🗄  Work Memes

⁇  Why Not Both Meme

🕚  Sunday Memes

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👫  Boyfriend Meme

👶🏿  Kevin Hart Memes

rolling Memes

All Of Them
All Of Them
Eyes Rolling
Eyes Rolling
Some Of You Guys Are Alright
Some Of You Guys Are Alright
dont go
dont go
like comment share
like comment share
roll over
roll over
ifs
ifs
yours
yours
ons
ons
roll
roll 

    
                    

                

            
        
    

    
    
    






            

            
            

                

                    
                

                

                    
                    
                    

                        


	


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        cereusblue:
unnameablethings:


dragonsateyourtoast:

redporkpadthai:

dragonsateyourtoast:

otherwindow:

otherwindow:
This is how the golden age of piracy ended.
The first mermaid to get tattoos :)


“we didn’t know any better,” the crewman says, and swallows, presenting the chest to the captain. “what do we do now?”
“kill it,” the captain says, but the ice is melting in his eyes.
“we can’t,” the first mate says desperately, praying she won’t have to fight her captain on this. “we can’t. we - i won’t. we won’t.”
“i know.”
x
“daddy,” she says, floating in a tub of seawater in the hold, “daddy, la-la, la-la-la.”
her voice rings like bells. her accent is strange; her mouth isn’t made for human words. it mesmerises even the hardiest amongst them and she wasn’t even trying. the crew has taken to diving for shellfish near the shorelines for her; she loves them, splitting the shells apart with strength seen in no human toddler, slurping down the slimy molluscs inside and laughing, all plump brown cheeks and needle-sharp teeth. she sometimes splashes them for fun with her smooth, rubbery brown tail. even when they get soaked they laugh. they love her.
“daddy,” she calls again, and he can hear the worry in her voice. the storm rocking the ship is harsh and uncaring, and if they go down, she would be the only survivor.
“don’t worry,” he says, and goes over, sitting next to the tub. the first mate, leaning against the wall, pretends not to notice as he quietly begins to sing.
x
“father,” she says, one day, as she leans on the edge of the dock and the captain sits next to her, “why am I here?”
“your mother abandoned you,” he says, as he always has. “we found you adrift, and couldn’t bear to leave you there.”
she picks at the salt-soaked boards, uncertain. her hair is pulled back in a fluffy black puff, the white linen holding it slipping almost over one of her dark eyes. one of her first tattoos, a many-limbed kraken, curls over her right shoulder and down her arm, delicate tendrils wrapped around her calloused fingertips. “alright,” she says.
x
“why am I really here?” she asks the first mate, watching the sun set over the water in streaks of liquid metal that pooled in the troughs of the waves and glittered on the seafoam.
“we didn’t know any better,” the first mate says, staring into the water. “we didn’t know- we didn’t know anything. we didn’t understand why she fought so viciously to guard her treasure. we could not know she protected something a thousand times more precious than the purest gold.”
she wants to be furious, but she can’t. she already knew the answer, from reading the guilt in her father’s eyes and the empty space in her own history. and she can’t hate her family.
“it’s alright,” she says. “i do have a family, anyways. i don’t think i would have liked my other life near as much.”
x
her kraken grows, spreading its tendrils over her torso and arms. she grows too, too large to come on board the ship without being hauled up in a boat from the water. she sings when the storms come and swims before the ship to guide it to safety. she fights off more than one beast of the seas, and gathers a set of scars across her back that she bears with pride. “i don’t mind,” she says, when the captain fusses over her, “now i match all of you.”
the first time their ship is threatened, really threatened, is by another fleet. a friend turned enemy of the first mate. “we shouldn’t fight him,” she says, peering through the spyglass.
“why not?” the mermaid asks.
“he’ll win,” the first mate says.
the mermaid tips her head sideways. Her eyes, dark as the deep waters, gleam in the noon light. “are you sure?” she asks.
x
the enemy fleet surrenders after the flagship is sunk in the night, the anchor ripped off the ship and the planks torn off the hull. the surviving crew, wild-eyed and delirious, whimper and say a sea serpent came from the water and attacked them, say it was longer than the boat and crushed it in its coils. the first mate hears this and has to hide her laughter. the captain apologizes to his daughter for doubting her.
“don’t worry,” she says, with a bright laugh, “it was fun.”
x
the second time, they are pushed by a storm into a royal fleet. they can’t possibly fight them, and they don’t have the time to escape.
“let me up,” the mermaid urges, surfacing starboard and shouting to the crew. “bring me up, quickly, quickly.”
they lower the boat and she piles her sinous form into it, and uses her claws to help the crew pull her up. once on the deck she flops out of the boat and makes her way over to the bow. the crew tries to help but she’s so heavy they can barely lift parts of her.
she crawls up out in front of the rail and wraps her long webbed tail around the prow. the figurehead has served them well so far but they need more right now. she wraps herself around the figurehead and raises her body up into the wind takes a breath of the stinging salt air and sings.
the storm carries her voice on its front to the royal navy. they are enchanted, so stunned by her song that they drop the rigging ropes and let the tillers drift. the pirates sail through the center of the fleet, trailing the storm behind them, and by the time the fleet has managed to regain its senses they are buried in wind and rain and the pirates are gone.
x
she declines guns. instead she carries a harpoon and its launcher, and uses them to board enemy ships, hauling her massive form out of the water to coil on the deck and dispatch enemies with ruthless efficiency. her family is feared across all the sea.
x
“you know we are dying,” the captain says, looking down at her.
she floats next to the ship, so massive she could hold it in her arms. her eyes are wise.
“i know,” she says, “i can feel it coming.”
the first mate stands next to the captain. she never had a lover or a child, and neither did he, but to the mermaid they are her parents. she will always love her daughter. the tattoos are graven in dark swirls across the mermaid’s deep brown skin and the flesh of her tail, even spiraling onto the spiked webbing on her spine and face. her hair is still tied back, this time with a sail that could not be patched one last time. 
“we love you,” the first mate says simply, looking down. her own tightly coiled black hair falls in to her face; she shakes the locs out of the way and smiles through her tears. the captain pretends he isnt crying either.
“i love you too,” the mermaid says, and reached up to pull the ship down just a bit, just to hold them one last time.
“guard the ship,” the captain says. “you always have but you know they’re lost without you.”
“without you,” the mermaid corrects, with a shrug that makes waves. “what will we do?”
“i don’t know,” the captain says. “but you’ll help them, won’t you?”
“of course i will,” she scoffs, rolling her eyes. “i will always protect my family.”
x
the captain and the first mate are gone. the ship has a new captain, young and fearless - of the things she can afford to disregard. she fears and loves the ocean, as all captains do. she does not fear the royal fleet. and she does not fear the mermaid.
“you know, i heard stories about you when i was a little girl,” she says, trailing her fingers in the water next to the dock.
the mermaid stares at her with one eye the size of a dinner table. “is that so?” she hums, smirking with teeth sharper than the swords of the entire navy.
“they said you could sink an entire fleet and that you had skin tougher than dragon scales,” the new captain says, grinning right back at the monster who could eat her without a moment’s hesitation. “i always thought they were telling tall tales.”
“and now?”
“they were right,” the new captain says. “how did they ever befriend you?”
the mermaid smiles, fully this time, her dark eyes gleaming under the white linen sail. “they didn’t know any better.”

She protects her family.

Hi everybody! Guess what’s being posted on AO3 now at the following link!
https://archiveofourown.org/works/22498384/chapters/53760817
That’s right! Here you go. I’ll be uploading it in some chunks, because I want to make sure I have everything I wanted edited cleanly finished, but follow the story there!




HEY GUYS GUESS WHATS BACK ON THE DASHBOARD AND BETTER THAN EVER
: cereusblue:
unnameablethings:


dragonsateyourtoast:

redporkpadthai:

dragonsateyourtoast:

otherwindow:

otherwindow:
This is how the golden age of piracy ended.
The first mermaid to get tattoos :)


“we didn’t know any better,” the crewman says, and swallows, presenting the chest to the captain. “what do we do now?”
“kill it,” the captain says, but the ice is melting in his eyes.
“we can’t,” the first mate says desperately, praying she won’t have to fight her captain on this. “we can’t. we - i won’t. we won’t.”
“i know.”
x
“daddy,” she says, floating in a tub of seawater in the hold, “daddy, la-la, la-la-la.”
her voice rings like bells. her accent is strange; her mouth isn’t made for human words. it mesmerises even the hardiest amongst them and she wasn’t even trying. the crew has taken to diving for shellfish near the shorelines for her; she loves them, splitting the shells apart with strength seen in no human toddler, slurping down the slimy molluscs inside and laughing, all plump brown cheeks and needle-sharp teeth. she sometimes splashes them for fun with her smooth, rubbery brown tail. even when they get soaked they laugh. they love her.
“daddy,” she calls again, and he can hear the worry in her voice. the storm rocking the ship is harsh and uncaring, and if they go down, she would be the only survivor.
“don’t worry,” he says, and goes over, sitting next to the tub. the first mate, leaning against the wall, pretends not to notice as he quietly begins to sing.
x
“father,” she says, one day, as she leans on the edge of the dock and the captain sits next to her, “why am I here?”
“your mother abandoned you,” he says, as he always has. “we found you adrift, and couldn’t bear to leave you there.”
she picks at the salt-soaked boards, uncertain. her hair is pulled back in a fluffy black puff, the white linen holding it slipping almost over one of her dark eyes. one of her first tattoos, a many-limbed kraken, curls over her right shoulder and down her arm, delicate tendrils wrapped around her calloused fingertips. “alright,” she says.
x
“why am I really here?” she asks the first mate, watching the sun set over the water in streaks of liquid metal that pooled in the troughs of the waves and glittered on the seafoam.
“we didn’t know any better,” the first mate says, staring into the water. “we didn’t know- we didn’t know anything. we didn’t understand why she fought so viciously to guard her treasure. we could not know she protected something a thousand times more precious than the purest gold.”
she wants to be furious, but she can’t. she already knew the answer, from reading the guilt in her father’s eyes and the empty space in her own history. and she can’t hate her family.
“it’s alright,” she says. “i do have a family, anyways. i don’t think i would have liked my other life near as much.”
x
her kraken grows, spreading its tendrils over her torso and arms. she grows too, too large to come on board the ship without being hauled up in a boat from the water. she sings when the storms come and swims before the ship to guide it to safety. she fights off more than one beast of the seas, and gathers a set of scars across her back that she bears with pride. “i don’t mind,” she says, when the captain fusses over her, “now i match all of you.”
the first time their ship is threatened, really threatened, is by another fleet. a friend turned enemy of the first mate. “we shouldn’t fight him,” she says, peering through the spyglass.
“why not?” the mermaid asks.
“he’ll win,” the first mate says.
the mermaid tips her head sideways. Her eyes, dark as the deep waters, gleam in the noon light. “are you sure?” she asks.
x
the enemy fleet surrenders after the flagship is sunk in the night, the anchor ripped off the ship and the planks torn off the hull. the surviving crew, wild-eyed and delirious, whimper and say a sea serpent came from the water and attacked them, say it was longer than the boat and crushed it in its coils. the first mate hears this and has to hide her laughter. the captain apologizes to his daughter for doubting her.
“don’t worry,” she says, with a bright laugh, “it was fun.”
x
the second time, they are pushed by a storm into a royal fleet. they can’t possibly fight them, and they don’t have the time to escape.
“let me up,” the mermaid urges, surfacing starboard and shouting to the crew. “bring me up, quickly, quickly.”
they lower the boat and she piles her sinous form into it, and uses her claws to help the crew pull her up. once on the deck she flops out of the boat and makes her way over to the bow. the crew tries to help but she’s so heavy they can barely lift parts of her.
she crawls up out in front of the rail and wraps her long webbed tail around the prow. the figurehead has served them well so far but they need more right now. she wraps herself around the figurehead and raises her body up into the wind takes a breath of the stinging salt air and sings.
the storm carries her voice on its front to the royal navy. they are enchanted, so stunned by her song that they drop the rigging ropes and let the tillers drift. the pirates sail through the center of the fleet, trailing the storm behind them, and by the time the fleet has managed to regain its senses they are buried in wind and rain and the pirates are gone.
x
she declines guns. instead she carries a harpoon and its launcher, and uses them to board enemy ships, hauling her massive form out of the water to coil on the deck and dispatch enemies with ruthless efficiency. her family is feared across all the sea.
x
“you know we are dying,” the captain says, looking down at her.
she floats next to the ship, so massive she could hold it in her arms. her eyes are wise.
“i know,” she says, “i can feel it coming.”
the first mate stands next to the captain. she never had a lover or a child, and neither did he, but to the mermaid they are her parents. she will always love her daughter. the tattoos are graven in dark swirls across the mermaid’s deep brown skin and the flesh of her tail, even spiraling onto the spiked webbing on her spine and face. her hair is still tied back, this time with a sail that could not be patched one last time. 
“we love you,” the first mate says simply, looking down. her own tightly coiled black hair falls in to her face; she shakes the locs out of the way and smiles through her tears. the captain pretends he isnt crying either.
“i love you too,” the mermaid says, and reached up to pull the ship down just a bit, just to hold them one last time.
“guard the ship,” the captain says. “you always have but you know they’re lost without you.”
“without you,” the mermaid corrects, with a shrug that makes waves. “what will we do?”
“i don’t know,” the captain says. “but you’ll help them, won’t you?”
“of course i will,” she scoffs, rolling her eyes. “i will always protect my family.”
x
the captain and the first mate are gone. the ship has a new captain, young and fearless - of the things she can afford to disregard. she fears and loves the ocean, as all captains do. she does not fear the royal fleet. and she does not fear the mermaid.
“you know, i heard stories about you when i was a little girl,” she says, trailing her fingers in the water next to the dock.
the mermaid stares at her with one eye the size of a dinner table. “is that so?” she hums, smirking with teeth sharper than the swords of the entire navy.
“they said you could sink an entire fleet and that you had skin tougher than dragon scales,” the new captain says, grinning right back at the monster who could eat her without a moment’s hesitation. “i always thought they were telling tall tales.”
“and now?”
“they were right,” the new captain says. “how did they ever befriend you?”
the mermaid smiles, fully this time, her dark eyes gleaming under the white linen sail. “they didn’t know any better.”

She protects her family.

Hi everybody! Guess what’s being posted on AO3 now at the following link!
https://archiveofourown.org/works/22498384/chapters/53760817
That’s right! Here you go. I’ll be uploading it in some chunks, because I want to make sure I have everything I wanted edited cleanly finished, but follow the story there!




HEY GUYS GUESS WHATS BACK ON THE DASHBOARD AND BETTER THAN EVER

        

            
            

                
                
                    cereusblue:
unnameablethings:


dragonsateyourtoast:

redporkpadthai:

dragonsateyourtoast:

otherwindow:

otherwindow:
This is how the golden age of piracy ended.
The first mermaid to get tattoos :)


“we didn’t know any better,” the crewman says, and swallows, presenting the chest to the captain. “what do we do now?”
“kill it,” the captain says, but the ice is melting in his eyes.
“we can’t,” the first mate says desperately, praying she won’t have to fight her captain on this. “we can’t. we - i won’t. we won’t.”
“i know.”
x
“daddy,” she says, floating in a tub of seawater in the hold, “daddy, la-la, la-la-la.”
her voice rings like bells. her accent is strange; her mouth isn’t made for human words. it mesmerises even the hardiest amongst them and she wasn’t even trying. the crew has taken to diving for shellfish near the shorelines for her; she loves them, splitting the shells apart with strength seen in no human toddler, slurping down the slimy molluscs inside and laughing, all plump brown cheeks and needle-sharp teeth. she sometimes splashes them for fun with her smooth, rubbery brown tail. even when they get soaked they laugh. they love her.
“daddy,” she calls again, and he can hear the worry in her voice. the storm rocking the ship is harsh and uncaring, and if they go down, she would be the only survivor.
“don’t worry,” he says, and goes over, sitting next to the tub. the first mate, leaning against the wall, pretends not to notice as he quietly begins to sing.
x
“father,” she says, one day, as she leans on the edge of the dock and the captain sits next to her, “why am I here?”
“your mother abandoned you,” he says, as he always has. “we found you adrift, and couldn’t bear to leave you there.”
she picks at the salt-soaked boards, uncertain. her hair is pulled back in a fluffy black puff, the white linen holding it slipping almost over one of her dark eyes. one of her first tattoos, a many-limbed kraken, curls over her right shoulder and down her arm, delicate tendrils wrapped around her calloused fingertips. “alright,” she says.
x
“why am I really here?” she asks the first mate, watching the sun set over the water in streaks of liquid metal that pooled in the troughs of the waves and glittered on the seafoam.
“we didn’t know any better,” the first mate says, staring into the water. “we didn’t know- we didn’t know anything. we didn’t understand why she fought so viciously to guard her treasure. we could not know she protected something a thousand times more precious than the purest gold.”
she wants to be furious, but she can’t. she already knew the answer, from reading the guilt in her father’s eyes and the empty space in her own history. and she can’t hate her family.
“it’s alright,” she says. “i do have a family, anyways. i don’t think i would have liked my other life near as much.”
x
her kraken grows, spreading its tendrils over her torso and arms. she grows too, too large to come on board the ship without being hauled up in a boat from the water. she sings when the storms come and swims before the ship to guide it to safety. she fights off more than one beast of the seas, and gathers a set of scars across her back that she bears with pride. “i don’t mind,” she says, when the captain fusses over her, “now i match all of you.”
the first time their ship is threatened, really threatened, is by another fleet. a friend turned enemy of the first mate. “we shouldn’t fight him,” she says, peering through the spyglass.
“why not?” the mermaid asks.
“he’ll win,” the first mate says.
the mermaid tips her head sideways. Her eyes, dark as the deep waters, gleam in the noon light. “are you sure?” she asks.
x
the enemy fleet surrenders after the flagship is sunk in the night, the anchor ripped off the ship and the planks torn off the hull. the surviving crew, wild-eyed and delirious, whimper and say a sea serpent came from the water and attacked them, say it was longer than the boat and crushed it in its coils. the first mate hears this and has to hide her laughter. the captain apologizes to his daughter for doubting her.
“don’t worry,” she says, with a bright laugh, “it was fun.”
x
the second time, they are pushed by a storm into a royal fleet. they can’t possibly fight them, and they don’t have the time to escape.
“let me up,” the mermaid urges, surfacing starboard and shouting to the crew. “bring me up, quickly, quickly.”
they lower the boat and she piles her sinous form into it, and uses her claws to help the crew pull her up. once on the deck she flops out of the boat and makes her way over to the bow. the crew tries to help but she’s so heavy they can barely lift parts of her.
she crawls up out in front of the rail and wraps her long webbed tail around the prow. the figurehead has served them well so far but they need more right now. she wraps herself around the figurehead and raises her body up into the wind takes a breath of the stinging salt air and sings.
the storm carries her voice on its front to the royal navy. they are enchanted, so stunned by her song that they drop the rigging ropes and let the tillers drift. the pirates sail through the center of the fleet, trailing the storm behind them, and by the time the fleet has managed to regain its senses they are buried in wind and rain and the pirates are gone.
x
she declines guns. instead she carries a harpoon and its launcher, and uses them to board enemy ships, hauling her massive form out of the water to coil on the deck and dispatch enemies with ruthless efficiency. her family is feared across all the sea.
x
“you know we are dying,” the captain says, looking down at her.
she floats next to the ship, so massive she could hold it in her arms. her eyes are wise.
“i know,” she says, “i can feel it coming.”
the first mate stands next to the captain. she never had a lover or a child, and neither did he, but to the mermaid they are her parents. she will always love her daughter. the tattoos are graven in dark swirls across the mermaid’s deep brown skin and the flesh of her tail, even spiraling onto the spiked webbing on her spine and face. her hair is still tied back, this time with a sail that could not be patched one last time. 
“we love you,” the first mate says simply, looking down. her own tightly coiled black hair falls in to her face; she shakes the locs out of the way and smiles through her tears. the captain pretends he isnt crying either.
“i love you too,” the mermaid says, and reached up to pull the ship down just a bit, just to hold them one last time.
“guard the ship,” the captain says. “you always have but you know they’re lost without you.”
“without you,” the mermaid corrects, with a shrug that makes waves. “what will we do?”
“i don’t know,” the captain says. “but you’ll help them, won’t you?”
“of course i will,” she scoffs, rolling her eyes. “i will always protect my family.”
x
the captain and the first mate are gone. the ship has a new captain, young and fearless - of the things she can afford to disregard. she fears and loves the ocean, as all captains do. she does not fear the royal fleet. and she does not fear the mermaid.
“you know, i heard stories about you when i was a little girl,” she says, trailing her fingers in the water next to the dock.
the mermaid stares at her with one eye the size of a dinner table. “is that so?” she hums, smirking with teeth sharper than the swords of the entire navy.
“they said you could sink an entire fleet and that you had skin tougher than dragon scales,” the new captain says, grinning right back at the monster who could eat her without a moment’s hesitation. “i always thought they were telling tall tales.”
“and now?”
“they were right,” the new captain says. “how did they ever befriend you?”
the mermaid smiles, fully this time, her dark eyes gleaming under the white linen sail. “they didn’t know any better.”

She protects her family.

Hi everybody! Guess what’s being posted on AO3 now at the following link!
https://archiveofourown.org/works/22498384/chapters/53760817
That’s right! Here you go. I’ll be uploading it in some chunks, because I want to make sure I have everything I wanted edited cleanly finished, but follow the story there!




HEY GUYS GUESS WHATS BACK ON THE DASHBOARD AND BETTER THAN EVER
: cereusblue:
unnameablethings:


dragonsateyourtoast:

redporkpadthai:

dragonsateyourtoast:

otherwindow:

otherwindow:
This is how the golden age of piracy ended.
The first mermaid to get tattoos :)


“we didn’t know any better,” the crewman says, and swallows, presenting the chest to the captain. “what do we do now?”
“kill it,” the captain says, but the ice is melting in his eyes.
“we can’t,” the first mate says desperately, praying she won’t have to fight her captain on this. “we can’t. we - i won’t. we won’t.”
“i know.”
x
“daddy,” she says, floating in a tub of seawater in the hold, “daddy, la-la, la-la-la.”
her voice rings like bells. her accent is strange; her mouth isn’t made for human words. it mesmerises even the hardiest amongst them and she wasn’t even trying. the crew has taken to diving for shellfish near the shorelines for her; she loves them, splitting the shells apart with strength seen in no human toddler, slurping down the slimy molluscs inside and laughing, all plump brown cheeks and needle-sharp teeth. she sometimes splashes them for fun with her smooth, rubbery brown tail. even when they get soaked they laugh. they love her.
“daddy,” she calls again, and he can hear the worry in her voice. the storm rocking the ship is harsh and uncaring, and if they go down, she would be the only survivor.
“don’t worry,” he says, and goes over, sitting next to the tub. the first mate, leaning against the wall, pretends not to notice as he quietly begins to sing.
x
“father,” she says, one day, as she leans on the edge of the dock and the captain sits next to her, “why am I here?”
“your mother abandoned you,” he says, as he always has. “we found you adrift, and couldn’t bear to leave you there.”
she picks at the salt-soaked boards, uncertain. her hair is pulled back in a fluffy black puff, the white linen holding it slipping almost over one of her dark eyes. one of her first tattoos, a many-limbed kraken, curls over her right shoulder and down her arm, delicate tendrils wrapped around her calloused fingertips. “alright,” she says.
x
“why am I really here?” she asks the first mate, watching the sun set over the water in streaks of liquid metal that pooled in the troughs of the waves and glittered on the seafoam.
“we didn’t know any better,” the first mate says, staring into the water. “we didn’t know- we didn’t know anything. we didn’t understand why she fought so viciously to guard her treasure. we could not know she protected something a thousand times more precious than the purest gold.”
she wants to be furious, but she can’t. she already knew the answer, from reading the guilt in her father’s eyes and the empty space in her own history. and she can’t hate her family.
“it’s alright,” she says. “i do have a family, anyways. i don’t think i would have liked my other life near as much.”
x
her kraken grows, spreading its tendrils over her torso and arms. she grows too, too large to come on board the ship without being hauled up in a boat from the water. she sings when the storms come and swims before the ship to guide it to safety. she fights off more than one beast of the seas, and gathers a set of scars across her back that she bears with pride. “i don’t mind,” she says, when the captain fusses over her, “now i match all of you.”
the first time their ship is threatened, really threatened, is by another fleet. a friend turned enemy of the first mate. “we shouldn’t fight him,” she says, peering through the spyglass.
“why not?” the mermaid asks.
“he’ll win,” the first mate says.
the mermaid tips her head sideways. Her eyes, dark as the deep waters, gleam in the noon light. “are you sure?” she asks.
x
the enemy fleet surrenders after the flagship is sunk in the night, the anchor ripped off the ship and the planks torn off the hull. the surviving crew, wild-eyed and delirious, whimper and say a sea serpent came from the water and attacked them, say it was longer than the boat and crushed it in its coils. the first mate hears this and has to hide her laughter. the captain apologizes to his daughter for doubting her.
“don’t worry,” she says, with a bright laugh, “it was fun.”
x
the second time, they are pushed by a storm into a royal fleet. they can’t possibly fight them, and they don’t have the time to escape.
“let me up,” the mermaid urges, surfacing starboard and shouting to the crew. “bring me up, quickly, quickly.”
they lower the boat and she piles her sinous form into it, and uses her claws to help the crew pull her up. once on the deck she flops out of the boat and makes her way over to the bow. the crew tries to help but she’s so heavy they can barely lift parts of her.
she crawls up out in front of the rail and wraps her long webbed tail around the prow. the figurehead has served them well so far but they need more right now. she wraps herself around the figurehead and raises her body up into the wind takes a breath of the stinging salt air and sings.
the storm carries her voice on its front to the royal navy. they are enchanted, so stunned by her song that they drop the rigging ropes and let the tillers drift. the pirates sail through the center of the fleet, trailing the storm behind them, and by the time the fleet has managed to regain its senses they are buried in wind and rain and the pirates are gone.
x
she declines guns. instead she carries a harpoon and its launcher, and uses them to board enemy ships, hauling her massive form out of the water to coil on the deck and dispatch enemies with ruthless efficiency. her family is feared across all the sea.
x
“you know we are dying,” the captain says, looking down at her.
she floats next to the ship, so massive she could hold it in her arms. her eyes are wise.
“i know,” she says, “i can feel it coming.”
the first mate stands next to the captain. she never had a lover or a child, and neither did he, but to the mermaid they are her parents. she will always love her daughter. the tattoos are graven in dark swirls across the mermaid’s deep brown skin and the flesh of her tail, even spiraling onto the spiked webbing on her spine and face. her hair is still tied back, this time with a sail that could not be patched one last time. 
“we love you,” the first mate says simply, looking down. her own tightly coiled black hair falls in to her face; she shakes the locs out of the way and smiles through her tears. the captain pretends he isnt crying either.
“i love you too,” the mermaid says, and reached up to pull the ship down just a bit, just to hold them one last time.
“guard the ship,” the captain says. “you always have but you know they’re lost without you.”
“without you,” the mermaid corrects, with a shrug that makes waves. “what will we do?”
“i don’t know,” the captain says. “but you’ll help them, won’t you?”
“of course i will,” she scoffs, rolling her eyes. “i will always protect my family.”
x
the captain and the first mate are gone. the ship has a new captain, young and fearless - of the things she can afford to disregard. she fears and loves the ocean, as all captains do. she does not fear the royal fleet. and she does not fear the mermaid.
“you know, i heard stories about you when i was a little girl,” she says, trailing her fingers in the water next to the dock.
the mermaid stares at her with one eye the size of a dinner table. “is that so?” she hums, smirking with teeth sharper than the swords of the entire navy.
“they said you could sink an entire fleet and that you had skin tougher than dragon scales,” the new captain says, grinning right back at the monster who could eat her without a moment’s hesitation. “i always thought they were telling tall tales.”
“and now?”
“they were right,” the new captain says. “how did they ever befriend you?”
the mermaid smiles, fully this time, her dark eyes gleaming under the white linen sail. “they didn’t know any better.”

She protects her family.

Hi everybody! Guess what’s being posted on AO3 now at the following link!
https://archiveofourown.org/works/22498384/chapters/53760817
That’s right! Here you go. I’ll be uploading it in some chunks, because I want to make sure I have everything I wanted edited cleanly finished, but follow the story there!




HEY GUYS GUESS WHATS BACK ON THE DASHBOARD AND BETTER THAN EVER

                    
                
            

            
                
                
cereusblue:
unnameablethings:


dragonsateyourtoast:

redporkpadthai:

dragonsateyourtoast:

otherwindow:

otherwindow:
This is how the g...

                
            
            
        

    

    

        
Save

    



        

    

    
    

        

            








        

    

    
    

        

            








        

    

    
    

        

            








        

    

    
    

        

            








        

    

    
    

        

            









    

        
        
        
        
        
        
        
    

    

        ironwoman359:
cereusblue:

unnameablethings:


dragonsateyourtoast:

redporkpadthai:

dragonsateyourtoast:

otherwindow:

otherwindow:
This is how the golden age of piracy ended.
The first mermaid to get tattoos :)


“we didn’t know any better,” the crewman says, and swallows, presenting the chest to the captain. “what do we do now?”
“kill it,” the captain says, but the ice is melting in his eyes.
“we can’t,” the first mate says desperately, praying she won’t have to fight her captain on this. “we can’t. we - i won’t. we won’t.”
“i know.”
x
“daddy,” she says, floating in a tub of seawater in the hold, “daddy, la-la, la-la-la.”
her voice rings like bells. her accent is strange; her mouth isn’t made for human words. it mesmerises even the hardiest amongst them and she wasn’t even trying. the crew has taken to diving for shellfish near the shorelines for her; she loves them, splitting the shells apart with strength seen in no human toddler, slurping down the slimy molluscs inside and laughing, all plump brown cheeks and needle-sharp teeth. she sometimes splashes them for fun with her smooth, rubbery brown tail. even when they get soaked they laugh. they love her.
“daddy,” she calls again, and he can hear the worry in her voice. the storm rocking the ship is harsh and uncaring, and if they go down, she would be the only survivor.
“don’t worry,” he says, and goes over, sitting next to the tub. the first mate, leaning against the wall, pretends not to notice as he quietly begins to sing.
x
“father,” she says, one day, as she leans on the edge of the dock and the captain sits next to her, “why am I here?”
“your mother abandoned you,” he says, as he always has. “we found you adrift, and couldn’t bear to leave you there.”
she picks at the salt-soaked boards, uncertain. her hair is pulled back in a fluffy black puff, the white linen holding it slipping almost over one of her dark eyes. one of her first tattoos, a many-limbed kraken, curls over her right shoulder and down her arm, delicate tendrils wrapped around her calloused fingertips. “alright,” she says.
x
“why am I really here?” she asks the first mate, watching the sun set over the water in streaks of liquid metal that pooled in the troughs of the waves and glittered on the seafoam.
“we didn’t know any better,” the first mate says, staring into the water. “we didn’t know- we didn’t know anything. we didn’t understand why she fought so viciously to guard her treasure. we could not know she protected something a thousand times more precious than the purest gold.”
she wants to be furious, but she can’t. she already knew the answer, from reading the guilt in her father’s eyes and the empty space in her own history. and she can’t hate her family.
“it’s alright,” she says. “i do have a family, anyways. i don’t think i would have liked my other life near as much.”
x
her kraken grows, spreading its tendrils over her torso and arms. she grows too, too large to come on board the ship without being hauled up in a boat from the water. she sings when the storms come and swims before the ship to guide it to safety. she fights off more than one beast of the seas, and gathers a set of scars across her back that she bears with pride. “i don’t mind,” she says, when the captain fusses over her, “now i match all of you.”
the first time their ship is threatened, really threatened, is by another fleet. a friend turned enemy of the first mate. “we shouldn’t fight him,” she says, peering through the spyglass.
“why not?” the mermaid asks.
“he’ll win,” the first mate says.
the mermaid tips her head sideways. Her eyes, dark as the deep waters, gleam in the noon light. “are you sure?” she asks.
x
the enemy fleet surrenders after the flagship is sunk in the night, the anchor ripped off the ship and the planks torn off the hull. the surviving crew, wild-eyed and delirious, whimper and say a sea serpent came from the water and attacked them, say it was longer than the boat and crushed it in its coils. the first mate hears this and has to hide her laughter. the captain apologizes to his daughter for doubting her.
“don’t worry,” she says, with a bright laugh, “it was fun.”
x
the second time, they are pushed by a storm into a royal fleet. they can’t possibly fight them, and they don’t have the time to escape.
“let me up,” the mermaid urges, surfacing starboard and shouting to the crew. “bring me up, quickly, quickly.”
they lower the boat and she piles her sinous form into it, and uses her claws to help the crew pull her up. once on the deck she flops out of the boat and makes her way over to the bow. the crew tries to help but she’s so heavy they can barely lift parts of her.
she crawls up out in front of the rail and wraps her long webbed tail around the prow. the figurehead has served them well so far but they need more right now. she wraps herself around the figurehead and raises her body up into the wind takes a breath of the stinging salt air and sings.
the storm carries her voice on its front to the royal navy. they are enchanted, so stunned by her song that they drop the rigging ropes and let the tillers drift. the pirates sail through the center of the fleet, trailing the storm behind them, and by the time the fleet has managed to regain its senses they are buried in wind and rain and the pirates are gone.
x
she declines guns. instead she carries a harpoon and its launcher, and uses them to board enemy ships, hauling her massive form out of the water to coil on the deck and dispatch enemies with ruthless efficiency. her family is feared across all the sea.
x
“you know we are dying,” the captain says, looking down at her.
she floats next to the ship, so massive she could hold it in her arms. her eyes are wise.
“i know,” she says, “i can feel it coming.”
the first mate stands next to the captain. she never had a lover or a child, and neither did he, but to the mermaid they are her parents. she will always love her daughter. the tattoos are graven in dark swirls across the mermaid’s deep brown skin and the flesh of her tail, even spiraling onto the spiked webbing on her spine and face. her hair is still tied back, this time with a sail that could not be patched one last time. 
“we love you,” the first mate says simply, looking down. her own tightly coiled black hair falls in to her face; she shakes the locs out of the way and smiles through her tears. the captain pretends he isnt crying either.
“i love you too,” the mermaid says, and reached up to pull the ship down just a bit, just to hold them one last time.
“guard the ship,” the captain says. “you always have but you know they’re lost without you.”
“without you,” the mermaid corrects, with a shrug that makes waves. “what will we do?”
“i don’t know,” the captain says. “but you’ll help them, won’t you?”
“of course i will,” she scoffs, rolling her eyes. “i will always protect my family.”
x
the captain and the first mate are gone. the ship has a new captain, young and fearless - of the things she can afford to disregard. she fears and loves the ocean, as all captains do. she does not fear the royal fleet. and she does not fear the mermaid.
“you know, i heard stories about you when i was a little girl,” she says, trailing her fingers in the water next to the dock.
the mermaid stares at her with one eye the size of a dinner table. “is that so?” she hums, smirking with teeth sharper than the swords of the entire navy.
“they said you could sink an entire fleet and that you had skin tougher than dragon scales,” the new captain says, grinning right back at the monster who could eat her without a moment’s hesitation. “i always thought they were telling tall tales.”
“and now?”
“they were right,” the new captain says. “how did they ever befriend you?”
the mermaid smiles, fully this time, her dark eyes gleaming under the white linen sail. “they didn’t know any better.”

She protects her family.

Hi everybody! Guess what’s being posted on AO3 now at the following link!
https://archiveofourown.org/works/22498384/chapters/53760817
That’s right! Here you go. I’ll be uploading it in some chunks, because I want to make sure I have everything I wanted edited cleanly finished, but follow the story there!




HEY GUYS GUESS WHATS BACK ON THE DASHBOARD AND BETTER THAN EVER



I love this
: ironwoman359:
cereusblue:

unnameablethings:


dragonsateyourtoast:

redporkpadthai:

dragonsateyourtoast:

otherwindow:

otherwindow:
This is how the golden age of piracy ended.
The first mermaid to get tattoos :)


“we didn’t know any better,” the crewman says, and swallows, presenting the chest to the captain. “what do we do now?”
“kill it,” the captain says, but the ice is melting in his eyes.
“we can’t,” the first mate says desperately, praying she won’t have to fight her captain on this. “we can’t. we - i won’t. we won’t.”
“i know.”
x
“daddy,” she says, floating in a tub of seawater in the hold, “daddy, la-la, la-la-la.”
her voice rings like bells. her accent is strange; her mouth isn’t made for human words. it mesmerises even the hardiest amongst them and she wasn’t even trying. the crew has taken to diving for shellfish near the shorelines for her; she loves them, splitting the shells apart with strength seen in no human toddler, slurping down the slimy molluscs inside and laughing, all plump brown cheeks and needle-sharp teeth. she sometimes splashes them for fun with her smooth, rubbery brown tail. even when they get soaked they laugh. they love her.
“daddy,” she calls again, and he can hear the worry in her voice. the storm rocking the ship is harsh and uncaring, and if they go down, she would be the only survivor.
“don’t worry,” he says, and goes over, sitting next to the tub. the first mate, leaning against the wall, pretends not to notice as he quietly begins to sing.
x
“father,” she says, one day, as she leans on the edge of the dock and the captain sits next to her, “why am I here?”
“your mother abandoned you,” he says, as he always has. “we found you adrift, and couldn’t bear to leave you there.”
she picks at the salt-soaked boards, uncertain. her hair is pulled back in a fluffy black puff, the white linen holding it slipping almost over one of her dark eyes. one of her first tattoos, a many-limbed kraken, curls over her right shoulder and down her arm, delicate tendrils wrapped around her calloused fingertips. “alright,” she says.
x
“why am I really here?” she asks the first mate, watching the sun set over the water in streaks of liquid metal that pooled in the troughs of the waves and glittered on the seafoam.
“we didn’t know any better,” the first mate says, staring into the water. “we didn’t know- we didn’t know anything. we didn’t understand why she fought so viciously to guard her treasure. we could not know she protected something a thousand times more precious than the purest gold.”
she wants to be furious, but she can’t. she already knew the answer, from reading the guilt in her father’s eyes and the empty space in her own history. and she can’t hate her family.
“it’s alright,” she says. “i do have a family, anyways. i don’t think i would have liked my other life near as much.”
x
her kraken grows, spreading its tendrils over her torso and arms. she grows too, too large to come on board the ship without being hauled up in a boat from the water. she sings when the storms come and swims before the ship to guide it to safety. she fights off more than one beast of the seas, and gathers a set of scars across her back that she bears with pride. “i don’t mind,” she says, when the captain fusses over her, “now i match all of you.”
the first time their ship is threatened, really threatened, is by another fleet. a friend turned enemy of the first mate. “we shouldn’t fight him,” she says, peering through the spyglass.
“why not?” the mermaid asks.
“he’ll win,” the first mate says.
the mermaid tips her head sideways. Her eyes, dark as the deep waters, gleam in the noon light. “are you sure?” she asks.
x
the enemy fleet surrenders after the flagship is sunk in the night, the anchor ripped off the ship and the planks torn off the hull. the surviving crew, wild-eyed and delirious, whimper and say a sea serpent came from the water and attacked them, say it was longer than the boat and crushed it in its coils. the first mate hears this and has to hide her laughter. the captain apologizes to his daughter for doubting her.
“don’t worry,” she says, with a bright laugh, “it was fun.”
x
the second time, they are pushed by a storm into a royal fleet. they can’t possibly fight them, and they don’t have the time to escape.
“let me up,” the mermaid urges, surfacing starboard and shouting to the crew. “bring me up, quickly, quickly.”
they lower the boat and she piles her sinous form into it, and uses her claws to help the crew pull her up. once on the deck she flops out of the boat and makes her way over to the bow. the crew tries to help but she’s so heavy they can barely lift parts of her.
she crawls up out in front of the rail and wraps her long webbed tail around the prow. the figurehead has served them well so far but they need more right now. she wraps herself around the figurehead and raises her body up into the wind takes a breath of the stinging salt air and sings.
the storm carries her voice on its front to the royal navy. they are enchanted, so stunned by her song that they drop the rigging ropes and let the tillers drift. the pirates sail through the center of the fleet, trailing the storm behind them, and by the time the fleet has managed to regain its senses they are buried in wind and rain and the pirates are gone.
x
she declines guns. instead she carries a harpoon and its launcher, and uses them to board enemy ships, hauling her massive form out of the water to coil on the deck and dispatch enemies with ruthless efficiency. her family is feared across all the sea.
x
“you know we are dying,” the captain says, looking down at her.
she floats next to the ship, so massive she could hold it in her arms. her eyes are wise.
“i know,” she says, “i can feel it coming.”
the first mate stands next to the captain. she never had a lover or a child, and neither did he, but to the mermaid they are her parents. she will always love her daughter. the tattoos are graven in dark swirls across the mermaid’s deep brown skin and the flesh of her tail, even spiraling onto the spiked webbing on her spine and face. her hair is still tied back, this time with a sail that could not be patched one last time. 
“we love you,” the first mate says simply, looking down. her own tightly coiled black hair falls in to her face; she shakes the locs out of the way and smiles through her tears. the captain pretends he isnt crying either.
“i love you too,” the mermaid says, and reached up to pull the ship down just a bit, just to hold them one last time.
“guard the ship,” the captain says. “you always have but you know they’re lost without you.”
“without you,” the mermaid corrects, with a shrug that makes waves. “what will we do?”
“i don’t know,” the captain says. “but you’ll help them, won’t you?”
“of course i will,” she scoffs, rolling her eyes. “i will always protect my family.”
x
the captain and the first mate are gone. the ship has a new captain, young and fearless - of the things she can afford to disregard. she fears and loves the ocean, as all captains do. she does not fear the royal fleet. and she does not fear the mermaid.
“you know, i heard stories about you when i was a little girl,” she says, trailing her fingers in the water next to the dock.
the mermaid stares at her with one eye the size of a dinner table. “is that so?” she hums, smirking with teeth sharper than the swords of the entire navy.
“they said you could sink an entire fleet and that you had skin tougher than dragon scales,” the new captain says, grinning right back at the monster who could eat her without a moment’s hesitation. “i always thought they were telling tall tales.”
“and now?”
“they were right,” the new captain says. “how did they ever befriend you?”
the mermaid smiles, fully this time, her dark eyes gleaming under the white linen sail. “they didn’t know any better.”

She protects her family.

Hi everybody! Guess what’s being posted on AO3 now at the following link!
https://archiveofourown.org/works/22498384/chapters/53760817
That’s right! Here you go. I’ll be uploading it in some chunks, because I want to make sure I have everything I wanted edited cleanly finished, but follow the story there!




HEY GUYS GUESS WHATS BACK ON THE DASHBOARD AND BETTER THAN EVER



I love this

        

            
            

                
                
                    ironwoman359:
cereusblue:

unnameablethings:


dragonsateyourtoast:

redporkpadthai:

dragonsateyourtoast:

otherwindow:

otherwindow:
This is how the golden age of piracy ended.
The first mermaid to get tattoos :)


“we didn’t know any better,” the crewman says, and swallows, presenting the chest to the captain. “what do we do now?”
“kill it,” the captain says, but the ice is melting in his eyes.
“we can’t,” the first mate says desperately, praying she won’t have to fight her captain on this. “we can’t. we - i won’t. we won’t.”
“i know.”
x
“daddy,” she says, floating in a tub of seawater in the hold, “daddy, la-la, la-la-la.”
her voice rings like bells. her accent is strange; her mouth isn’t made for human words. it mesmerises even the hardiest amongst them and she wasn’t even trying. the crew has taken to diving for shellfish near the shorelines for her; she loves them, splitting the shells apart with strength seen in no human toddler, slurping down the slimy molluscs inside and laughing, all plump brown cheeks and needle-sharp teeth. she sometimes splashes them for fun with her smooth, rubbery brown tail. even when they get soaked they laugh. they love her.
“daddy,” she calls again, and he can hear the worry in her voice. the storm rocking the ship is harsh and uncaring, and if they go down, she would be the only survivor.
“don’t worry,” he says, and goes over, sitting next to the tub. the first mate, leaning against the wall, pretends not to notice as he quietly begins to sing.
x
“father,” she says, one day, as she leans on the edge of the dock and the captain sits next to her, “why am I here?”
“your mother abandoned you,” he says, as he always has. “we found you adrift, and couldn’t bear to leave you there.”
she picks at the salt-soaked boards, uncertain. her hair is pulled back in a fluffy black puff, the white linen holding it slipping almost over one of her dark eyes. one of her first tattoos, a many-limbed kraken, curls over her right shoulder and down her arm, delicate tendrils wrapped around her calloused fingertips. “alright,” she says.
x
“why am I really here?” she asks the first mate, watching the sun set over the water in streaks of liquid metal that pooled in the troughs of the waves and glittered on the seafoam.
“we didn’t know any better,” the first mate says, staring into the water. “we didn’t know- we didn’t know anything. we didn’t understand why she fought so viciously to guard her treasure. we could not know she protected something a thousand times more precious than the purest gold.”
she wants to be furious, but she can’t. she already knew the answer, from reading the guilt in her father’s eyes and the empty space in her own history. and she can’t hate her family.
“it’s alright,” she says. “i do have a family, anyways. i don’t think i would have liked my other life near as much.”
x
her kraken grows, spreading its tendrils over her torso and arms. she grows too, too large to come on board the ship without being hauled up in a boat from the water. she sings when the storms come and swims before the ship to guide it to safety. she fights off more than one beast of the seas, and gathers a set of scars across her back that she bears with pride. “i don’t mind,” she says, when the captain fusses over her, “now i match all of you.”
the first time their ship is threatened, really threatened, is by another fleet. a friend turned enemy of the first mate. “we shouldn’t fight him,” she says, peering through the spyglass.
“why not?” the mermaid asks.
“he’ll win,” the first mate says.
the mermaid tips her head sideways. Her eyes, dark as the deep waters, gleam in the noon light. “are you sure?” she asks.
x
the enemy fleet surrenders after the flagship is sunk in the night, the anchor ripped off the ship and the planks torn off the hull. the surviving crew, wild-eyed and delirious, whimper and say a sea serpent came from the water and attacked them, say it was longer than the boat and crushed it in its coils. the first mate hears this and has to hide her laughter. the captain apologizes to his daughter for doubting her.
“don’t worry,” she says, with a bright laugh, “it was fun.”
x
the second time, they are pushed by a storm into a royal fleet. they can’t possibly fight them, and they don’t have the time to escape.
“let me up,” the mermaid urges, surfacing starboard and shouting to the crew. “bring me up, quickly, quickly.”
they lower the boat and she piles her sinous form into it, and uses her claws to help the crew pull her up. once on the deck she flops out of the boat and makes her way over to the bow. the crew tries to help but she’s so heavy they can barely lift parts of her.
she crawls up out in front of the rail and wraps her long webbed tail around the prow. the figurehead has served them well so far but they need more right now. she wraps herself around the figurehead and raises her body up into the wind takes a breath of the stinging salt air and sings.
the storm carries her voice on its front to the royal navy. they are enchanted, so stunned by her song that they drop the rigging ropes and let the tillers drift. the pirates sail through the center of the fleet, trailing the storm behind them, and by the time the fleet has managed to regain its senses they are buried in wind and rain and the pirates are gone.
x
she declines guns. instead she carries a harpoon and its launcher, and uses them to board enemy ships, hauling her massive form out of the water to coil on the deck and dispatch enemies with ruthless efficiency. her family is feared across all the sea.
x
“you know we are dying,” the captain says, looking down at her.
she floats next to the ship, so massive she could hold it in her arms. her eyes are wise.
“i know,” she says, “i can feel it coming.”
the first mate stands next to the captain. she never had a lover or a child, and neither did he, but to the mermaid they are her parents. she will always love her daughter. the tattoos are graven in dark swirls across the mermaid’s deep brown skin and the flesh of her tail, even spiraling onto the spiked webbing on her spine and face. her hair is still tied back, this time with a sail that could not be patched one last time. 
“we love you,” the first mate says simply, looking down. her own tightly coiled black hair falls in to her face; she shakes the locs out of the way and smiles through her tears. the captain pretends he isnt crying either.
“i love you too,” the mermaid says, and reached up to pull the ship down just a bit, just to hold them one last time.
“guard the ship,” the captain says. “you always have but you know they’re lost without you.”
“without you,” the mermaid corrects, with a shrug that makes waves. “what will we do?”
“i don’t know,” the captain says. “but you’ll help them, won’t you?”
“of course i will,” she scoffs, rolling her eyes. “i will always protect my family.”
x
the captain and the first mate are gone. the ship has a new captain, young and fearless - of the things she can afford to disregard. she fears and loves the ocean, as all captains do. she does not fear the royal fleet. and she does not fear the mermaid.
“you know, i heard stories about you when i was a little girl,” she says, trailing her fingers in the water next to the dock.
the mermaid stares at her with one eye the size of a dinner table. “is that so?” she hums, smirking with teeth sharper than the swords of the entire navy.
“they said you could sink an entire fleet and that you had skin tougher than dragon scales,” the new captain says, grinning right back at the monster who could eat her without a moment’s hesitation. “i always thought they were telling tall tales.”
“and now?”
“they were right,” the new captain says. “how did they ever befriend you?”
the mermaid smiles, fully this time, her dark eyes gleaming under the white linen sail. “they didn’t know any better.”

She protects her family.

Hi everybody! Guess what’s being posted on AO3 now at the following link!
https://archiveofourown.org/works/22498384/chapters/53760817
That’s right! Here you go. I’ll be uploading it in some chunks, because I want to make sure I have everything I wanted edited cleanly finished, but follow the story there!




HEY GUYS GUESS WHATS BACK ON THE DASHBOARD AND BETTER THAN EVER



I love this
: ironwoman359:
cereusblue:

unnameablethings:


dragonsateyourtoast:

redporkpadthai:

dragonsateyourtoast:

otherwindow:

otherwindow:
This is how the golden age of piracy ended.
The first mermaid to get tattoos :)


“we didn’t know any better,” the crewman says, and swallows, presenting the chest to the captain. “what do we do now?”
“kill it,” the captain says, but the ice is melting in his eyes.
“we can’t,” the first mate says desperately, praying she won’t have to fight her captain on this. “we can’t. we - i won’t. we won’t.”
“i know.”
x
“daddy,” she says, floating in a tub of seawater in the hold, “daddy, la-la, la-la-la.”
her voice rings like bells. her accent is strange; her mouth isn’t made for human words. it mesmerises even the hardiest amongst them and she wasn’t even trying. the crew has taken to diving for shellfish near the shorelines for her; she loves them, splitting the shells apart with strength seen in no human toddler, slurping down the slimy molluscs inside and laughing, all plump brown cheeks and needle-sharp teeth. she sometimes splashes them for fun with her smooth, rubbery brown tail. even when they get soaked they laugh. they love her.
“daddy,” she calls again, and he can hear the worry in her voice. the storm rocking the ship is harsh and uncaring, and if they go down, she would be the only survivor.
“don’t worry,” he says, and goes over, sitting next to the tub. the first mate, leaning against the wall, pretends not to notice as he quietly begins to sing.
x
“father,” she says, one day, as she leans on the edge of the dock and the captain sits next to her, “why am I here?”
“your mother abandoned you,” he says, as he always has. “we found you adrift, and couldn’t bear to leave you there.”
she picks at the salt-soaked boards, uncertain. her hair is pulled back in a fluffy black puff, the white linen holding it slipping almost over one of her dark eyes. one of her first tattoos, a many-limbed kraken, curls over her right shoulder and down her arm, delicate tendrils wrapped around her calloused fingertips. “alright,” she says.
x
“why am I really here?” she asks the first mate, watching the sun set over the water in streaks of liquid metal that pooled in the troughs of the waves and glittered on the seafoam.
“we didn’t know any better,” the first mate says, staring into the water. “we didn’t know- we didn’t know anything. we didn’t understand why she fought so viciously to guard her treasure. we could not know she protected something a thousand times more precious than the purest gold.”
she wants to be furious, but she can’t. she already knew the answer, from reading the guilt in her father’s eyes and the empty space in her own history. and she can’t hate her family.
“it’s alright,” she says. “i do have a family, anyways. i don’t think i would have liked my other life near as much.”
x
her kraken grows, spreading its tendrils over her torso and arms. she grows too, too large to come on board the ship without being hauled up in a boat from the water. she sings when the storms come and swims before the ship to guide it to safety. she fights off more than one beast of the seas, and gathers a set of scars across her back that she bears with pride. “i don’t mind,” she says, when the captain fusses over her, “now i match all of you.”
the first time their ship is threatened, really threatened, is by another fleet. a friend turned enemy of the first mate. “we shouldn’t fight him,” she says, peering through the spyglass.
“why not?” the mermaid asks.
“he’ll win,” the first mate says.
the mermaid tips her head sideways. Her eyes, dark as the deep waters, gleam in the noon light. “are you sure?” she asks.
x
the enemy fleet surrenders after the flagship is sunk in the night, the anchor ripped off the ship and the planks torn off the hull. the surviving crew, wild-eyed and delirious, whimper and say a sea serpent came from the water and attacked them, say it was longer than the boat and crushed it in its coils. the first mate hears this and has to hide her laughter. the captain apologizes to his daughter for doubting her.
“don’t worry,” she says, with a bright laugh, “it was fun.”
x
the second time, they are pushed by a storm into a royal fleet. they can’t possibly fight them, and they don’t have the time to escape.
“let me up,” the mermaid urges, surfacing starboard and shouting to the crew. “bring me up, quickly, quickly.”
they lower the boat and she piles her sinous form into it, and uses her claws to help the crew pull her up. once on the deck she flops out of the boat and makes her way over to the bow. the crew tries to help but she’s so heavy they can barely lift parts of her.
she crawls up out in front of the rail and wraps her long webbed tail around the prow. the figurehead has served them well so far but they need more right now. she wraps herself around the figurehead and raises her body up into the wind takes a breath of the stinging salt air and sings.
the storm carries her voice on its front to the royal navy. they are enchanted, so stunned by her song that they drop the rigging ropes and let the tillers drift. the pirates sail through the center of the fleet, trailing the storm behind them, and by the time the fleet has managed to regain its senses they are buried in wind and rain and the pirates are gone.
x
she declines guns. instead she carries a harpoon and its launcher, and uses them to board enemy ships, hauling her massive form out of the water to coil on the deck and dispatch enemies with ruthless efficiency. her family is feared across all the sea.
x
“you know we are dying,” the captain says, looking down at her.
she floats next to the ship, so massive she could hold it in her arms. her eyes are wise.
“i know,” she says, “i can feel it coming.”
the first mate stands next to the captain. she never had a lover or a child, and neither did he, but to the mermaid they are her parents. she will always love her daughter. the tattoos are graven in dark swirls across the mermaid’s deep brown skin and the flesh of her tail, even spiraling onto the spiked webbing on her spine and face. her hair is still tied back, this time with a sail that could not be patched one last time. 
“we love you,” the first mate says simply, looking down. her own tightly coiled black hair falls in to her face; she shakes the locs out of the way and smiles through her tears. the captain pretends he isnt crying either.
“i love you too,” the mermaid says, and reached up to pull the ship down just a bit, just to hold them one last time.
“guard the ship,” the captain says. “you always have but you know they’re lost without you.”
“without you,” the mermaid corrects, with a shrug that makes waves. “what will we do?”
“i don’t know,” the captain says. “but you’ll help them, won’t you?”
“of course i will,” she scoffs, rolling her eyes. “i will always protect my family.”
x
the captain and the first mate are gone. the ship has a new captain, young and fearless - of the things she can afford to disregard. she fears and loves the ocean, as all captains do. she does not fear the royal fleet. and she does not fear the mermaid.
“you know, i heard stories about you when i was a little girl,” she says, trailing her fingers in the water next to the dock.
the mermaid stares at her with one eye the size of a dinner table. “is that so?” she hums, smirking with teeth sharper than the swords of the entire navy.
“they said you could sink an entire fleet and that you had skin tougher than dragon scales,” the new captain says, grinning right back at the monster who could eat her without a moment’s hesitation. “i always thought they were telling tall tales.”
“and now?”
“they were right,” the new captain says. “how did they ever befriend you?”
the mermaid smiles, fully this time, her dark eyes gleaming under the white linen sail. “they didn’t know any better.”

She protects her family.

Hi everybody! Guess what’s being posted on AO3 now at the following link!
https://archiveofourown.org/works/22498384/chapters/53760817
That’s right! Here you go. I’ll be uploading it in some chunks, because I want to make sure I have everything I wanted edited cleanly finished, but follow the story there!




HEY GUYS GUESS WHATS BACK ON THE DASHBOARD AND BETTER THAN EVER



I love this

                    
                
            

            
                
                
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        novelty-gift-ideas:

Ultimate Worst-Case Scenario Survival Handbook: Copyrighted Material
 ALLIGATORS
 How To WRESTLE FREE
 FROM AN ALLIGATOR
 If you are on land, get on the alligator's back and put
 downward pressure on its neck.
 This will force its head and jaws down.
 2 Cover the alligator's eyes.
 This will usually make it more sedate.
 5 feet
 10 fet
 15 feet
 20 feet
 3 Go for the eyes and nose.
 If you are attacked, use any weapon you have, or your fist.
 4If its jaws are closed on something you want to remove
 (a limb), tap or punch it on the snout.
 Alligators often open their mouth when tapped lightly.
 They may drop whatever it is they have taken hold of and
 back off.
 The immediate danger zone is within 15 feet of the alligator.
 How To RETRIEVE AN OBJECT
 NEAR AN ALLIGATOR
 If the alligator gets you in its jaws, you must prevent it
 from shaking you or from rolling over-these instinctual
 actions cause severe tissue damage.
 Try to keep the mouth clamped shut so the alligator does
 not begin shaking.
 Determine the size of the alligator.
 Although even small alligators can cause injury, those less
 than four feet long are not as dangerous to humans. If the
 alligator is larger than six feet, be especially wary, as a bite
 6 Seek medical attention immediately, even for a small
 can inflict major damage. Alligators larger than nine feet
 should be considered deadly.
 cut or bruise, to treat infection.
 Alligators have a huge number of pathogens in their mouths
 2 Calculate the distance from the alligator to the object.
 The immediate danger zone is within 15 feet of an alligator.
 Try to determine if the alligator sees the object.
 Alligators are attracted to objects that appear to be food.
 4 Do not stand between the alligator and water.
 If disturbed, an alligator on land will seek refuge in water.
 Make sure the alligator is between you and any nearby
 water
 5 Make a loud noise.
 To get an alligator to release sometbing it
 bas in its mouth, tap it on the snout
 Alligators are sensitive to loud noises. Yelling or screar
 ing may cause the animal to leave. If the alligator does not
 move, however, you will have gained its attention.
 6Use a long branch, pole, or golf ball retriever to recover
 the object.
 The alligator may lunge and bite at objects that invade its
 An alligator more than nine feet
 long is likely to be male, and males
 tend to be more aggressive.
 space.
 Z Quickly move away from the alligator's territory.
 After retrieving the object, or if you encounter difficulties,
 run. While alligators can move fast-they rely on surprise
 Bill Finger, professional alligator breeder

 when attacking their usual prey-they generalfrichted,Material
 only short distances and probably cannot outrun an adult
 human.
 will travel
 Who Has the Most Bite?
 ANIMAL
 NUMBER OF TEETH
 WARNING!
 whale
 Alligators are native only to the United States and China. They are
 commonly found in the southwestern United Sates, primarily the
 Gulf Coast states buft as far north as North Carolina
 red-bellied piranha 20, in two rows of 10 (the
 sharpest teeth in the world)
 You are most likely to be attocked in or at the edge of water.
 The top speed of large alligators is around 10 miles per hour
 Be especially wary during spring months, when alligators wander
 in search of mates, and during late summer, when eggs hatch.
 Mother alligators will respond aggressively to threats to their
 young, and any adult alligator may come to the aid of any
 youngster
 lion
 30: four canine, four carnassial,
 the rest conical
 human being
 32
 sloth bear
 40
 bear
 42, including four canines and
 12 incisors
 Do not assume any alligator is safe to approach. While some
 animals may be habituated to the presence of humans, alligators
 are wld animals and therefore unpredictable: they may attack
 without provocation.
 saltwater crocodile
 68 to 70
 alligator
 80 to 88
 giant armadillo
 up to 100
 gavial (fish-eating
 crocodile)
 102
 How To BIND AN ALLIGATOR'S JAWws
 Approach the alligator from behind.
 longspouted spinner up to 252
 dolphin
 2 Straddle the creature's back
 Wrap your knees firmly around the midsection of the
 alligator.
 up to 3,000 in five rows (the
 scariest mouth)
 great white shark
 3 Crawl your way up to the head.
 10,000 to 30,000 (toothlike
 structures called radulae)
 snail
 Cover the alligator's eyes with a cloth.
 Use a thick piece of fabric or your own clothing to drape
 over the eyes of the beast.
 GClamp the jaws.
 Press down with your thumbs on the top and hold your fin-
 gers tightly underneath. The muscles that alligators
 5 Push the alligator's snout down to close its mouth.
 Lean forward and press firmly down on the snout until the
 mouth is tightly closed
 use to
 open their jaws are actually quite weak, so it is possible to
 hold the mouth shut with bare hands.
 Z Take out your binding material.
 Maintaining your grip on the gator's snout with one hand,
 grab your duct tape and tug free a two-foot strip with your
 teeth
 Wrap the tape
 six times around
 the snout
 Wind the tape six times around the alligator's s
 nout.
 WARNING!
 Lacking duct tape, you should bind the jaws of an aligator with
 rope, belt hick cloth (heavy shirt or pants), or any other material
 that can be fied and knotted.
 Never approach an alligatar head-on when its mouth is open.
 Copyrighted Material
 seat igte 21
novelty-gift-ideas:

Ultimate Worst-Case Scenario Survival Handbook
        

            
            

                
                
                    novelty-gift-ideas:

Ultimate Worst-Case Scenario Survival Handbook: Copyrighted Material
 ALLIGATORS
 How To WRESTLE FREE
 FROM AN ALLIGATOR
 If you are on land, get on the alligator's back and put
 downward pressure on its neck.
 This will force its head and jaws down.
 2 Cover the alligator's eyes.
 This will usually make it more sedate.
 5 feet
 10 fet
 15 feet
 20 feet
 3 Go for the eyes and nose.
 If you are attacked, use any weapon you have, or your fist.
 4If its jaws are closed on something you want to remove
 (a limb), tap or punch it on the snout.
 Alligators often open their mouth when tapped lightly.
 They may drop whatever it is they have taken hold of and
 back off.
 The immediate danger zone is within 15 feet of the alligator.
 How To RETRIEVE AN OBJECT
 NEAR AN ALLIGATOR
 If the alligator gets you in its jaws, you must prevent it
 from shaking you or from rolling over-these instinctual
 actions cause severe tissue damage.
 Try to keep the mouth clamped shut so the alligator does
 not begin shaking.
 Determine the size of the alligator.
 Although even small alligators can cause injury, those less
 than four feet long are not as dangerous to humans. If the
 alligator is larger than six feet, be especially wary, as a bite
 6 Seek medical attention immediately, even for a small
 can inflict major damage. Alligators larger than nine feet
 should be considered deadly.
 cut or bruise, to treat infection.
 Alligators have a huge number of pathogens in their mouths
 2 Calculate the distance from the alligator to the object.
 The immediate danger zone is within 15 feet of an alligator.
 Try to determine if the alligator sees the object.
 Alligators are attracted to objects that appear to be food.
 4 Do not stand between the alligator and water.
 If disturbed, an alligator on land will seek refuge in water.
 Make sure the alligator is between you and any nearby
 water
 5 Make a loud noise.
 To get an alligator to release sometbing it
 bas in its mouth, tap it on the snout
 Alligators are sensitive to loud noises. Yelling or screar
 ing may cause the animal to leave. If the alligator does not
 move, however, you will have gained its attention.
 6Use a long branch, pole, or golf ball retriever to recover
 the object.
 The alligator may lunge and bite at objects that invade its
 An alligator more than nine feet
 long is likely to be male, and males
 tend to be more aggressive.
 space.
 Z Quickly move away from the alligator's territory.
 After retrieving the object, or if you encounter difficulties,
 run. While alligators can move fast-they rely on surprise
 Bill Finger, professional alligator breeder

 when attacking their usual prey-they generalfrichted,Material
 only short distances and probably cannot outrun an adult
 human.
 will travel
 Who Has the Most Bite?
 ANIMAL
 NUMBER OF TEETH
 WARNING!
 whale
 Alligators are native only to the United States and China. They are
 commonly found in the southwestern United Sates, primarily the
 Gulf Coast states buft as far north as North Carolina
 red-bellied piranha 20, in two rows of 10 (the
 sharpest teeth in the world)
 You are most likely to be attocked in or at the edge of water.
 The top speed of large alligators is around 10 miles per hour
 Be especially wary during spring months, when alligators wander
 in search of mates, and during late summer, when eggs hatch.
 Mother alligators will respond aggressively to threats to their
 young, and any adult alligator may come to the aid of any
 youngster
 lion
 30: four canine, four carnassial,
 the rest conical
 human being
 32
 sloth bear
 40
 bear
 42, including four canines and
 12 incisors
 Do not assume any alligator is safe to approach. While some
 animals may be habituated to the presence of humans, alligators
 are wld animals and therefore unpredictable: they may attack
 without provocation.
 saltwater crocodile
 68 to 70
 alligator
 80 to 88
 giant armadillo
 up to 100
 gavial (fish-eating
 crocodile)
 102
 How To BIND AN ALLIGATOR'S JAWws
 Approach the alligator from behind.
 longspouted spinner up to 252
 dolphin
 2 Straddle the creature's back
 Wrap your knees firmly around the midsection of the
 alligator.
 up to 3,000 in five rows (the
 scariest mouth)
 great white shark
 3 Crawl your way up to the head.
 10,000 to 30,000 (toothlike
 structures called radulae)
 snail
 Cover the alligator's eyes with a cloth.
 Use a thick piece of fabric or your own clothing to drape
 over the eyes of the beast.
 GClamp the jaws.
 Press down with your thumbs on the top and hold your fin-
 gers tightly underneath. The muscles that alligators
 5 Push the alligator's snout down to close its mouth.
 Lean forward and press firmly down on the snout until the
 mouth is tightly closed
 use to
 open their jaws are actually quite weak, so it is possible to
 hold the mouth shut with bare hands.
 Z Take out your binding material.
 Maintaining your grip on the gator's snout with one hand,
 grab your duct tape and tug free a two-foot strip with your
 teeth
 Wrap the tape
 six times around
 the snout
 Wind the tape six times around the alligator's s
 nout.
 WARNING!
 Lacking duct tape, you should bind the jaws of an aligator with
 rope, belt hick cloth (heavy shirt or pants), or any other material
 that can be fied and knotted.
 Never approach an alligatar head-on when its mouth is open.
 Copyrighted Material
 seat igte 21
novelty-gift-ideas:

Ultimate Worst-Case Scenario Survival Handbook
                    
                
            

            
                
                
novelty-gift-ideas:

Ultimate Worst-Case Scenario Survival Handbook

                
            
            
        

    

    

        
Save

    



        

    

    
    

        

            









    

        
        
        
        
        
        
        
    

    

        novelty-gift-ideas:

Ultimate Worst-Case Scenario Survival Handbook: Copyrighted Material
 ALLIGATORS
 How To WRESTLE FREE
 FROM AN ALLIGATOR
 If you are on land, get on the alligator's back and put
 downward pressure on its neck.
 This will force its head and jaws down.
 2 Cover the alligator's eyes.
 This will usually make it more sedate.
 5 feet
 10 fet
 15 feet
 20 feet
 3 Go for the eyes and nose.
 If you are attacked, use any weapon you have, or your fist.
 4If its jaws are closed on something you want to remove
 (a limb), tap or punch it on the snout.
 Alligators often open their mouth when tapped lightly.
 They may drop whatever it is they have taken hold of and
 back off.
 The immediate danger zone is within 15 feet of the alligator.
 How To RETRIEVE AN OBJECT
 NEAR AN ALLIGATOR
 If the alligator gets you in its jaws, you must prevent it
 from shaking you or from rolling over-these instinctual
 actions cause severe tissue damage.
 Try to keep the mouth clamped shut so the alligator does
 not begin shaking.
 Determine the size of the alligator.
 Although even small alligators can cause injury, those less
 than four feet long are not as dangerous to humans. If the
 alligator is larger than six feet, be especially wary, as a bite
 6 Seek medical attention immediately, even for a small
 can inflict major damage. Alligators larger than nine feet
 should be considered deadly.
 cut or bruise, to treat infection.
 Alligators have a huge number of pathogens in their mouths
 2 Calculate the distance from the alligator to the object.
 The immediate danger zone is within 15 feet of an alligator.
 Try to determine if the alligator sees the object.
 Alligators are attracted to objects that appear to be food.
 4 Do not stand between the alligator and water.
 If disturbed, an alligator on land will seek refuge in water.
 Make sure the alligator is between you and any nearby
 water
 5 Make a loud noise.
 To get an alligator to release sometbing it
 bas in its mouth, tap it on the snout
 Alligators are sensitive to loud noises. Yelling or screar
 ing may cause the animal to leave. If the alligator does not
 move, however, you will have gained its attention.
 6Use a long branch, pole, or golf ball retriever to recover
 the object.
 The alligator may lunge and bite at objects that invade its
 An alligator more than nine feet
 long is likely to be male, and males
 tend to be more aggressive.
 space.
 Z Quickly move away from the alligator's territory.
 After retrieving the object, or if you encounter difficulties,
 run. While alligators can move fast-they rely on surprise
 Bill Finger, professional alligator breeder

 when attacking their usual prey-they generalfrichted,Material
 only short distances and probably cannot outrun an adult
 human.
 will travel
 Who Has the Most Bite?
 ANIMAL
 NUMBER OF TEETH
 WARNING!
 whale
 Alligators are native only to the United States and China. They are
 commonly found in the southwestern United Sates, primarily the
 Gulf Coast states buft as far north as North Carolina
 red-bellied piranha 20, in two rows of 10 (the
 sharpest teeth in the world)
 You are most likely to be attocked in or at the edge of water.
 The top speed of large alligators is around 10 miles per hour
 Be especially wary during spring months, when alligators wander
 in search of mates, and during late summer, when eggs hatch.
 Mother alligators will respond aggressively to threats to their
 young, and any adult alligator may come to the aid of any
 youngster
 lion
 30: four canine, four carnassial,
 the rest conical
 human being
 32
 sloth bear
 40
 bear
 42, including four canines and
 12 incisors
 Do not assume any alligator is safe to approach. While some
 animals may be habituated to the presence of humans, alligators
 are wld animals and therefore unpredictable: they may attack
 without provocation.
 saltwater crocodile
 68 to 70
 alligator
 80 to 88
 giant armadillo
 up to 100
 gavial (fish-eating
 crocodile)
 102
 How To BIND AN ALLIGATOR'S JAWws
 Approach the alligator from behind.
 longspouted spinner up to 252
 dolphin
 2 Straddle the creature's back
 Wrap your knees firmly around the midsection of the
 alligator.
 up to 3,000 in five rows (the
 scariest mouth)
 great white shark
 3 Crawl your way up to the head.
 10,000 to 30,000 (toothlike
 structures called radulae)
 snail
 Cover the alligator's eyes with a cloth.
 Use a thick piece of fabric or your own clothing to drape
 over the eyes of the beast.
 GClamp the jaws.
 Press down with your thumbs on the top and hold your fin-
 gers tightly underneath. The muscles that alligators
 5 Push the alligator's snout down to close its mouth.
 Lean forward and press firmly down on the snout until the
 mouth is tightly closed
 use to
 open their jaws are actually quite weak, so it is possible to
 hold the mouth shut with bare hands.
 Z Take out your binding material.
 Maintaining your grip on the gator's snout with one hand,
 grab your duct tape and tug free a two-foot strip with your
 teeth
 Wrap the tape
 six times around
 the snout
 Wind the tape six times around the alligator's s
 nout.
 WARNING!
 Lacking duct tape, you should bind the jaws of an aligator with
 rope, belt hick cloth (heavy shirt or pants), or any other material
 that can be fied and knotted.
 Never approach an alligatar head-on when its mouth is open.
 Copyrighted Material
 seat igte 21
novelty-gift-ideas:

Ultimate Worst-Case Scenario Survival Handbook
        

            
            

                
                
                    novelty-gift-ideas:

Ultimate Worst-Case Scenario Survival Handbook: Copyrighted Material
 ALLIGATORS
 How To WRESTLE FREE
 FROM AN ALLIGATOR
 If you are on land, get on the alligator's back and put
 downward pressure on its neck.
 This will force its head and jaws down.
 2 Cover the alligator's eyes.
 This will usually make it more sedate.
 5 feet
 10 fet
 15 feet
 20 feet
 3 Go for the eyes and nose.
 If you are attacked, use any weapon you have, or your fist.
 4If its jaws are closed on something you want to remove
 (a limb), tap or punch it on the snout.
 Alligators often open their mouth when tapped lightly.
 They may drop whatever it is they have taken hold of and
 back off.
 The immediate danger zone is within 15 feet of the alligator.
 How To RETRIEVE AN OBJECT
 NEAR AN ALLIGATOR
 If the alligator gets you in its jaws, you must prevent it
 from shaking you or from rolling over-these instinctual
 actions cause severe tissue damage.
 Try to keep the mouth clamped shut so the alligator does
 not begin shaking.
 Determine the size of the alligator.
 Although even small alligators can cause injury, those less
 than four feet long are not as dangerous to humans. If the
 alligator is larger than six feet, be especially wary, as a bite
 6 Seek medical attention immediately, even for a small
 can inflict major damage. Alligators larger than nine feet
 should be considered deadly.
 cut or bruise, to treat infection.
 Alligators have a huge number of pathogens in their mouths
 2 Calculate the distance from the alligator to the object.
 The immediate danger zone is within 15 feet of an alligator.
 Try to determine if the alligator sees the object.
 Alligators are attracted to objects that appear to be food.
 4 Do not stand between the alligator and water.
 If disturbed, an alligator on land will seek refuge in water.
 Make sure the alligator is between you and any nearby
 water
 5 Make a loud noise.
 To get an alligator to release sometbing it
 bas in its mouth, tap it on the snout
 Alligators are sensitive to loud noises. Yelling or screar
 ing may cause the animal to leave. If the alligator does not
 move, however, you will have gained its attention.
 6Use a long branch, pole, or golf ball retriever to recover
 the object.
 The alligator may lunge and bite at objects that invade its
 An alligator more than nine feet
 long is likely to be male, and males
 tend to be more aggressive.
 space.
 Z Quickly move away from the alligator's territory.
 After retrieving the object, or if you encounter difficulties,
 run. While alligators can move fast-they rely on surprise
 Bill Finger, professional alligator breeder

 when attacking their usual prey-they generalfrichted,Material
 only short distances and probably cannot outrun an adult
 human.
 will travel
 Who Has the Most Bite?
 ANIMAL
 NUMBER OF TEETH
 WARNING!
 whale
 Alligators are native only to the United States and China. They are
 commonly found in the southwestern United Sates, primarily the
 Gulf Coast states buft as far north as North Carolina
 red-bellied piranha 20, in two rows of 10 (the
 sharpest teeth in the world)
 You are most likely to be attocked in or at the edge of water.
 The top speed of large alligators is around 10 miles per hour
 Be especially wary during spring months, when alligators wander
 in search of mates, and during late summer, when eggs hatch.
 Mother alligators will respond aggressively to threats to their
 young, and any adult alligator may come to the aid of any
 youngster
 lion
 30: four canine, four carnassial,
 the rest conical
 human being
 32
 sloth bear
 40
 bear
 42, including four canines and
 12 incisors
 Do not assume any alligator is safe to approach. While some
 animals may be habituated to the presence of humans, alligators
 are wld animals and therefore unpredictable: they may attack
 without provocation.
 saltwater crocodile
 68 to 70
 alligator
 80 to 88
 giant armadillo
 up to 100
 gavial (fish-eating
 crocodile)
 102
 How To BIND AN ALLIGATOR'S JAWws
 Approach the alligator from behind.
 longspouted spinner up to 252
 dolphin
 2 Straddle the creature's back
 Wrap your knees firmly around the midsection of the
 alligator.
 up to 3,000 in five rows (the
 scariest mouth)
 great white shark
 3 Crawl your way up to the head.
 10,000 to 30,000 (toothlike
 structures called radulae)
 snail
 Cover the alligator's eyes with a cloth.
 Use a thick piece of fabric or your own clothing to drape
 over the eyes of the beast.
 GClamp the jaws.
 Press down with your thumbs on the top and hold your fin-
 gers tightly underneath. The muscles that alligators
 5 Push the alligator's snout down to close its mouth.
 Lean forward and press firmly down on the snout until the
 mouth is tightly closed
 use to
 open their jaws are actually quite weak, so it is possible to
 hold the mouth shut with bare hands.
 Z Take out your binding material.
 Maintaining your grip on the gator's snout with one hand,
 grab your duct tape and tug free a two-foot strip with your
 teeth
 Wrap the tape
 six times around
 the snout
 Wind the tape six times around the alligator's s
 nout.
 WARNING!
 Lacking duct tape, you should bind the jaws of an aligator with
 rope, belt hick cloth (heavy shirt or pants), or any other material
 that can be fied and knotted.
 Never approach an alligatar head-on when its mouth is open.
 Copyrighted Material
 seat igte 21
novelty-gift-ideas:

Ultimate Worst-Case Scenario Survival Handbook
                    
                
            

            
                
                
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Ultimate Worst-Case Scenario Survival Handbook

                
            
            
        

    

    

        
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        novelty-gift-ideas:

Ultimate Worst-Case Scenario Survival Handbook: Copyrighted Material
 ALLIGATORS
 How To WRESTLE FREE
 FROM AN ALLIGATOR
 If you are on land, get on the alligator's back and put
 downward pressure on its neck.
 This will force its head and jaws down.
 2 Cover the alligator's eyes.
 This will usually make it more sedate.
 5 feet
 10 fet
 15 feet
 20 feet
 3 Go for the eyes and nose.
 If you are attacked, use any weapon you have, or your fist.
 4If its jaws are closed on something you want to remove
 (a limb), tap or punch it on the snout.
 Alligators often open their mouth when tapped lightly.
 They may drop whatever it is they have taken hold of and
 back off.
 The immediate danger zone is within 15 feet of the alligator.
 How To RETRIEVE AN OBJECT
 NEAR AN ALLIGATOR
 If the alligator gets you in its jaws, you must prevent it
 from shaking you or from rolling over-these instinctual
 actions cause severe tissue damage.
 Try to keep the mouth clamped shut so the alligator does
 not begin shaking.
 Determine the size of the alligator.
 Although even small alligators can cause injury, those less
 than four feet long are not as dangerous to humans. If the
 alligator is larger than six feet, be especially wary, as a bite
 6 Seek medical attention immediately, even for a small
 can inflict major damage. Alligators larger than nine feet
 should be considered deadly.
 cut or bruise, to treat infection.
 Alligators have a huge number of pathogens in their mouths
 2 Calculate the distance from the alligator to the object.
 The immediate danger zone is within 15 feet of an alligator.
 Try to determine if the alligator sees the object.
 Alligators are attracted to objects that appear to be food.
 4 Do not stand between the alligator and water.
 If disturbed, an alligator on land will seek refuge in water.
 Make sure the alligator is between you and any nearby
 water
 5 Make a loud noise.
 To get an alligator to release sometbing it
 bas in its mouth, tap it on the snout
 Alligators are sensitive to loud noises. Yelling or screar
 ing may cause the animal to leave. If the alligator does not
 move, however, you will have gained its attention.
 6Use a long branch, pole, or golf ball retriever to recover
 the object.
 The alligator may lunge and bite at objects that invade its
 An alligator more than nine feet
 long is likely to be male, and males
 tend to be more aggressive.
 space.
 Z Quickly move away from the alligator's territory.
 After retrieving the object, or if you encounter difficulties,
 run. While alligators can move fast-they rely on surprise
 Bill Finger, professional alligator breeder

 when attacking their usual prey-they generalfrichted,Material
 only short distances and probably cannot outrun an adult
 human.
 will travel
 Who Has the Most Bite?
 ANIMAL
 NUMBER OF TEETH
 WARNING!
 whale
 Alligators are native only to the United States and China. They are
 commonly found in the southwestern United Sates, primarily the
 Gulf Coast states buft as far north as North Carolina
 red-bellied piranha 20, in two rows of 10 (the
 sharpest teeth in the world)
 You are most likely to be attocked in or at the edge of water.
 The top speed of large alligators is around 10 miles per hour
 Be especially wary during spring months, when alligators wander
 in search of mates, and during late summer, when eggs hatch.
 Mother alligators will respond aggressively to threats to their
 young, and any adult alligator may come to the aid of any
 youngster
 lion
 30: four canine, four carnassial,
 the rest conical
 human being
 32
 sloth bear
 40
 bear
 42, including four canines and
 12 incisors
 Do not assume any alligator is safe to approach. While some
 animals may be habituated to the presence of humans, alligators
 are wld animals and therefore unpredictable: they may attack
 without provocation.
 saltwater crocodile
 68 to 70
 alligator
 80 to 88
 giant armadillo
 up to 100
 gavial (fish-eating
 crocodile)
 102
 How To BIND AN ALLIGATOR'S JAWws
 Approach the alligator from behind.
 longspouted spinner up to 252
 dolphin
 2 Straddle the creature's back
 Wrap your knees firmly around the midsection of the
 alligator.
 up to 3,000 in five rows (the
 scariest mouth)
 great white shark
 3 Crawl your way up to the head.
 10,000 to 30,000 (toothlike
 structures called radulae)
 snail
 Cover the alligator's eyes with a cloth.
 Use a thick piece of fabric or your own clothing to drape
 over the eyes of the beast.
 GClamp the jaws.
 Press down with your thumbs on the top and hold your fin-
 gers tightly underneath. The muscles that alligators
 5 Push the alligator's snout down to close its mouth.
 Lean forward and press firmly down on the snout until the
 mouth is tightly closed
 use to
 open their jaws are actually quite weak, so it is possible to
 hold the mouth shut with bare hands.
 Z Take out your binding material.
 Maintaining your grip on the gator's snout with one hand,
 grab your duct tape and tug free a two-foot strip with your
 teeth
 Wrap the tape
 six times around
 the snout
 Wind the tape six times around the alligator's s
 nout.
 WARNING!
 Lacking duct tape, you should bind the jaws of an aligator with
 rope, belt hick cloth (heavy shirt or pants), or any other material
 that can be fied and knotted.
 Never approach an alligatar head-on when its mouth is open.
 Copyrighted Material
 seat igte 21
novelty-gift-ideas:

Ultimate Worst-Case Scenario Survival Handbook
        

            
            

                
                
                    novelty-gift-ideas:

Ultimate Worst-Case Scenario Survival Handbook: Copyrighted Material
 ALLIGATORS
 How To WRESTLE FREE
 FROM AN ALLIGATOR
 If you are on land, get on the alligator's back and put
 downward pressure on its neck.
 This will force its head and jaws down.
 2 Cover the alligator's eyes.
 This will usually make it more sedate.
 5 feet
 10 fet
 15 feet
 20 feet
 3 Go for the eyes and nose.
 If you are attacked, use any weapon you have, or your fist.
 4If its jaws are closed on something you want to remove
 (a limb), tap or punch it on the snout.
 Alligators often open their mouth when tapped lightly.
 They may drop whatever it is they have taken hold of and
 back off.
 The immediate danger zone is within 15 feet of the alligator.
 How To RETRIEVE AN OBJECT
 NEAR AN ALLIGATOR
 If the alligator gets you in its jaws, you must prevent it
 from shaking you or from rolling over-these instinctual
 actions cause severe tissue damage.
 Try to keep the mouth clamped shut so the alligator does
 not begin shaking.
 Determine the size of the alligator.
 Although even small alligators can cause injury, those less
 than four feet long are not as dangerous to humans. If the
 alligator is larger than six feet, be especially wary, as a bite
 6 Seek medical attention immediately, even for a small
 can inflict major damage. Alligators larger than nine feet
 should be considered deadly.
 cut or bruise, to treat infection.
 Alligators have a huge number of pathogens in their mouths
 2 Calculate the distance from the alligator to the object.
 The immediate danger zone is within 15 feet of an alligator.
 Try to determine if the alligator sees the object.
 Alligators are attracted to objects that appear to be food.
 4 Do not stand between the alligator and water.
 If disturbed, an alligator on land will seek refuge in water.
 Make sure the alligator is between you and any nearby
 water
 5 Make a loud noise.
 To get an alligator to release sometbing it
 bas in its mouth, tap it on the snout
 Alligators are sensitive to loud noises. Yelling or screar
 ing may cause the animal to leave. If the alligator does not
 move, however, you will have gained its attention.
 6Use a long branch, pole, or golf ball retriever to recover
 the object.
 The alligator may lunge and bite at objects that invade its
 An alligator more than nine feet
 long is likely to be male, and males
 tend to be more aggressive.
 space.
 Z Quickly move away from the alligator's territory.
 After retrieving the object, or if you encounter difficulties,
 run. While alligators can move fast-they rely on surprise
 Bill Finger, professional alligator breeder

 when attacking their usual prey-they generalfrichted,Material
 only short distances and probably cannot outrun an adult
 human.
 will travel
 Who Has the Most Bite?
 ANIMAL
 NUMBER OF TEETH
 WARNING!
 whale
 Alligators are native only to the United States and China. They are
 commonly found in the southwestern United Sates, primarily the
 Gulf Coast states buft as far north as North Carolina
 red-bellied piranha 20, in two rows of 10 (the
 sharpest teeth in the world)
 You are most likely to be attocked in or at the edge of water.
 The top speed of large alligators is around 10 miles per hour
 Be especially wary during spring months, when alligators wander
 in search of mates, and during late summer, when eggs hatch.
 Mother alligators will respond aggressively to threats to their
 young, and any adult alligator may come to the aid of any
 youngster
 lion
 30: four canine, four carnassial,
 the rest conical
 human being
 32
 sloth bear
 40
 bear
 42, including four canines and
 12 incisors
 Do not assume any alligator is safe to approach. While some
 animals may be habituated to the presence of humans, alligators
 are wld animals and therefore unpredictable: they may attack
 without provocation.
 saltwater crocodile
 68 to 70
 alligator
 80 to 88
 giant armadillo
 up to 100
 gavial (fish-eating
 crocodile)
 102
 How To BIND AN ALLIGATOR'S JAWws
 Approach the alligator from behind.
 longspouted spinner up to 252
 dolphin
 2 Straddle the creature's back
 Wrap your knees firmly around the midsection of the
 alligator.
 up to 3,000 in five rows (the
 scariest mouth)
 great white shark
 3 Crawl your way up to the head.
 10,000 to 30,000 (toothlike
 structures called radulae)
 snail
 Cover the alligator's eyes with a cloth.
 Use a thick piece of fabric or your own clothing to drape
 over the eyes of the beast.
 GClamp the jaws.
 Press down with your thumbs on the top and hold your fin-
 gers tightly underneath. The muscles that alligators
 5 Push the alligator's snout down to close its mouth.
 Lean forward and press firmly down on the snout until the
 mouth is tightly closed
 use to
 open their jaws are actually quite weak, so it is possible to
 hold the mouth shut with bare hands.
 Z Take out your binding material.
 Maintaining your grip on the gator's snout with one hand,
 grab your duct tape and tug free a two-foot strip with your
 teeth
 Wrap the tape
 six times around
 the snout
 Wind the tape six times around the alligator's s
 nout.
 WARNING!
 Lacking duct tape, you should bind the jaws of an aligator with
 rope, belt hick cloth (heavy shirt or pants), or any other material
 that can be fied and knotted.
 Never approach an alligatar head-on when its mouth is open.
 Copyrighted Material
 seat igte 21
novelty-gift-ideas:

Ultimate Worst-Case Scenario Survival Handbook
                    
                
            

            
                
                
novelty-gift-ideas:

Ultimate Worst-Case Scenario Survival Handbook

                
            
            
        

    

    

        
Save

    



        

    

    
    

        

            









    

        
        
        
        
        
        
        
    

    

        novelty-gift-ideas:

Ultimate Worst-Case Scenario Survival Handbook: Copyrighted Material
 ALLIGATORS
 How To WRESTLE FREE
 FROM AN ALLIGATOR
 If you are on land, get on the alligator's back and put
 downward pressure on its neck.
 This will force its head and jaws down.
 2 Cover the alligator's eyes.
 This will usually make it more sedate.
 5 feet
 10 fet
 15 feet
 20 feet
 3 Go for the eyes and nose.
 If you are attacked, use any weapon you have, or your fist.
 4If its jaws are closed on something you want to remove
 (a limb), tap or punch it on the snout.
 Alligators often open their mouth when tapped lightly.
 They may drop whatever it is they have taken hold of and
 back off.
 The immediate danger zone is within 15 feet of the alligator.
 How To RETRIEVE AN OBJECT
 NEAR AN ALLIGATOR
 If the alligator gets you in its jaws, you must prevent it
 from shaking you or from rolling over-these instinctual
 actions cause severe tissue damage.
 Try to keep the mouth clamped shut so the alligator does
 not begin shaking.
 Determine the size of the alligator.
 Although even small alligators can cause injury, those less
 than four feet long are not as dangerous to humans. If the
 alligator is larger than six feet, be especially wary, as a bite
 6 Seek medical attention immediately, even for a small
 can inflict major damage. Alligators larger than nine feet
 should be considered deadly.
 cut or bruise, to treat infection.
 Alligators have a huge number of pathogens in their mouths
 2 Calculate the distance from the alligator to the object.
 The immediate danger zone is within 15 feet of an alligator.
 Try to determine if the alligator sees the object.
 Alligators are attracted to objects that appear to be food.
 4 Do not stand between the alligator and water.
 If disturbed, an alligator on land will seek refuge in water.
 Make sure the alligator is between you and any nearby
 water
 5 Make a loud noise.
 To get an alligator to release sometbing it
 bas in its mouth, tap it on the snout
 Alligators are sensitive to loud noises. Yelling or screar
 ing may cause the animal to leave. If the alligator does not
 move, however, you will have gained its attention.
 6Use a long branch, pole, or golf ball retriever to recover
 the object.
 The alligator may lunge and bite at objects that invade its
 An alligator more than nine feet
 long is likely to be male, and males
 tend to be more aggressive.
 space.
 Z Quickly move away from the alligator's territory.
 After retrieving the object, or if you encounter difficulties,
 run. While alligators can move fast-they rely on surprise
 Bill Finger, professional alligator breeder

 when attacking their usual prey-they generalfrichted,Material
 only short distances and probably cannot outrun an adult
 human.
 will travel
 Who Has the Most Bite?
 ANIMAL
 NUMBER OF TEETH
 WARNING!
 whale
 Alligators are native only to the United States and China. They are
 commonly found in the southwestern United Sates, primarily the
 Gulf Coast states buft as far north as North Carolina
 red-bellied piranha 20, in two rows of 10 (the
 sharpest teeth in the world)
 You are most likely to be attocked in or at the edge of water.
 The top speed of large alligators is around 10 miles per hour
 Be especially wary during spring months, when alligators wander
 in search of mates, and during late summer, when eggs hatch.
 Mother alligators will respond aggressively to threats to their
 young, and any adult alligator may come to the aid of any
 youngster
 lion
 30: four canine, four carnassial,
 the rest conical
 human being
 32
 sloth bear
 40
 bear
 42, including four canines and
 12 incisors
 Do not assume any alligator is safe to approach. While some
 animals may be habituated to the presence of humans, alligators
 are wld animals and therefore unpredictable: they may attack
 without provocation.
 saltwater crocodile
 68 to 70
 alligator
 80 to 88
 giant armadillo
 up to 100
 gavial (fish-eating
 crocodile)
 102
 How To BIND AN ALLIGATOR'S JAWws
 Approach the alligator from behind.
 longspouted spinner up to 252
 dolphin
 2 Straddle the creature's back
 Wrap your knees firmly around the midsection of the
 alligator.
 up to 3,000 in five rows (the
 scariest mouth)
 great white shark
 3 Crawl your way up to the head.
 10,000 to 30,000 (toothlike
 structures called radulae)
 snail
 Cover the alligator's eyes with a cloth.
 Use a thick piece of fabric or your own clothing to drape
 over the eyes of the beast.
 GClamp the jaws.
 Press down with your thumbs on the top and hold your fin-
 gers tightly underneath. The muscles that alligators
 5 Push the alligator's snout down to close its mouth.
 Lean forward and press firmly down on the snout until the
 mouth is tightly closed
 use to
 open their jaws are actually quite weak, so it is possible to
 hold the mouth shut with bare hands.
 Z Take out your binding material.
 Maintaining your grip on the gator's snout with one hand,
 grab your duct tape and tug free a two-foot strip with your
 teeth
 Wrap the tape
 six times around
 the snout
 Wind the tape six times around the alligator's s
 nout.
 WARNING!
 Lacking duct tape, you should bind the jaws of an aligator with
 rope, belt hick cloth (heavy shirt or pants), or any other material
 that can be fied and knotted.
 Never approach an alligatar head-on when its mouth is open.
 Copyrighted Material
 seat igte 21
novelty-gift-ideas:

Ultimate Worst-Case Scenario Survival Handbook
        

            
            

                
                
                    novelty-gift-ideas:

Ultimate Worst-Case Scenario Survival Handbook: Copyrighted Material
 ALLIGATORS
 How To WRESTLE FREE
 FROM AN ALLIGATOR
 If you are on land, get on the alligator's back and put
 downward pressure on its neck.
 This will force its head and jaws down.
 2 Cover the alligator's eyes.
 This will usually make it more sedate.
 5 feet
 10 fet
 15 feet
 20 feet
 3 Go for the eyes and nose.
 If you are attacked, use any weapon you have, or your fist.
 4If its jaws are closed on something you want to remove
 (a limb), tap or punch it on the snout.
 Alligators often open their mouth when tapped lightly.
 They may drop whatever it is they have taken hold of and
 back off.
 The immediate danger zone is within 15 feet of the alligator.
 How To RETRIEVE AN OBJECT
 NEAR AN ALLIGATOR
 If the alligator gets you in its jaws, you must prevent it
 from shaking you or from rolling over-these instinctual
 actions cause severe tissue damage.
 Try to keep the mouth clamped shut so the alligator does
 not begin shaking.
 Determine the size of the alligator.
 Although even small alligators can cause injury, those less
 than four feet long are not as dangerous to humans. If the
 alligator is larger than six feet, be especially wary, as a bite
 6 Seek medical attention immediately, even for a small
 can inflict major damage. Alligators larger than nine feet
 should be considered deadly.
 cut or bruise, to treat infection.
 Alligators have a huge number of pathogens in their mouths
 2 Calculate the distance from the alligator to the object.
 The immediate danger zone is within 15 feet of an alligator.
 Try to determine if the alligator sees the object.
 Alligators are attracted to objects that appear to be food.
 4 Do not stand between the alligator and water.
 If disturbed, an alligator on land will seek refuge in water.
 Make sure the alligator is between you and any nearby
 water
 5 Make a loud noise.
 To get an alligator to release sometbing it
 bas in its mouth, tap it on the snout
 Alligators are sensitive to loud noises. Yelling or screar
 ing may cause the animal to leave. If the alligator does not
 move, however, you will have gained its attention.
 6Use a long branch, pole, or golf ball retriever to recover
 the object.
 The alligator may lunge and bite at objects that invade its
 An alligator more than nine feet
 long is likely to be male, and males
 tend to be more aggressive.
 space.
 Z Quickly move away from the alligator's territory.
 After retrieving the object, or if you encounter difficulties,
 run. While alligators can move fast-they rely on surprise
 Bill Finger, professional alligator breeder

 when attacking their usual prey-they generalfrichted,Material
 only short distances and probably cannot outrun an adult
 human.
 will travel
 Who Has the Most Bite?
 ANIMAL
 NUMBER OF TEETH
 WARNING!
 whale
 Alligators are native only to the United States and China. They are
 commonly found in the southwestern United Sates, primarily the
 Gulf Coast states buft as far north as North Carolina
 red-bellied piranha 20, in two rows of 10 (the
 sharpest teeth in the world)
 You are most likely to be attocked in or at the edge of water.
 The top speed of large alligators is around 10 miles per hour
 Be especially wary during spring months, when alligators wander
 in search of mates, and during late summer, when eggs hatch.
 Mother alligators will respond aggressively to threats to their
 young, and any adult alligator may come to the aid of any
 youngster
 lion
 30: four canine, four carnassial,
 the rest conical
 human being
 32
 sloth bear
 40
 bear
 42, including four canines and
 12 incisors
 Do not assume any alligator is safe to approach. While some
 animals may be habituated to the presence of humans, alligators
 are wld animals and therefore unpredictable: they may attack
 without provocation.
 saltwater crocodile
 68 to 70
 alligator
 80 to 88
 giant armadillo
 up to 100
 gavial (fish-eating
 crocodile)
 102
 How To BIND AN ALLIGATOR'S JAWws
 Approach the alligator from behind.
 longspouted spinner up to 252
 dolphin
 2 Straddle the creature's back
 Wrap your knees firmly around the midsection of the
 alligator.
 up to 3,000 in five rows (the
 scariest mouth)
 great white shark
 3 Crawl your way up to the head.
 10,000 to 30,000 (toothlike
 structures called radulae)
 snail
 Cover the alligator's eyes with a cloth.
 Use a thick piece of fabric or your own clothing to drape
 over the eyes of the beast.
 GClamp the jaws.
 Press down with your thumbs on the top and hold your fin-
 gers tightly underneath. The muscles that alligators
 5 Push the alligator's snout down to close its mouth.
 Lean forward and press firmly down on the snout until the
 mouth is tightly closed
 use to
 open their jaws are actually quite weak, so it is possible to
 hold the mouth shut with bare hands.
 Z Take out your binding material.
 Maintaining your grip on the gator's snout with one hand,
 grab your duct tape and tug free a two-foot strip with your
 teeth
 Wrap the tape
 six times around
 the snout
 Wind the tape six times around the alligator's s
 nout.
 WARNING!
 Lacking duct tape, you should bind the jaws of an aligator with
 rope, belt hick cloth (heavy shirt or pants), or any other material
 that can be fied and knotted.
 Never approach an alligatar head-on when its mouth is open.
 Copyrighted Material
 seat igte 21
novelty-gift-ideas:

Ultimate Worst-Case Scenario Survival Handbook
                    
                
            

            
                
                
novelty-gift-ideas:

Ultimate Worst-Case Scenario Survival Handbook

                
            
            
        

    

    

        
Save

    



        

    

    
    

        

            








        

    

    
    

        

            








        

    

    
    

        

            








        

    

    
    

        

            








        

    

    
    

        

            








        

    

    
    

        

            








        

    

    
    

        

            








        

    

    
    

        

            








        

    

    
    

        

            








        

    

    
    

        

            








        

    

    
    

        

            








        

    

    
    

        

            








        

    

    


    
	

        
	

    




                    

                

                

                    




    

        
        

            
            

              
            

        

        
        
        

            

            
            
                
                    
                        

                            

                                
                            

                            
                            

                                
                                    Memes & Tweets About Harry Styles' 'Rolling Stone' Cover To Hold You Over Until The Magazine ...
                                
                            

                            
                        

                    
                
            
                
                    
                        

                            

                                
                            

                            
                            

                                
                                    Let's get the ball rolling on these Game of Thrones The Last Watch memes
                                
                            

                            
                        

                    
                
            
                
                    
                        

                            

                                
                            

                            
                            

                                
                                    Kalank starrer Varun Dhawan and Alia Bhatt has got the meme factory rolling; Check out the best ...