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    Facebook, Funny, and Love: Black Man Who
 Filmed Latino
 Workers Striking ls
 Fired from His Job,
 Regrets Nothing
Regrann from @realnegus804 - Black and Brown Pride ✊🏿✊🏾✊🏽✊🏼 @the.root “Now Dangerfield, who said he had recently been offered a team lead job working as a contracted construction worker, says he’s been fired as a result of posting the video—after initially being offered $250 to take it down. “It was at 1.1 million views on Facebook at that point. So there was nothing I could do,” Dangerfield said in a recent interview with Jacobin magazine He also made it clear he has no regrets about filming the display of worker solidarity. “[The video] is funny or whatever, but people love seeing people come together like that. That’s why it’s so viral. Because everybody wants that deep down,” he told the magazine. Dangerfield also laid out what had been going at the site, where different contractors were working on building a UPS superhub in Indianapolis. According to the 30-year-old welder, the Latino workers had an issue with a white safety coordinator who would constantly harass them—“always messing with them, taking pictures and videos, trying to get them fired.” “He was just a racist, basically — always messing with anybody who’s not white,” Dangerfield said.” - regrann
    

        
        
        
        
        
        
        
        
    

    

        

            
            

                
                
                    Facebook, Funny, and Love: Black Man Who
 Filmed Latino
 Workers Striking ls
 Fired from His Job,
 Regrets Nothing
Regrann from @realnegus804 - Black and Brown Pride ✊🏿✊🏾✊🏽✊🏼 @the.root “Now Dangerfield, who said he had recently been offered a team lead job working as a contracted construction worker, says he’s been fired as a result of posting the video—after initially being offered $250 to take it down. “It was at 1.1 million views on Facebook at that point. So there was nothing I could do,” Dangerfield said in a recent interview with Jacobin magazine He also made it clear he has no regrets about filming the display of worker solidarity. “[The video] is funny or whatever, but people love seeing people come together like that. That’s why it’s so viral. Because everybody wants that deep down,” he told the magazine. Dangerfield also laid out what had been going at the site, where different contractors were working on building a UPS superhub in Indianapolis. According to the 30-year-old welder, the Latino workers had an issue with a white safety coordinator who would constantly harass them—“always messing with them, taking pictures and videos, trying to get them fired.” “He was just a racist, basically — always messing with anybody who’s not white,” Dangerfield said.” - regrann
                    
                
            

            
            
Regrann from @realnegus804 - Black and Brown Pride ✊🏿✊🏾✊🏽✊🏼 @the.root “Now Dangerfield, who said he had recently been offered a team lead jo...

            
            
        

    



            

        

        
        
        
        

            

                



            

        

        
        
        
        

            

                



            

        

        
        
        
        

            

                




    Being Alone, Ass, and Assassination: HI... I'M I'M VERY GLAD
 FRANKLIN.. TO KNOW yOU
 I )
 OPNTS
<p><a href="https://atomicsalmon.tumblr.com/post/176535484178/brett-caton-atomicsalmon-brett-caton" class="tumblr_blog">atomicsalmon</a>:</p>

<blockquote><p><a href="http://brett-caton.tumblr.com/post/176509323667/atomicsalmon-brett-caton-atomicsalmon" class="tumblr_blog">brett-caton</a>:</p>

<blockquote><p><a href="https://atomicsalmon.tumblr.com/post/176489965878/brett-caton-atomicsalmon-brett-caton" class="tumblr_blog">atomicsalmon</a>:</p><blockquote>
<p><a href="http://brett-caton.tumblr.com/post/176488525882/atomicsalmon-brett-caton-libertarirynn" class="tumblr_blog">brett-caton</a>:</p>

<blockquote>
<p><a href="https://atomicsalmon.tumblr.com/post/176487882003/brett-caton-libertarirynn-on-july-31-1968" class="tumblr_blog">atomicsalmon</a>:</p>
<blockquote>
<p><a href="http://brett-caton.tumblr.com/post/176468087807/libertarirynn-on-july-31-1968-a-young-black" class="tumblr_blog">brett-caton</a>:</p>

<blockquote>
<p><a href="https://libertarirynn.tumblr.com/post/176420298534/on-july-31-1968-a-young-black-man-was-reading" class="tumblr_blog">libertarirynn</a>:</p>
<blockquote>
<p>“On July 31, 1968, a young, black man was reading the newspaper when he saw something that he had never seen before. With tears in his eyes, he started running and screaming throughout the house, calling for his mom. He would show his mom, and, she would gasp, seeing something she thought she would never see in her lifetime. Throughout the nation, there were similar reactions.</p>

<p>What they saw was Franklin Armstrong’s first appearance on the iconic comic strip “Peanuts.” Franklin would be 50 years old this year.</p>

<p>Franklin was “born” after a school teacher, Harriet Glickman, had written a letter to creator Charles M. Schulz after Dr. Martin Luther King, Jr. was shot to death outside his Memphis hotel room. </p>

<p>Glickman, who had kids of her own and having worked with kids, was especially aware of the power of comics among the young. “And my feeling at the time was that I realized that black kids and white kids never saw themselves [depicted] together in the classroom,” she would say. </p>

<p>She would write, “Since the death of Martin Luther King, ‘I’ve been asking myself what I can do to help change those conditions in our society which led to the assassination and which contribute to the vast sea of misunderstanding, hate, fear and violence.‘”</p>

<p>Glickman asked Schulz if he could consider adding a black character to his popular comic strip, which she hoped would bring the country together and show people of color that they are not excluded from American society. </p>

<p>She had written to others as well, but the others feared it was too soon, that it may be costly to their careers, that the syndicate would drop them if they dared do something like that.</p>

<p>Charles Schulz did not have to respond to her letter, he could have just completely ignored it, and everyone would have forgotten about it. But, Schulz did take the time to respond, saying he was intrigued with the idea, but wasn’t sure whether it would be right, coming from him, he didn’t want to make matters worse, he felt that it may sound condescending to people of color.</p>

<p>Glickman did not give up, and continued communicating with Schulz, with Schulz surprisingly responding each time. She would even have black friends write to Schulz and explain to him what it would mean to them and gave him some suggestions on how to introduce such a character without offending anyone. This conversation would continue until one day, Schulz would tell Glickman to check her newspaper on July 31, 1968.</p>

<p>On that date, the cartoon, as created by Schulz, shows Charlie Brown meeting a new character, named Franklin. Other than his color, Franklin was just an ordinary kid who befriends and helps Charlie Brown. Franklin also mentions that his father was “over at Vietnam.” At the end of the series, which lasted three strips, Charlie invites Franklin to spend the night one day so they can continue their friendship.</p>

<p>There was no big announcement, there was no big deal, it was just a natural conversation between two kids, whose obvious differences did not matter to them. And, the fact that Franklin’s father was fighting for this country was also a very strong statement by Schulz.</p>

<p>Although Schulz never made a big deal over the inclusion of Franklin, there were many fans, especially in the South, who were very upset by it and that made national news. One Southern editor even said, “I don’t mind you having a black character, but please don’t show them in school together.”</p>

<p>It would eventually lead to a conversation between Schulz and the president of the comic’s distribution company, who was concerned about the introduction of Franklin and how it might affect Schulz’ popularity. Many newspapers during that time had threatened to cut the strip.</p>

<p>Schulz’ response: “I remember telling Larry at the time about Franklin – he wanted me to change it, and we talked about it for a long while on the phone, and I finally sighed and said, “Well, Larry, let’s put it this way: Either you print it just the way I draw it or I quit. How’s that?”</p>

<p>Eventually, Franklin became a regular character in the comic strips, and, despite complaints, Franklin would be shown sitting in front of Peppermint Patty at school and playing center field on her baseball team. </p>

<p>More recently, Franklin is brought up on social media around Thanksgiving time, when the animated 1973 special “A Charlie Brown Thanksgiving” appears. Some people have blamed Schulz for showing Franklin sitting alone on the Thanksgiving table, while the other characters sit across him. But, Schulz did not have the same control over the animated cartoon on a television network that he did on his own comic strip in the newspapers.</p>

<p>But, he did have control over his own comic strip, and, he courageously decided to make a statement because of one brave school teacher who decided to ask a simple question.</p>

<p>Glickman would explain later that her parents were “concerned about others, and the values that they instilled in us about caring for and appreciating everyone of all colors and backgrounds — this is what we knew when we were growing up, that you cared about other people … And so, during the years, we were very aware of the issues of racism and civil rights in this country [when] black people had to sit at the back of the bus, black people couldn’t sit in the same seats in the restaurants that you could sit … Every day I would see, or read, about black children trying to get into school and seeing crowds of white people standing around spitting at them or yelling at them … and the beatings and the dogs and the hosings and the courage of so many people in that time.”</p>

<p>Because of Glickman, because of Schulz, people around the world were introduced to a little boy named Franklin.” (Source: The Jon S. Randal Peace Page, Facebook)</p>
</blockquote>
<p>Of course, nowadays one of the characters would suddenly be black, another would be transexual, and all the girls would be quasi lesbians at least. :P</p>
</blockquote>

<p>Diversity isn’t bad, but using an outdated term for transgender people is. </p>
<p>Please do NOT use transsexual. </p>
</blockquote>
<p>“
using an outdated term for transgender people is

“<br/><br/>Who appointed you to the language police?<br/><br/>Trans <b>gender</b> doesn’t make sense, since gender is the psychological depiction of biological sex. A transsexual is someone whose brain doesn’t align with the body. They experience gender dysphoria, they don’t flip genders because it’s Thursday.<br/><br/>“
Diversity isn’t bad

“<br/><br/>Bullshit. <i>Diversity </i>as it is used now is the opposite of what it used to <i>be</i>. Every story has to be the <b>same </b>because <i>diversity?</i> That’s some Animal Farm levels of crap. <br/><br/><a href="https://www.youtube.com/channel/UCrlzSqLSGj8GIOeT5jrQsJA/videos">https://www.youtube.com/channel/UCrlzSqLSGj8GIOeT5jrQsJA/videos</a><br/><br/></p>
</blockquote>

<p>1. Trans people themselves would rather people use transgender, regardless of whether or not it makes sense.</p>
<p>2. Kek, I never said every story has to be the same because of diversity, you’re just pulling shit out of your ass.</p>
<p>Diversity isn’t bad. It’s not going to kill you if there’s a story featuring someone that is gay, trans, disabled, of color, or anything else outside of what people usually choose to depict.</p>
<p>It’s not that hard a concept to understand. If you get heated over there being diversity then you need to check yourself and your beliefs.</p>
<p>Forced diversity is understandable to dislike, but I wasn’t even talking about that in the first place. I said a general statement. </p>
</blockquote>
<p>“
Trans people themselves would rather people use transgender

“<br/><br/>And your proof is.. your opinion. Dismissed as easily. I’ve known transsexuals all my life, they used the word, that is where i heard it, I don’t care that your little group of 0.0001% of the english speakers want to control how english is spoken, any more than I care how scientologists want it to be spoken.<br/><br/>Authoritarians try to control minds by controlling words. It’s very revealing to read books like 1984. SocJus fits in perfectly to that world.<br/><br/>“
I never said every story has to be the same because of diversity

“<br/><br/>And I never said you did. God, strawmannery already? I said ‘diversity’ makes every story the same. You have to have the trans, you have to have the black person, the gay, blah blah blah. Art has to serve the needs of the ideology, not the audience, in the SocJus worldview.<br/><br/><br/></p><figure class="tmblr-full" data-orig-height="1078" data-orig-width="881"><img src="https://78.media.tumblr.com/4d0465e9b6c0eee84fa8ff9bf3e14229/tumblr_inline_pcrreh11Tt1qj6ut1_540.jpg" data-orig-height="1078" data-orig-width="881"/></figure><p><a href="http://brettcaton.blogspot.com/2018/04/has-squirrel-girl-acquired-downs.html">Which results in… that.</a><br/><br/>“
Diversity isn’t bad.

“<br/><br/>By that same logic, having every story push communism or fascism isn’t bad. I disagree.<br/><br/>“
 It’s not going to kill you

“<br/><br/>Bullshit. But even by that same bar, neither is pushing stories that talk about pushing transsexuals into gas chambers. Is that really the standard of morality you ascribe to? Something is acceptable if it won’t kill<i> you?</i><br/><br/>“
It’s not that hard a concept to understand. 

“<br/><br/>I understand it perfectly, just as I understand the claims of all sorts of religions and ideologies.<br/><br/><br/></p><figure class="tmblr-full" data-orig-height="546" data-orig-width="728"><img src="https://78.media.tumblr.com/ec0315ffbc32535d8b176e33bc0a4599/tumblr_inline_pcrrlfOi931qj6ut1_540.jpg" data-orig-height="546" data-orig-width="728"/></figure><p>There is something you - along with so many other fanatics do not comprehend. There are people who do not believe the same things you do, despite understanding your arguments. You cannot comprehend the idea that you may be…<br/><br/><br/></p><figure class="tmblr-full" data-orig-height="2592" data-orig-width="3888"><img src="https://78.media.tumblr.com/287067269a75c067af2f0325ca17e5e7/tumblr_inline_pcrrnh1mG01qj6ut1_540.jpg" data-orig-height="2592" data-orig-width="3888"/></figure></blockquote>

<p>Lol have you ever tried to chill? You should try it sometime, you look like you’re desperate for it. </p></blockquote>

<p>Why in the hell did a post about Peanuts turn into this shitshow?</p>
    

        
        
        
        
        
        
        
        
    

    

        

            
            

                
                
                    Being Alone, Ass, and Assassination: HI... I'M I'M VERY GLAD
 FRANKLIN.. TO KNOW yOU
 I )
 OPNTS
<p><a href="https://atomicsalmon.tumblr.com/post/176535484178/brett-caton-atomicsalmon-brett-caton" class="tumblr_blog">atomicsalmon</a>:</p>

<blockquote><p><a href="http://brett-caton.tumblr.com/post/176509323667/atomicsalmon-brett-caton-atomicsalmon" class="tumblr_blog">brett-caton</a>:</p>

<blockquote><p><a href="https://atomicsalmon.tumblr.com/post/176489965878/brett-caton-atomicsalmon-brett-caton" class="tumblr_blog">atomicsalmon</a>:</p><blockquote>
<p><a href="http://brett-caton.tumblr.com/post/176488525882/atomicsalmon-brett-caton-libertarirynn" class="tumblr_blog">brett-caton</a>:</p>

<blockquote>
<p><a href="https://atomicsalmon.tumblr.com/post/176487882003/brett-caton-libertarirynn-on-july-31-1968" class="tumblr_blog">atomicsalmon</a>:</p>
<blockquote>
<p><a href="http://brett-caton.tumblr.com/post/176468087807/libertarirynn-on-july-31-1968-a-young-black" class="tumblr_blog">brett-caton</a>:</p>

<blockquote>
<p><a href="https://libertarirynn.tumblr.com/post/176420298534/on-july-31-1968-a-young-black-man-was-reading" class="tumblr_blog">libertarirynn</a>:</p>
<blockquote>
<p>“On July 31, 1968, a young, black man was reading the newspaper when he saw something that he had never seen before. With tears in his eyes, he started running and screaming throughout the house, calling for his mom. He would show his mom, and, she would gasp, seeing something she thought she would never see in her lifetime. Throughout the nation, there were similar reactions.</p>

<p>What they saw was Franklin Armstrong’s first appearance on the iconic comic strip “Peanuts.” Franklin would be 50 years old this year.</p>

<p>Franklin was “born” after a school teacher, Harriet Glickman, had written a letter to creator Charles M. Schulz after Dr. Martin Luther King, Jr. was shot to death outside his Memphis hotel room. </p>

<p>Glickman, who had kids of her own and having worked with kids, was especially aware of the power of comics among the young. “And my feeling at the time was that I realized that black kids and white kids never saw themselves [depicted] together in the classroom,” she would say. </p>

<p>She would write, “Since the death of Martin Luther King, ‘I’ve been asking myself what I can do to help change those conditions in our society which led to the assassination and which contribute to the vast sea of misunderstanding, hate, fear and violence.‘”</p>

<p>Glickman asked Schulz if he could consider adding a black character to his popular comic strip, which she hoped would bring the country together and show people of color that they are not excluded from American society. </p>

<p>She had written to others as well, but the others feared it was too soon, that it may be costly to their careers, that the syndicate would drop them if they dared do something like that.</p>

<p>Charles Schulz did not have to respond to her letter, he could have just completely ignored it, and everyone would have forgotten about it. But, Schulz did take the time to respond, saying he was intrigued with the idea, but wasn’t sure whether it would be right, coming from him, he didn’t want to make matters worse, he felt that it may sound condescending to people of color.</p>

<p>Glickman did not give up, and continued communicating with Schulz, with Schulz surprisingly responding each time. She would even have black friends write to Schulz and explain to him what it would mean to them and gave him some suggestions on how to introduce such a character without offending anyone. This conversation would continue until one day, Schulz would tell Glickman to check her newspaper on July 31, 1968.</p>

<p>On that date, the cartoon, as created by Schulz, shows Charlie Brown meeting a new character, named Franklin. Other than his color, Franklin was just an ordinary kid who befriends and helps Charlie Brown. Franklin also mentions that his father was “over at Vietnam.” At the end of the series, which lasted three strips, Charlie invites Franklin to spend the night one day so they can continue their friendship.</p>

<p>There was no big announcement, there was no big deal, it was just a natural conversation between two kids, whose obvious differences did not matter to them. And, the fact that Franklin’s father was fighting for this country was also a very strong statement by Schulz.</p>

<p>Although Schulz never made a big deal over the inclusion of Franklin, there were many fans, especially in the South, who were very upset by it and that made national news. One Southern editor even said, “I don’t mind you having a black character, but please don’t show them in school together.”</p>

<p>It would eventually lead to a conversation between Schulz and the president of the comic’s distribution company, who was concerned about the introduction of Franklin and how it might affect Schulz’ popularity. Many newspapers during that time had threatened to cut the strip.</p>

<p>Schulz’ response: “I remember telling Larry at the time about Franklin – he wanted me to change it, and we talked about it for a long while on the phone, and I finally sighed and said, “Well, Larry, let’s put it this way: Either you print it just the way I draw it or I quit. How’s that?”</p>

<p>Eventually, Franklin became a regular character in the comic strips, and, despite complaints, Franklin would be shown sitting in front of Peppermint Patty at school and playing center field on her baseball team. </p>

<p>More recently, Franklin is brought up on social media around Thanksgiving time, when the animated 1973 special “A Charlie Brown Thanksgiving” appears. Some people have blamed Schulz for showing Franklin sitting alone on the Thanksgiving table, while the other characters sit across him. But, Schulz did not have the same control over the animated cartoon on a television network that he did on his own comic strip in the newspapers.</p>

<p>But, he did have control over his own comic strip, and, he courageously decided to make a statement because of one brave school teacher who decided to ask a simple question.</p>

<p>Glickman would explain later that her parents were “concerned about others, and the values that they instilled in us about caring for and appreciating everyone of all colors and backgrounds — this is what we knew when we were growing up, that you cared about other people … And so, during the years, we were very aware of the issues of racism and civil rights in this country [when] black people had to sit at the back of the bus, black people couldn’t sit in the same seats in the restaurants that you could sit … Every day I would see, or read, about black children trying to get into school and seeing crowds of white people standing around spitting at them or yelling at them … and the beatings and the dogs and the hosings and the courage of so many people in that time.”</p>

<p>Because of Glickman, because of Schulz, people around the world were introduced to a little boy named Franklin.” (Source: The Jon S. Randal Peace Page, Facebook)</p>
</blockquote>
<p>Of course, nowadays one of the characters would suddenly be black, another would be transexual, and all the girls would be quasi lesbians at least. :P</p>
</blockquote>

<p>Diversity isn’t bad, but using an outdated term for transgender people is. </p>
<p>Please do NOT use transsexual. </p>
</blockquote>
<p>“
using an outdated term for transgender people is

“<br/><br/>Who appointed you to the language police?<br/><br/>Trans <b>gender</b> doesn’t make sense, since gender is the psychological depiction of biological sex. A transsexual is someone whose brain doesn’t align with the body. They experience gender dysphoria, they don’t flip genders because it’s Thursday.<br/><br/>“
Diversity isn’t bad

“<br/><br/>Bullshit. <i>Diversity </i>as it is used now is the opposite of what it used to <i>be</i>. Every story has to be the <b>same </b>because <i>diversity?</i> That’s some Animal Farm levels of crap. <br/><br/><a href="https://www.youtube.com/channel/UCrlzSqLSGj8GIOeT5jrQsJA/videos">https://www.youtube.com/channel/UCrlzSqLSGj8GIOeT5jrQsJA/videos</a><br/><br/></p>
</blockquote>

<p>1. Trans people themselves would rather people use transgender, regardless of whether or not it makes sense.</p>
<p>2. Kek, I never said every story has to be the same because of diversity, you’re just pulling shit out of your ass.</p>
<p>Diversity isn’t bad. It’s not going to kill you if there’s a story featuring someone that is gay, trans, disabled, of color, or anything else outside of what people usually choose to depict.</p>
<p>It’s not that hard a concept to understand. If you get heated over there being diversity then you need to check yourself and your beliefs.</p>
<p>Forced diversity is understandable to dislike, but I wasn’t even talking about that in the first place. I said a general statement. </p>
</blockquote>
<p>“
Trans people themselves would rather people use transgender

“<br/><br/>And your proof is.. your opinion. Dismissed as easily. I’ve known transsexuals all my life, they used the word, that is where i heard it, I don’t care that your little group of 0.0001% of the english speakers want to control how english is spoken, any more than I care how scientologists want it to be spoken.<br/><br/>Authoritarians try to control minds by controlling words. It’s very revealing to read books like 1984. SocJus fits in perfectly to that world.<br/><br/>“
I never said every story has to be the same because of diversity

“<br/><br/>And I never said you did. God, strawmannery already? I said ‘diversity’ makes every story the same. You have to have the trans, you have to have the black person, the gay, blah blah blah. Art has to serve the needs of the ideology, not the audience, in the SocJus worldview.<br/><br/><br/></p><figure class="tmblr-full" data-orig-height="1078" data-orig-width="881"><img src="https://78.media.tumblr.com/4d0465e9b6c0eee84fa8ff9bf3e14229/tumblr_inline_pcrreh11Tt1qj6ut1_540.jpg" data-orig-height="1078" data-orig-width="881"/></figure><p><a href="http://brettcaton.blogspot.com/2018/04/has-squirrel-girl-acquired-downs.html">Which results in… that.</a><br/><br/>“
Diversity isn’t bad.

“<br/><br/>By that same logic, having every story push communism or fascism isn’t bad. I disagree.<br/><br/>“
 It’s not going to kill you

“<br/><br/>Bullshit. But even by that same bar, neither is pushing stories that talk about pushing transsexuals into gas chambers. Is that really the standard of morality you ascribe to? Something is acceptable if it won’t kill<i> you?</i><br/><br/>“
It’s not that hard a concept to understand. 

“<br/><br/>I understand it perfectly, just as I understand the claims of all sorts of religions and ideologies.<br/><br/><br/></p><figure class="tmblr-full" data-orig-height="546" data-orig-width="728"><img src="https://78.media.tumblr.com/ec0315ffbc32535d8b176e33bc0a4599/tumblr_inline_pcrrlfOi931qj6ut1_540.jpg" data-orig-height="546" data-orig-width="728"/></figure><p>There is something you - along with so many other fanatics do not comprehend. There are people who do not believe the same things you do, despite understanding your arguments. You cannot comprehend the idea that you may be…<br/><br/><br/></p><figure class="tmblr-full" data-orig-height="2592" data-orig-width="3888"><img src="https://78.media.tumblr.com/287067269a75c067af2f0325ca17e5e7/tumblr_inline_pcrrnh1mG01qj6ut1_540.jpg" data-orig-height="2592" data-orig-width="3888"/></figure></blockquote>

<p>Lol have you ever tried to chill? You should try it sometime, you look like you’re desperate for it. </p></blockquote>

<p>Why in the hell did a post about Peanuts turn into this shitshow?</p>
                    
                
            

            
            
<p><a href="https://atomicsalmon.tumblr.com/post/176535484178/brett-caton-atomicsalmon-brett-caton" class="tumblr_blog">atomicsalmon</a>:</p...

            
            
        

    



            

        

        
        
        
        

            

                




    Bad, Bitch, and Curving: AREERS WITH STEM
 Code
 STreers Wlth
 Game-changing jobs
 Or tomorrow
 Combining-traditional
 cultural values with
 digital technologies p26
 JUMP INTO
 Don't know what
 to do? Our has
 ogoga oui qwiz haTODAY'S
 all the answers p2o
 City vs Regional
 7 very different paths
 to a coding career p14
 COOLEST
 TECH JOBS
 eerswithSTEM.com
 Artificial intelligencel (Creativityl [Cybersecurity) (Start-ups! (Culturel Google

 MARU NIHONIHO
 LISY KANIE
 GAMERS
 ELISSA HARRIS
 A FUN, INTERACTIVE EXHIBITION
 RECOGNISES THE GROUNDBREAKING WORK
 BY WOMEN IN THE GAMES INDUSTRY
 e days of gaming being a boys-only zone are
 well and truly over. Nearly half of all gamers are
 women and, according to the Australian Bureau of
 Statistics, the number of women working in the
 industry rose from 8.7% in 2011-12 to 15% in
 2015-16. But there is still a long way to go, and
 incidents like Gamergate-where female gamers
 and developers in the US were harassed and
 threatened for speaking out against sexism-give
 the industry a bad reputation.
 An exhibition at the Australian Centre for the
 Moving Image (ACMI) called Code Breakers: Women
 in Games aims to change that. Ten female
 programmers, producers, designers and directors
 from Australia and New Zealand are featured, and
 visitors can play their games, which range from big
 studio releases like Little Big Planet and Tricky
 Towers through to more experimental titles.
 As programmer Elissa Harris says in the
 exhibition, "One of the most important things for
 a child growing up is seeing people who look like
 them doing the things they want to be doing.
 More diversity behind the scenes also leads to more
 diversity in the games themselves. Protagonists in
 games used to be mainly men-now there is more
 variety, in culture and race, as well as gender. For
 example, Maru Nihoniho's Metio Interactive produces
 games with Mäori characters, and players can choose
 to play in English or Te Reo Mãori.
 And the good news is, Australia is ahead of the
 curve when it comes to being inclusive. Lisy Kane
 was the first female hire at League of Geeks in 2014
 now the team is 35% women. "The video game
 industry has definitely identified the gender
 mbalance problem," she says. "They've accepted it
 and taken it on board and want to improve it."
 Code Breakers is at ACMI until November 5. Play
 the games online at acmi.net.au.-Chloe Walker
 Careers with Cade
 29

 Code
CODE BITCH
    

        
        
        
        
        
        
        
        
    

    

        

            
            

                
                
                    Bad, Bitch, and Curving: AREERS WITH STEM
 Code
 STreers Wlth
 Game-changing jobs
 Or tomorrow
 Combining-traditional
 cultural values with
 digital technologies p26
 JUMP INTO
 Don't know what
 to do? Our has
 ogoga oui qwiz haTODAY'S
 all the answers p2o
 City vs Regional
 7 very different paths
 to a coding career p14
 COOLEST
 TECH JOBS
 eerswithSTEM.com
 Artificial intelligencel (Creativityl [Cybersecurity) (Start-ups! (Culturel Google

 MARU NIHONIHO
 LISY KANIE
 GAMERS
 ELISSA HARRIS
 A FUN, INTERACTIVE EXHIBITION
 RECOGNISES THE GROUNDBREAKING WORK
 BY WOMEN IN THE GAMES INDUSTRY
 e days of gaming being a boys-only zone are
 well and truly over. Nearly half of all gamers are
 women and, according to the Australian Bureau of
 Statistics, the number of women working in the
 industry rose from 8.7% in 2011-12 to 15% in
 2015-16. But there is still a long way to go, and
 incidents like Gamergate-where female gamers
 and developers in the US were harassed and
 threatened for speaking out against sexism-give
 the industry a bad reputation.
 An exhibition at the Australian Centre for the
 Moving Image (ACMI) called Code Breakers: Women
 in Games aims to change that. Ten female
 programmers, producers, designers and directors
 from Australia and New Zealand are featured, and
 visitors can play their games, which range from big
 studio releases like Little Big Planet and Tricky
 Towers through to more experimental titles.
 As programmer Elissa Harris says in the
 exhibition, "One of the most important things for
 a child growing up is seeing people who look like
 them doing the things they want to be doing.
 More diversity behind the scenes also leads to more
 diversity in the games themselves. Protagonists in
 games used to be mainly men-now there is more
 variety, in culture and race, as well as gender. For
 example, Maru Nihoniho's Metio Interactive produces
 games with Mäori characters, and players can choose
 to play in English or Te Reo Mãori.
 And the good news is, Australia is ahead of the
 curve when it comes to being inclusive. Lisy Kane
 was the first female hire at League of Geeks in 2014
 now the team is 35% women. "The video game
 industry has definitely identified the gender
 mbalance problem," she says. "They've accepted it
 and taken it on board and want to improve it."
 Code Breakers is at ACMI until November 5. Play
 the games online at acmi.net.au.-Chloe Walker
 Careers with Cade
 29

 Code
CODE BITCH
                    
                
            

            
            
CODE BITCH