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sushinfood: justamerplwithabox: vivelafat: prokopetz: officialdeadparrot: grellholmes: elsajeni: gunslingerannie: justtkeepcalmm: dean-and-his-pie: fororchestra: musicalmelody: Fun Story: My director kept telling me and my tenor sax buddy to play softer. No matter what we did, it wasn’t soft enough for him. So getting frustrated, I told my buddy “Dont play this time. Just fake it”  Our Band Director then informed us we sounded perfect.  To my readers: “p” means quiet, “pp” means really quiet. I’ve never seen “pppp” before haha. On the contrast, “f” means loud, and “ffff” probably means so loud you go unconscious. I had ffff in a piece once and my conductor told me to play as loudly as physically possible without falling off my chair… Me and my trombone buddies had “ffff” and he sat next to me and played so hard that he fell out of his chair. The lengths we go for music. Okay yeah so I play the bass clarinet and the amount of air you have to move and the stiffness of the reed means it only has two settings and that is loud and louder, with an optional LOUDEST that includes a 50% probability of HORRIBLE CROAKING NOISE which is the bass equivalent of the ubiquitous clarinet shriek. One day, when I was in concert band in high school, we got a new piece handed out for the first time, and there was a strange little commotion back in the tuba section — whispering, and pointing at something in the music, and swatting at each other’s hands all shhh don’t call attention to it. And although they did attract the attention of basically everyone else in the band, they managed to avoid being noticed by the band director, who gave us a few minutes to look over our parts and then said, “All right, let’s run through it up to section A.” And here we are, cheerfully playing along, sounding reasonably competent — but everyone, when they have the attention to spare, is keeping an eye on the tuba players. They don’t come in for the first eight measures or so, and then when they do come in, what we see is: [stifled giggling] [reeeeeeally deep breath] [COLOSSAL FOGHORN NOISE] The entire band stops dead, in the cacophonous kind of way that a band stops when it hasn’t actually been cued to stop. The band director doesn’t even say anything, just looks straight back at the tubas and makes a helpless sort of why gesture. In unison, the tuba players defend themselves: “THERE WERE FOUR F’S.” FFFF is not really a rational dynamic marking for any instrument, but for the love of all that is holy why would you put it in a tuba part. This is the best band post  Everyone else go home Oh man, so I play trombone, and we got this piece called Florentiner Marsch by Julius Fucik, and we saw this which is 8 fortes. We were shocked until, that is 24 fortes who the fuck does that Who does that? This guy. Take a good look - that is the moustache of a man with nothing to lose. Julius IdontgivaFucik More like Julius Fuckit Pyrozod’s tags for this were too hilarious not to share : sushinfood: justamerplwithabox: vivelafat: prokopetz: officialdeadparrot: grellholmes: elsajeni: gunslingerannie: justtkeepcalmm: dean-and-his-pie: fororchestra: musicalmelody: Fun Story: My director kept telling me and my tenor sax buddy to play softer. No matter what we did, it wasn’t soft enough for him. So getting frustrated, I told my buddy “Dont play this time. Just fake it”  Our Band Director then informed us we sounded perfect.  To my readers: “p” means quiet, “pp” means really quiet. I’ve never seen “pppp” before haha. On the contrast, “f” means loud, and “ffff” probably means so loud you go unconscious. I had ffff in a piece once and my conductor told me to play as loudly as physically possible without falling off my chair… Me and my trombone buddies had “ffff” and he sat next to me and played so hard that he fell out of his chair. The lengths we go for music. Okay yeah so I play the bass clarinet and the amount of air you have to move and the stiffness of the reed means it only has two settings and that is loud and louder, with an optional LOUDEST that includes a 50% probability of HORRIBLE CROAKING NOISE which is the bass equivalent of the ubiquitous clarinet shriek. One day, when I was in concert band in high school, we got a new piece handed out for the first time, and there was a strange little commotion back in the tuba section — whispering, and pointing at something in the music, and swatting at each other’s hands all shhh don’t call attention to it. And although they did attract the attention of basically everyone else in the band, they managed to avoid being noticed by the band director, who gave us a few minutes to look over our parts and then said, “All right, let’s run through it up to section A.” And here we are, cheerfully playing along, sounding reasonably competent — but everyone, when they have the attention to spare, is keeping an eye on the tuba players. They don’t come in for the first eight measures or so, and then when they do come in, what we see is: [stifled giggling] [reeeeeeally deep breath] [COLOSSAL FOGHORN NOISE] The entire band stops dead, in the cacophonous kind of way that a band stops when it hasn’t actually been cued to stop. The band director doesn’t even say anything, just looks straight back at the tubas and makes a helpless sort of why gesture. In unison, the tuba players defend themselves: “THERE WERE FOUR F’S.” FFFF is not really a rational dynamic marking for any instrument, but for the love of all that is holy why would you put it in a tuba part. This is the best band post  Everyone else go home Oh man, so I play trombone, and we got this piece called Florentiner Marsch by Julius Fucik, and we saw this which is 8 fortes. We were shocked until, that is 24 fortes who the fuck does that Who does that? This guy. Take a good look - that is the moustache of a man with nothing to lose. Julius IdontgivaFucik More like Julius Fuckit Pyrozod’s tags for this were too hilarious not to share
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Shakespeare: penfairy oh! I have to tell you guys a great story one of my professors told me. So he has a friend who is involved in these Shakespeare outreach programs where they try to bring Shakespeare and live theatre to poor and underprivileged groups and teach them about English literature and performing arts and such. On one of their tours they stopped at a young offenders institute for women and they put on a performance of Romeo and Juliet for a group of 16-17 year old girls. It was all going really well and the girls were enjoying and laughing through the first half- because really, the first half is pretty much a comedy-but as the play went on, things started to get quiet. Real quiet. Then it got up to the suicide scene and mutterings broke out and all the girls were nudging each other and looking distressed, and as this teacher observed them, he realised-they didn't know how the play ended. These girls had never been exposed to the story of Romeo and Juliet before, something which he thought was impossible given how ubiquitous it is in our culture. I mean, the prologue even gives the ending away, but of course it doesn't specify exactly how the whole "take their life" thing goes down, so these poor girls had no idea what to expect and were sitting there clinging to hope that Romeo would maybe sit down for a damn minute instead of murdering Paris and chugging poison but BAM he died and they all cried out and then Juliet WOKE UP and they SCREAMED and by the end of the play they were so upset that a brawl nearly broke out, and that's the story of how Shakespeare nearly started a riot at a juvenile detention centre dukeofbookingham Apparently something similar happened during a production of Much Ado at Rikers Island because a bunch of inmates wanted to beat the shit out of Claudio, which is more than fair tbh maha-pambata-is-my-patronus honestly Shakespeare would be so pleased to know his plays were nearly starting brawls centuries into the future jabberwockypie Beating the shit out of Claudio is definitely a fair and reasonable response, honestly Source: penfairy Shakespeare
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Humans are the urban fae: 61below tumblr Follow lovelylilpup prokopetz I've seen a lot of videos going around of urban-dwelling critters coming to humans for help with various problems, ranging from boxes stuck on their heads to young trapped down a storm drain, and it's gotten me to thinking On the one hand, it's kind of fascinating that they know to do that. On the other hand, setting any questions of how this sort of behaviour must have arisen aside for the nonce, does it ever strike you how weird it is that we've got a whole collection of prey species whose basic problem-solving script ends with the step "if all else fails, go bother one of the local apex predators and maybe they'll fix the problem for no reason"? roachpatrol well, come to think of it, we're at the top of the food chain but we almost exclusively hunt and kill prey out in the country raccoons and possums and foxes and crows all succeed in an urban environment because they're opportunistic and observant. and almost none of them would have observed us pounce on one of their species and then start eating it, you know? a lot of them would have observed that we scream and chase them out of wherever we don't want them to be, but other animals are territorial too. but there's a number of situations where humans feed whoever's bold enough to take them up on the offer, and we do tend to pull garbage off of other animals as soon as they slow down enough for us to catch. 'a human got me but nothing bad happened' is a much more frequent thing than 'a human got me and tried to eat me anyway like, we're masters of our environment, we make weird shit happen all the time, we have lots of great food and sometimes we share, and we almost never eat someone. it makes sense for urban animals, over the last century or so, to just keep an eye out for opportunities to use us, and to pass the habit on to their kids. tsfennec It really is a weird, funny thing. Like yeah, technically they're predators, and they get pretty screamy, especially if you try to take any of their stuff... but given the chance it seems like they'd rather help us out and sometimes they'll just randomly give you food, so??? I mean, I guess in fairytales and myths we've got our fair share of stories about dangerous people/creatures who might well kill you or otherwise ruin your life but to whom people nonetheless turn for help in desperate circumstances. So it's not like the perspective is exactly a foreign thing to our own mindset, really It's just that, y'know, we can't actually go make a deal with the faeries when there's something we can't figure out Which brings me to an interesting thought about the ubiquitous rule about never eating the faery food lest you find yourself forever unsatisfied with anything in the human world- and the potential parallels to the dangers of feeding wildlife human food lest they become addicted and too tame and dependent to be safe for either themselves or us. Hmm.) sapphicaquarius Okay, but that last bit with the Fae... makes almost perfect sense Of the stories I've read, the food of the Fae, its origins and effects, are often strange and/or obscure- Just like our food to most animals. The Fae are strange beings that seem to know weird things that give them power or an edge over us.- Just like us to animals. The Fae work and live by strange rules also ofen nonsensical or obscure to us Just like us to animals. The Fae can easily obtain vast amounts of things we consider rare/precious/desireable, and have no problem with dishing it out wantonly for no other reason than amusement.- Just like us to animals. The Fae sometimes are amused by having us around, but only on their terms and IF it amuses/intrigues them.- Just like us to animals. GUYS, I SENSE A PATTERN.... -they have arcane social conventions and the punishment for not paying the correct respects right is banishment, if you're lucky, and death if you're not -they have wild and unexpected parties where you'd least expect to find them, but if you're bold enough to entertain them they'll feed you and caress you and play with you all night time runs strangely in their realm. their homes are summeriands: warm and bright, no matter the season. there is always fruit on their tables. but not everyone who comes in from the cold is let back out again. -their games are cruel and complex and unfair, but if you can beat them by their own rules you will access riches beyond imagining. sometimes they just fucking fuck with you, the fuckheads -they will absolutely steal your children away. when your children return-if they ever do-they will come back strange. they will know things they shouldn't. they won't know things that they should. your strange children might survive, might even prosper, might take wives and husbands and have children of their own but they will always be marked by their time away from your world. the price for pissing them off is always death. sometimes just you. sometimes your whole community if you are very good, and very smart, and very brave, they will grant your wish. oceaxereturns My eyes just got wider and wider the further down I read. Source:prokopetz #story feels #fae 71,904 notes Humans are the urban fae
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blissarcheopteryx: c-bassmeow: zerophiliac: b-ring: *Lamb voice* This song sounds like a HIT and the fact that it wasn’t reflects poorly on America Honestly? This is one the BEST songs off of this album! The fact that more people don’t recall this song or even mention it as often as they should is so upsetting.  If you can’t tell this is one of my all time favorite MC songs.  lol This and migrate. Migrate charted without even being a single. Both songs deserved to be number ones. Every song on this album could have charted and would have had it been released a few years later when digital singles were in full force and ubiquitous  Literally with E=MC2, Mimi could’ve had like 23 #1s at this point Fuck the Beatles she deserves the record : yevo blissarcheopteryx: c-bassmeow: zerophiliac: b-ring: *Lamb voice* This song sounds like a HIT and the fact that it wasn’t reflects poorly on America Honestly? This is one the BEST songs off of this album! The fact that more people don’t recall this song or even mention it as often as they should is so upsetting.  If you can’t tell this is one of my all time favorite MC songs.  lol This and migrate. Migrate charted without even being a single. Both songs deserved to be number ones. Every song on this album could have charted and would have had it been released a few years later when digital singles were in full force and ubiquitous  Literally with E=MC2, Mimi could’ve had like 23 #1s at this point Fuck the Beatles she deserves the record
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You don’t have to look far to find outlandish theories on the nature of the cosmos and human consciousness. These days, notions once relegated to sciencefiction are finding their way into esoteric academic journals, and from there, into mainstream discourse. One example of this is the Simulation Argument ( HolographicUniverse), recently championed by ElonMusk; another is ‘ timecrystals,’ a tantalizing non-linear phase of matter. The newest symphony of mind jazz being broadcast across the Internet posits new ideas about the embattled theory of “panpsychism,” or the belief that mind is a fundamental property of the physical universe and is imbued into all states of matter. A new paper, published by physicist Gregory Matloff, has brought the idea back into scientific discussions, promising experimental tests that could “validate or falsify” the concept of a ubiquitous “proto-consciousness field.” Matloff also pushes the controversial idea of volitional stars, suggesting there is actually evidence that stars control their own galactic paths. As absurd as the theory sounds, it has several prominent adherents, including British theoretical physicist Sir Roger Penrose, who introduced panpsychism three decades ago. Penrose believed consciousness arises from the properties of quantumentanglement. He and anesthesiologist Stuart Hameroff authored the Orchestrated Objective Reduction (Orch-OR) hypothesis, which asserts, among other things, that consciousness results from quantum vibrations inside microtubules. In 2006, German physicist Bernard Haisch took the idea further and proposed that consciousness arises within a “quantum vacuum” any time there is a significantly advanced system through which energy flows. Neuroscientist Christof Koch, another proponent of panpsychism, approaches it from a different angle, using integrated information theory to argue that consciousness is not unique to biological organisms. 🖐🏾More in comments👇🏾: Scientists Now Believe the Universe Itself May Be Conscious JUNE 28, 2017 AT 7:56 PM The Anti-Media/ Jake Anderson You don’t have to look far to find outlandish theories on the nature of the cosmos and human consciousness. These days, notions once relegated to sciencefiction are finding their way into esoteric academic journals, and from there, into mainstream discourse. One example of this is the Simulation Argument ( HolographicUniverse), recently championed by ElonMusk; another is ‘ timecrystals,’ a tantalizing non-linear phase of matter. The newest symphony of mind jazz being broadcast across the Internet posits new ideas about the embattled theory of “panpsychism,” or the belief that mind is a fundamental property of the physical universe and is imbued into all states of matter. A new paper, published by physicist Gregory Matloff, has brought the idea back into scientific discussions, promising experimental tests that could “validate or falsify” the concept of a ubiquitous “proto-consciousness field.” Matloff also pushes the controversial idea of volitional stars, suggesting there is actually evidence that stars control their own galactic paths. As absurd as the theory sounds, it has several prominent adherents, including British theoretical physicist Sir Roger Penrose, who introduced panpsychism three decades ago. Penrose believed consciousness arises from the properties of quantumentanglement. He and anesthesiologist Stuart Hameroff authored the Orchestrated Objective Reduction (Orch-OR) hypothesis, which asserts, among other things, that consciousness results from quantum vibrations inside microtubules. In 2006, German physicist Bernard Haisch took the idea further and proposed that consciousness arises within a “quantum vacuum” any time there is a significantly advanced system through which energy flows. Neuroscientist Christof Koch, another proponent of panpsychism, approaches it from a different angle, using integrated information theory to argue that consciousness is not unique to biological organisms. 🖐🏾More in comments👇🏾

You don’t have to look far to find outlandish theories on the nature of the cosmos and human consciousness. These days, notions once rele...

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Dr. SylvesterJamesGates, Jr., a theoreticalphysicist, the John S. Toll Professor of Physics at the UniversityofMaryland, and the Director of The Center for StringTheory & ParticleTheory, is reporting that certain string theory, supersymmetrical equations, which describe the fundamental nature of the Universe and reality, contain embedded computer codes. These codes are digital data in the form of 1′s and 0′s. Not only that, these codes are the same as what make web browsers work and are error-correction codes! Gates says, “We have no idea what these ‘things’ are doing there”. Physicists have long sought to describe the universe in terms of equations. Now, James Gates explains how research on a class of geometric symbols known as adinkras could lead to fresh insights into the theory of supersymmetry — and perhaps even the very nature of reality.This unsuspected connection suggests that these codes may be ubiquitous in nature, and could even be embedded in the essence of reality. If this is the case, we might have something in common with the Matrix science-fiction films, which depict a world where everything human beings experience is the product of a virtual-reality-generating computer network. The world's top leading physicists now all concur that we may be in a Quantum fractal HolographicUniverse created by a ancestor civilization from a higher dimension. We may be living in a nested reality. Adinkra symbols are a graphical representation of supersymmetric algebras taught by the AshantiEmpire of Africa since ancient times. Our ancestors already knew of the holographic nature of the universe. 4biddenknowledge FULL VIDEO ON MY YOUTUBE CHANNEL "TheForbiddenknowledge": WORLDS TOP PHYSICISTS DISCOVER BINARY CODE WRITTEN INTOTHE FABRIC OF SPACE TIME Professor Sylvester James Gates Jr Says we are living in a Matrix @4biddenknowledge Dr. SylvesterJamesGates, Jr., a theoreticalphysicist, the John S. Toll Professor of Physics at the UniversityofMaryland, and the Director of The Center for StringTheory & ParticleTheory, is reporting that certain string theory, supersymmetrical equations, which describe the fundamental nature of the Universe and reality, contain embedded computer codes. These codes are digital data in the form of 1′s and 0′s. Not only that, these codes are the same as what make web browsers work and are error-correction codes! Gates says, “We have no idea what these ‘things’ are doing there”. Physicists have long sought to describe the universe in terms of equations. Now, James Gates explains how research on a class of geometric symbols known as adinkras could lead to fresh insights into the theory of supersymmetry — and perhaps even the very nature of reality.This unsuspected connection suggests that these codes may be ubiquitous in nature, and could even be embedded in the essence of reality. If this is the case, we might have something in common with the Matrix science-fiction films, which depict a world where everything human beings experience is the product of a virtual-reality-generating computer network. The world's top leading physicists now all concur that we may be in a Quantum fractal HolographicUniverse created by a ancestor civilization from a higher dimension. We may be living in a nested reality. Adinkra symbols are a graphical representation of supersymmetric algebras taught by the AshantiEmpire of Africa since ancient times. Our ancestors already knew of the holographic nature of the universe. 4biddenknowledge FULL VIDEO ON MY YOUTUBE CHANNEL "TheForbiddenknowledge"
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<p><a class="tumblr_blog" href="http://ubiquitous-pearl.tumblr.com/post/123937496339">ubiquitous-pearl</a>:</p><blockquote> <blockquote> <blockquote> <blockquote> <blockquote> <blockquote> <p>Y u pet me</p> <p>Keep pet me</p> </blockquote> <p>This always makes me happy, because the source video shows that the shark actually wanted this. It experienced it once and then kept coming back for more petting.</p> <p>(also, because i’ve seen comments about this: the shark <i>is</i> able to breathe while still, not all species need to be in motion to pass water through their gills. If you look closely, you can see its gills pumping)</p> </blockquote> <p>I would very much like if more people would pet sharks and be good to them instead of trying to hurt them please <br/></p> <p>Sharks are very lovely and should get pettings like these more :) <br/></p> </blockquote> <p>MythBusters did an episode on how to survive a shark attack and a shark’s nose is so sensitive that a gentle tap is all you need to drive it away. The guy sat on the ocean floor with a bucket of chum and didn’t get attacked once, when hungry sharks swam up he’d give them a boop on the nose and they’d swim away. So if the shark is friendly, pet the snoot. If the shark is dangerous, boop the snoot. Either way, no one dies. </p> </blockquote> <p>Boop the snoot</p> </blockquote> <p>Reblogging for adorable shark and ‘boop the snoot.’</p> </blockquote> <p>Boopthesnoot2k17</p>: ONESIA COM <p><a class="tumblr_blog" href="http://ubiquitous-pearl.tumblr.com/post/123937496339">ubiquitous-pearl</a>:</p><blockquote> <blockquote> <blockquote> <blockquote> <blockquote> <blockquote> <p>Y u pet me</p> <p>Keep pet me</p> </blockquote> <p>This always makes me happy, because the source video shows that the shark actually wanted this. It experienced it once and then kept coming back for more petting.</p> <p>(also, because i’ve seen comments about this: the shark <i>is</i> able to breathe while still, not all species need to be in motion to pass water through their gills. If you look closely, you can see its gills pumping)</p> </blockquote> <p>I would very much like if more people would pet sharks and be good to them instead of trying to hurt them please <br/></p> <p>Sharks are very lovely and should get pettings like these more :) <br/></p> </blockquote> <p>MythBusters did an episode on how to survive a shark attack and a shark’s nose is so sensitive that a gentle tap is all you need to drive it away. The guy sat on the ocean floor with a bucket of chum and didn’t get attacked once, when hungry sharks swam up he’d give them a boop on the nose and they’d swim away. So if the shark is friendly, pet the snoot. If the shark is dangerous, boop the snoot. Either way, no one dies. </p> </blockquote> <p>Boop the snoot</p> </blockquote> <p>Reblogging for adorable shark and ‘boop the snoot.’</p> </blockquote> <p>Boopthesnoot2k17</p>
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Via @carthrottlenews - Let’s get the big piece of news out of the way: As was first rumoured a little while ago, the ST has indeed dropped a cylinder and a little bit of displacement, switching to a 1.5-litre three-pot. - It’s presumably derived from the existing 1.5-litre Ecoboost unit, although Ford describes it as an “all-new” engine. It’s been given a new turbocharger with an “optimised” turbine design to reduce lag, plus “Twin-independent Variable Cam Timing. It’s good for 197bhp, and 214lb ft of torque. - Both of those figures are the same as what the outgoing car achieved when its ‘overboost’ function kicked in. The new car will do 0-62mph in an “anticipated’ 6.7 seconds, although there’s no word on top speed just yet. There isn’t an MPG figure available right now either, but Ford is expecting CO2 emissions of around 114g-km. - The car gets a torque vectoring by braking system just like the old one, plus three driving modes. The ‘Normal’, ‘Sport’ and ‘Track’ modes each alter the steering, throttle response and traction-stability controls to varying degrees. Stick it in ‘Track’ mode and the traction control goes entirely, with the ESP set to ‘wide slip’ mode. Or if you’d prefer, you can switch off ESP completely. - On the inside it’s a sportified version of the Fiesta cabin we’ve already seen, which means a far plusher space than we’ve been used to seeing from Ford’s ubiquitous supermini. - The ‘Sync 3’ system is present on a floating tablet-style setup, which should prove to be much less frustrating than the clunky old infotainment, and keeping your back and buttocks very happy will be a pair of Recaro bucket seats. - In the cabin you’ll also be - I’m afraid to say - treated to some ‘Electronic Sound Enhancement’, but this does at least work in tandem with an active exhaust valve. - Want one? You’ll be waiting for a little while I’m afraid, with Ford gunning for an early 2018 launch for the car in both three and five-door forms. The outgoing ST was - and probably still is - pound-for-pound the best new performance car around, so this new one should be worth the wait.: HH NEW Ford has revealed the ST version of the new Fiesta, and it's packing a 197bhp 1.5-litre inline-three cylinder engine Via @carthrottlenews - Let’s get the big piece of news out of the way: As was first rumoured a little while ago, the ST has indeed dropped a cylinder and a little bit of displacement, switching to a 1.5-litre three-pot. - It’s presumably derived from the existing 1.5-litre Ecoboost unit, although Ford describes it as an “all-new” engine. It’s been given a new turbocharger with an “optimised” turbine design to reduce lag, plus “Twin-independent Variable Cam Timing. It’s good for 197bhp, and 214lb ft of torque. - Both of those figures are the same as what the outgoing car achieved when its ‘overboost’ function kicked in. The new car will do 0-62mph in an “anticipated’ 6.7 seconds, although there’s no word on top speed just yet. There isn’t an MPG figure available right now either, but Ford is expecting CO2 emissions of around 114g-km. - The car gets a torque vectoring by braking system just like the old one, plus three driving modes. The ‘Normal’, ‘Sport’ and ‘Track’ modes each alter the steering, throttle response and traction-stability controls to varying degrees. Stick it in ‘Track’ mode and the traction control goes entirely, with the ESP set to ‘wide slip’ mode. Or if you’d prefer, you can switch off ESP completely. - On the inside it’s a sportified version of the Fiesta cabin we’ve already seen, which means a far plusher space than we’ve been used to seeing from Ford’s ubiquitous supermini. - The ‘Sync 3’ system is present on a floating tablet-style setup, which should prove to be much less frustrating than the clunky old infotainment, and keeping your back and buttocks very happy will be a pair of Recaro bucket seats. - In the cabin you’ll also be - I’m afraid to say - treated to some ‘Electronic Sound Enhancement’, but this does at least work in tandem with an active exhaust valve. - Want one? You’ll be waiting for a little while I’m afraid, with Ford gunning for an early 2018 launch for the car in both three and five-door forms. The outgoing ST was - and probably still is - pound-for-pound the best new performance car around, so this new one should be worth the wait.
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pianissississimo: HOW ABOUT& 3. Pavane Gently 76 soft mallets PPPP JUST DON'T PLAY minfood ustamerplwithabox vivelafat prokopetz fficialdeadparrot greltholmes eisajen gunslingerannie justkeepsalmm dean and-his-ple fororchestra musisalmelody Fun Story My drector kept teling me and my tenor sax buddy to play softer No matter what we did, it wasn't soft enough for him So getting frustrated, Itold my buddy "Dot play this time Just fake Our Band Director then informed us we sounded perfect To my readers 'p' means quiet pp means realy quiet Tve never seen ppop before haha On the contrast. T means loud and t probably means so loud you go unconscious I had in a piece once and my conductor told me to play as loudy as physicaly possible without faling off my char. Me and my trombone buddies had and he sat next to me and played so hard that he fel out of tis chair The lengths we go for music Okay yeah so I play the bass clarinet and the amount of ar you have to move and the stiftness of the reed means t only has two setings and that is loud and louder, wth an optional LOUDEST that inclades a 60% probatility of HORRBLE CRONKING NOISE which is the bass equivalent of the ubiquitous clarinet shriek One day, when I was in concert band in high school we got a new piece handed out for the frst time, and there was a strange itle commotion back in the tuba section- whispering, and poineing at something in the music, and swalting at each other's hands a shhh dont cal atenion to t And athough they did atract the atention of basically everyone else in the band, they managed to avoid being noticed by the band drector, who gave us a few minutes to look over our parts and then said AE right let's run through it up to section A And here we ae, cheerfuly playing along sounding reasonably competent-but everyone, when they have the attention to spare, is keeping an eye on the tuba players They dan't come in for the first eight measures or so, and then when they do come in, what we see is Jled goging Ireeeseealy deep breath COLOSSAL FOGHORN NOISE The entire band stops dead, in the cacophonous kind of way that a band stops when it hasn't actually been cued to stop. The band director doesn't even say anything just looks straight back at the tubas and makes a helpless sot of uhy gesture h unison, the tuba players defend themselves THERE WERE FOUR FS FFFF is not realy a rational dynamic marking for any instrument, but for the love of al that is holy uhy would you put it in a tuba part This is the best band post Everyone else go home Oh man so I play trombone, and we got this piece caled Florentiner Marsch by Julkus Fuck and we saw this efafinDaPa frert f ren which is 8 fortes We were shocked untl EPFAEEFEB ERFE cranra har is 24 fortes who the fuck does that Who does that? This guy Take a good look-that is the moustache of a man with nothing to lose Julus idontgivaFucik More ke Julus Fuckit wwwA tHIME EVE N THE LAST 1W0 stESDMY GOD 247 WHTHE cop D AM O PET DOYcu waT FCNG DHAEING7O YOUR CONCERT CASE CUES w AT WHAT YOURE ONG TO GET UCNPoLE IN O AEGONG O DEL FUCKWSTHAT W THE ACT pianissississimo
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ubiquitous-pearl: Y u pet me Keep pet me This always makes me happy, because the source video shows that the shark actually wanted this. It experienced it once and then kept coming back for more petting. (also, because i’ve seen comments about this: the shark is able to breathe while still, not all species need to be in motion to pass water through their gills. If you look closely, you can see its gills pumping) I would very much like if more people would pet sharks and be good to them instead of trying to hurt them please Sharks are very lovely and should get pettings like these more :) MythBusters did an episode on how to survive a shark attack and a shark’s nose is so sensitive that a gentle tap is all you need to drive it away. The guy sat on the ocean floor with a bucket of chum and didn’t get attacked once, when hungry sharks swam up he’d give them a boop on the nose and they’d swim away. So if the shark is friendly, pet the snoot. If the shark is dangerous, boop the snoot. Either way, no one dies.  Boop the snoot Reblogging for adorable shark and ‘boop the snoot.’ : ONESIA COM ubiquitous-pearl: Y u pet me Keep pet me This always makes me happy, because the source video shows that the shark actually wanted this. It experienced it once and then kept coming back for more petting. (also, because i’ve seen comments about this: the shark is able to breathe while still, not all species need to be in motion to pass water through their gills. If you look closely, you can see its gills pumping) I would very much like if more people would pet sharks and be good to them instead of trying to hurt them please Sharks are very lovely and should get pettings like these more :) MythBusters did an episode on how to survive a shark attack and a shark’s nose is so sensitive that a gentle tap is all you need to drive it away. The guy sat on the ocean floor with a bucket of chum and didn’t get attacked once, when hungry sharks swam up he’d give them a boop on the nose and they’d swim away. So if the shark is friendly, pet the snoot. If the shark is dangerous, boop the snoot. Either way, no one dies.  Boop the snoot Reblogging for adorable shark and ‘boop the snoot.’
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sushinfood: justamerplwithabox: vivelafat: prokopetz: officialdeadparrot: grellholmes: elsajeni: gunslingerannie: justtkeepcalmm: dean-and-his-pie: fororchestra: musicalmelody: Fun Story: My director kept telling me and my tenor sax buddy to play softer. No matter what we did, it wasn’t soft enough for him. So getting frustrated, I told my buddy “Dont play this time. Just fake it”  Our Band Director then informed us we sounded perfect.  To my readers: “p” means quiet, “pp” means really quiet. I’ve never seen “pppp” before haha. On the contrast, “f” means loud, and “ffff” probably means so loud you go unconscious. I had ffff in a piece once and my conductor told me to play as loudly as physically possible without falling off my chair… Me and my trombone buddies had “ffff” and he sat next to me and played so hard that he fell out of his chair. The lengths we go for music. Okay yeah so I play the bass clarinet and the amount of air you have to move and the stiffness of the reed means it only has two settings and that is loud and louder, with an optional LOUDEST that includes a 50% probability of HORRIBLE CROAKING NOISE which is the bass equivalent of the ubiquitous clarinet shriek. One day, when I was in concert band in high school, we got a new piece handed out for the first time, and there was a strange little commotion back in the tuba section — whispering, and pointing at something in the music, and swatting at each other’s hands all shhh don’t call attention to it. And although they did attract the attention of basically everyone else in the band, they managed to avoid being noticed by the band director, who gave us a few minutes to look over our parts and then said, “All right, let’s run through it up to section A.” And here we are, cheerfully playing along, sounding reasonably competent — but everyone, when they have the attention to spare, is keeping an eye on the tuba players. They don’t come in for the first eight measures or so, and then when they do come in, what we see is: [stifled giggling] [reeeeeeally deep breath] [COLOSSAL FOGHORN NOISE] The entire band stops dead, in the cacophonous kind of way that a band stops when it hasn’t actually been cued to stop. The band director doesn’t even say anything, just looks straight back at the tubas and makes a helpless sort of why gesture. In unison, the tuba players defend themselves: “THERE WERE FOUR F’S.” FFFF is not really a rational dynamic marking for any instrument, but for the love of all that is holy why would you put it in a tuba part. This is the best band post  Everyone else go home Oh man, so I play trombone, and we got this piece called Florentiner Marsch by Julius Fucik, and we saw this which is 8 fortes. We were shocked until, that is 24 fortes who the fuck does that Who does that? This guy. Take a good look - that is the moustache of a man with nothing to lose. Julius IdontgivaFucik More like Julius Fuckit Pyrozod’s tags for this were too hilarious not to share : HOW ABOUT 3. Pavane Gently 76 soft mallets PPPP IJUST DON'T PLAY Masic Publ sushinfood: justamerplwithabox: vivelafat: prokopetz: officialdeadparrot: grellholmes: elsajeni: gunslingerannie: justtkeepcalmm: dean-and-his-pie: fororchestra: musicalmelody: Fun Story: My director kept telling me and my tenor sax buddy to play softer. No matter what we did, it wasn’t soft enough for him. So getting frustrated, I told my buddy “Dont play this time. Just fake it”  Our Band Director then informed us we sounded perfect.  To my readers: “p” means quiet, “pp” means really quiet. I’ve never seen “pppp” before haha. On the contrast, “f” means loud, and “ffff” probably means so loud you go unconscious. I had ffff in a piece once and my conductor told me to play as loudly as physically possible without falling off my chair… Me and my trombone buddies had “ffff” and he sat next to me and played so hard that he fell out of his chair. The lengths we go for music. Okay yeah so I play the bass clarinet and the amount of air you have to move and the stiffness of the reed means it only has two settings and that is loud and louder, with an optional LOUDEST that includes a 50% probability of HORRIBLE CROAKING NOISE which is the bass equivalent of the ubiquitous clarinet shriek. One day, when I was in concert band in high school, we got a new piece handed out for the first time, and there was a strange little commotion back in the tuba section — whispering, and pointing at something in the music, and swatting at each other’s hands all shhh don’t call attention to it. And although they did attract the attention of basically everyone else in the band, they managed to avoid being noticed by the band director, who gave us a few minutes to look over our parts and then said, “All right, let’s run through it up to section A.” And here we are, cheerfully playing along, sounding reasonably competent — but everyone, when they have the attention to spare, is keeping an eye on the tuba players. They don’t come in for the first eight measures or so, and then when they do come in, what we see is: [stifled giggling] [reeeeeeally deep breath] [COLOSSAL FOGHORN NOISE] The entire band stops dead, in the cacophonous kind of way that a band stops when it hasn’t actually been cued to stop. The band director doesn’t even say anything, just looks straight back at the tubas and makes a helpless sort of why gesture. In unison, the tuba players defend themselves: “THERE WERE FOUR F’S.” FFFF is not really a rational dynamic marking for any instrument, but for the love of all that is holy why would you put it in a tuba part. This is the best band post  Everyone else go home Oh man, so I play trombone, and we got this piece called Florentiner Marsch by Julius Fucik, and we saw this which is 8 fortes. We were shocked until, that is 24 fortes who the fuck does that Who does that? This guy. Take a good look - that is the moustache of a man with nothing to lose. Julius IdontgivaFucik More like Julius Fuckit Pyrozod’s tags for this were too hilarious not to share
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As we all woke to the breaking dawn of January 12, 2017, the cold Capricorn air illuminating our warm breathe upon our continued life, we opened our eyes to peer into the smooth landscape of the new world order, our imperfect slumber roused by the pressures suffocating our subconscious that not even our wildest dreams could relieve. For now: Zayn is 24. Our beautiful Zayn. Remember… when he sat in a hallway on Periscope? So many beautiful memories with our man. Our beautiful little boy that just keeps on growing up and up and up. Today, like every day, we celebrate Zayn for who and what he is: Zayn! And what *else* is he today? 24. Twenty-four. Oh. Oh god. Two, Four 2 x 4? 8 2 + 4? 6 Ahhh, there we go. 6. Zayn Malik. Three vowels: A, A, I. 6 x 3 = 18? No, that can’t be right. but: 6 three times? 666 Could it… is it true? Is Zayn Malik marked by the numbers of the beast? Is Zayn… a global government plant to filter the universe’s collective love and lust onto one perfect object of affection, one person that can truly cultivate all our feelings and usher them into this one strong focused stream that only grows in power with it universality? Is Zayn an illuminati plant to monopolize for an secret and ulterior motive for an invisible yet ubiquitous organization because based on how he, himself, is the perfect manifestation of all of our desires? by Darcie Wilder: AS WE ALL WOKE TO THE BREAKING DAWN OF JANUARY 12, 2017, THE COLD CAPRICORN AIR NEWS ILLUMINATING OUR WARM BREATHE UPON OUR As we all woke to the breaking dawn of January 12, 2017, the cold Capricorn air illuminating our warm breathe upon our continued life, we opened our eyes to peer into the smooth landscape of the new world order, our imperfect slumber roused by the pressures suffocating our subconscious that not even our wildest dreams could relieve. For now: Zayn is 24. Our beautiful Zayn. Remember… when he sat in a hallway on Periscope? So many beautiful memories with our man. Our beautiful little boy that just keeps on growing up and up and up. Today, like every day, we celebrate Zayn for who and what he is: Zayn! And what *else* is he today? 24. Twenty-four. Oh. Oh god. Two, Four 2 x 4? 8 2 + 4? 6 Ahhh, there we go. 6. Zayn Malik. Three vowels: A, A, I. 6 x 3 = 18? No, that can’t be right. but: 6 three times? 666 Could it… is it true? Is Zayn Malik marked by the numbers of the beast? Is Zayn… a global government plant to filter the universe’s collective love and lust onto one perfect object of affection, one person that can truly cultivate all our feelings and usher them into this one strong focused stream that only grows in power with it universality? Is Zayn an illuminati plant to monopolize for an secret and ulterior motive for an invisible yet ubiquitous organization because based on how he, himself, is the perfect manifestation of all of our desires? by Darcie Wilder

As we all woke to the breaking dawn of January 12, 2017, the cold Capricorn air illuminating our warm breathe upon our continued life, we...

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lgbt-history-archive: Freddie Mercury (September 5, 1946 – November 24, 1991), 1978. Photo © Neal Preston. Freddie Mercury, who would turn seventy today, was born Farrokh Bulsura in Zanzibar, though he and his family fled to Britain during the Zanzibar Revolution of 1964. From a young age, Mercury (who began calling himself “Freddie” at boarding school) displayed the characteristics that came to define his public persona: intense kindness and shyness mixed with an uncanny musical ability that, when engaged, would bring out an enormous personality. By 1971, Mercury, Brian May, Roger Taylor, and John Deacon had formed the band that Mercury dubbed “Queen”; around the same time, he changed his last name to Mercury. For the next twenty years, Queen blended prog, glam, and arena rock, disco, opera, gospel, heavy metal, and countless other styles to create an extraordinary sound and to produce hits as varied as “Bohemian Rhapsody,” “Somebody to Love,” “I Want to Break Free,” “These Are The Days Of Our Lives,” and the ubiquitous “We Will Rock You/We Are The Champions.” And, of Queen’s legendary live performances, one writer summarized as follows: “Freddie Mercury on stage…is the summit of rock n’ roll.” As with many queer pioneers, debates persist over how Mercury “defined” his sexuality and whether he was “sufficiently open.” In 1992, one writer noted that Mercury “was a ‘scene-queen,’ not afraid to publicly express his [sexuality], but unwilling to analyze or justify his ‘lifestyle’…It was as if Freddie Mercury was saying to the world, ‘I am what I am. So what?’ And that in itself for some was a statement.” Mercury was diagnosed with AIDS in the spring of 1987, a fact he did not publicly confirm until the day before his death. Freddie Mercury died on November 24, 1991; he was forty-five. Mercury was survived by his partner, Jim Hutton, and his longtime companion, Mary Austin. #lgbthistory #lgbtherstory #lgbttheirstory #lgbtpride #QueerHistoryMatters #HavePrideInHistory #FreddieMercury: lgbt-history-archive: Freddie Mercury (September 5, 1946 – November 24, 1991), 1978. Photo © Neal Preston. Freddie Mercury, who would turn seventy today, was born Farrokh Bulsura in Zanzibar, though he and his family fled to Britain during the Zanzibar Revolution of 1964. From a young age, Mercury (who began calling himself “Freddie” at boarding school) displayed the characteristics that came to define his public persona: intense kindness and shyness mixed with an uncanny musical ability that, when engaged, would bring out an enormous personality. By 1971, Mercury, Brian May, Roger Taylor, and John Deacon had formed the band that Mercury dubbed “Queen”; around the same time, he changed his last name to Mercury. For the next twenty years, Queen blended prog, glam, and arena rock, disco, opera, gospel, heavy metal, and countless other styles to create an extraordinary sound and to produce hits as varied as “Bohemian Rhapsody,” “Somebody to Love,” “I Want to Break Free,” “These Are The Days Of Our Lives,” and the ubiquitous “We Will Rock You/We Are The Champions.” And, of Queen’s legendary live performances, one writer summarized as follows: “Freddie Mercury on stage…is the summit of rock n’ roll.” As with many queer pioneers, debates persist over how Mercury “defined” his sexuality and whether he was “sufficiently open.” In 1992, one writer noted that Mercury “was a ‘scene-queen,’ not afraid to publicly express his [sexuality], but unwilling to analyze or justify his ‘lifestyle’…It was as if Freddie Mercury was saying to the world, ‘I am what I am. So what?’ And that in itself for some was a statement.” Mercury was diagnosed with AIDS in the spring of 1987, a fact he did not publicly confirm until the day before his death. Freddie Mercury died on November 24, 1991; he was forty-five. Mercury was survived by his partner, Jim Hutton, and his longtime companion, Mary Austin. #lgbthistory #lgbtherstory #lgbttheirstory #lgbtpride #QueerHistoryMatters #HavePrideInHistory #FreddieMercury
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Loud Band Geeks: HOW ABOUT& 3. Pavane Gently 76 soft mallets PPPP JUST DON'T PLAY minfood ustamerplwithabox vivelafat prokopetz fficialdeadparrot greltholmes eisajen gunslingerannie justkeepsalmm dean and-his-ple fororchestra musisalmelody Fun Story My drector kept teling me and my tenor sax buddy to play softer No matter what we did, it wasn't soft enough for him So getting frustrated, Itold my buddy "Dot play this time Just fake Our Band Director then informed us we sounded perfect To my readers 'p' means quiet pp means realy quiet Tve never seen ppop before haha On the contrast. T means loud and t probably means so loud you go unconscious I had in a piece once and my conductor told me to play as loudy as physicaly possible without faling off my char. Me and my trombone buddies had and he sat next to me and played so hard that he fel out of tis chair The lengths we go for music Okay yeah so I play the bass clarinet and the amount of ar you have to move and the stiftness of the reed means t only has two setings and that is loud and louder, wth an optional LOUDEST that inclades a 60% probatility of HORRBLE CRONKING NOISE which is the bass equivalent of the ubiquitous clarinet shriek One day, when I was in concert band in high school we got a new piece handed out for the frst time, and there was a strange itle commotion back in the tuba section- whispering, and poineing at something in the music, and swalting at each other's hands a shhh dont cal atenion to t And athough they did atract the atention of basically everyone else in the band, they managed to avoid being noticed by the band drector, who gave us a few minutes to look over our parts and then said AE right let's run through it up to section A And here we ae, cheerfuly playing along sounding reasonably competent-but everyone, when they have the attention to spare, is keeping an eye on the tuba players They dan't come in for the first eight measures or so, and then when they do come in, what we see is Jled goging Ireeeseealy deep breath COLOSSAL FOGHORN NOISE The entire band stops dead, in the cacophonous kind of way that a band stops when it hasn't actually been cued to stop. The band director doesn't even say anything just looks straight back at the tubas and makes a helpless sot of uhy gesture h unison, the tuba players defend themselves THERE WERE FOUR FS FFFF is not realy a rational dynamic marking for any instrument, but for the love of al that is holy uhy would you put it in a tuba part This is the best band post Everyone else go home Oh man so I play trombone, and we got this piece caled Florentiner Marsch by Julkus Fuck and we saw this efafinDaPa frert f ren which is 8 fortes We were shocked untl EPFAEEFEB ERFE cranra har is 24 fortes who the fuck does that Who does that? This guy Take a good look-that is the moustache of a man with nothing to lose Julus idontgivaFucik More ke Julus Fuckit wwwA tHIME EVE N THE LAST 1W0 stESDMY GOD 247 WHTHE cop D AM O PET DOYcu waT FCNG DHAEING7O YOUR CONCERT CASE CUES w AT WHAT YOURE ONG TO GET UCNPoLE IN O AEGONG O DEL FUCKWSTHAT W THE ACT Loud Band Geeks
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Found this masterpiece among my favouritesadvice-animal.tumblr.com: HOW ABOUT. Prune Gently - 76 soft mallets PPPP JUST DON'T PLAY minfood ustamerpiwithabox vivelafat prokopetz offisialdeadparrot grellholmes elsajeni gunslingerannie justtkeepcalmm dean-and-his-ple fororchestra musisalmelody Fun Story. My director kept teling me and my tenor sax budy to play softer No matter what we did, it wasnt soft enough for him So getting frustrated I told my buddy "Dort play this time Just fake Our Band Director then informed us we sounded perfect. To my readers: "p' means quiet. pp' means really quiet Ive never seen "pppp' before haha On the contrast, T means Joud and probably means so loud you go unconscious Ihad in a piece once and my conductor told me to play as loudy as physicaly possible without faling off my char. Me and my trombone buddes had " and he sat next to me and played so hard that he fell out of his chair The lengths we go for music. Okay yeah so I play the bass clarinet and the amount of air you have to move and the stifness of the reed means t only has two setings and that is loud and louder, with an optional LOUDEST that includes a 50% probatility of HORRIBLE CROAKING NOISE which is the bass equivalent of the ubiquitous clarinet shriek One day, when I was in concert band in high school, we got a new piece handed out for the first time, and there was a strange little commotion back in the tuba section- whispering, and pointing at something in the music, and swatting at each other's hands all shhh dont cal attention to And although they did atract the attention of basically y everyone else in the band, they managed to avoid being noticed by the band director, who gave us a few minutes to look over our parts and then said, "Al right, let's run through it up to section A And here we are, cheerfuly playing along sounding reasonably competent- but everyone, when they have the attention to spare, is keeping an eye on the tuba players. They don't come in for the first eight measures or so, and then when they do come in, what we see is: (safled gigging Ireeeeeeally deep breath ICOLOSSAL FOGHORN NOISE) The entire band stops dead, in the cacophonous kind of way that a band stops when it hasn't actually been cued to stop. The band director doesnt even say anything just looks straight back at the tubas and makes a helpless sort of why gesture h unison, the tuba plavers defend themselves "THERE WERE FOUR F'S FFFF is not realy a rational dynamic marking for any instrument, but for the love of al that is holy why would you put t in a fuba part This is the best band post Everyone else go home Oh man, so I play trombone, and we got this piece caled Florentiner Marsch by Juus Fucik, and we saw this PisP&Pis@+@ysP+Pịa trju0«Du©=0 ISTPEN HSen frenif which is 8 fortes. We were shocked until, cranoran UR шНИЕТУ that is 24 fortes who the fuck does that Who does that? This guy. Take a good look - that is the moustache of a man with nothing to lose Julus idontgivafucik More lke Julus Fuckt wHAT IS THIS VE NEVER SEEN THE LAST TWO STORES OH MY GOD 24 WHT IS THE GOD DAMN POINT I AM SO UPSET DO YOU WANT FUCKING CHNA LISTENING TO YOUR CONCERT DECAUSE GUESS WHAT THAT IS WHAT YOURE GONG TO GET FUCKONG PEDPLE IN CHNA ARE GOING TO BE LICE WHAT THE ACTUAL FUCK WAS THAT Found this masterpiece among my favouritesadvice-animal.tumblr.com
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How about I just don’t play?omg-humor.tumblr.com: HOW ABOUT, Prvane Gently - 76 soft mallets PPPP JUST DON'T PLAY minfood ustamerplwithabox vivelafat prokopetz officialdeadparrot grelholmes elsajeni gunslingerannie justtkeepcalmm dean-and-his:pie fororshestra municalmelody Fun Story. My director kept teling me and my tenor sax buddy to play softer No mater what we did it wasnt soft enough for him So getting frustrated I told my buddy "Dont play this time. Just fake Our Band Director then informed us we sounded perfect To my readers: "p' means quiet, "pp' means realy quiet Ive never seen "pppp' before haha On the contrast, T means Joud, and " probably means so loud you go unconscious Ihad in a piece once and my conductor told me to play as loudy as physically possible without faling off my char. Me and my trombone buddes had and he sat next to me and played so hard that he fell out of his chair The lengths we go for music Okay yeah so I play the bass clarinet and the amount of air you have to move and the stifness of the reed meanst only has two settings and that is loud and louder, with an optional LOUDEST that includes a 50% probability of HORRIBLE CROAKING NOISE which is the bass equivalent of the ubiquitous clarinet shriek One day, when l was in concert band in high school, we got a new piece handed out for the first time, and there was a strange litle commotion back in the tuba section whispering, and pointing at something in the music, and swatting at each other's hands all shhh dont cal attention to And although they did attract the attention of basically everyone else in the band, they managed to avoid being noticed by the band director, who gave us a few minutes to look over our parts and then said. "Al right, let's run through it up to section A And here we are, cheerfuly playing along sounding reasonably competent- but everyone, when they have the atention to spare, is keeping an eye on the tuba players. They don't come in for the first eight measures or so, and then when they do come in, what we see is: [safled gigging) Ireeeeeealy deep breath ICOLOSSAL FOGHORN NOISEJ The entire band stops dead, in the cacophonous kind of way that a band stops when it hasn't actually been cued to stop. The band director doesnt even say anything, just looks straight back at the tubas and makes a helpless sort of uhy gesture hunison, the tuba plavers defend themselves: "THERE WERE FOUR F'S FFFF is not really a rational dynamic marking for any instrument, but for the love of al that is holy why would you put e in a fuba part This is the best band post Everyone else go home Oh man, so I play trombone, and we got this piece caled Florentiner Marsch by Julius Fucik, and we saw this 2 PisPaPisPaPispaPpx trsDDu which is 8 fortes. We were shocked until, EPEREEIFELBr eran oran Sured sme that is 24 fortes who the fuck does that Who does that? This guy Take a good look - that is the moustache of a man with nothing to lose Julkus idontgivafucik More lke Julus Fuckt wwHATS THS IVE NEVER SEEN THE LAST TWO STORES OH MY GOD 247 WHT IS THE GOD DAMN POINTI AM SO UPSET DO YOU WANT FUCKING CA LISTENNG TO YOUR CONCERT DECAUSE GIESS WHAT THAT IS WHAT YOURE GONG TO GET FUCKONG PEOPLE IN CHINA ARE GONG TO BE LIKE WHAT THE ACTUA FUCK WAS THAT How about I just don’t play?omg-humor.tumblr.com
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Needs more Tubaomg-humor.tumblr.com: ohmightysmiter officialbioware Source. housecatinca. Murch 12 2014, 3 4 17 am 13 hours age HOW ABOUT, 3. Pavane Gently. 76 soft mallets PPPP I JUST DON'T PLAY sushinfood justamerplwithabox vivelafat prokopetr officialdeadparrot grelholmes elsajeni gunslingerannie justtkeepcalmm dean-and-his-pie fororchestra musicalmelody Fun Story My director kept teling me and my tenor sax buddy to play soter. No matter what we did, it wasn't soft enough for him So geting frustrated I tok my buddy "Dont play this time Just fake Our Band Director then informed us we sounded pertect. To my readers: "p" means quet, "pp' means realy quiet. ve never seen pppp" before haha On the contrast, T means loud, and probably meann so loud you go unconscious Ihad ina piece once and my conductor told me to play as loudly as physicaly possible without falling off my chair. Me and my trombone buddies had "r and he sat next to me and ट िका क played so hard that he fell out of his char The lengths we go for music. Okay yeah so I play the bass clarinet and the amount of ar you have to move and the stiffness of the reed means it only has two settings and that is loud and louder, with an optional LOUDEST that includes a 50% probabity of HORRBLE CROAKNG NOISE which is the bass equivalent of the ubiquitous clarinet shriek One day, when I was in concert band in high school, we got a new piece handed out for the first time, and there was a strange ittle commotion back in the tuba section- whispering, and pointing at something in the music, and swatting at each other's hands l shhh dont call attention to t And although they did attract the attention of basically everyone else in the band, they managed to avoid being notced by the band drector, who gave us a few minutes to look over our parts and then said, "Al right, let's run through it up to section A And here we are, cheerfully playing along. Sounding reasonably competent-but everyane, when they have the attention to spare, is keeping an eye on the tuba players. They don't come in for the first eight measures or so, and then when they do come in, what we see is Isafed giggingl Ireeeeeealy deep breath [COLOSSAL FOGHORN NOISEJ The entire band stoes dead, in the cacophonous kind of way that a band stops when it hasn't actusly been cued to stop. The band director doesnt even say anything just looks straight back at the tubas and makes a helpless sort of uty gesture h unison, the tuba players delend themselves THERE WERE FOUR FS FFFF is not realy a rational dynamic marking for any instrument, but for me love of al that is holy nhy would you put it in a tuba part This is the best band post Everyone else go home Oh man, so l play trombone, and we got this piece caled Florentiner Marsch by Julus Fuck, and we saw this %24 tePurem HEN OUI... 0000000 which is 8 fortes. We were shocked until, EPERPEEFELABr ERERI EFEL EFELA that is 24 fortes ho the fuck does that Who does that? This guy. Take a good look - that is the moustache of a man with nothing to lose Jukus idontgvafucik More ike Julius Fuckt wWHAT IS THS VE NEVER SEEN THE LAST TWO STORES OH MY GO D 247 WeIT IS THE GOD DAMN PONT I AM SO UPSET DO YOu WANT FUCKNG CHNA LISTENING TO YOUR CONCERT BECAUSE GUESS WHAT THAT ISs WHAT YOURE CONO TO GET FUCKING PEOPLE IN CHINA ARE GONG TO BE LKE WHAT THE ACTUAL FUCK WAS THAT IT WAS THE TROMBONSTS aTHEYE COMNG THERE IS NO ESCAPE Pyrozod's tags for this were too hilarious nat to share 332.274 notes Needs more Tubaomg-humor.tumblr.com
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This is so funny!: HOW ABOUT 3. Pavane Gently 76 soft mallets IJUST DON'T PLAY sushinfood vivelafat prokopetz elsajeni musicalmelody Fun Story: My director kept telling me and my tenor sax buddy to play softer. No matter what we did, it wasn't soft enough for him So getting frustrated, I told my buddy "Dont play this time. Just fake it Our Band Director then informed us we sounded perfect To my readers p means quiet, pp means really quiet Ive never seen pppp before haha On the contrast, f means loud, and fff probably means so loud you go unconscious. I had fff in a piece once and my conductor told me to play as loudly as physically possible without falling off my chair Me and my trombone buddies had fifff and he sat next to me and played so hard that he fell out of his chair The lengths we go for music Okay yeah so I play the bass clarinet and the amount of air you have to move and the stiffness of the reed means it only has two settings and that is loud and louder, with an optional LOUDEST that includes a 50% probability of HORRIBLE CROAKING NOISE which is the bass equivalent of the ubiquitous clarinet shriek One day, when I was in concert band in high school, we got a new piece handed out for the first time, and there was a strange little commotion back in the tuba section whispering, and pointing at something in the music, and swatting at each other's hands all shhh dont call attention to it. And although they did attract the attention of basically everyone else in the band, they managed to avoid being noticed by the band director, who gave us a few minutes to look over our parts and then said, "All right, let's run through t up to section A. And here we are, cheerfully playing along sounding reasonably competent-but everyone, when they have the attention to spare, is keeping an eye on the tuba players They don't come in for the first eight measures or so, and then when they do come in, what we see is [stifled gigglingl [reeeeeeally deep breath] COLOSSAL FOGHORN NOISE] The entire band stops dead, in the cacophonous kind of way that a band stops when it hasn't actually been cued to stop. The band director doesnt even say anything, just looks straight back at the tubas and makes a helpless sort of why gesture In unison, the tuba players defend themselves: "THERE WERE FOUR FS. FFFF is not really a rational dynamic marking for any instrument, but for the love of all that is holy why wouid you put it in a tuba part This is the best band post Everyone else go home This is so funny!

This is so funny!

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