’s a lot of room for comedic performance in doing things like stealing clothes off a washing line and dumping them in a pond. The team at House House shares roles a lot, and so the game was predominantly designed collaboratively by four people. We chatted with Stuart Gillespie-Cook, who mostly works on animation. Also within House House is Jake Strasser, largely responsible for the design of levels and environments, Nico Disseldorp who does all the programming, and Michael McMaster who mostly works on art direction and UI. The iconic sound effects were made by Em Halberstadt, and Dan Golding designed the music. There’s also art from Kalonica Quigley and additional UI programming from Cherie Davidson. Stuart Gave us the lowdown on the curious title, the game mechanics, and dream crossovers. Read on! What’s the story behind the title of the game? This more or less happened by accident; at first, we just needed something to put on a video we were submitting to a festival. It’s become one of the best things about the game, and I’m so glad we stuck with it. I will say it’s a weird thing to explain when your very not-online hairdresser asks you “oh, what game are you working on?”  How did the team come up with the animation style? The whole visual style of the game is designed to be nice and clean, very readable and approachable. The animation specifically takes a lot of inspiration from slapstick and pantomime—with big, over the top reactions that are impossible to miss. We wanted to squeeze as much emotion as possible out of these people without facial expressions, so everything has to be evoked with body language. We also lean heavily on two dimensional, hand-drawn effects that are lifted from comics—lines to represent the direction of a honk, stars when someone hits their thumb with a hammer, etc. Untitled Goose Game offers a unique take on the puzzle genre. What other mechanics can we expect? Because it’s a game that’s largely about interacting with a bunch of people, the game borrows heavily from AI systems in stealth games. Playing with a character’s awareness of where the goose is, where they left their stuff, where that sound came from etc. is a big part of the comedy of the game. So, while it’s less restrictive than most stealth games, and there’s no real fail state (ie. if a character sees a goose, they’ll think “ah, there’s a goose” rather than “I’d better shoot and kill that spy”), those explicit behaviours that are so present in the stealth genre are really important in our goose game. If you could have the goose cross over into any cinematic or game universe, what would it be and why? It would be nice to see the goose chase Postman Pat over a hedgerow. That era of British children’s television has been a huge influence on the game. Otherwise, we’re always open to having the goose in Smash. Are you ready to fulfill your wildest dreams of becoming a mischevious goose and harassing people? Of course you are! Check out the website to find out how you can get your hands wings on Untitled Goose Game!

gaming: Indie Game Spotlight: Untitled Goose Game  Oh, boy, do we have an extra super horrible Indie Game Spotlight exclusive for you today!...

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Facts, Fanfiction, and Harry Potter: Most Common Sentences By Each Author SUZANNE COLLINS Hunger Games Series STEPHENIE MEYER Twilight Series J.K. ROWLING Harry Potter Series My name is Katniss Everdeen. I don't know. I shake my head. I am seventeen years old. My home is District 12. Now I wish I had. I swallowed hard. He hesitates. I'm not really surprised. Something is wrong. Isighed. He sighed. I shrugged. frowned. He chuckled. I laughed. He shrugged I flinched. I took a deep breath. He didn't answer Nothing happened. Harry looked around. Harry stared. He waited. Harry said nothing They looked at each other. Harry blinked. He looked around. Something he didn't have last time. He stood up. Created by OBenBlatt of Slate.com Source: Harry Poeter 1-7, Hunger Games 1-3, Twilight 1-4 december-has-risen: imaginarycircus: jennlferlawrence: frostingpeetaswounds: i laughed so hard at the “i don’t know” and “something is wrong” the twilight one is like abstract poetry They all kind of read like weird little stories in and of themselves. HG is about an amnesia victim trying to recall the facts people have told her about herself, but which she doesn’t remember. Twilight is a love story about two mimes. And Harry Potter is the tragic story of boy whom absolutely nothing happens to. if you read it all three horizontally it sounds like a fanfiction cross over between katniss and harry and the author is making them have a really awkward first meeting

december-has-risen: imaginarycircus: jennlferlawrence: frostingpeetaswounds: i laughed so hard at the “i don’t know” and “something is wr...

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Facts, Fanfiction, and Harry Potter: Most Common Sentences By Each Author SUZANNE COLLINS Hunger Games Series STEPHENIE MEYER Twilight Series J.K. ROWLING Harry Potter Series My name is Katniss Everdeen. I don't know. I shake my head. I am seventeen years old. My home is District 12. Now I wish I had. I swallowed hard. He hesitates. I'm not really surprised. Something is wrong. Isighed. He sighed. I shrugged. frowned. He chuckled. I laughed. He shrugged I flinched. I took a deep breath. He didn't answer Nothing happened. Harry looked around. Harry stared. He waited. Harry said nothing They looked at each other. Harry blinked. He looked around. Something he didn't have last time. He stood up. Created by OBenBlatt of Slate.com Source: Harry Poeter 1-7, Hunger Games 1-3, Twilight 1-4 december-has-risen: imaginarycircus: jennlferlawrence: frostingpeetaswounds: i laughed so hard at the “i don’t know” and “something is wrong” the twilight one is like abstract poetry They all kind of read like weird little stories in and of themselves. HG is about an amnesia victim trying to recall the facts people have told her about herself, but which she doesn’t remember. Twilight is a love story about two mimes. And Harry Potter is the tragic story of boy whom absolutely nothing happens to. if you read it all three horizontally it sounds like a fanfiction cross over between katniss and harry and the author is making them have a really awkward first meeting

december-has-risen: imaginarycircus: jennlferlawrence: frostingpeetaswounds: i laughed so hard at the “i don’t know” and “something is w...

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Batman, Memes, and Deadpool: Would you like to see a Deadpool - Avengers cross over? • • • • Follow @deadpoolfacts for your daily Deadpool dose. deadpool2 ryanreynolds xforce mcu infinitywar batman deadpool marvel

Would you like to see a Deadpool - Avengers cross over? • • • • Follow @deadpoolfacts for your daily Deadpool dose. deadpool2 ryanreynolds x...

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Alive, Anaconda, and Bailey Jay: makaveli-immortalized: Tupac Shakur with Chi Modu Over the years, people have always said that my images of Tupac let them see a side of him beyond the Thug Life image, more about the human being. Before he was loved by the world, he was a young man trying to make his way in a society that is extremely cruel to the less fortunate. He made it his mission to speak for those in his community who needed to hear “keep your head up!” As I travel the globe, I’m amazed at how many people have told me that Tupac saved their lives. His words and passion inspired a generation, and these pictures that we created together help to keep that inspiration alive. It’s always sad when people die young, but if you leave behind the kind of legacy that Tupac did, you never actually die. You remain forever in the hearts and minds of people for generations to come. I knew that about him when we first spent time together in Atlanta, Georgia back in 1994. We both knew the importance of images and we set out to do a thorough job, not knowing what the future would hold. He died two years after that meeting in Atlanta, but his words and these images are all part of his lasting legacy. When I met him on location in Atlanta in ’94 he was quite cooperative and a really nice guy. It was a shoot for The Source magazine, and he arrived early. Tupac was the ultimate professional, and he respected my time and my skills. The public might not know that about him. They think he was just this crazy guy who had no real limits, but he completely understood who he was, and if he understood what you brought to the table, he was easy to deal with. In fact, we got along great. I think a lot of people want to buy into the ‘thug life’ image and the younger side of him, because he was still a young man. Let’s be clear, you kind of forget the ages of these folks. To be so prolific and so young, and have so much power — it’s hard to imagine Even with all the childishness — which I believe was age appropriate in a lot of ways—when you throw power and money in there, even with all that, he had a lot of care and love for his community and for the less fortunate. He always spoke on behalf of black people who were struggling. Even though he wrote songs that many would consider typical hip-hop party music, he also included a lot of black empowerment in his lyrics — “Brenda’s Got a Baby,” “Dear Mama” — which I believe is why women liked him. They loved him because he was real and he cared. We knew the silly side of him too, but who isn’t silly at the age of twenty five? So that never surprised me when he did the zany stuff. He was young and full of power in a world that’s biased against blacks, so what do you expect? Normally when I would see Tupac, I would always think of him being on blast — excited and moving at a hundred miles an hour. But when I first met him he wasn’t really like that. It’s funny how everyone always thinks about Tupac and the ladies, but I never really saw him chasing women that much. He was much more focused on his mission. I think that’s what made him stand out so much from his peers. Because while everybody was partying, this man was trying to make sure he created his legacy. And so here we are decades later talking about the man as if he’s still around. I don’t think you can take lightly the fact that this is two decades later and we’re still talking about this man. After we finished his first Source cover shoot in Atlanta, we went back to his home in Stone Mountain, GA to hang out. He called me aside and showed me his entire gun collection in his bedroom—all his AKs, banana clips, Glocks, everything. Then he moved a picture on the wall in his bedroom, revealing a bullet hole. This was from when he fired a shot in his bedroom because he was on probation and prohibited from going to the firing range. We all laughed afterwards. We would’ve all been in our 40s together, but he never got to his 40s, he didn’t even see his 30s with us. So that’s quite a body of work and experience that he put in during his short time on this Earth. He was one of the few stars who could cross over without compromising his roots. Tupac wasn’t going to compromise, that wasn’t him, but Versace still wanted to use him for their campaign. It’s funny when I see rappers trying to do that sort of thing. I think when you start to move in those commercial circles they make you change yourself to fit. You lose your authenticity, but Tupac wouldn’t allow that of himself. He took the streets with him wherever he went. The portrait shots of Tupac, like the one that’s on the cover of the book, were actually done with a 4x5 camera, which is a view camera. It’s the camera where you put the curtain over your head to focus. It’s large format. It sits on a tripod, and you put the film in, come out from behind the camera, you click it, then you switch the film. Kind of like the old style cameras. At that session in Atlanta, I photographed Tupac with my 4x5 with no assistant. It was just me and his people. When you shoot using a 4x5 you’re really very close to the subject. I was no more than three or four feet from him. I’m there but the gap between us is the camera, even though I’m right there with them. When you’re that close to someone frame after frame, that’s really how they get to know you. You’re almost breathing on each other, and I’m telling him, ‘Lift your head, bring your eyes down.’ I’m giving him instructions so he can look better. Once you spend hours with someone like that, you know them forever. I’m looking at every pore on your face. I’m on your team. In doing that first photo shoot in 4x5, I think that’s what made Tupac so comfortable with me because I was looking in his eyes, he was looking in mine at the same time, and real recognizes real. Once we got to that place we were cool. He gave me pictures he didn’t give anybody else and he said, ‘These are for you, Chi.’ Everybody knows the Thug Life Tupac, and we know that well. But they don’t know the Tupac in the quiet moments. Like that picture of him tying his bandana over his head, the profile shot. That’s an outtake. He was fixing his bandana with a cigarette in his mouth but he was relaxed enough around me where I could just photograph him. As a result you see a picture of a much more gentle Tupac. For me gentle and soft are not the same thing. Tupac was gentle but you wouldn’t dare step to him. He was prepared to take it where it needed to go. He wasn’t afraid. That’s who he was to me, and we got along from the first time we met. We were cool, so I got access to him that no one else could get. Tupac wanted me to shoot his album Me Against the World, he told me to get in touch with the art director in New York. By the time I went there to meet, they had already given the assignment to someone else. What’s funny is I had already taken what would later become the most iconic imagery of Tupac. So when you look at the more famous portraits of Tupac like him tying his bandanna and the Rolling Stone cover, I had already created those pictures before I went to meet the art director to discuss the album. No one knew at the time that the photos I took of him would be the images people remember and not the ones they used on the album. In a way you end up getting your justice if you wait long enough When I set out to take these photographs I knew they were important. I wanted to make sure the images stayed within the community. I wanted to make sure the person who created them was from the community. Historically that never really happens. Most of the visuals of the greats are owned and controlled by other people. That’s tricky because then they can put their interpretation on it. But when you look at my photographs, I’m there with them. I’m one of them even though I’m an observer. I was close enough to live it and I had the skills to document and record it. I had four sessions with him, and since we were close he let me in close. It’s friends hanging out with friends and there just happened to be a camera present. You can see the closeness and the warmth because I didn’t really look at my subjects as just celebrities. I saw them as young black guys like me. It allowed me to get closer and it allowed them to be comfortable and just be who they were. I offered no judgment. I was just there to document and make people look good. Even though I was the creator of these images, I’ve always felt more like the caretaker of them, because he was the world’s Tupac, not just my photo subject. He burned bright when he was here and his flame continues to glow. Thank you for being the voice of the voiceless, Tupac. Rest in peace, brother. Excerpted from Tupac Shakur: Uncategorized by Chi Modu, a 200-page hardcover book featuring over 100 powerful images of Tupac Shakur.

makaveli-immortalized: Tupac Shakur with Chi Modu Over the years, people have always said that my images of Tupac let them see a side of h...

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Animals, Dating, and Tumblr: <p><a href="https://mynameismetall.tumblr.com/post/159922766558/libertarirynn-puublack-dimittas" class="tumblr_blog">mynameismetall</a>:</p> <blockquote><p><a href="https://libertarirynn.tumblr.com/post/159920200229/puublack-dimittas-sheabuttashawty94-this" class="tumblr_blog">libertarirynn</a>:</p><blockquote> <p><a href="https://puublack.tumblr.com/post/159907317173/dimittas-sheabuttashawty94-this-is-what-i-see" class="tumblr_blog">puublack</a>:</p> <blockquote> <p><a href="https://dimittas.tumblr.com/post/159900319943/sheabuttashawty94-this-is-what-i-see-when-i-see" class="tumblr_blog">dimittas</a>:</p> <blockquote> <p><a href="https://sheabuttashawty94.tumblr.com/post/159497377391/this-is-what-i-see-when-i-see-a-white-girl-w-a" class="tumblr_blog">sheabuttashawty94</a>:</p> <blockquote><p>This is what I see when I see a white girl w a black man……</p></blockquote> <p>Imagine being so woke you cross over into the line of calling black people animals</p> </blockquote> <figure class="tmblr-full" data-orig-height="561" data-orig-width="567"><img src="https://78.media.tumblr.com/9fb666e809b68d3c4a23d657dcc93057/tumblr_inline_oovk4tlArJ1ufjlng_540.jpg" data-orig-height="561" data-orig-width="567"/></figure></blockquote> <p>Let’s play “Stormfront or SJW?”</p> </blockquote> <p>My guess: SJW.<br/></p></blockquote> <p>Pretty sure you&rsquo;re right since according to the icon the OP is black. I just think it&rsquo;s hilarious that this is probably exactly what a Klansman would say if you asked him what he thought about white women dating black men.</p>

mynameismetall: libertarirynn: puublack: dimittas: sheabuttashawty94: This is what I see when I see a white girl w a black man…… Imagin...

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