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Don’t think about it.: can p 2.25, Indexes 1-9 (in case Fava his Own they aver do that was worth remembering? I mean, Doctor Doom is okay, but, ke, he's no Spinerette, eh?) 3000.00 1-3, 18.00, 4-6, 19.00 (does anybody really care? I mean these are just warmed over Kull stories, nght? Or is it Kull who's warmed over Conan? I can never remember.) 100-103, 10.00, 104-106, 11.00, 107-109, 12.00, 110-125, 13.00 100-103, 10.00, 104-106, 11.00, 107-109, 12.00, 110-125 13 00 100-103 realy Sne pleats nightin there the book That's what Fm askin' you ELEKTRA ASSASSIN 1-4, lots and lots of money ELFQUEST you haven't memorized everything yet), 1.25, set 1-9, 10.00, Chronicles (1982) 1.50 AVENGERS 1, forget it! Even if I had one I wouldn't sell it to you. 2. Are you kidding? After the lame offers you made for the old Spider-Man stuff? 3, no way, Jose. 4, And you can forget this one altogether! (Captain Amenica) 5. m goin' straight to the recent stuff again. 140, WHAT...2 HOW...5 150, 2.50, 151, 153, 154, 8.00 (no reason) 200-202, 6, manbe 7 upks a piece. 203, Man 100-1 104-106 1-present, 1,00.00-se9, the ORDERING INSTRUCTIONS: This sd expirem 12.00 110 (1) All orders must be mailed in, temized Derek and/or Kate Smth in the nude We w ont have to This is cur ad so we play by ur e wolves died, and Richard and Wendy got evicted and we need to raise money for (2) Minimum mail order s $1000 00 Why sho them. In fact, don't even buy the sport or something? You thirk we lke comic the comics, just call paying for them, we're out ot here 1-800-ELF-HELP and plecge (3) You must have a street address as wete iocal comic acednact Youm DON'T ASK QUESTIONS! WE'RE HEAVILY INTO THE ZEN SH-SHE-HULK! IT ONLY WORKS IFPOD o YOU DON'T a FOLLOW ME, anG NOW sAndm CON WHERE CHA S THIS 1-6 this ge Comprend RYSTA ! A ha! Hal Ha! Ha! Ha! !Ha! Ha! Ha! Ha! Ha! to kno ALL OF THINK ABOUT IT!Foreign ak Ou that Canadiaihro PLACE 2/You wa F COMIC BOOKS A Your non y and youd ge at the Mint get a Spi 99211 213, 215, oing to stop HERE for every last FTCKen I'm gonna start jacking up the prices on every book that has the High Evolutionary in it! In fact, I'm gonna jack up the prices on books that even use the "evolution!" 100-103, 1 104-106, 11.00, 107- that stuff? Somebo pay for it! 10.00, 104-10 11.00 110-125 10.00 07-109. 3.00 104-106, S.12.00, $00 100-103. 107 Ha! Ha! Ha! Ha! Ha! Ha! Ha! Ha! Ha! Ha! a! Ha! Ha! Ha! Ha al Ha! Ha! Ha! Ha! You Want this? ewhole set, 18.00 15 12.00, 110-125, 13 Y0-125 T09 3.00 100-103-10.00. 04-106, 11.00, 107-109 00, 110-125, 13.00 03, 10.00, 104-106 107-109, 12.00, 5, 13.00 100-103, 104-106, 11.00, 109, 12.00, 110-125 .00 100-103, 10.00 04-106, 11.00: 107-109 00, 110-125, 13.00 ( 100-103, 10.00, 10 11.00, 107-109, 17 110-125, 13.00 10.00, 104-106 107-109, 12.00 EVIL re they still printing e? I thought they celled it after Miller left. I Ner cared for it much nyway. Expect for the hiddle period.. You know? When he was fighting, like, aliens and stuff? Now that was comics! 100-103, 10.00, 125. 00 07-109, T125, 13.00 03, 10.00, 104-106. 1.00, 107-109, 12.00, 110-125, 13.0O 100-103. 13.001 104 TU125, 13.00 (yeah, I know the price is supposed to go 24 Don’t think about it.

Don’t think about it.

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callmeblake: mcrmyhollywoodscans: JUNE 2004 - SKRATCH Photo Credit: Derrick Santini : My Chemical Romace ..usually burn... My Chemical Romance are goniuses. I will say it go) on any givan "roality TV show, which again: geniuses! They wrote this catchy song about one would it be and why? not being okay. Can you imagine anything striking a FRANK: GROWING UP GOTTI, cause I'm a quar- deeper chord with the key high-school-aged record- ter Polish and three-quarters mobster. buying demographic? I swear, they must be managed by Steve Forbes or something. I'm not dissin'-I'm SKRATCH: Does anyone in the band have just jealous! Do you realize how many underage an obnoxious girlfriend? What makes her girls these guys must have swarming around their so lame? tour bus?! It boggles the mind. Anyway, I had a really FRANK: What, are you kidding me? You're gonna great e-mail exchange with guitarist Frank Lero. He's get me into trouble with this one. Fine: Mikey's girl- got a great sense of humor and he believes in evolu- friend. Ha ha, l'm callin' you out, Jeanna bait! Yeah, tion-so, as far as l'm concerned, he deserves to live that's right-I went there. a happy, normal life. Judge for yourself, though. SKRATCH: If you had to wear either high SKRATCH: Late at night when you think heels or a bra on a regular basis, which of the Warped Tour, what do you think of? would you pick, and why? FRANK: The lack of showering, rad Porta-Potties, FRANK: Dang. Neither, really. I have bad ankles, and friendship. so the heels are not even a question; and bras just seem like a hassle, SKRATCH: You guys are kinda pale. Are you worried about sunburn on the SKRATCH: Do you believe in evolution? Warped Tour? What will you do to prevent FRANK: Yes, because it happened. Next it? Or are you looking for a little color? FRANK: Um, I don't know It's really not something SKRATCH: If you killed someone, where I'm too concerned about...butI do usually burn, would you hide the body? Do you think especially on my face, and that's never any fun...so you'd get away with it? maybe I should come up with some sort of a plan. FRANK: I would hide the body in a voting booth. Apparently, intelligent people haven't stepped foot in those things for years. SKRATCH:I love the way your music video looks like a film trailer. If they were to ac- tually make the film being "advertised," what would the plot be? What character And that way, if Ashcroft is running for any sort of office, the body can do a little last-minute campaign FRANK: There would be absolutely no plot whatso- ing! Ha ha ha. Oh, man, I'm fucking funny. Is that too ever. It would be lots of close-ups of Gerard, some heady a reference for a Warped Tour guide? Well, more of Mikey, a car would blow up, and it would be take your mind off it by checking out My Chemical Romance all summer long on this year's Warped Tour! And throw my man Frank some sunscreen when you see him. I worry about hirm, you know? would each member of the band play? over. I would audition for the part of Godzilla. SKRATCH: Man, didn't high school suck? FRANK: [Tou hit the] nail on the head, sister. SKRATCH: If you could go (or had to www.skratchmagazine.com By Jeff Penalty /Photo by Derrick Santini playing 6/18-8/1S www.theimmortalityproject.com callmeblake: mcrmyhollywoodscans: JUNE 2004 - SKRATCH Photo Credit: Derrick Santini
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Spanish History: 30 Times Tumblr Accidentally Taught Me Something While Making Me Laugh: REI TILtilthat I L TIL that Spain had a king who was so malformed due to incest that he couldn't close his mouth and ended up destroying his entire dynasty via ift.tt neeetsocks thats just how spaniards be whittneydoll hey lil mama lemme whisper in ya ear friendly-neighborhood-patriarch the monumental ugliness of El Hechizado always astonishes me nunyabizni The Hapsburg's were a unique bunch weren't they nobodys-favorite-machinist The Ancestry of King Charles II of Spain (1661-1700) Philip of Castile (1478-1505) Joanna of Castile (1479-1555) Charles V. Holy Roman Emperor (1500-58) Isabella of Portugal (1503-39) Isabella of Burgundy (1501-26 Anna of Bohemia and Hungary (1503-47 Ferdinand I, Holy Roman Emperor (1503-64) Christian I of Denmark (1481-1559) Philip of Spain (1527-96) Christina of Denmark (1522-90) Anne of Albert V, Duke Habsburg of Bavaria (1528-90) (1528-79) Mana of Spain (1528-1603) Charles of Austria (1540-90) Maximillan II, Holy Roman Emperor (1527-76) Francis 1, Duke of Lorraine (1517-45 Anne of Austria (1549-80) Maria Anna of Bavaria (1551-1608) Renata of Lorraine (1544-1602) William V, Duke of Bavaria (1548-1626) Margarita of Austria (1584-1611) Philip I of Spain (1578-1621) Maria Anna of Bavaria Ferdinand II, Holy Roman Emperor (1578-1637) (1574-1616 Maria Anna of Spain (1606-46 Philip V of Spain (1605-65) Ferdinand III, Holy Roman Emperor (1608-57) Manana of Austria (1634-96 Charles l of Spain (1661-1700) His family tree was a fucking Christmas wreath. his body "did not contain a single drop of blood his heart was the size of a peppercorn short lame, epileptic senile his lungs corroded: his intestines rotten and gangrenous; completely bald before 35 he had a single testicle, black as coal, always on the verge of death, he repeatedly bafled Christendom by continuing to live his head was ul fwater In case you wanted to know what his coroner thought of him. Spanish History: 30 Times Tumblr Accidentally Taught Me Something While Making Me Laugh
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hella-lugosi: sciencebranchblues: rhan-hastur: akitchenwitch: shpider-synthpop: retrocatte: shpider-synthpop: Rob Zombie confirmed for coll fuckin’ guy ROB ZOMBIE CONFIRMED FOR COOLEST FUCKING GUY i love that Rob Zombie is now Baby Metal’s badass protective grandpa  Are they actually trying to gatekeep metal from Rob fucking Zombie? Go cry some more, here’s Babymetal with Abbath. Rammstein accepted Babymetal as one of their own, that’s good enough for me. Babymetal with Rob Halford Joakim from Sabaton also makes music with them now. Sabaton supports Babymetal: Rob Zombie İhr.@ backstage with my new pals BABY METAL Like Commentare Comment →Share Bruce Cashman Are you kidding me Rob? Baby Metal is J-Pop, not Metal. But to each their own I guess.. Like Reply 103 1 h View previous replies Rob Zombiethese three girls had more energy that 90 percent of the bands we play with. Unlike Reply 1,078-1 hr View more replies Cody Higgins They are awful. This is lame. I love you Rob, but shame on you Like Reply 296.1 hr Rob ZombieThey roll harder than you. Unlike Reply 773-1 hr View more replies hella-lugosi: sciencebranchblues: rhan-hastur: akitchenwitch: shpider-synthpop: retrocatte: shpider-synthpop: Rob Zombie confirmed for coll fuckin’ guy ROB ZOMBIE CONFIRMED FOR COOLEST FUCKING GUY i love that Rob Zombie is now Baby Metal’s badass protective grandpa  Are they actually trying to gatekeep metal from Rob fucking Zombie? Go cry some more, here’s Babymetal with Abbath. Rammstein accepted Babymetal as one of their own, that’s good enough for me. Babymetal with Rob Halford Joakim from Sabaton also makes music with them now. Sabaton supports Babymetal
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hella-lugosi: sciencebranchblues: rhan-hastur: akitchenwitch: shpider-synthpop: retrocatte: shpider-synthpop: Rob Zombie confirmed for coll fuckin’ guy ROB ZOMBIE CONFIRMED FOR COOLEST FUCKING GUY i love that Rob Zombie is now Baby Metal’s badass protective grandpa  Are they actually trying to gatekeep metal from Rob fucking Zombie? Go cry some more, here’s Babymetal with Abbath. Rammstein accepted Babymetal as one of their own, that’s good enough for me. Babymetal with Rob Halford : Rob Zombie İhr.@ backstage with my new pals BABY METAL Like Commentare Comment →Share Bruce Cashman Are you kidding me Rob? Baby Metal is J-Pop, not Metal. But to each their own I guess.. Like Reply 103 1 h View previous replies Rob Zombiethese three girls had more energy that 90 percent of the bands we play with. Unlike Reply 1,078-1 hr View more replies Cody Higgins They are awful. This is lame. I love you Rob, but shame on you Like Reply 296.1 hr Rob ZombieThey roll harder than you. Unlike Reply 773-1 hr View more replies hella-lugosi: sciencebranchblues: rhan-hastur: akitchenwitch: shpider-synthpop: retrocatte: shpider-synthpop: Rob Zombie confirmed for coll fuckin’ guy ROB ZOMBIE CONFIRMED FOR COOLEST FUCKING GUY i love that Rob Zombie is now Baby Metal’s badass protective grandpa  Are they actually trying to gatekeep metal from Rob fucking Zombie? Go cry some more, here’s Babymetal with Abbath. Rammstein accepted Babymetal as one of their own, that’s good enough for me. Babymetal with Rob Halford
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feministscoundrel: This photo means a lot to me. And I’ll tell you why.  Natalie Portman, as we know, was shut out of Marvel. She chose not to sign any new contract not just because of the way her character was treated (though there is that) but because Thor: The Dark World was slated to be the first Marvel movie directed by a woman, her friend (and eventual Wonder Woman director) Patty Jenkins. Portman hadn’t planned on being in The Dark World, but lept at the chance to be a part of feminist history and to be directed in what would have beenJenkin’s first film since her 2003 Oscar-winning Monster. Portman signed a new contract with Marvel. They fired Jenkins soon after. Portman was crushed because she essentially had been duped into a contract for a film that would keep her away from her young son and force her back into a one-dimensional role under yet another male director. And we all remember how awful that movie was.  When it came time for the third Thor movie, they tried to get Portman under contract again. And she said no. Marvel decided to spin the story to make it seem like it was all their idea. At first, they went for the lame and nonsensical:  When Marvel Studios President Kevin Feige was asked about why she wouldn’t be in the third film, and said there were “many reasons, many of which are in the film, so you will see that” continuing with “There are only a couple of scenes on Earth in this movie. The majority, 95 percent of the movie, takes place in the cosmos.” (x) Seeing as The Dark World also took place in space, this answer didn’t have a lot of credibility. When Portman said she was “done” with the Marvel Universe, Feige got vicious in interviews, telling reporters that Valkyrie was in Ragnorak to be better than Jane Foster and a better match for Thor.  “We wanted Thor to encounter somebody that was near his equal and that his relationship with Jane may have evolved in unexpected ways in between The Dark World and Ragnarok, and we wanted to pit him against a character who was much more his equal and in many ways his superior.” (x) Feige implies that A) Valkyrie was in Ragnorak just to be a romantic interest for Thor, B) Valkyrie is better and more powerful than Jane Foster, and C) Jane Foster was always Thor’s inferior.  What’s ridiculous is that Ragnorak had a “sorry Jane dumped you” throwaway line to explain Portman’s absence. And instead of saying that Jane and Thor broke up in interviews, a line that does not spoil literally anything about the film, Feige chose to attack Jane’s strength and capability, which would have been a very special dig at Portman.  Do you want to know what none of this sounds like? Taika Waititi’s opinion. Waititi is a master storyteller who does not sacrifice his feminist views for laughs. You can bet that Feige’s ridiculous slams on Portman and her character Jane– disguised as “promotion” for WAITITI’S FILM– would have troubled him immensely. This is a man with a Māori father, who had to use his mother’s maiden name– Cohen– for earlier work because an indigenous last name kept him away from opportunity. This man does NOT fuck around with entertainment that gets its power off of sexism and inequality. He knows from experience just how infuriating it is when it comes to directors missing out on opportunities because they aren’t a white man.  So how does he fix this? How does he fix the idea that Jane Foster can’t go to space, or that she’s not powerful enough for Thor, the god of thunder?  He makes her Thor.  Waititi saw Portman / Jane Foster’s name dragged through the mud by Kevin Feige in order to promote his movie, and when he got hired to direct again, he decided to right those wrongs. This picture means everything. He is on his knee, handing her Thor’s hammer, essentially saying, you will never have to go through that shit with me. With me, you’re a god. And the expression on her face, after Marvel attempted to break her, doesn’t need words.  What a photo. What a film. What a man.  : INTERNATIONAL INTERNATIONAL SAN DIEGO AN DIE ECON CONCON CON INTERNA INTER INTERNATIONAL 1N DIEG0 OIEGO SAN DIEGO CON OUG NO CON DIEGO CON INTERNATIONAL ONAL INTERNATIONAL IN E WATIONAL TERNATIONA SAN DIEGO CON SAN OIEG0 0 93 eONCON CO SAN OIEG N OIEG CO INTERNATIO COMICE CO OM feministscoundrel: This photo means a lot to me. And I’ll tell you why.  Natalie Portman, as we know, was shut out of Marvel. She chose not to sign any new contract not just because of the way her character was treated (though there is that) but because Thor: The Dark World was slated to be the first Marvel movie directed by a woman, her friend (and eventual Wonder Woman director) Patty Jenkins. Portman hadn’t planned on being in The Dark World, but lept at the chance to be a part of feminist history and to be directed in what would have beenJenkin’s first film since her 2003 Oscar-winning Monster. Portman signed a new contract with Marvel. They fired Jenkins soon after. Portman was crushed because she essentially had been duped into a contract for a film that would keep her away from her young son and force her back into a one-dimensional role under yet another male director. And we all remember how awful that movie was.  When it came time for the third Thor movie, they tried to get Portman under contract again. And she said no. Marvel decided to spin the story to make it seem like it was all their idea. At first, they went for the lame and nonsensical:  When Marvel Studios President Kevin Feige was asked about why she wouldn’t be in the third film, and said there were “many reasons, many of which are in the film, so you will see that” continuing with “There are only a couple of scenes on Earth in this movie. The majority, 95 percent of the movie, takes place in the cosmos.” (x) Seeing as The Dark World also took place in space, this answer didn’t have a lot of credibility. When Portman said she was “done” with the Marvel Universe, Feige got vicious in interviews, telling reporters that Valkyrie was in Ragnorak to be better than Jane Foster and a better match for Thor.  “We wanted Thor to encounter somebody that was near his equal and that his relationship with Jane may have evolved in unexpected ways in between The Dark World and Ragnarok, and we wanted to pit him against a character who was much more his equal and in many ways his superior.” (x) Feige implies that A) Valkyrie was in Ragnorak just to be a romantic interest for Thor, B) Valkyrie is better and more powerful than Jane Foster, and C) Jane Foster was always Thor’s inferior.  What’s ridiculous is that Ragnorak had a “sorry Jane dumped you” throwaway line to explain Portman’s absence. And instead of saying that Jane and Thor broke up in interviews, a line that does not spoil literally anything about the film, Feige chose to attack Jane’s strength and capability, which would have been a very special dig at Portman.  Do you want to know what none of this sounds like? Taika Waititi’s opinion. Waititi is a master storyteller who does not sacrifice his feminist views for laughs. You can bet that Feige’s ridiculous slams on Portman and her character Jane– disguised as “promotion” for WAITITI’S FILM– would have troubled him immensely. This is a man with a Māori father, who had to use his mother’s maiden name– Cohen– for earlier work because an indigenous last name kept him away from opportunity. This man does NOT fuck around with entertainment that gets its power off of sexism and inequality. He knows from experience just how infuriating it is when it comes to directors missing out on opportunities because they aren’t a white man.  So how does he fix this? How does he fix the idea that Jane Foster can’t go to space, or that she’s not powerful enough for Thor, the god of thunder?  He makes her Thor.  Waititi saw Portman / Jane Foster’s name dragged through the mud by Kevin Feige in order to promote his movie, and when he got hired to direct again, he decided to right those wrongs. This picture means everything. He is on his knee, handing her Thor’s hammer, essentially saying, you will never have to go through that shit with me. With me, you’re a god. And the expression on her face, after Marvel attempted to break her, doesn’t need words.  What a photo. What a film. What a man. 
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ebonyheartnet: jewishdragon: feministscoundrel: This photo means a lot to me. And I’ll tell you why.  Natalie Portman, as we know, was shut out of Marvel. She chose not to sign any new contract not just because of the way her character was treated (though there is that) but because Thor: The Dark World was slated to be the first Marvel movie directed by a woman, her friend (and eventual Wonder Woman director) Patty Jenkins. Portman hadn’t planned on being in The Dark World, but lept at the chance to be a part of feminist history and to be directed in what would have beenJenkin’s first film since her 2003 Oscar-winning Monster. Portman signed a new contract with Marvel. They fired Jenkins soon after. Portman was crushed because she essentially had been duped into a contract for a film that would keep her away from her young son and force her back into a one-dimensional role under yet another male director. And we all remember how awful that movie was.  When it came time for the third Thor movie, they tried to get Portman under contract again. And she said no. Marvel decided to spin the story to make it seem like it was all their idea. At first, they went for the lame and nonsensical:  When Marvel Studios President Kevin Feige was asked about why she wouldn’t be in the third film, and said there were “many reasons, many of which are in the film, so you will see that” continuing with “There are only a couple of scenes on Earth in this movie. The majority, 95 percent of the movie, takes place in the cosmos.” (x) Seeing as The Dark World also took place in space, this answer didn’t have a lot of credibility. When Portman said she was “done” with the Marvel Universe, Feige got vicious in interviews, telling reporters that Valkyrie was in Ragnorak to be better than Jane Foster and a better match for Thor.  “We wanted Thor to encounter somebody that was near his equal and that his relationship with Jane may have evolved in unexpected ways in between The Dark World and Ragnarok, and we wanted to pit him against a character who was much more his equal and in many ways his superior.” (x) Feige implies that A) Valkyrie was in Ragnorak to be a romantic interest for Thor, B) Valkyrie is better and more powerful than Jane Foster, and C) Jane Foster was always Thor’s inferior.  What’s ridiculous is that Ragnorak had a “sorry Jane dumped you” throwaway line to explain Portman’s absence. And instead of saying that Jane and Thor broke up in interviews, a line that does not spoil literally anything about the film, Feige chose to attack Jane’s strength and capability, which would have been a very special dig at Portman.  Do you want to know what none of this sounds like? Taika Waititi’s opinion. Waititi is a master storyteller who does not sacrifice his feminist views for laughs. You can bet that Feige’s ridiculous slams on Portman and her character Jane– disguised as “promotion” for WAITITI’S FILM– would have troubled him immensely. This is a man with a Māori father, who had to use his mother’s maiden name– Cohen– for earlier work because an indigenous last name kept him away from opportunity. This man does NOT fuck around with entertainment that gets its power off of sexism and inequality. He knows from experience just how infuriating it is when it comes to directors missing out on opportunities because they aren’t a white man.  So how does he fix this? How does he fix the idea that Jane Foster can’t go to space, or that she’s not powerful enough for Thor, the god of thunder?  He makes her Thor.  Waititi saw Portman / Jane Foster’s name dragged through the mud by Kevin Feige in order to promote his movie, and when he got hired to direct again, he decided to right those wrongs. This picture means everything. He is on his knee, handing her Thor’s hammer, essentially saying, you will never have to go through that shit with me. With me, you’re a god. And the expression on her face, after Marvel attempted to break her, doesn’t need words.  What a photo. What a film. What a man.  Wiatiti And Portman are also BOTH jewish! Jews lifting up Jews! : INTERNATIONAL INTERNATIONAL SAN DIEGO AN DIE ECON CONCON CON INTERNA INTER INTERNATIONAL 1N DIEG0 OIEGO SAN DIEGO CON OUG NO CON DIEGO CON INTERNATIONAL ONAL INTERNATIONAL IN E WATIONAL TERNATIONA SAN DIEGO CON SAN OIEG0 0 93 eONCON CO SAN OIEG N OIEG CO INTERNATIO COMICE CO OM ebonyheartnet: jewishdragon: feministscoundrel: This photo means a lot to me. And I’ll tell you why.  Natalie Portman, as we know, was shut out of Marvel. She chose not to sign any new contract not just because of the way her character was treated (though there is that) but because Thor: The Dark World was slated to be the first Marvel movie directed by a woman, her friend (and eventual Wonder Woman director) Patty Jenkins. Portman hadn’t planned on being in The Dark World, but lept at the chance to be a part of feminist history and to be directed in what would have beenJenkin’s first film since her 2003 Oscar-winning Monster. Portman signed a new contract with Marvel. They fired Jenkins soon after. Portman was crushed because she essentially had been duped into a contract for a film that would keep her away from her young son and force her back into a one-dimensional role under yet another male director. And we all remember how awful that movie was.  When it came time for the third Thor movie, they tried to get Portman under contract again. And she said no. Marvel decided to spin the story to make it seem like it was all their idea. At first, they went for the lame and nonsensical:  When Marvel Studios President Kevin Feige was asked about why she wouldn’t be in the third film, and said there were “many reasons, many of which are in the film, so you will see that” continuing with “There are only a couple of scenes on Earth in this movie. The majority, 95 percent of the movie, takes place in the cosmos.” (x) Seeing as The Dark World also took place in space, this answer didn’t have a lot of credibility. When Portman said she was “done” with the Marvel Universe, Feige got vicious in interviews, telling reporters that Valkyrie was in Ragnorak to be better than Jane Foster and a better match for Thor.  “We wanted Thor to encounter somebody that was near his equal and that his relationship with Jane may have evolved in unexpected ways in between The Dark World and Ragnarok, and we wanted to pit him against a character who was much more his equal and in many ways his superior.” (x) Feige implies that A) Valkyrie was in Ragnorak to be a romantic interest for Thor, B) Valkyrie is better and more powerful than Jane Foster, and C) Jane Foster was always Thor’s inferior.  What’s ridiculous is that Ragnorak had a “sorry Jane dumped you” throwaway line to explain Portman’s absence. And instead of saying that Jane and Thor broke up in interviews, a line that does not spoil literally anything about the film, Feige chose to attack Jane’s strength and capability, which would have been a very special dig at Portman.  Do you want to know what none of this sounds like? Taika Waititi’s opinion. Waititi is a master storyteller who does not sacrifice his feminist views for laughs. You can bet that Feige’s ridiculous slams on Portman and her character Jane– disguised as “promotion” for WAITITI’S FILM– would have troubled him immensely. This is a man with a Māori father, who had to use his mother’s maiden name– Cohen– for earlier work because an indigenous last name kept him away from opportunity. This man does NOT fuck around with entertainment that gets its power off of sexism and inequality. He knows from experience just how infuriating it is when it comes to directors missing out on opportunities because they aren’t a white man.  So how does he fix this? How does he fix the idea that Jane Foster can’t go to space, or that she’s not powerful enough for Thor, the god of thunder?  He makes her Thor.  Waititi saw Portman / Jane Foster’s name dragged through the mud by Kevin Feige in order to promote his movie, and when he got hired to direct again, he decided to right those wrongs. This picture means everything. He is on his knee, handing her Thor’s hammer, essentially saying, you will never have to go through that shit with me. With me, you’re a god. And the expression on her face, after Marvel attempted to break her, doesn’t need words.  What a photo. What a film. What a man.  Wiatiti And Portman are also BOTH jewish! Jews lifting up Jews!
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feministscoundrel: This photo means a lot to me. And I’ll tell you why.  Natalie Portman, as we know, was shut out of Marvel. She chose not to sign any new contract not just because of the way her character was treated (though there is that) but because Thor: The Dark World was slated to be the first Marvel movie directed by a woman, her friend (and eventual Wonder Woman director) Patty Jenkins. Portman hadn’t planned on being in The Dark World, but lept at the chance to be a part of feminist history and to be directed in what would have beenJenkin’s first film since her 2003 Oscar-winning Monster. Portman signed a new contract with Marvel. They fired Jenkins soon after. Portman was crushed because she essentially had been duped into a contract for a film that would keep her away from her young son and force her back into a one-dimensional role under yet another male director. And we all remember how awful that movie was.  When it came time for the third Thor movie, they tried to get Portman under contract again. And she said no. Marvel decided to spin the story to make it seem like it was all their idea. At first, they went for the lame and nonsensical:  When Marvel Studios President Kevin Feige was asked about why she wouldn’t be in the third film, and said there were “many reasons, many of which are in the film, so you will see that” continuing with “There are only a couple of scenes on Earth in this movie. The majority, 95 percent of the movie, takes place in the cosmos.” (x) Seeing as The Dark World also took place in space, this answer didn’t have a lot of credibility. When Portman said she was “done” with the Marvel Universe, Feige got vicious in interviews, telling reporters that Valkyrie was in Ragnorak to be better than Jane Foster and a better match for Thor.  “We wanted Thor to encounter somebody that was near his equal and that his relationship with Jane may have evolved in unexpected ways in between The Dark World and Ragnarok, and we wanted to pit him against a character who was much more his equal and in many ways his superior.” (x) Feige implies that A) Valkyrie was in Ragnorak to be a romantic interest for Thor, B) Valkyrie is better and more powerful than Jane Foster, and C) Jane Foster was always Thor’s inferior.  What’s ridiculous is that Ragnorak had a “sorry Jane dumped you” throwaway line to explain Portman’s absence. And instead of saying that Jane and Thor broke up in interviews, a line that does not spoil literally anything about the film, Feige chose to attack Jane’s strength and capability, which would have been a very special dig at Portman.  Do you want to know what none of this sounds like? Taika Waititi’s opinion. Waititi is a master storyteller who does not sacrifice his feminist views for laughs. You can bet that Feige’s ridiculous slams on Portman and her character Jane– disguised as “promotion” for WAITITI’S FILM– would have troubled him immensely. This is a man with a Māori father, who had to use his mother’s maiden name– Cohen– for earlier work because an indigenous last name kept him away from opportunity. This man does NOT fuck around with entertainment that gets its power off of sexism and inequality. He knows from experience just how infuriating it is when it comes to directors missing out on opportunities because they aren’t a white man.  So how does he fix this? How does he fix the idea that Jane Foster can’t go to space, or that she’s not powerful enough for Thor, the god of thunder?  He makes her Thor.  Waititi saw Portman / Jane Foster’s name dragged through the mud by Kevin Feige in order to promote his movie, and when he got hired to direct again, he decided to right those wrongs. This picture means everything. He is on his knee, handing her Thor’s hammer, essentially saying, you will never have to go through that shit with me. With me, you’re a god. And the expression on her face, after Marvel attempted to break her, doesn’t need words.  What a photo. What a film. What a man.  : INTERNATIONAL INTERNATIONAL SAN DIEGO AN DIE ECON CONCON CON INTERNA INTER INTERNATIONAL 1N DIEG0 OIEGO SAN DIEGO CON OUG NO CON DIEGO CON INTERNATIONAL ONAL INTERNATIONAL IN E WATIONAL TERNATIONA SAN DIEGO CON SAN OIEG0 0 93 eONCON CO SAN OIEG N OIEG CO INTERNATIO COMICE CO OM feministscoundrel: This photo means a lot to me. And I’ll tell you why.  Natalie Portman, as we know, was shut out of Marvel. She chose not to sign any new contract not just because of the way her character was treated (though there is that) but because Thor: The Dark World was slated to be the first Marvel movie directed by a woman, her friend (and eventual Wonder Woman director) Patty Jenkins. Portman hadn’t planned on being in The Dark World, but lept at the chance to be a part of feminist history and to be directed in what would have beenJenkin’s first film since her 2003 Oscar-winning Monster. Portman signed a new contract with Marvel. They fired Jenkins soon after. Portman was crushed because she essentially had been duped into a contract for a film that would keep her away from her young son and force her back into a one-dimensional role under yet another male director. And we all remember how awful that movie was.  When it came time for the third Thor movie, they tried to get Portman under contract again. And she said no. Marvel decided to spin the story to make it seem like it was all their idea. At first, they went for the lame and nonsensical:  When Marvel Studios President Kevin Feige was asked about why she wouldn’t be in the third film, and said there were “many reasons, many of which are in the film, so you will see that” continuing with “There are only a couple of scenes on Earth in this movie. The majority, 95 percent of the movie, takes place in the cosmos.” (x) Seeing as The Dark World also took place in space, this answer didn’t have a lot of credibility. When Portman said she was “done” with the Marvel Universe, Feige got vicious in interviews, telling reporters that Valkyrie was in Ragnorak to be better than Jane Foster and a better match for Thor.  “We wanted Thor to encounter somebody that was near his equal and that his relationship with Jane may have evolved in unexpected ways in between The Dark World and Ragnarok, and we wanted to pit him against a character who was much more his equal and in many ways his superior.” (x) Feige implies that A) Valkyrie was in Ragnorak to be a romantic interest for Thor, B) Valkyrie is better and more powerful than Jane Foster, and C) Jane Foster was always Thor’s inferior.  What’s ridiculous is that Ragnorak had a “sorry Jane dumped you” throwaway line to explain Portman’s absence. And instead of saying that Jane and Thor broke up in interviews, a line that does not spoil literally anything about the film, Feige chose to attack Jane’s strength and capability, which would have been a very special dig at Portman.  Do you want to know what none of this sounds like? Taika Waititi’s opinion. Waititi is a master storyteller who does not sacrifice his feminist views for laughs. You can bet that Feige’s ridiculous slams on Portman and her character Jane– disguised as “promotion” for WAITITI’S FILM– would have troubled him immensely. This is a man with a Māori father, who had to use his mother’s maiden name– Cohen– for earlier work because an indigenous last name kept him away from opportunity. This man does NOT fuck around with entertainment that gets its power off of sexism and inequality. He knows from experience just how infuriating it is when it comes to directors missing out on opportunities because they aren’t a white man.  So how does he fix this? How does he fix the idea that Jane Foster can’t go to space, or that she’s not powerful enough for Thor, the god of thunder?  He makes her Thor.  Waititi saw Portman / Jane Foster’s name dragged through the mud by Kevin Feige in order to promote his movie, and when he got hired to direct again, he decided to right those wrongs. This picture means everything. He is on his knee, handing her Thor’s hammer, essentially saying, you will never have to go through that shit with me. With me, you’re a god. And the expression on her face, after Marvel attempted to break her, doesn’t need words.  What a photo. What a film. What a man. 
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hella-lugosi: sciencebranchblues: rhan-hastur: akitchenwitch: shpider-synthpop: retrocatte: shpider-synthpop: Rob Zombie confirmed for coll fuckin’ guy ROB ZOMBIE CONFIRMED FOR COOLEST FUCKING GUY i love that Rob Zombie is now Baby Metal’s badass protective grandpa  Are they actually trying to gatekeep metal from Rob fucking Zombie? Go cry some more, here’s Babymetal with Abbath. Rammstein accepted Babymetal as one of their own, that’s good enough for me. Babymetal with Rob Halford : Rob Zombie İhr.@ backstage with my new pals BABY METAL Like Commentare Comment →Share Bruce Cashman Are you kidding me Rob? Baby Metal is J-Pop, not Metal. But to each their own I guess.. Like Reply 103 1 h View previous replies Rob Zombiethese three girls had more energy that 90 percent of the bands we play with. Unlike Reply 1,078-1 hr View more replies Cody Higgins They are awful. This is lame. I love you Rob, but shame on you Like Reply 296.1 hr Rob ZombieThey roll harder than you. Unlike Reply 773-1 hr View more replies hella-lugosi: sciencebranchblues: rhan-hastur: akitchenwitch: shpider-synthpop: retrocatte: shpider-synthpop: Rob Zombie confirmed for coll fuckin’ guy ROB ZOMBIE CONFIRMED FOR COOLEST FUCKING GUY i love that Rob Zombie is now Baby Metal’s badass protective grandpa  Are they actually trying to gatekeep metal from Rob fucking Zombie? Go cry some more, here’s Babymetal with Abbath. Rammstein accepted Babymetal as one of their own, that’s good enough for me. Babymetal with Rob Halford
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