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kevinkevinson: “You two could at least say hello,” Wymack said, somewhat aggrieved. “There’s no point,” Kevin said. “All they are is a distraction.“ “It’s called a support network. Look it up.“ “Thea is watching from South tonight,” Kevin said, looking to the elevated VIP box. It was too far away and too high up for Neil to make out any faces, but there was a small crowd gathered at the windowed walls already. Knowing the Court was here to watch them play sent a chill through Neil’s veins. Kevin dragged his stare back to Wymack’s face and said, “and my father comes to all of my games. That is enough." On Wymack’s other side, Abby’s gaze softened. Wymack’s jaw worked for a moment before he could say in an even tone, "Your mother would be proud of you." "Not just of me,” Kevin said in a rare bout of humanity.-The King’s Men (All for the Game Book 3) by Nora Sakavicmy scene for the @giveyourbacktome-zine​! I had so much fun working on this and I was lucky to snag a #dadscene :D: kevinkevinson: “You two could at least say hello,” Wymack said, somewhat aggrieved. “There’s no point,” Kevin said. “All they are is a distraction.“ “It’s called a support network. Look it up.“ “Thea is watching from South tonight,” Kevin said, looking to the elevated VIP box. It was too far away and too high up for Neil to make out any faces, but there was a small crowd gathered at the windowed walls already. Knowing the Court was here to watch them play sent a chill through Neil’s veins. Kevin dragged his stare back to Wymack’s face and said, “and my father comes to all of my games. That is enough." On Wymack’s other side, Abby’s gaze softened. Wymack’s jaw worked for a moment before he could say in an even tone, "Your mother would be proud of you." "Not just of me,” Kevin said in a rare bout of humanity.-The King’s Men (All for the Game Book 3) by Nora Sakavicmy scene for the @giveyourbacktome-zine​! I had so much fun working on this and I was lucky to snag a #dadscene :D

kevinkevinson: “You two could at least say hello,” Wymack said, somewhat aggrieved. “There’s no point,” Kevin said. “All they are is a d...

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e-e-e-s: dudeinpyjamas: anadiableau: Okay but honestly fucking shit like this when they show Zuko’s scar side when talking about Sozin and then having the bar pass and have his non-scar side when Iroh says Roku is his great grandfather if EXACTLY the kind of shit that elevates this show to where really no other show has ever come and probably never will I mean if you frame it in a photo it looks much better, in reality it was a moving shot. Still nice but not amazing. What really is an amzing shot is this Who is realy imprisioned here? The way this shot is framed makes it clear that Zuko is in a prison of his own mind. In fact you can look at how Zuko and Iroh are generally framed in this scene Zuko: and Iroh: Even in shots where Iroh is framed together with the iron bars he is far removed from them while Zuko is right in front: What takes the cake though is the following shot sequence: When it shows Iroh it zooms in from this: To this: While with Zuko it’s the exact reverse. It zooms out from this: To this: Say what you want but man Avatar had some amazing shot composition.  Also the reason The Last Airbender was better than Korra is because atla had Zuko and Iroh, while Korra didn’t. Fight me. In addition to this scene being very well done, the whole The Avatar and the Firelord episode is just genius. It just makes the parallels between Zuko and Aang so much more powerful in retrospect. They weren’t on parallel paths just because. They were on parallel paths because they’re two parts of one lineage: Roku’s Fire Nation lineage and his spiritual-mediator Avatar lineage. And throughout the series the two of them are paired up through visual language, and the show even goes as far as match-cuts between the two of them as they’re in different locations and different fights. I forget where, but I KNOW there’s a shot where Aang is dodging in a fight and basically running towards the viewer and it cuts straight to Zuko doing the exact same thing, like they’re two enactments of one story. And the twin blades? Zuko himself says they’re two halves of a single weapon, and shouldn’t be thought of as separate. The twin blades which we really first see in The Blue Spirit storyline, in which Aang asks Zuko if they COULD HAVE BEEN FRIENDS. It’s been stated that the blades represent the good and evil parts of Zuko, but isn’t that just a direct result of him grappling with his lineage, which is directly tied to Aang? In conclusion: I am not ok and will never be ok. Thanks Avatar. : e-e-e-s: dudeinpyjamas: anadiableau: Okay but honestly fucking shit like this when they show Zuko’s scar side when talking about Sozin and then having the bar pass and have his non-scar side when Iroh says Roku is his great grandfather if EXACTLY the kind of shit that elevates this show to where really no other show has ever come and probably never will I mean if you frame it in a photo it looks much better, in reality it was a moving shot. Still nice but not amazing. What really is an amzing shot is this Who is realy imprisioned here? The way this shot is framed makes it clear that Zuko is in a prison of his own mind. In fact you can look at how Zuko and Iroh are generally framed in this scene Zuko: and Iroh: Even in shots where Iroh is framed together with the iron bars he is far removed from them while Zuko is right in front: What takes the cake though is the following shot sequence: When it shows Iroh it zooms in from this: To this: While with Zuko it’s the exact reverse. It zooms out from this: To this: Say what you want but man Avatar had some amazing shot composition.  Also the reason The Last Airbender was better than Korra is because atla had Zuko and Iroh, while Korra didn’t. Fight me. In addition to this scene being very well done, the whole The Avatar and the Firelord episode is just genius. It just makes the parallels between Zuko and Aang so much more powerful in retrospect. They weren’t on parallel paths just because. They were on parallel paths because they’re two parts of one lineage: Roku’s Fire Nation lineage and his spiritual-mediator Avatar lineage. And throughout the series the two of them are paired up through visual language, and the show even goes as far as match-cuts between the two of them as they’re in different locations and different fights. I forget where, but I KNOW there’s a shot where Aang is dodging in a fight and basically running towards the viewer and it cuts straight to Zuko doing the exact same thing, like they’re two enactments of one story. And the twin blades? Zuko himself says they’re two halves of a single weapon, and shouldn’t be thought of as separate. The twin blades which we really first see in The Blue Spirit storyline, in which Aang asks Zuko if they COULD HAVE BEEN FRIENDS. It’s been stated that the blades represent the good and evil parts of Zuko, but isn’t that just a direct result of him grappling with his lineage, which is directly tied to Aang? In conclusion: I am not ok and will never be ok. Thanks Avatar.
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saints-row-2: heres a clip from the movie In A Valley of Violence where james ransone gives a speech that is so incredible me n my friend had to pause the movie because we were laughing too hard to keep watching it   parts of this scene that i think are worthy of note: the way that halfway through saying “i need you” karen gillen obviously realises she doesnt actually need her terrible fiance james ransone that much and it comes out sounding like a question that this film is set in like the 1800s but the way james ransone delivers his lines means that this entire exchange could be happening in the aisle over in a walmart  the complete uncertainty with which karen gillen says “yes” like shes rapidly rethinking her entire life 𝓲𝓷𝓬𝓵𝓾𝓭𝓲𝓷𝓰 𝓶𝔂 𝓯𝓪𝓽𝓱𝓮𝓻 the face james ransone makes at the end where his entire mouth disappears the single eye twitch at the last second that is such an incredible cherry on top of an already completely insane cake : saints-row-2: heres a clip from the movie In A Valley of Violence where james ransone gives a speech that is so incredible me n my friend had to pause the movie because we were laughing too hard to keep watching it   parts of this scene that i think are worthy of note: the way that halfway through saying “i need you” karen gillen obviously realises she doesnt actually need her terrible fiance james ransone that much and it comes out sounding like a question that this film is set in like the 1800s but the way james ransone delivers his lines means that this entire exchange could be happening in the aisle over in a walmart  the complete uncertainty with which karen gillen says “yes” like shes rapidly rethinking her entire life 𝓲𝓷𝓬𝓵𝓾𝓭𝓲𝓷𝓰 𝓶𝔂 𝓯𝓪𝓽𝓱𝓮𝓻 the face james ransone makes at the end where his entire mouth disappears the single eye twitch at the last second that is such an incredible cherry on top of an already completely insane cake
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ding-dong-the-bitch-is-dead: ayalaatreides: professor-maple-mod: phoenix-phoenix: stuckinremission: “Sweet dreams are made of this. Who am I to disagree?“ Holy shit this fucking super power. The avengers did Quicksilver WRONG. Holy shit The brilliant thing about this isn’t just the CGI, it’s the clever little touches of humor– mussing the boy’s hair, saving the goldfish, drinking the soda can, the moonwalk, lining up the dart with the dartboard. I notice new details every time I see this clip. You can watch this scene with zero context and still fully enjoy it. You don’t need to know who he is or who he’s saving or why. There’s a guy who runs real fast and he’s saving people from an explosion, and he’s having a blast with it, and that’s all you need to know. It’s entertaining and fully comprehensible even if you know nothing about the movie. That’s damn good filmmaking. @theproblemkyd @blackkatmagic My favorite Live Action Quicksilver! I love Evan Peters! I just,,,, the fact that it’s fast until he shows up, then it slows down, then speeds up as soon as he leaves? And the fact that nothing actually stops moving, you can see everything still going on around him, rather than being so slow any movement is imperceptible so it just kind of looks like he’s frozen time or whatever? The fact that it shows how he can manipulate physics and stuff when he’s going so fast, like using floorboards that are being blown apart as stepping stones to a girl in the stairs? All of it is just so good I love this scene so goddamn much: ding-dong-the-bitch-is-dead: ayalaatreides: professor-maple-mod: phoenix-phoenix: stuckinremission: “Sweet dreams are made of this. Who am I to disagree?“ Holy shit this fucking super power. The avengers did Quicksilver WRONG. Holy shit The brilliant thing about this isn’t just the CGI, it’s the clever little touches of humor– mussing the boy’s hair, saving the goldfish, drinking the soda can, the moonwalk, lining up the dart with the dartboard. I notice new details every time I see this clip. You can watch this scene with zero context and still fully enjoy it. You don’t need to know who he is or who he’s saving or why. There’s a guy who runs real fast and he’s saving people from an explosion, and he’s having a blast with it, and that’s all you need to know. It’s entertaining and fully comprehensible even if you know nothing about the movie. That’s damn good filmmaking. @theproblemkyd @blackkatmagic My favorite Live Action Quicksilver! I love Evan Peters! I just,,,, the fact that it’s fast until he shows up, then it slows down, then speeds up as soon as he leaves? And the fact that nothing actually stops moving, you can see everything still going on around him, rather than being so slow any movement is imperceptible so it just kind of looks like he’s frozen time or whatever? The fact that it shows how he can manipulate physics and stuff when he’s going so fast, like using floorboards that are being blown apart as stepping stones to a girl in the stairs? All of it is just so good I love this scene so goddamn much
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