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        rubitrightintomyeyes:

theonion:

Rock Apparently Factors Into Girlfriend’s Shower Routine
SEATTLE—Saying he was confused about the full extent of its purpose as well as its overall benefit, local man Jacob Ferris, 25, nonetheless surmised today that the oblong rock located in girlfriend Sarah Milstein’s shower caddy must somehow factor into her bathing routine, sources confirmed.
“I guess at some point while she’s showering, she rubs a rock on her body,” said Ferris, expressing what he claimed was “the only possible conclusion” about the light-gray rock in his girlfriend’s bathroom. “I mean, it looks sort of nice, so she could just have it there for decoration or something. But it’s usually right near all the other soaps and her loofah, so I think it’s probably something she actually uses while under the water.”
“I really don’t know how it all works,” Ferris added. “All I know is that in between Sarah getting into the shower and getting out, there’s a rock involved.”
Ferris, who said he was unable to determine exactly when in the showering process the rock first comes into play, told reporters he is equally clueless about what part of the body the rock is used on.
In addition, Ferris said he occasionally inspects the roughly 3-ounce object when he’s in Milstein’s shower, and told reporters that the rock is nearly always wet and is occasionally moved to slightly different spots within the bathtub, leading him to believe that his girlfriend uses it fairly regularly. He also noted his girlfriend’s bathing time never seems particularly longer than the average person’s considering she has added a rock into the mix.
Ferris added that all attempts to incorporate the rock into his own shower routine have ultimately been unsuccessful.
“I tried rubbing it on my skin once, and it hurt,” Ferris said, concluding that pouring soap and water directly onto the rock neither made it softer nor easier on his skin. “I could maybe see how it could get some dirt off of your body, but it seems too painful to work. Her skin usually looks nice though, so maybe I’m wrong.”
“There is a chance it could be a hair thing,” Ferris continued. “Maybe she rubs the rock in her hair? I don’t know.”
Ferris confirmed he has considered numerous reasons for why his girlfriend uses the rock in the shower, including that she has some type of skin condition, that the rock is some sort of weird tradition her family has, or that everyone uses rocks in the shower and he has been out of the loop the entire time.
“It could be for cleaning the bathtub,” said Ferris, adding he once suspected the rock was a device for making the bathroom smell nice, but then noticed it had no discernible smell whatsoever. “Like every few weekends she scrubs the tub with this rock? I guess I could see Sarah doing that.”
While Ferris said he is mostly certain that the rock was initially purchased at a home goods store of some kind, he was not able to completely rule out the possibility it was just a rock that his girlfriend found on the ground and decided to put in her shower.
“I wonder if I should put a rock in my shower for when she’s over here,” said Ferris, who said he once tried to locate a rock at a Bed Bath & Beyond, but left after not wanting to walk up to a sales clerk and ask them where they kept their “shower rocks.” “Or I could just tell her to leave a rock at my place if she wants.”
“I’m probably not going to do that,” Ferris added.
At press time, a visibly perplexed Ferris had seen the rock sitting in Milstein’s trashcan and then looked in the shower to see another rock sitting in its place.


: rubitrightintomyeyes:

theonion:

Rock Apparently Factors Into Girlfriend’s Shower Routine
SEATTLE—Saying he was confused about the full extent of its purpose as well as its overall benefit, local man Jacob Ferris, 25, nonetheless surmised today that the oblong rock located in girlfriend Sarah Milstein’s shower caddy must somehow factor into her bathing routine, sources confirmed.
“I guess at some point while she’s showering, she rubs a rock on her body,” said Ferris, expressing what he claimed was “the only possible conclusion” about the light-gray rock in his girlfriend’s bathroom. “I mean, it looks sort of nice, so she could just have it there for decoration or something. But it’s usually right near all the other soaps and her loofah, so I think it’s probably something she actually uses while under the water.”
“I really don’t know how it all works,” Ferris added. “All I know is that in between Sarah getting into the shower and getting out, there’s a rock involved.”
Ferris, who said he was unable to determine exactly when in the showering process the rock first comes into play, told reporters he is equally clueless about what part of the body the rock is used on.
In addition, Ferris said he occasionally inspects the roughly 3-ounce object when he’s in Milstein’s shower, and told reporters that the rock is nearly always wet and is occasionally moved to slightly different spots within the bathtub, leading him to believe that his girlfriend uses it fairly regularly. He also noted his girlfriend’s bathing time never seems particularly longer than the average person’s considering she has added a rock into the mix.
Ferris added that all attempts to incorporate the rock into his own shower routine have ultimately been unsuccessful.
“I tried rubbing it on my skin once, and it hurt,” Ferris said, concluding that pouring soap and water directly onto the rock neither made it softer nor easier on his skin. “I could maybe see how it could get some dirt off of your body, but it seems too painful to work. Her skin usually looks nice though, so maybe I’m wrong.”
“There is a chance it could be a hair thing,” Ferris continued. “Maybe she rubs the rock in her hair? I don’t know.”
Ferris confirmed he has considered numerous reasons for why his girlfriend uses the rock in the shower, including that she has some type of skin condition, that the rock is some sort of weird tradition her family has, or that everyone uses rocks in the shower and he has been out of the loop the entire time.
“It could be for cleaning the bathtub,” said Ferris, adding he once suspected the rock was a device for making the bathroom smell nice, but then noticed it had no discernible smell whatsoever. “Like every few weekends she scrubs the tub with this rock? I guess I could see Sarah doing that.”
While Ferris said he is mostly certain that the rock was initially purchased at a home goods store of some kind, he was not able to completely rule out the possibility it was just a rock that his girlfriend found on the ground and decided to put in her shower.
“I wonder if I should put a rock in my shower for when she’s over here,” said Ferris, who said he once tried to locate a rock at a Bed Bath & Beyond, but left after not wanting to walk up to a sales clerk and ask them where they kept their “shower rocks.” “Or I could just tell her to leave a rock at my place if she wants.”
“I’m probably not going to do that,” Ferris added.
At press time, a visibly perplexed Ferris had seen the rock sitting in Milstein’s trashcan and then looked in the shower to see another rock sitting in its place.



        

            
            

                
                
                    rubitrightintomyeyes:

theonion:

Rock Apparently Factors Into Girlfriend’s Shower Routine
SEATTLE—Saying he was confused about the full extent of its purpose as well as its overall benefit, local man Jacob Ferris, 25, nonetheless surmised today that the oblong rock located in girlfriend Sarah Milstein’s shower caddy must somehow factor into her bathing routine, sources confirmed.
“I guess at some point while she’s showering, she rubs a rock on her body,” said Ferris, expressing what he claimed was “the only possible conclusion” about the light-gray rock in his girlfriend’s bathroom. “I mean, it looks sort of nice, so she could just have it there for decoration or something. But it’s usually right near all the other soaps and her loofah, so I think it’s probably something she actually uses while under the water.”
“I really don’t know how it all works,” Ferris added. “All I know is that in between Sarah getting into the shower and getting out, there’s a rock involved.”
Ferris, who said he was unable to determine exactly when in the showering process the rock first comes into play, told reporters he is equally clueless about what part of the body the rock is used on.
In addition, Ferris said he occasionally inspects the roughly 3-ounce object when he’s in Milstein’s shower, and told reporters that the rock is nearly always wet and is occasionally moved to slightly different spots within the bathtub, leading him to believe that his girlfriend uses it fairly regularly. He also noted his girlfriend’s bathing time never seems particularly longer than the average person’s considering she has added a rock into the mix.
Ferris added that all attempts to incorporate the rock into his own shower routine have ultimately been unsuccessful.
“I tried rubbing it on my skin once, and it hurt,” Ferris said, concluding that pouring soap and water directly onto the rock neither made it softer nor easier on his skin. “I could maybe see how it could get some dirt off of your body, but it seems too painful to work. Her skin usually looks nice though, so maybe I’m wrong.”
“There is a chance it could be a hair thing,” Ferris continued. “Maybe she rubs the rock in her hair? I don’t know.”
Ferris confirmed he has considered numerous reasons for why his girlfriend uses the rock in the shower, including that she has some type of skin condition, that the rock is some sort of weird tradition her family has, or that everyone uses rocks in the shower and he has been out of the loop the entire time.
“It could be for cleaning the bathtub,” said Ferris, adding he once suspected the rock was a device for making the bathroom smell nice, but then noticed it had no discernible smell whatsoever. “Like every few weekends she scrubs the tub with this rock? I guess I could see Sarah doing that.”
While Ferris said he is mostly certain that the rock was initially purchased at a home goods store of some kind, he was not able to completely rule out the possibility it was just a rock that his girlfriend found on the ground and decided to put in her shower.
“I wonder if I should put a rock in my shower for when she’s over here,” said Ferris, who said he once tried to locate a rock at a Bed Bath & Beyond, but left after not wanting to walk up to a sales clerk and ask them where they kept their “shower rocks.” “Or I could just tell her to leave a rock at my place if she wants.”
“I’m probably not going to do that,” Ferris added.
At press time, a visibly perplexed Ferris had seen the rock sitting in Milstein’s trashcan and then looked in the shower to see another rock sitting in its place.


: rubitrightintomyeyes:

theonion:

Rock Apparently Factors Into Girlfriend’s Shower Routine
SEATTLE—Saying he was confused about the full extent of its purpose as well as its overall benefit, local man Jacob Ferris, 25, nonetheless surmised today that the oblong rock located in girlfriend Sarah Milstein’s shower caddy must somehow factor into her bathing routine, sources confirmed.
“I guess at some point while she’s showering, she rubs a rock on her body,” said Ferris, expressing what he claimed was “the only possible conclusion” about the light-gray rock in his girlfriend’s bathroom. “I mean, it looks sort of nice, so she could just have it there for decoration or something. But it’s usually right near all the other soaps and her loofah, so I think it’s probably something she actually uses while under the water.”
“I really don’t know how it all works,” Ferris added. “All I know is that in between Sarah getting into the shower and getting out, there’s a rock involved.”
Ferris, who said he was unable to determine exactly when in the showering process the rock first comes into play, told reporters he is equally clueless about what part of the body the rock is used on.
In addition, Ferris said he occasionally inspects the roughly 3-ounce object when he’s in Milstein’s shower, and told reporters that the rock is nearly always wet and is occasionally moved to slightly different spots within the bathtub, leading him to believe that his girlfriend uses it fairly regularly. He also noted his girlfriend’s bathing time never seems particularly longer than the average person’s considering she has added a rock into the mix.
Ferris added that all attempts to incorporate the rock into his own shower routine have ultimately been unsuccessful.
“I tried rubbing it on my skin once, and it hurt,” Ferris said, concluding that pouring soap and water directly onto the rock neither made it softer nor easier on his skin. “I could maybe see how it could get some dirt off of your body, but it seems too painful to work. Her skin usually looks nice though, so maybe I’m wrong.”
“There is a chance it could be a hair thing,” Ferris continued. “Maybe she rubs the rock in her hair? I don’t know.”
Ferris confirmed he has considered numerous reasons for why his girlfriend uses the rock in the shower, including that she has some type of skin condition, that the rock is some sort of weird tradition her family has, or that everyone uses rocks in the shower and he has been out of the loop the entire time.
“It could be for cleaning the bathtub,” said Ferris, adding he once suspected the rock was a device for making the bathroom smell nice, but then noticed it had no discernible smell whatsoever. “Like every few weekends she scrubs the tub with this rock? I guess I could see Sarah doing that.”
While Ferris said he is mostly certain that the rock was initially purchased at a home goods store of some kind, he was not able to completely rule out the possibility it was just a rock that his girlfriend found on the ground and decided to put in her shower.
“I wonder if I should put a rock in my shower for when she’s over here,” said Ferris, who said he once tried to locate a rock at a Bed Bath & Beyond, but left after not wanting to walk up to a sales clerk and ask them where they kept their “shower rocks.” “Or I could just tell her to leave a rock at my place if she wants.”
“I’m probably not going to do that,” Ferris added.
At press time, a visibly perplexed Ferris had seen the rock sitting in Milstein’s trashcan and then looked in the shower to see another rock sitting in its place.



                    
                
            

            
                
                
rubitrightintomyeyes:

theonion:

Rock Apparently Factors Into Girlfriend’s Shower Routine
SEATTLE—Saying he was confused about the full...

                
            
            
        

    

    

        
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        cereusblue:
unnameablethings:


dragonsateyourtoast:

redporkpadthai:

dragonsateyourtoast:

otherwindow:

otherwindow:
This is how the golden age of piracy ended.
The first mermaid to get tattoos :)


“we didn’t know any better,” the crewman says, and swallows, presenting the chest to the captain. “what do we do now?”
“kill it,” the captain says, but the ice is melting in his eyes.
“we can’t,” the first mate says desperately, praying she won’t have to fight her captain on this. “we can’t. we - i won’t. we won’t.”
“i know.”
x
“daddy,” she says, floating in a tub of seawater in the hold, “daddy, la-la, la-la-la.”
her voice rings like bells. her accent is strange; her mouth isn’t made for human words. it mesmerises even the hardiest amongst them and she wasn’t even trying. the crew has taken to diving for shellfish near the shorelines for her; she loves them, splitting the shells apart with strength seen in no human toddler, slurping down the slimy molluscs inside and laughing, all plump brown cheeks and needle-sharp teeth. she sometimes splashes them for fun with her smooth, rubbery brown tail. even when they get soaked they laugh. they love her.
“daddy,” she calls again, and he can hear the worry in her voice. the storm rocking the ship is harsh and uncaring, and if they go down, she would be the only survivor.
“don’t worry,” he says, and goes over, sitting next to the tub. the first mate, leaning against the wall, pretends not to notice as he quietly begins to sing.
x
“father,” she says, one day, as she leans on the edge of the dock and the captain sits next to her, “why am I here?”
“your mother abandoned you,” he says, as he always has. “we found you adrift, and couldn’t bear to leave you there.”
she picks at the salt-soaked boards, uncertain. her hair is pulled back in a fluffy black puff, the white linen holding it slipping almost over one of her dark eyes. one of her first tattoos, a many-limbed kraken, curls over her right shoulder and down her arm, delicate tendrils wrapped around her calloused fingertips. “alright,” she says.
x
“why am I really here?” she asks the first mate, watching the sun set over the water in streaks of liquid metal that pooled in the troughs of the waves and glittered on the seafoam.
“we didn’t know any better,” the first mate says, staring into the water. “we didn’t know- we didn’t know anything. we didn’t understand why she fought so viciously to guard her treasure. we could not know she protected something a thousand times more precious than the purest gold.”
she wants to be furious, but she can’t. she already knew the answer, from reading the guilt in her father’s eyes and the empty space in her own history. and she can’t hate her family.
“it’s alright,” she says. “i do have a family, anyways. i don’t think i would have liked my other life near as much.”
x
her kraken grows, spreading its tendrils over her torso and arms. she grows too, too large to come on board the ship without being hauled up in a boat from the water. she sings when the storms come and swims before the ship to guide it to safety. she fights off more than one beast of the seas, and gathers a set of scars across her back that she bears with pride. “i don’t mind,” she says, when the captain fusses over her, “now i match all of you.”
the first time their ship is threatened, really threatened, is by another fleet. a friend turned enemy of the first mate. “we shouldn’t fight him,” she says, peering through the spyglass.
“why not?” the mermaid asks.
“he’ll win,” the first mate says.
the mermaid tips her head sideways. Her eyes, dark as the deep waters, gleam in the noon light. “are you sure?” she asks.
x
the enemy fleet surrenders after the flagship is sunk in the night, the anchor ripped off the ship and the planks torn off the hull. the surviving crew, wild-eyed and delirious, whimper and say a sea serpent came from the water and attacked them, say it was longer than the boat and crushed it in its coils. the first mate hears this and has to hide her laughter. the captain apologizes to his daughter for doubting her.
“don’t worry,” she says, with a bright laugh, “it was fun.”
x
the second time, they are pushed by a storm into a royal fleet. they can’t possibly fight them, and they don’t have the time to escape.
“let me up,” the mermaid urges, surfacing starboard and shouting to the crew. “bring me up, quickly, quickly.”
they lower the boat and she piles her sinous form into it, and uses her claws to help the crew pull her up. once on the deck she flops out of the boat and makes her way over to the bow. the crew tries to help but she’s so heavy they can barely lift parts of her.
she crawls up out in front of the rail and wraps her long webbed tail around the prow. the figurehead has served them well so far but they need more right now. she wraps herself around the figurehead and raises her body up into the wind takes a breath of the stinging salt air and sings.
the storm carries her voice on its front to the royal navy. they are enchanted, so stunned by her song that they drop the rigging ropes and let the tillers drift. the pirates sail through the center of the fleet, trailing the storm behind them, and by the time the fleet has managed to regain its senses they are buried in wind and rain and the pirates are gone.
x
she declines guns. instead she carries a harpoon and its launcher, and uses them to board enemy ships, hauling her massive form out of the water to coil on the deck and dispatch enemies with ruthless efficiency. her family is feared across all the sea.
x
“you know we are dying,” the captain says, looking down at her.
she floats next to the ship, so massive she could hold it in her arms. her eyes are wise.
“i know,” she says, “i can feel it coming.”
the first mate stands next to the captain. she never had a lover or a child, and neither did he, but to the mermaid they are her parents. she will always love her daughter. the tattoos are graven in dark swirls across the mermaid’s deep brown skin and the flesh of her tail, even spiraling onto the spiked webbing on her spine and face. her hair is still tied back, this time with a sail that could not be patched one last time. 
“we love you,” the first mate says simply, looking down. her own tightly coiled black hair falls in to her face; she shakes the locs out of the way and smiles through her tears. the captain pretends he isnt crying either.
“i love you too,” the mermaid says, and reached up to pull the ship down just a bit, just to hold them one last time.
“guard the ship,” the captain says. “you always have but you know they’re lost without you.”
“without you,” the mermaid corrects, with a shrug that makes waves. “what will we do?”
“i don’t know,” the captain says. “but you’ll help them, won’t you?”
“of course i will,” she scoffs, rolling her eyes. “i will always protect my family.”
x
the captain and the first mate are gone. the ship has a new captain, young and fearless - of the things she can afford to disregard. she fears and loves the ocean, as all captains do. she does not fear the royal fleet. and she does not fear the mermaid.
“you know, i heard stories about you when i was a little girl,” she says, trailing her fingers in the water next to the dock.
the mermaid stares at her with one eye the size of a dinner table. “is that so?” she hums, smirking with teeth sharper than the swords of the entire navy.
“they said you could sink an entire fleet and that you had skin tougher than dragon scales,” the new captain says, grinning right back at the monster who could eat her without a moment’s hesitation. “i always thought they were telling tall tales.”
“and now?”
“they were right,” the new captain says. “how did they ever befriend you?”
the mermaid smiles, fully this time, her dark eyes gleaming under the white linen sail. “they didn’t know any better.”

She protects her family.

Hi everybody! Guess what’s being posted on AO3 now at the following link!
https://archiveofourown.org/works/22498384/chapters/53760817
That’s right! Here you go. I’ll be uploading it in some chunks, because I want to make sure I have everything I wanted edited cleanly finished, but follow the story there!




HEY GUYS GUESS WHATS BACK ON THE DASHBOARD AND BETTER THAN EVER
: cereusblue:
unnameablethings:


dragonsateyourtoast:

redporkpadthai:

dragonsateyourtoast:

otherwindow:

otherwindow:
This is how the golden age of piracy ended.
The first mermaid to get tattoos :)


“we didn’t know any better,” the crewman says, and swallows, presenting the chest to the captain. “what do we do now?”
“kill it,” the captain says, but the ice is melting in his eyes.
“we can’t,” the first mate says desperately, praying she won’t have to fight her captain on this. “we can’t. we - i won’t. we won’t.”
“i know.”
x
“daddy,” she says, floating in a tub of seawater in the hold, “daddy, la-la, la-la-la.”
her voice rings like bells. her accent is strange; her mouth isn’t made for human words. it mesmerises even the hardiest amongst them and she wasn’t even trying. the crew has taken to diving for shellfish near the shorelines for her; she loves them, splitting the shells apart with strength seen in no human toddler, slurping down the slimy molluscs inside and laughing, all plump brown cheeks and needle-sharp teeth. she sometimes splashes them for fun with her smooth, rubbery brown tail. even when they get soaked they laugh. they love her.
“daddy,” she calls again, and he can hear the worry in her voice. the storm rocking the ship is harsh and uncaring, and if they go down, she would be the only survivor.
“don’t worry,” he says, and goes over, sitting next to the tub. the first mate, leaning against the wall, pretends not to notice as he quietly begins to sing.
x
“father,” she says, one day, as she leans on the edge of the dock and the captain sits next to her, “why am I here?”
“your mother abandoned you,” he says, as he always has. “we found you adrift, and couldn’t bear to leave you there.”
she picks at the salt-soaked boards, uncertain. her hair is pulled back in a fluffy black puff, the white linen holding it slipping almost over one of her dark eyes. one of her first tattoos, a many-limbed kraken, curls over her right shoulder and down her arm, delicate tendrils wrapped around her calloused fingertips. “alright,” she says.
x
“why am I really here?” she asks the first mate, watching the sun set over the water in streaks of liquid metal that pooled in the troughs of the waves and glittered on the seafoam.
“we didn’t know any better,” the first mate says, staring into the water. “we didn’t know- we didn’t know anything. we didn’t understand why she fought so viciously to guard her treasure. we could not know she protected something a thousand times more precious than the purest gold.”
she wants to be furious, but she can’t. she already knew the answer, from reading the guilt in her father’s eyes and the empty space in her own history. and she can’t hate her family.
“it’s alright,” she says. “i do have a family, anyways. i don’t think i would have liked my other life near as much.”
x
her kraken grows, spreading its tendrils over her torso and arms. she grows too, too large to come on board the ship without being hauled up in a boat from the water. she sings when the storms come and swims before the ship to guide it to safety. she fights off more than one beast of the seas, and gathers a set of scars across her back that she bears with pride. “i don’t mind,” she says, when the captain fusses over her, “now i match all of you.”
the first time their ship is threatened, really threatened, is by another fleet. a friend turned enemy of the first mate. “we shouldn’t fight him,” she says, peering through the spyglass.
“why not?” the mermaid asks.
“he’ll win,” the first mate says.
the mermaid tips her head sideways. Her eyes, dark as the deep waters, gleam in the noon light. “are you sure?” she asks.
x
the enemy fleet surrenders after the flagship is sunk in the night, the anchor ripped off the ship and the planks torn off the hull. the surviving crew, wild-eyed and delirious, whimper and say a sea serpent came from the water and attacked them, say it was longer than the boat and crushed it in its coils. the first mate hears this and has to hide her laughter. the captain apologizes to his daughter for doubting her.
“don’t worry,” she says, with a bright laugh, “it was fun.”
x
the second time, they are pushed by a storm into a royal fleet. they can’t possibly fight them, and they don’t have the time to escape.
“let me up,” the mermaid urges, surfacing starboard and shouting to the crew. “bring me up, quickly, quickly.”
they lower the boat and she piles her sinous form into it, and uses her claws to help the crew pull her up. once on the deck she flops out of the boat and makes her way over to the bow. the crew tries to help but she’s so heavy they can barely lift parts of her.
she crawls up out in front of the rail and wraps her long webbed tail around the prow. the figurehead has served them well so far but they need more right now. she wraps herself around the figurehead and raises her body up into the wind takes a breath of the stinging salt air and sings.
the storm carries her voice on its front to the royal navy. they are enchanted, so stunned by her song that they drop the rigging ropes and let the tillers drift. the pirates sail through the center of the fleet, trailing the storm behind them, and by the time the fleet has managed to regain its senses they are buried in wind and rain and the pirates are gone.
x
she declines guns. instead she carries a harpoon and its launcher, and uses them to board enemy ships, hauling her massive form out of the water to coil on the deck and dispatch enemies with ruthless efficiency. her family is feared across all the sea.
x
“you know we are dying,” the captain says, looking down at her.
she floats next to the ship, so massive she could hold it in her arms. her eyes are wise.
“i know,” she says, “i can feel it coming.”
the first mate stands next to the captain. she never had a lover or a child, and neither did he, but to the mermaid they are her parents. she will always love her daughter. the tattoos are graven in dark swirls across the mermaid’s deep brown skin and the flesh of her tail, even spiraling onto the spiked webbing on her spine and face. her hair is still tied back, this time with a sail that could not be patched one last time. 
“we love you,” the first mate says simply, looking down. her own tightly coiled black hair falls in to her face; she shakes the locs out of the way and smiles through her tears. the captain pretends he isnt crying either.
“i love you too,” the mermaid says, and reached up to pull the ship down just a bit, just to hold them one last time.
“guard the ship,” the captain says. “you always have but you know they’re lost without you.”
“without you,” the mermaid corrects, with a shrug that makes waves. “what will we do?”
“i don’t know,” the captain says. “but you’ll help them, won’t you?”
“of course i will,” she scoffs, rolling her eyes. “i will always protect my family.”
x
the captain and the first mate are gone. the ship has a new captain, young and fearless - of the things she can afford to disregard. she fears and loves the ocean, as all captains do. she does not fear the royal fleet. and she does not fear the mermaid.
“you know, i heard stories about you when i was a little girl,” she says, trailing her fingers in the water next to the dock.
the mermaid stares at her with one eye the size of a dinner table. “is that so?” she hums, smirking with teeth sharper than the swords of the entire navy.
“they said you could sink an entire fleet and that you had skin tougher than dragon scales,” the new captain says, grinning right back at the monster who could eat her without a moment’s hesitation. “i always thought they were telling tall tales.”
“and now?”
“they were right,” the new captain says. “how did they ever befriend you?”
the mermaid smiles, fully this time, her dark eyes gleaming under the white linen sail. “they didn’t know any better.”

She protects her family.

Hi everybody! Guess what’s being posted on AO3 now at the following link!
https://archiveofourown.org/works/22498384/chapters/53760817
That’s right! Here you go. I’ll be uploading it in some chunks, because I want to make sure I have everything I wanted edited cleanly finished, but follow the story there!




HEY GUYS GUESS WHATS BACK ON THE DASHBOARD AND BETTER THAN EVER

        

            
            

                
                
                    cereusblue:
unnameablethings:


dragonsateyourtoast:

redporkpadthai:

dragonsateyourtoast:

otherwindow:

otherwindow:
This is how the golden age of piracy ended.
The first mermaid to get tattoos :)


“we didn’t know any better,” the crewman says, and swallows, presenting the chest to the captain. “what do we do now?”
“kill it,” the captain says, but the ice is melting in his eyes.
“we can’t,” the first mate says desperately, praying she won’t have to fight her captain on this. “we can’t. we - i won’t. we won’t.”
“i know.”
x
“daddy,” she says, floating in a tub of seawater in the hold, “daddy, la-la, la-la-la.”
her voice rings like bells. her accent is strange; her mouth isn’t made for human words. it mesmerises even the hardiest amongst them and she wasn’t even trying. the crew has taken to diving for shellfish near the shorelines for her; she loves them, splitting the shells apart with strength seen in no human toddler, slurping down the slimy molluscs inside and laughing, all plump brown cheeks and needle-sharp teeth. she sometimes splashes them for fun with her smooth, rubbery brown tail. even when they get soaked they laugh. they love her.
“daddy,” she calls again, and he can hear the worry in her voice. the storm rocking the ship is harsh and uncaring, and if they go down, she would be the only survivor.
“don’t worry,” he says, and goes over, sitting next to the tub. the first mate, leaning against the wall, pretends not to notice as he quietly begins to sing.
x
“father,” she says, one day, as she leans on the edge of the dock and the captain sits next to her, “why am I here?”
“your mother abandoned you,” he says, as he always has. “we found you adrift, and couldn’t bear to leave you there.”
she picks at the salt-soaked boards, uncertain. her hair is pulled back in a fluffy black puff, the white linen holding it slipping almost over one of her dark eyes. one of her first tattoos, a many-limbed kraken, curls over her right shoulder and down her arm, delicate tendrils wrapped around her calloused fingertips. “alright,” she says.
x
“why am I really here?” she asks the first mate, watching the sun set over the water in streaks of liquid metal that pooled in the troughs of the waves and glittered on the seafoam.
“we didn’t know any better,” the first mate says, staring into the water. “we didn’t know- we didn’t know anything. we didn’t understand why she fought so viciously to guard her treasure. we could not know she protected something a thousand times more precious than the purest gold.”
she wants to be furious, but she can’t. she already knew the answer, from reading the guilt in her father’s eyes and the empty space in her own history. and she can’t hate her family.
“it’s alright,” she says. “i do have a family, anyways. i don’t think i would have liked my other life near as much.”
x
her kraken grows, spreading its tendrils over her torso and arms. she grows too, too large to come on board the ship without being hauled up in a boat from the water. she sings when the storms come and swims before the ship to guide it to safety. she fights off more than one beast of the seas, and gathers a set of scars across her back that she bears with pride. “i don’t mind,” she says, when the captain fusses over her, “now i match all of you.”
the first time their ship is threatened, really threatened, is by another fleet. a friend turned enemy of the first mate. “we shouldn’t fight him,” she says, peering through the spyglass.
“why not?” the mermaid asks.
“he’ll win,” the first mate says.
the mermaid tips her head sideways. Her eyes, dark as the deep waters, gleam in the noon light. “are you sure?” she asks.
x
the enemy fleet surrenders after the flagship is sunk in the night, the anchor ripped off the ship and the planks torn off the hull. the surviving crew, wild-eyed and delirious, whimper and say a sea serpent came from the water and attacked them, say it was longer than the boat and crushed it in its coils. the first mate hears this and has to hide her laughter. the captain apologizes to his daughter for doubting her.
“don’t worry,” she says, with a bright laugh, “it was fun.”
x
the second time, they are pushed by a storm into a royal fleet. they can’t possibly fight them, and they don’t have the time to escape.
“let me up,” the mermaid urges, surfacing starboard and shouting to the crew. “bring me up, quickly, quickly.”
they lower the boat and she piles her sinous form into it, and uses her claws to help the crew pull her up. once on the deck she flops out of the boat and makes her way over to the bow. the crew tries to help but she’s so heavy they can barely lift parts of her.
she crawls up out in front of the rail and wraps her long webbed tail around the prow. the figurehead has served them well so far but they need more right now. she wraps herself around the figurehead and raises her body up into the wind takes a breath of the stinging salt air and sings.
the storm carries her voice on its front to the royal navy. they are enchanted, so stunned by her song that they drop the rigging ropes and let the tillers drift. the pirates sail through the center of the fleet, trailing the storm behind them, and by the time the fleet has managed to regain its senses they are buried in wind and rain and the pirates are gone.
x
she declines guns. instead she carries a harpoon and its launcher, and uses them to board enemy ships, hauling her massive form out of the water to coil on the deck and dispatch enemies with ruthless efficiency. her family is feared across all the sea.
x
“you know we are dying,” the captain says, looking down at her.
she floats next to the ship, so massive she could hold it in her arms. her eyes are wise.
“i know,” she says, “i can feel it coming.”
the first mate stands next to the captain. she never had a lover or a child, and neither did he, but to the mermaid they are her parents. she will always love her daughter. the tattoos are graven in dark swirls across the mermaid’s deep brown skin and the flesh of her tail, even spiraling onto the spiked webbing on her spine and face. her hair is still tied back, this time with a sail that could not be patched one last time. 
“we love you,” the first mate says simply, looking down. her own tightly coiled black hair falls in to her face; she shakes the locs out of the way and smiles through her tears. the captain pretends he isnt crying either.
“i love you too,” the mermaid says, and reached up to pull the ship down just a bit, just to hold them one last time.
“guard the ship,” the captain says. “you always have but you know they’re lost without you.”
“without you,” the mermaid corrects, with a shrug that makes waves. “what will we do?”
“i don’t know,” the captain says. “but you’ll help them, won’t you?”
“of course i will,” she scoffs, rolling her eyes. “i will always protect my family.”
x
the captain and the first mate are gone. the ship has a new captain, young and fearless - of the things she can afford to disregard. she fears and loves the ocean, as all captains do. she does not fear the royal fleet. and she does not fear the mermaid.
“you know, i heard stories about you when i was a little girl,” she says, trailing her fingers in the water next to the dock.
the mermaid stares at her with one eye the size of a dinner table. “is that so?” she hums, smirking with teeth sharper than the swords of the entire navy.
“they said you could sink an entire fleet and that you had skin tougher than dragon scales,” the new captain says, grinning right back at the monster who could eat her without a moment’s hesitation. “i always thought they were telling tall tales.”
“and now?”
“they were right,” the new captain says. “how did they ever befriend you?”
the mermaid smiles, fully this time, her dark eyes gleaming under the white linen sail. “they didn’t know any better.”

She protects her family.

Hi everybody! Guess what’s being posted on AO3 now at the following link!
https://archiveofourown.org/works/22498384/chapters/53760817
That’s right! Here you go. I’ll be uploading it in some chunks, because I want to make sure I have everything I wanted edited cleanly finished, but follow the story there!




HEY GUYS GUESS WHATS BACK ON THE DASHBOARD AND BETTER THAN EVER
: cereusblue:
unnameablethings:


dragonsateyourtoast:

redporkpadthai:

dragonsateyourtoast:

otherwindow:

otherwindow:
This is how the golden age of piracy ended.
The first mermaid to get tattoos :)


“we didn’t know any better,” the crewman says, and swallows, presenting the chest to the captain. “what do we do now?”
“kill it,” the captain says, but the ice is melting in his eyes.
“we can’t,” the first mate says desperately, praying she won’t have to fight her captain on this. “we can’t. we - i won’t. we won’t.”
“i know.”
x
“daddy,” she says, floating in a tub of seawater in the hold, “daddy, la-la, la-la-la.”
her voice rings like bells. her accent is strange; her mouth isn’t made for human words. it mesmerises even the hardiest amongst them and she wasn’t even trying. the crew has taken to diving for shellfish near the shorelines for her; she loves them, splitting the shells apart with strength seen in no human toddler, slurping down the slimy molluscs inside and laughing, all plump brown cheeks and needle-sharp teeth. she sometimes splashes them for fun with her smooth, rubbery brown tail. even when they get soaked they laugh. they love her.
“daddy,” she calls again, and he can hear the worry in her voice. the storm rocking the ship is harsh and uncaring, and if they go down, she would be the only survivor.
“don’t worry,” he says, and goes over, sitting next to the tub. the first mate, leaning against the wall, pretends not to notice as he quietly begins to sing.
x
“father,” she says, one day, as she leans on the edge of the dock and the captain sits next to her, “why am I here?”
“your mother abandoned you,” he says, as he always has. “we found you adrift, and couldn’t bear to leave you there.”
she picks at the salt-soaked boards, uncertain. her hair is pulled back in a fluffy black puff, the white linen holding it slipping almost over one of her dark eyes. one of her first tattoos, a many-limbed kraken, curls over her right shoulder and down her arm, delicate tendrils wrapped around her calloused fingertips. “alright,” she says.
x
“why am I really here?” she asks the first mate, watching the sun set over the water in streaks of liquid metal that pooled in the troughs of the waves and glittered on the seafoam.
“we didn’t know any better,” the first mate says, staring into the water. “we didn’t know- we didn’t know anything. we didn’t understand why she fought so viciously to guard her treasure. we could not know she protected something a thousand times more precious than the purest gold.”
she wants to be furious, but she can’t. she already knew the answer, from reading the guilt in her father’s eyes and the empty space in her own history. and she can’t hate her family.
“it’s alright,” she says. “i do have a family, anyways. i don’t think i would have liked my other life near as much.”
x
her kraken grows, spreading its tendrils over her torso and arms. she grows too, too large to come on board the ship without being hauled up in a boat from the water. she sings when the storms come and swims before the ship to guide it to safety. she fights off more than one beast of the seas, and gathers a set of scars across her back that she bears with pride. “i don’t mind,” she says, when the captain fusses over her, “now i match all of you.”
the first time their ship is threatened, really threatened, is by another fleet. a friend turned enemy of the first mate. “we shouldn’t fight him,” she says, peering through the spyglass.
“why not?” the mermaid asks.
“he’ll win,” the first mate says.
the mermaid tips her head sideways. Her eyes, dark as the deep waters, gleam in the noon light. “are you sure?” she asks.
x
the enemy fleet surrenders after the flagship is sunk in the night, the anchor ripped off the ship and the planks torn off the hull. the surviving crew, wild-eyed and delirious, whimper and say a sea serpent came from the water and attacked them, say it was longer than the boat and crushed it in its coils. the first mate hears this and has to hide her laughter. the captain apologizes to his daughter for doubting her.
“don’t worry,” she says, with a bright laugh, “it was fun.”
x
the second time, they are pushed by a storm into a royal fleet. they can’t possibly fight them, and they don’t have the time to escape.
“let me up,” the mermaid urges, surfacing starboard and shouting to the crew. “bring me up, quickly, quickly.”
they lower the boat and she piles her sinous form into it, and uses her claws to help the crew pull her up. once on the deck she flops out of the boat and makes her way over to the bow. the crew tries to help but she’s so heavy they can barely lift parts of her.
she crawls up out in front of the rail and wraps her long webbed tail around the prow. the figurehead has served them well so far but they need more right now. she wraps herself around the figurehead and raises her body up into the wind takes a breath of the stinging salt air and sings.
the storm carries her voice on its front to the royal navy. they are enchanted, so stunned by her song that they drop the rigging ropes and let the tillers drift. the pirates sail through the center of the fleet, trailing the storm behind them, and by the time the fleet has managed to regain its senses they are buried in wind and rain and the pirates are gone.
x
she declines guns. instead she carries a harpoon and its launcher, and uses them to board enemy ships, hauling her massive form out of the water to coil on the deck and dispatch enemies with ruthless efficiency. her family is feared across all the sea.
x
“you know we are dying,” the captain says, looking down at her.
she floats next to the ship, so massive she could hold it in her arms. her eyes are wise.
“i know,” she says, “i can feel it coming.”
the first mate stands next to the captain. she never had a lover or a child, and neither did he, but to the mermaid they are her parents. she will always love her daughter. the tattoos are graven in dark swirls across the mermaid’s deep brown skin and the flesh of her tail, even spiraling onto the spiked webbing on her spine and face. her hair is still tied back, this time with a sail that could not be patched one last time. 
“we love you,” the first mate says simply, looking down. her own tightly coiled black hair falls in to her face; she shakes the locs out of the way and smiles through her tears. the captain pretends he isnt crying either.
“i love you too,” the mermaid says, and reached up to pull the ship down just a bit, just to hold them one last time.
“guard the ship,” the captain says. “you always have but you know they’re lost without you.”
“without you,” the mermaid corrects, with a shrug that makes waves. “what will we do?”
“i don’t know,” the captain says. “but you’ll help them, won’t you?”
“of course i will,” she scoffs, rolling her eyes. “i will always protect my family.”
x
the captain and the first mate are gone. the ship has a new captain, young and fearless - of the things she can afford to disregard. she fears and loves the ocean, as all captains do. she does not fear the royal fleet. and she does not fear the mermaid.
“you know, i heard stories about you when i was a little girl,” she says, trailing her fingers in the water next to the dock.
the mermaid stares at her with one eye the size of a dinner table. “is that so?” she hums, smirking with teeth sharper than the swords of the entire navy.
“they said you could sink an entire fleet and that you had skin tougher than dragon scales,” the new captain says, grinning right back at the monster who could eat her without a moment’s hesitation. “i always thought they were telling tall tales.”
“and now?”
“they were right,” the new captain says. “how did they ever befriend you?”
the mermaid smiles, fully this time, her dark eyes gleaming under the white linen sail. “they didn’t know any better.”

She protects her family.

Hi everybody! Guess what’s being posted on AO3 now at the following link!
https://archiveofourown.org/works/22498384/chapters/53760817
That’s right! Here you go. I’ll be uploading it in some chunks, because I want to make sure I have everything I wanted edited cleanly finished, but follow the story there!




HEY GUYS GUESS WHATS BACK ON THE DASHBOARD AND BETTER THAN EVER

                    
                
            

            
                
                
cereusblue:
unnameablethings:


dragonsateyourtoast:

redporkpadthai:

dragonsateyourtoast:

otherwindow:

otherwindow:
This is how the g...

                
            
            
        

    

    

        
Save

    



        

    

    
    

        

            









    

        
        
        
        
        
        
        
    

    

        normal-horoscopes:

normal-horoscopes:

occultbreakfast:

normal-horoscopes:

viral-witchcraft:


normal-horoscopes:


pieandhotdogs:


normal-horoscopes:


trashcollectshere:

normal-horoscopes:


alchemicwizard:

normal-horoscopes:

normal-horoscopes:
NOT TO DUNK ON THE ROSICRUCIANS BUT THE ROSY CROSS IS THE UGLIEST THING EVER
 - HEBREW CHARACTERS FOR A CHRISTIAN ESOTERIC SYMBOL - FOUR USES OF THE ALKALAI SYMBOL BUT NO USES OF NITRE - NICE HEXAGRAM STAR TRUST US WE ARENT ANTISEMITIC - “WHAT IF WE INCORPORATED COLOR INTO THE WORKING?“ - INRI - “IS THERE A SYMBOL FOR AIR?“ “IDK DUDE JUST DRAW A BIRD“ - “WHAT ABOUT WATER?“ “DUDE JUST PICK A WATER ZODIAC“ - “WHICH WATER ZODIAC?“ “IT DOESN’T MATTER“ - “PUT GOLD OVER THE R IN REX SO PEOPLE KNOW ITS IMPORTANT“ - OCCULT GRAPHIC DESIGN IS MY PASSION

Literally every aspect of it is just awful. My Hebrew isnt as good as it should be but I’m 99% certain that Hebrew is complete gibberish. 
ALSO the water symbol looks like aquarius which I’m sure pretty much everyone is aware is an air sign. What a fucking mess. 
I remember when we studied these losers in my art and occulture class I had to leave the room because I was laughing too hard at how much they suck. 

IT IS GIBBERISH BC ITS JUST THE ENTIRE ALPHABETWHICH IS LIKE AN INSECURE CHEF GETTING NERVOUS AND JUST PUTTING EVERY SEASONING THEY HAVE INTO THE POT 



I dont do occult stuff but i assume this is a mess to look at knowing the meaning but. Not knowing? The colors are awful, the symbols are placed carefully but look hard to decipher. The letters are hard to read and all around this could probably be replaced with something much easier to comphrehend and use.

EXACTLY
THIS IS THE DIFFERENCE BETWEEN “GOOD” AND “BAD” SIGILWORK
TO SOMEONE WITH NO KNOWLEDGE OF THE OCCULT THE ROSY CROSS /FEELS/ LIKE IT HAS POWER BUT IT ALSO FEELS JUMBLED MESSY OVERLY COMPLICATED AND JUST PLAIN UGLY 
WHEN IT COMES TO SIGILWORK INTRICACY = POWER BUT CLARITY = ACCURACY AND THE ROSY CROSS FAILS ON BOTH FRONTS 



You wanna know what the kicker is. Aquarius *is* the symbol for air here. The upper left point of a pentagram is attributed to air. The elemental points are assigned to the fixed signs of the zodiac. That’s why we see Taurus, Leo, and Aquarius. The water point is attributed to Scorpio, but they drew an EAGLE INSTEAD OF THE SYMBOL FOR SCORPIO BECAUSE FUCK IT NOTHING MATTERS



SEE THEY ALREADY USED SCORPIO ON BEING ANTISEMITIC ON THE INRI DIAGRAM 



This looks like a fucking board game.



OH MY GOD YOURE RIGHT
IT LOOKS LIKE A PART TO SOME REDICULOUSLY COMPLEX BOARD GAME YOUR FRIEND SWORE IS THE FUNNEST THING EVER 
THE ROSY CROSS TAKES 90 MINUTES TO SET UP AND HAS FOUR DIFFERENT DECKS OF CARDS SPECIAL DICE AND TWO DIFFERENT PLASTIC HOURGLASSES 

@normal-horoscopes This reminds me of the Hermetic Chess invented by the Hermetic Order of the Golden Dawn. Right down to being too colorful and overly complicated


HANG ON I NEED TO GOOGLE SOME THINGS 


MERCIFUL NIGHT : normal-horoscopes:

normal-horoscopes:

occultbreakfast:

normal-horoscopes:

viral-witchcraft:


normal-horoscopes:


pieandhotdogs:


normal-horoscopes:


trashcollectshere:

normal-horoscopes:


alchemicwizard:

normal-horoscopes:

normal-horoscopes:
NOT TO DUNK ON THE ROSICRUCIANS BUT THE ROSY CROSS IS THE UGLIEST THING EVER
 - HEBREW CHARACTERS FOR A CHRISTIAN ESOTERIC SYMBOL - FOUR USES OF THE ALKALAI SYMBOL BUT NO USES OF NITRE - NICE HEXAGRAM STAR TRUST US WE ARENT ANTISEMITIC - “WHAT IF WE INCORPORATED COLOR INTO THE WORKING?“ - INRI - “IS THERE A SYMBOL FOR AIR?“ “IDK DUDE JUST DRAW A BIRD“ - “WHAT ABOUT WATER?“ “DUDE JUST PICK A WATER ZODIAC“ - “WHICH WATER ZODIAC?“ “IT DOESN’T MATTER“ - “PUT GOLD OVER THE R IN REX SO PEOPLE KNOW ITS IMPORTANT“ - OCCULT GRAPHIC DESIGN IS MY PASSION

Literally every aspect of it is just awful. My Hebrew isnt as good as it should be but I’m 99% certain that Hebrew is complete gibberish. 
ALSO the water symbol looks like aquarius which I’m sure pretty much everyone is aware is an air sign. What a fucking mess. 
I remember when we studied these losers in my art and occulture class I had to leave the room because I was laughing too hard at how much they suck. 

IT IS GIBBERISH BC ITS JUST THE ENTIRE ALPHABETWHICH IS LIKE AN INSECURE CHEF GETTING NERVOUS AND JUST PUTTING EVERY SEASONING THEY HAVE INTO THE POT 



I dont do occult stuff but i assume this is a mess to look at knowing the meaning but. Not knowing? The colors are awful, the symbols are placed carefully but look hard to decipher. The letters are hard to read and all around this could probably be replaced with something much easier to comphrehend and use.

EXACTLY
THIS IS THE DIFFERENCE BETWEEN “GOOD” AND “BAD” SIGILWORK
TO SOMEONE WITH NO KNOWLEDGE OF THE OCCULT THE ROSY CROSS /FEELS/ LIKE IT HAS POWER BUT IT ALSO FEELS JUMBLED MESSY OVERLY COMPLICATED AND JUST PLAIN UGLY 
WHEN IT COMES TO SIGILWORK INTRICACY = POWER BUT CLARITY = ACCURACY AND THE ROSY CROSS FAILS ON BOTH FRONTS 



You wanna know what the kicker is. Aquarius *is* the symbol for air here. The upper left point of a pentagram is attributed to air. The elemental points are assigned to the fixed signs of the zodiac. That’s why we see Taurus, Leo, and Aquarius. The water point is attributed to Scorpio, but they drew an EAGLE INSTEAD OF THE SYMBOL FOR SCORPIO BECAUSE FUCK IT NOTHING MATTERS



SEE THEY ALREADY USED SCORPIO ON BEING ANTISEMITIC ON THE INRI DIAGRAM 



This looks like a fucking board game.



OH MY GOD YOURE RIGHT
IT LOOKS LIKE A PART TO SOME REDICULOUSLY COMPLEX BOARD GAME YOUR FRIEND SWORE IS THE FUNNEST THING EVER 
THE ROSY CROSS TAKES 90 MINUTES TO SET UP AND HAS FOUR DIFFERENT DECKS OF CARDS SPECIAL DICE AND TWO DIFFERENT PLASTIC HOURGLASSES 

@normal-horoscopes This reminds me of the Hermetic Chess invented by the Hermetic Order of the Golden Dawn. Right down to being too colorful and overly complicated


HANG ON I NEED TO GOOGLE SOME THINGS 


MERCIFUL NIGHT 
        

            
            

                
                
                    normal-horoscopes:

normal-horoscopes:

occultbreakfast:

normal-horoscopes:

viral-witchcraft:


normal-horoscopes:


pieandhotdogs:


normal-horoscopes:


trashcollectshere:

normal-horoscopes:


alchemicwizard:

normal-horoscopes:

normal-horoscopes:
NOT TO DUNK ON THE ROSICRUCIANS BUT THE ROSY CROSS IS THE UGLIEST THING EVER
 - HEBREW CHARACTERS FOR A CHRISTIAN ESOTERIC SYMBOL - FOUR USES OF THE ALKALAI SYMBOL BUT NO USES OF NITRE - NICE HEXAGRAM STAR TRUST US WE ARENT ANTISEMITIC - “WHAT IF WE INCORPORATED COLOR INTO THE WORKING?“ - INRI - “IS THERE A SYMBOL FOR AIR?“ “IDK DUDE JUST DRAW A BIRD“ - “WHAT ABOUT WATER?“ “DUDE JUST PICK A WATER ZODIAC“ - “WHICH WATER ZODIAC?“ “IT DOESN’T MATTER“ - “PUT GOLD OVER THE R IN REX SO PEOPLE KNOW ITS IMPORTANT“ - OCCULT GRAPHIC DESIGN IS MY PASSION

Literally every aspect of it is just awful. My Hebrew isnt as good as it should be but I’m 99% certain that Hebrew is complete gibberish. 
ALSO the water symbol looks like aquarius which I’m sure pretty much everyone is aware is an air sign. What a fucking mess. 
I remember when we studied these losers in my art and occulture class I had to leave the room because I was laughing too hard at how much they suck. 

IT IS GIBBERISH BC ITS JUST THE ENTIRE ALPHABETWHICH IS LIKE AN INSECURE CHEF GETTING NERVOUS AND JUST PUTTING EVERY SEASONING THEY HAVE INTO THE POT 



I dont do occult stuff but i assume this is a mess to look at knowing the meaning but. Not knowing? The colors are awful, the symbols are placed carefully but look hard to decipher. The letters are hard to read and all around this could probably be replaced with something much easier to comphrehend and use.

EXACTLY
THIS IS THE DIFFERENCE BETWEEN “GOOD” AND “BAD” SIGILWORK
TO SOMEONE WITH NO KNOWLEDGE OF THE OCCULT THE ROSY CROSS /FEELS/ LIKE IT HAS POWER BUT IT ALSO FEELS JUMBLED MESSY OVERLY COMPLICATED AND JUST PLAIN UGLY 
WHEN IT COMES TO SIGILWORK INTRICACY = POWER BUT CLARITY = ACCURACY AND THE ROSY CROSS FAILS ON BOTH FRONTS 



You wanna know what the kicker is. Aquarius *is* the symbol for air here. The upper left point of a pentagram is attributed to air. The elemental points are assigned to the fixed signs of the zodiac. That’s why we see Taurus, Leo, and Aquarius. The water point is attributed to Scorpio, but they drew an EAGLE INSTEAD OF THE SYMBOL FOR SCORPIO BECAUSE FUCK IT NOTHING MATTERS



SEE THEY ALREADY USED SCORPIO ON BEING ANTISEMITIC ON THE INRI DIAGRAM 



This looks like a fucking board game.



OH MY GOD YOURE RIGHT
IT LOOKS LIKE A PART TO SOME REDICULOUSLY COMPLEX BOARD GAME YOUR FRIEND SWORE IS THE FUNNEST THING EVER 
THE ROSY CROSS TAKES 90 MINUTES TO SET UP AND HAS FOUR DIFFERENT DECKS OF CARDS SPECIAL DICE AND TWO DIFFERENT PLASTIC HOURGLASSES 

@normal-horoscopes This reminds me of the Hermetic Chess invented by the Hermetic Order of the Golden Dawn. Right down to being too colorful and overly complicated


HANG ON I NEED TO GOOGLE SOME THINGS 


MERCIFUL NIGHT : normal-horoscopes:

normal-horoscopes:

occultbreakfast:

normal-horoscopes:

viral-witchcraft:


normal-horoscopes:


pieandhotdogs:


normal-horoscopes:


trashcollectshere:

normal-horoscopes:


alchemicwizard:

normal-horoscopes:

normal-horoscopes:
NOT TO DUNK ON THE ROSICRUCIANS BUT THE ROSY CROSS IS THE UGLIEST THING EVER
 - HEBREW CHARACTERS FOR A CHRISTIAN ESOTERIC SYMBOL - FOUR USES OF THE ALKALAI SYMBOL BUT NO USES OF NITRE - NICE HEXAGRAM STAR TRUST US WE ARENT ANTISEMITIC - “WHAT IF WE INCORPORATED COLOR INTO THE WORKING?“ - INRI - “IS THERE A SYMBOL FOR AIR?“ “IDK DUDE JUST DRAW A BIRD“ - “WHAT ABOUT WATER?“ “DUDE JUST PICK A WATER ZODIAC“ - “WHICH WATER ZODIAC?“ “IT DOESN’T MATTER“ - “PUT GOLD OVER THE R IN REX SO PEOPLE KNOW ITS IMPORTANT“ - OCCULT GRAPHIC DESIGN IS MY PASSION

Literally every aspect of it is just awful. My Hebrew isnt as good as it should be but I’m 99% certain that Hebrew is complete gibberish. 
ALSO the water symbol looks like aquarius which I’m sure pretty much everyone is aware is an air sign. What a fucking mess. 
I remember when we studied these losers in my art and occulture class I had to leave the room because I was laughing too hard at how much they suck. 

IT IS GIBBERISH BC ITS JUST THE ENTIRE ALPHABETWHICH IS LIKE AN INSECURE CHEF GETTING NERVOUS AND JUST PUTTING EVERY SEASONING THEY HAVE INTO THE POT 



I dont do occult stuff but i assume this is a mess to look at knowing the meaning but. Not knowing? The colors are awful, the symbols are placed carefully but look hard to decipher. The letters are hard to read and all around this could probably be replaced with something much easier to comphrehend and use.

EXACTLY
THIS IS THE DIFFERENCE BETWEEN “GOOD” AND “BAD” SIGILWORK
TO SOMEONE WITH NO KNOWLEDGE OF THE OCCULT THE ROSY CROSS /FEELS/ LIKE IT HAS POWER BUT IT ALSO FEELS JUMBLED MESSY OVERLY COMPLICATED AND JUST PLAIN UGLY 
WHEN IT COMES TO SIGILWORK INTRICACY = POWER BUT CLARITY = ACCURACY AND THE ROSY CROSS FAILS ON BOTH FRONTS 



You wanna know what the kicker is. Aquarius *is* the symbol for air here. The upper left point of a pentagram is attributed to air. The elemental points are assigned to the fixed signs of the zodiac. That’s why we see Taurus, Leo, and Aquarius. The water point is attributed to Scorpio, but they drew an EAGLE INSTEAD OF THE SYMBOL FOR SCORPIO BECAUSE FUCK IT NOTHING MATTERS



SEE THEY ALREADY USED SCORPIO ON BEING ANTISEMITIC ON THE INRI DIAGRAM 



This looks like a fucking board game.



OH MY GOD YOURE RIGHT
IT LOOKS LIKE A PART TO SOME REDICULOUSLY COMPLEX BOARD GAME YOUR FRIEND SWORE IS THE FUNNEST THING EVER 
THE ROSY CROSS TAKES 90 MINUTES TO SET UP AND HAS FOUR DIFFERENT DECKS OF CARDS SPECIAL DICE AND TWO DIFFERENT PLASTIC HOURGLASSES 

@normal-horoscopes This reminds me of the Hermetic Chess invented by the Hermetic Order of the Golden Dawn. Right down to being too colorful and overly complicated


HANG ON I NEED TO GOOGLE SOME THINGS 


MERCIFUL NIGHT 
                    
                
            

            
            
        

    

    

        
Save

    



        

    

    
    

        

            









    

        
        
        
        
        
        
        
    

    

        chapter-master-darius:

randomnightlord:

feniczoroark:

randomnightlord:

feniczoroark:

randomnightlord:

feniczoroark:

randomnightlord:

feniczoroark:

just-another-guardsman:

wh40kartwork:

Krieger by 
Rotaken



The certified madlad


Huh neatWaitThat gun looks familiarHmmm. Ah.Whack


The Gatling MG42 is literally the worst fucking thing i have ever seen in my life of being interested in history and Videogames


Worst design yes and I can name so much of the pointless bullshit with itHell. Only remembered the piece of shit weapon because I once spent half an hour staring at its stock for study


Also didn’t it have like one or two mags? Those things only really held up to 100 shots at best. 200 shots for a Gatling gun mg42 that probably shoots even faster than the 1400rpm the original hasThat is no lmg. Thats a shotgun with a weight of like 40 kilos by the looks of it


It had 1 magazine. No reloadability (also had no dust tray cover release thing or drum release). Some bs about balancing. 250 rounds in game for somme reason. Last I checked those kinds of drums could only hold a 50 round belt. Lowest firerate on any modern rotary barrel weapon is 1000rpm of the Gau-19, the same wepaon can achive 2000rpm. But thats 50cal/12.7. Assuming this uses the same ammo as the MG42, than that would be 7.92×57, the nearest weapons we have for that is the US M134 which has a firerate of 3000rpm to 6000rpm or the Russian GShG-7.62 (a 4 barreled one) which has 3500rpm to 6000rpm. So realistically the 50 round belt would be used up in 1 second to half a second. The 250 belt would be 5 seconds to 2 and a half seconds. Thats nowhere near enough. So again, bad design. Also if it uses a belt it would need a delinker.The barrel shroud was left on each individual barrel, forcing the barrels apart. More weight. Would also need a more powerful rotor to spin it. Gatling weapons forgo barrel shrouds because the multiple barrels are to help cooling.The foregrip was in the right place but wasn’t reinforced enough/where it connects with the weapon needed to be a bit more forward.The barrels had to “spin up” first. That would realistically waste ammo. Electric rotart guns start firing immediately and at a high firerate which climbs over like, a second or two as the motor warms up. Also upon the trigger being released they stop spinning immediatly. But that things barrels kept spinning, which would eject unfired rounds. Also the barrels never seemed to line up with any kind of breach, instead coming to rest in some random ass place, no sense whatsoever.IT HAS NO SIGHTSWHERE IS ITS POWER SOURCE


That gun is a fucking mess and i hate it so much. 


The 1960 plasma one angers me more. (3 barrels that dont spin. Only one barrel is ever used. Why. Why then3 barrels. Somehow plays worse than that stupid ass gatling mg42/46. Bunch other reasons I’m too angry and tired for atm)Also as for the art that started this. 40k already has rotor cannons which normal humans can pick up, although thosw only got ised in 30k (and 40k as the soulfire cannon used by magnus’ lads)


Aye. The only wolfenstein weapon i actually liked in the new Games was the Hatchet. Even the knife in New Order was a total nightmare 


You two are overlooking the fact that these weapons were used to brutally murder Nazis. Focus on the good things, yeah?


True. I fully agree but technical nonsense makes me angery: chapter-master-darius:

randomnightlord:

feniczoroark:

randomnightlord:

feniczoroark:

randomnightlord:

feniczoroark:

randomnightlord:

feniczoroark:

just-another-guardsman:

wh40kartwork:

Krieger by 
Rotaken



The certified madlad


Huh neatWaitThat gun looks familiarHmmm. Ah.Whack


The Gatling MG42 is literally the worst fucking thing i have ever seen in my life of being interested in history and Videogames


Worst design yes and I can name so much of the pointless bullshit with itHell. Only remembered the piece of shit weapon because I once spent half an hour staring at its stock for study


Also didn’t it have like one or two mags? Those things only really held up to 100 shots at best. 200 shots for a Gatling gun mg42 that probably shoots even faster than the 1400rpm the original hasThat is no lmg. Thats a shotgun with a weight of like 40 kilos by the looks of it


It had 1 magazine. No reloadability (also had no dust tray cover release thing or drum release). Some bs about balancing. 250 rounds in game for somme reason. Last I checked those kinds of drums could only hold a 50 round belt. Lowest firerate on any modern rotary barrel weapon is 1000rpm of the Gau-19, the same wepaon can achive 2000rpm. But thats 50cal/12.7. Assuming this uses the same ammo as the MG42, than that would be 7.92×57, the nearest weapons we have for that is the US M134 which has a firerate of 3000rpm to 6000rpm or the Russian GShG-7.62 (a 4 barreled one) which has 3500rpm to 6000rpm. So realistically the 50 round belt would be used up in 1 second to half a second. The 250 belt would be 5 seconds to 2 and a half seconds. Thats nowhere near enough. So again, bad design. Also if it uses a belt it would need a delinker.The barrel shroud was left on each individual barrel, forcing the barrels apart. More weight. Would also need a more powerful rotor to spin it. Gatling weapons forgo barrel shrouds because the multiple barrels are to help cooling.The foregrip was in the right place but wasn’t reinforced enough/where it connects with the weapon needed to be a bit more forward.The barrels had to “spin up” first. That would realistically waste ammo. Electric rotart guns start firing immediately and at a high firerate which climbs over like, a second or two as the motor warms up. Also upon the trigger being released they stop spinning immediatly. But that things barrels kept spinning, which would eject unfired rounds. Also the barrels never seemed to line up with any kind of breach, instead coming to rest in some random ass place, no sense whatsoever.IT HAS NO SIGHTSWHERE IS ITS POWER SOURCE


That gun is a fucking mess and i hate it so much. 


The 1960 plasma one angers me more. (3 barrels that dont spin. Only one barrel is ever used. Why. Why then3 barrels. Somehow plays worse than that stupid ass gatling mg42/46. Bunch other reasons I’m too angry and tired for atm)Also as for the art that started this. 40k already has rotor cannons which normal humans can pick up, although thosw only got ised in 30k (and 40k as the soulfire cannon used by magnus’ lads)


Aye. The only wolfenstein weapon i actually liked in the new Games was the Hatchet. Even the knife in New Order was a total nightmare 


You two are overlooking the fact that these weapons were used to brutally murder Nazis. Focus on the good things, yeah?


True. I fully agree but technical nonsense makes me angery
        

            
            

                
                
                    chapter-master-darius:

randomnightlord:

feniczoroark:

randomnightlord:

feniczoroark:

randomnightlord:

feniczoroark:

randomnightlord:

feniczoroark:

just-another-guardsman:

wh40kartwork:

Krieger by 
Rotaken



The certified madlad


Huh neatWaitThat gun looks familiarHmmm. Ah.Whack


The Gatling MG42 is literally the worst fucking thing i have ever seen in my life of being interested in history and Videogames


Worst design yes and I can name so much of the pointless bullshit with itHell. Only remembered the piece of shit weapon because I once spent half an hour staring at its stock for study


Also didn’t it have like one or two mags? Those things only really held up to 100 shots at best. 200 shots for a Gatling gun mg42 that probably shoots even faster than the 1400rpm the original hasThat is no lmg. Thats a shotgun with a weight of like 40 kilos by the looks of it


It had 1 magazine. No reloadability (also had no dust tray cover release thing or drum release). Some bs about balancing. 250 rounds in game for somme reason. Last I checked those kinds of drums could only hold a 50 round belt. Lowest firerate on any modern rotary barrel weapon is 1000rpm of the Gau-19, the same wepaon can achive 2000rpm. But thats 50cal/12.7. Assuming this uses the same ammo as the MG42, than that would be 7.92×57, the nearest weapons we have for that is the US M134 which has a firerate of 3000rpm to 6000rpm or the Russian GShG-7.62 (a 4 barreled one) which has 3500rpm to 6000rpm. So realistically the 50 round belt would be used up in 1 second to half a second. The 250 belt would be 5 seconds to 2 and a half seconds. Thats nowhere near enough. So again, bad design. Also if it uses a belt it would need a delinker.The barrel shroud was left on each individual barrel, forcing the barrels apart. More weight. Would also need a more powerful rotor to spin it. Gatling weapons forgo barrel shrouds because the multiple barrels are to help cooling.The foregrip was in the right place but wasn’t reinforced enough/where it connects with the weapon needed to be a bit more forward.The barrels had to “spin up” first. That would realistically waste ammo. Electric rotart guns start firing immediately and at a high firerate which climbs over like, a second or two as the motor warms up. Also upon the trigger being released they stop spinning immediatly. But that things barrels kept spinning, which would eject unfired rounds. Also the barrels never seemed to line up with any kind of breach, instead coming to rest in some random ass place, no sense whatsoever.IT HAS NO SIGHTSWHERE IS ITS POWER SOURCE


That gun is a fucking mess and i hate it so much. 


The 1960 plasma one angers me more. (3 barrels that dont spin. Only one barrel is ever used. Why. Why then3 barrels. Somehow plays worse than that stupid ass gatling mg42/46. Bunch other reasons I’m too angry and tired for atm)Also as for the art that started this. 40k already has rotor cannons which normal humans can pick up, although thosw only got ised in 30k (and 40k as the soulfire cannon used by magnus’ lads)


Aye. The only wolfenstein weapon i actually liked in the new Games was the Hatchet. Even the knife in New Order was a total nightmare 


You two are overlooking the fact that these weapons were used to brutally murder Nazis. Focus on the good things, yeah?


True. I fully agree but technical nonsense makes me angery: chapter-master-darius:

randomnightlord:

feniczoroark:

randomnightlord:

feniczoroark:

randomnightlord:

feniczoroark:

randomnightlord:

feniczoroark:

just-another-guardsman:

wh40kartwork:

Krieger by 
Rotaken



The certified madlad


Huh neatWaitThat gun looks familiarHmmm. Ah.Whack


The Gatling MG42 is literally the worst fucking thing i have ever seen in my life of being interested in history and Videogames


Worst design yes and I can name so much of the pointless bullshit with itHell. Only remembered the piece of shit weapon because I once spent half an hour staring at its stock for study


Also didn’t it have like one or two mags? Those things only really held up to 100 shots at best. 200 shots for a Gatling gun mg42 that probably shoots even faster than the 1400rpm the original hasThat is no lmg. Thats a shotgun with a weight of like 40 kilos by the looks of it


It had 1 magazine. No reloadability (also had no dust tray cover release thing or drum release). Some bs about balancing. 250 rounds in game for somme reason. Last I checked those kinds of drums could only hold a 50 round belt. Lowest firerate on any modern rotary barrel weapon is 1000rpm of the Gau-19, the same wepaon can achive 2000rpm. But thats 50cal/12.7. Assuming this uses the same ammo as the MG42, than that would be 7.92×57, the nearest weapons we have for that is the US M134 which has a firerate of 3000rpm to 6000rpm or the Russian GShG-7.62 (a 4 barreled one) which has 3500rpm to 6000rpm. So realistically the 50 round belt would be used up in 1 second to half a second. The 250 belt would be 5 seconds to 2 and a half seconds. Thats nowhere near enough. So again, bad design. Also if it uses a belt it would need a delinker.The barrel shroud was left on each individual barrel, forcing the barrels apart. More weight. Would also need a more powerful rotor to spin it. Gatling weapons forgo barrel shrouds because the multiple barrels are to help cooling.The foregrip was in the right place but wasn’t reinforced enough/where it connects with the weapon needed to be a bit more forward.The barrels had to “spin up” first. That would realistically waste ammo. Electric rotart guns start firing immediately and at a high firerate which climbs over like, a second or two as the motor warms up. Also upon the trigger being released they stop spinning immediatly. But that things barrels kept spinning, which would eject unfired rounds. Also the barrels never seemed to line up with any kind of breach, instead coming to rest in some random ass place, no sense whatsoever.IT HAS NO SIGHTSWHERE IS ITS POWER SOURCE


That gun is a fucking mess and i hate it so much. 


The 1960 plasma one angers me more. (3 barrels that dont spin. Only one barrel is ever used. Why. Why then3 barrels. Somehow plays worse than that stupid ass gatling mg42/46. Bunch other reasons I’m too angry and tired for atm)Also as for the art that started this. 40k already has rotor cannons which normal humans can pick up, although thosw only got ised in 30k (and 40k as the soulfire cannon used by magnus’ lads)


Aye. The only wolfenstein weapon i actually liked in the new Games was the Hatchet. Even the knife in New Order was a total nightmare 


You two are overlooking the fact that these weapons were used to brutally murder Nazis. Focus on the good things, yeah?


True. I fully agree but technical nonsense makes me angery
                    
                
            

            
            
        

    

    

        
Save

    



        

    

    
    

        

            









    

        
        
        
        
        
        
        
    

    

        feniczoroark:

randomnightlord:

feniczoroark:

randomnightlord:

feniczoroark:

randomnightlord:

feniczoroark:

just-another-guardsman:

wh40kartwork:

Krieger by 
Rotaken



The certified madlad


Huh neatWaitThat gun looks familiarHmmm. Ah.Whack


The Gatling MG42 is literally the worst fucking thing i have ever seen in my life of being interested in history and Videogames


Worst design yes and I can name so much of the pointless bullshit with itHell. Only remembered the piece of shit weapon because I once spent half an hour staring at its stock for study


Also didn’t it have like one or two mags? Those things only really held up to 100 shots at best. 200 shots for a Gatling gun mg42 that probably shoots even faster than the 1400rpm the original hasThat is no lmg. Thats a shotgun with a weight of like 40 kilos by the looks of it


It had 1 magazine. No reloadability (also had no dust tray cover release thing or drum release). Some bs about balancing. 250 rounds in game for somme reason. Last I checked those kinds of drums could only hold a 50 round belt. Lowest firerate on any modern rotary barrel weapon is 1000rpm of the Gau-19, the same wepaon can achive 2000rpm. But thats 50cal/12.7. Assuming this uses the same ammo as the MG42, than that would be 7.92×57, the nearest weapons we have for that is the US M134 which has a firerate of 3000rpm to 6000rpm or the Russian GShG-7.62 (a 4 barreled one) which has 3500rpm to 6000rpm. So realistically the 50 round belt would be used up in 1 second to half a second. The 250 belt would be 5 seconds to 2 and a half seconds. Thats nowhere near enough. So again, bad design. Also if it uses a belt it would need a delinker.The barrel shroud was left on each individual barrel, forcing the barrels apart. More weight. Would also need a more powerful rotor to spin it. Gatling weapons forgo barrel shrouds because the multiple barrels are to help cooling.The foregrip was in the right place but wasn’t reinforced enough/where it connects with the weapon needed to be a bit more forward.The barrels had to “spin up” first. That would realistically waste ammo. Electric rotart guns start firing immediately and at a high firerate which climbs over like, a second or two as the motor warms up. Also upon the trigger being released they stop spinning immediatly. But that things barrels kept spinning, which would eject unfired rounds. Also the barrels never seemed to line up with any kind of breach, instead coming to rest in some random ass place, no sense whatsoever.IT HAS NO SIGHTSWHERE IS ITS POWER SOURCE


That gun is a fucking mess and i hate it so much. 


The 1960 plasma one angers me more. (3 barrels that dont spin. Only one barrel is ever used. Why. Why then3 barrels. Somehow plays worse than that stupid ass gatling mg42/46. Bunch other reasons I’m too angry and tired for atm)Also as for the art that started this. 40k already has rotor cannons which normal humans can pick up, although thosw only got ised in 30k (and 40k as the soulfire cannon used by magnus’ lads)


Aye. The only wolfenstein weapon i actually liked in the new Games was the Hatchet. Even the knife in New Order was a total nightmare : feniczoroark:

randomnightlord:

feniczoroark:

randomnightlord:

feniczoroark:

randomnightlord:

feniczoroark:

just-another-guardsman:

wh40kartwork:

Krieger by 
Rotaken



The certified madlad


Huh neatWaitThat gun looks familiarHmmm. Ah.Whack


The Gatling MG42 is literally the worst fucking thing i have ever seen in my life of being interested in history and Videogames


Worst design yes and I can name so much of the pointless bullshit with itHell. Only remembered the piece of shit weapon because I once spent half an hour staring at its stock for study


Also didn’t it have like one or two mags? Those things only really held up to 100 shots at best. 200 shots for a Gatling gun mg42 that probably shoots even faster than the 1400rpm the original hasThat is no lmg. Thats a shotgun with a weight of like 40 kilos by the looks of it


It had 1 magazine. No reloadability (also had no dust tray cover release thing or drum release). Some bs about balancing. 250 rounds in game for somme reason. Last I checked those kinds of drums could only hold a 50 round belt. Lowest firerate on any modern rotary barrel weapon is 1000rpm of the Gau-19, the same wepaon can achive 2000rpm. But thats 50cal/12.7. Assuming this uses the same ammo as the MG42, than that would be 7.92×57, the nearest weapons we have for that is the US M134 which has a firerate of 3000rpm to 6000rpm or the Russian GShG-7.62 (a 4 barreled one) which has 3500rpm to 6000rpm. So realistically the 50 round belt would be used up in 1 second to half a second. The 250 belt would be 5 seconds to 2 and a half seconds. Thats nowhere near enough. So again, bad design. Also if it uses a belt it would need a delinker.The barrel shroud was left on each individual barrel, forcing the barrels apart. More weight. Would also need a more powerful rotor to spin it. Gatling weapons forgo barrel shrouds because the multiple barrels are to help cooling.The foregrip was in the right place but wasn’t reinforced enough/where it connects with the weapon needed to be a bit more forward.The barrels had to “spin up” first. That would realistically waste ammo. Electric rotart guns start firing immediately and at a high firerate which climbs over like, a second or two as the motor warms up. Also upon the trigger being released they stop spinning immediatly. But that things barrels kept spinning, which would eject unfired rounds. Also the barrels never seemed to line up with any kind of breach, instead coming to rest in some random ass place, no sense whatsoever.IT HAS NO SIGHTSWHERE IS ITS POWER SOURCE


That gun is a fucking mess and i hate it so much. 


The 1960 plasma one angers me more. (3 barrels that dont spin. Only one barrel is ever used. Why. Why then3 barrels. Somehow plays worse than that stupid ass gatling mg42/46. Bunch other reasons I’m too angry and tired for atm)Also as for the art that started this. 40k already has rotor cannons which normal humans can pick up, although thosw only got ised in 30k (and 40k as the soulfire cannon used by magnus’ lads)


Aye. The only wolfenstein weapon i actually liked in the new Games was the Hatchet. Even the knife in New Order was a total nightmare 
        

            
            

                
                
                    feniczoroark:

randomnightlord:

feniczoroark:

randomnightlord:

feniczoroark:

randomnightlord:

feniczoroark:

just-another-guardsman:

wh40kartwork:

Krieger by 
Rotaken



The certified madlad


Huh neatWaitThat gun looks familiarHmmm. Ah.Whack


The Gatling MG42 is literally the worst fucking thing i have ever seen in my life of being interested in history and Videogames


Worst design yes and I can name so much of the pointless bullshit with itHell. Only remembered the piece of shit weapon because I once spent half an hour staring at its stock for study


Also didn’t it have like one or two mags? Those things only really held up to 100 shots at best. 200 shots for a Gatling gun mg42 that probably shoots even faster than the 1400rpm the original hasThat is no lmg. Thats a shotgun with a weight of like 40 kilos by the looks of it


It had 1 magazine. No reloadability (also had no dust tray cover release thing or drum release). Some bs about balancing. 250 rounds in game for somme reason. Last I checked those kinds of drums could only hold a 50 round belt. Lowest firerate on any modern rotary barrel weapon is 1000rpm of the Gau-19, the same wepaon can achive 2000rpm. But thats 50cal/12.7. Assuming this uses the same ammo as the MG42, than that would be 7.92×57, the nearest weapons we have for that is the US M134 which has a firerate of 3000rpm to 6000rpm or the Russian GShG-7.62 (a 4 barreled one) which has 3500rpm to 6000rpm. So realistically the 50 round belt would be used up in 1 second to half a second. The 250 belt would be 5 seconds to 2 and a half seconds. Thats nowhere near enough. So again, bad design. Also if it uses a belt it would need a delinker.The barrel shroud was left on each individual barrel, forcing the barrels apart. More weight. Would also need a more powerful rotor to spin it. Gatling weapons forgo barrel shrouds because the multiple barrels are to help cooling.The foregrip was in the right place but wasn’t reinforced enough/where it connects with the weapon needed to be a bit more forward.The barrels had to “spin up” first. That would realistically waste ammo. Electric rotart guns start firing immediately and at a high firerate which climbs over like, a second or two as the motor warms up. Also upon the trigger being released they stop spinning immediatly. But that things barrels kept spinning, which would eject unfired rounds. Also the barrels never seemed to line up with any kind of breach, instead coming to rest in some random ass place, no sense whatsoever.IT HAS NO SIGHTSWHERE IS ITS POWER SOURCE


That gun is a fucking mess and i hate it so much. 


The 1960 plasma one angers me more. (3 barrels that dont spin. Only one barrel is ever used. Why. Why then3 barrels. Somehow plays worse than that stupid ass gatling mg42/46. Bunch other reasons I’m too angry and tired for atm)Also as for the art that started this. 40k already has rotor cannons which normal humans can pick up, although thosw only got ised in 30k (and 40k as the soulfire cannon used by magnus’ lads)


Aye. The only wolfenstein weapon i actually liked in the new Games was the Hatchet. Even the knife in New Order was a total nightmare : feniczoroark:

randomnightlord:

feniczoroark:

randomnightlord:

feniczoroark:

randomnightlord:

feniczoroark:

just-another-guardsman:

wh40kartwork:

Krieger by 
Rotaken



The certified madlad


Huh neatWaitThat gun looks familiarHmmm. Ah.Whack


The Gatling MG42 is literally the worst fucking thing i have ever seen in my life of being interested in history and Videogames


Worst design yes and I can name so much of the pointless bullshit with itHell. Only remembered the piece of shit weapon because I once spent half an hour staring at its stock for study


Also didn’t it have like one or two mags? Those things only really held up to 100 shots at best. 200 shots for a Gatling gun mg42 that probably shoots even faster than the 1400rpm the original hasThat is no lmg. Thats a shotgun with a weight of like 40 kilos by the looks of it


It had 1 magazine. No reloadability (also had no dust tray cover release thing or drum release). Some bs about balancing. 250 rounds in game for somme reason. Last I checked those kinds of drums could only hold a 50 round belt. Lowest firerate on any modern rotary barrel weapon is 1000rpm of the Gau-19, the same wepaon can achive 2000rpm. But thats 50cal/12.7. Assuming this uses the same ammo as the MG42, than that would be 7.92×57, the nearest weapons we have for that is the US M134 which has a firerate of 3000rpm to 6000rpm or the Russian GShG-7.62 (a 4 barreled one) which has 3500rpm to 6000rpm. So realistically the 50 round belt would be used up in 1 second to half a second. The 250 belt would be 5 seconds to 2 and a half seconds. Thats nowhere near enough. So again, bad design. Also if it uses a belt it would need a delinker.The barrel shroud was left on each individual barrel, forcing the barrels apart. More weight. Would also need a more powerful rotor to spin it. Gatling weapons forgo barrel shrouds because the multiple barrels are to help cooling.The foregrip was in the right place but wasn’t reinforced enough/where it connects with the weapon needed to be a bit more forward.The barrels had to “spin up” first. That would realistically waste ammo. Electric rotart guns start firing immediately and at a high firerate which climbs over like, a second or two as the motor warms up. Also upon the trigger being released they stop spinning immediatly. But that things barrels kept spinning, which would eject unfired rounds. Also the barrels never seemed to line up with any kind of breach, instead coming to rest in some random ass place, no sense whatsoever.IT HAS NO SIGHTSWHERE IS ITS POWER SOURCE


That gun is a fucking mess and i hate it so much. 


The 1960 plasma one angers me more. (3 barrels that dont spin. Only one barrel is ever used. Why. Why then3 barrels. Somehow plays worse than that stupid ass gatling mg42/46. Bunch other reasons I’m too angry and tired for atm)Also as for the art that started this. 40k already has rotor cannons which normal humans can pick up, although thosw only got ised in 30k (and 40k as the soulfire cannon used by magnus’ lads)


Aye. The only wolfenstein weapon i actually liked in the new Games was the Hatchet. Even the knife in New Order was a total nightmare 
                    
                
            

            
            
        

    

    

        
Save

    



        

    

    
    

        

            









    

        
        
        
        
        
        
        
    

    

        normal-horoscopes:

trashcollectshere:
normal-horoscopes:


alchemicwizard:

normal-horoscopes:

normal-horoscopes:
NOT TO DUNK ON THE ROSICRUCIANS BUT THE ROSY CROSS IS THE UGLIEST THING EVER
 - HEBREW CHARACTERS FOR A CHRISTIAN ESOTERIC SYMBOL - FOUR USES OF THE ALKALAI SYMBOL BUT NO USES OF NITRE - NICE HEXAGRAM STAR TRUST US WE ARENT ANTISEMITIC - “WHAT IF WE INCORPORATED COLOR INTO THE WORKING?“ - INRI - “IS THERE A SYMBOL FOR AIR?“ “IDK DUDE JUST DRAW A BIRD“ - “WHAT ABOUT WATER?“ “DUDE JUST PICK A WATER ZODIAC“ - “WHICH WATER ZODIAC?“ “IT DOESN’T MATTER“ - “PUT GOLD OVER THE R IN REX SO PEOPLE KNOW ITS IMPORTANT“ - OCCULT GRAPHIC DESIGN IS MY PASSION

Literally every aspect of it is just awful. My Hebrew isnt as good as it should be but I’m 99% certain that Hebrew is complete gibberish. 
ALSO the water symbol looks like aquarius which I’m sure pretty much everyone is aware is an air sign. What a fucking mess. 
I remember when we studied these losers in my art and occulture class I had to leave the room because I was laughing too hard at how much they suck. 

IT IS GIBBERISH BC ITS JUST THE ENTIRE ALPHABETWHICH IS LIKE AN INSECURE CHEF GETTING NERVOUS AND JUST PUTTING EVERY SEASONING THEY HAVE INTO THE POT 



I dont do occult stuff but i assume this is a mess to look at knowing the meaning but. Not knowing? The colors are awful, the symbols are placed carefully but look hard to decipher. The letters are hard to read and all around this could probably be replaced with something much easier to comphrehend and use.

EXACTLYTHIS IS THE DIFFERENCE BETWEEN “GOOD” AND “BAD” SIGILWORKTO SOMEONE WITH NO KNOWLEDGE OF THE OCCULT THE ROSY CROSS /FEELS/ LIKE IT HAS POWER BUT IT ALSO FEELS JUMBLED MESSY OVERLY COMPLICATED AND JUST PLAIN UGLY WHEN IT COMES TO SIGILWORK INTRICACY = POWER BUT CLARITY = ACCURACY AND THE ROSY CROSS FAILS ON BOTH FRONTS : normal-horoscopes:

trashcollectshere:
normal-horoscopes:


alchemicwizard:

normal-horoscopes:

normal-horoscopes:
NOT TO DUNK ON THE ROSICRUCIANS BUT THE ROSY CROSS IS THE UGLIEST THING EVER
 - HEBREW CHARACTERS FOR A CHRISTIAN ESOTERIC SYMBOL - FOUR USES OF THE ALKALAI SYMBOL BUT NO USES OF NITRE - NICE HEXAGRAM STAR TRUST US WE ARENT ANTISEMITIC - “WHAT IF WE INCORPORATED COLOR INTO THE WORKING?“ - INRI - “IS THERE A SYMBOL FOR AIR?“ “IDK DUDE JUST DRAW A BIRD“ - “WHAT ABOUT WATER?“ “DUDE JUST PICK A WATER ZODIAC“ - “WHICH WATER ZODIAC?“ “IT DOESN’T MATTER“ - “PUT GOLD OVER THE R IN REX SO PEOPLE KNOW ITS IMPORTANT“ - OCCULT GRAPHIC DESIGN IS MY PASSION

Literally every aspect of it is just awful. My Hebrew isnt as good as it should be but I’m 99% certain that Hebrew is complete gibberish. 
ALSO the water symbol looks like aquarius which I’m sure pretty much everyone is aware is an air sign. What a fucking mess. 
I remember when we studied these losers in my art and occulture class I had to leave the room because I was laughing too hard at how much they suck. 

IT IS GIBBERISH BC ITS JUST THE ENTIRE ALPHABETWHICH IS LIKE AN INSECURE CHEF GETTING NERVOUS AND JUST PUTTING EVERY SEASONING THEY HAVE INTO THE POT 



I dont do occult stuff but i assume this is a mess to look at knowing the meaning but. Not knowing? The colors are awful, the symbols are placed carefully but look hard to decipher. The letters are hard to read and all around this could probably be replaced with something much easier to comphrehend and use.

EXACTLYTHIS IS THE DIFFERENCE BETWEEN “GOOD” AND “BAD” SIGILWORKTO SOMEONE WITH NO KNOWLEDGE OF THE OCCULT THE ROSY CROSS /FEELS/ LIKE IT HAS POWER BUT IT ALSO FEELS JUMBLED MESSY OVERLY COMPLICATED AND JUST PLAIN UGLY WHEN IT COMES TO SIGILWORK INTRICACY = POWER BUT CLARITY = ACCURACY AND THE ROSY CROSS FAILS ON BOTH FRONTS 
        

            
            

                
                
                    normal-horoscopes:

trashcollectshere:
normal-horoscopes:


alchemicwizard:

normal-horoscopes:

normal-horoscopes:
NOT TO DUNK ON THE ROSICRUCIANS BUT THE ROSY CROSS IS THE UGLIEST THING EVER
 - HEBREW CHARACTERS FOR A CHRISTIAN ESOTERIC SYMBOL - FOUR USES OF THE ALKALAI SYMBOL BUT NO USES OF NITRE - NICE HEXAGRAM STAR TRUST US WE ARENT ANTISEMITIC - “WHAT IF WE INCORPORATED COLOR INTO THE WORKING?“ - INRI - “IS THERE A SYMBOL FOR AIR?“ “IDK DUDE JUST DRAW A BIRD“ - “WHAT ABOUT WATER?“ “DUDE JUST PICK A WATER ZODIAC“ - “WHICH WATER ZODIAC?“ “IT DOESN’T MATTER“ - “PUT GOLD OVER THE R IN REX SO PEOPLE KNOW ITS IMPORTANT“ - OCCULT GRAPHIC DESIGN IS MY PASSION

Literally every aspect of it is just awful. My Hebrew isnt as good as it should be but I’m 99% certain that Hebrew is complete gibberish. 
ALSO the water symbol looks like aquarius which I’m sure pretty much everyone is aware is an air sign. What a fucking mess. 
I remember when we studied these losers in my art and occulture class I had to leave the room because I was laughing too hard at how much they suck. 

IT IS GIBBERISH BC ITS JUST THE ENTIRE ALPHABETWHICH IS LIKE AN INSECURE CHEF GETTING NERVOUS AND JUST PUTTING EVERY SEASONING THEY HAVE INTO THE POT 



I dont do occult stuff but i assume this is a mess to look at knowing the meaning but. Not knowing? The colors are awful, the symbols are placed carefully but look hard to decipher. The letters are hard to read and all around this could probably be replaced with something much easier to comphrehend and use.

EXACTLYTHIS IS THE DIFFERENCE BETWEEN “GOOD” AND “BAD” SIGILWORKTO SOMEONE WITH NO KNOWLEDGE OF THE OCCULT THE ROSY CROSS /FEELS/ LIKE IT HAS POWER BUT IT ALSO FEELS JUMBLED MESSY OVERLY COMPLICATED AND JUST PLAIN UGLY WHEN IT COMES TO SIGILWORK INTRICACY = POWER BUT CLARITY = ACCURACY AND THE ROSY CROSS FAILS ON BOTH FRONTS : normal-horoscopes:

trashcollectshere:
normal-horoscopes:


alchemicwizard:

normal-horoscopes:

normal-horoscopes:
NOT TO DUNK ON THE ROSICRUCIANS BUT THE ROSY CROSS IS THE UGLIEST THING EVER
 - HEBREW CHARACTERS FOR A CHRISTIAN ESOTERIC SYMBOL - FOUR USES OF THE ALKALAI SYMBOL BUT NO USES OF NITRE - NICE HEXAGRAM STAR TRUST US WE ARENT ANTISEMITIC - “WHAT IF WE INCORPORATED COLOR INTO THE WORKING?“ - INRI - “IS THERE A SYMBOL FOR AIR?“ “IDK DUDE JUST DRAW A BIRD“ - “WHAT ABOUT WATER?“ “DUDE JUST PICK A WATER ZODIAC“ - “WHICH WATER ZODIAC?“ “IT DOESN’T MATTER“ - “PUT GOLD OVER THE R IN REX SO PEOPLE KNOW ITS IMPORTANT“ - OCCULT GRAPHIC DESIGN IS MY PASSION

Literally every aspect of it is just awful. My Hebrew isnt as good as it should be but I’m 99% certain that Hebrew is complete gibberish. 
ALSO the water symbol looks like aquarius which I’m sure pretty much everyone is aware is an air sign. What a fucking mess. 
I remember when we studied these losers in my art and occulture class I had to leave the room because I was laughing too hard at how much they suck. 

IT IS GIBBERISH BC ITS JUST THE ENTIRE ALPHABETWHICH IS LIKE AN INSECURE CHEF GETTING NERVOUS AND JUST PUTTING EVERY SEASONING THEY HAVE INTO THE POT 



I dont do occult stuff but i assume this is a mess to look at knowing the meaning but. Not knowing? The colors are awful, the symbols are placed carefully but look hard to decipher. The letters are hard to read and all around this could probably be replaced with something much easier to comphrehend and use.

EXACTLYTHIS IS THE DIFFERENCE BETWEEN “GOOD” AND “BAD” SIGILWORKTO SOMEONE WITH NO KNOWLEDGE OF THE OCCULT THE ROSY CROSS /FEELS/ LIKE IT HAS POWER BUT IT ALSO FEELS JUMBLED MESSY OVERLY COMPLICATED AND JUST PLAIN UGLY WHEN IT COMES TO SIGILWORK INTRICACY = POWER BUT CLARITY = ACCURACY AND THE ROSY CROSS FAILS ON BOTH FRONTS 
                    
                
            

            
            
        

    

    

        
Save

    



        

    

    
    

        

            









    

        
        
        
        
        
        
        
    

    

        twentyratsinatrenchcoat:
waywardmasquerade:


jabletown:

manicpixiedreamalien:

did-you-kno:

Scottish sculptor Rob Mulholland 
creates creepy mirrored sculptures 
out of acrylic glass that makes 
them blend into their surroundings 
until your perspective shifts and 
they suddenly catch your eye.  Source Source 2

imagine getting lost in the woods and coming across these
on a scale of 1-10 how ready for death would you be

i didn’t know chaotic evil looked like someone’s dad from north dakota

Some one needs to stat these mirror beings ASAP



Mirrorfolk
Medium construct, lawful evil
AC: 15
HP: 100 (8d10+20)
Speed: 30ft
STR: 14 (+2)                  WIS: 16 (+3)
CON: 10 (+0)                  INT: 16 (+3)
DEX: 18 (+4)                CHA: 20 (+5)
Skills: Perception (+5), Deception (+9)
Senses: Truesight, low-light vision, passive perception 13
Languages: Common
Challenge: 5 (1,800 XP)
Immunities: Mind-affecting spells, poison, sleep effects, paralysis, stunning, disease, death effects, and necromancy effects
Proficiencies: No armor; simple weapons
Natural Camoflauge: A mirrorfolk can blend in easily to any environment by reflecting the world around them. In order to notice a mirrorfolk using it’s camoflauge, players must pass a check with a DC 18.
Reflection: Three times a day, a mirrorfolk may reflect a spell cast at it by passing a dexterity check (DC 16). This acts as though the mirrorfolk had cast the spell with the original caster as the target, or as though it had been directly reflected from a mirror (ex. A fireball caught by a mirrorfolk directly reflects the cone of effect).
The Eye of the Beholder: A mirrorfolk may cast Charm Person, Hypnotic Pattern, Suggestion, Crown of Madness, or Enemies Abound up to four time per day at their base level. The four times are total, not for each spell. It may cast Minor Illusion or Prestidigitation at will. However, any illusion created by these spells (including Hypnotic Pattern) uses its own surfaces.
The Scott’s Pet: Mirrorfolk act as guards to a human mage named Mulholland the Sculptor. Their primary goal of creation is to divert attention from Mulholland, and do so either through illusion or through turning party members against each other. They will also act as living shields if need be. However, mirrorfolk are considered awaken constructs, and their loyalty comes strictly from Mulholland’s kindness towards them.
: twentyratsinatrenchcoat:
waywardmasquerade:


jabletown:

manicpixiedreamalien:

did-you-kno:

Scottish sculptor Rob Mulholland 
creates creepy mirrored sculptures 
out of acrylic glass that makes 
them blend into their surroundings 
until your perspective shifts and 
they suddenly catch your eye.  Source Source 2

imagine getting lost in the woods and coming across these
on a scale of 1-10 how ready for death would you be

i didn’t know chaotic evil looked like someone’s dad from north dakota

Some one needs to stat these mirror beings ASAP



Mirrorfolk
Medium construct, lawful evil
AC: 15
HP: 100 (8d10+20)
Speed: 30ft
STR: 14 (+2)                  WIS: 16 (+3)
CON: 10 (+0)                  INT: 16 (+3)
DEX: 18 (+4)                CHA: 20 (+5)
Skills: Perception (+5), Deception (+9)
Senses: Truesight, low-light vision, passive perception 13
Languages: Common
Challenge: 5 (1,800 XP)
Immunities: Mind-affecting spells, poison, sleep effects, paralysis, stunning, disease, death effects, and necromancy effects
Proficiencies: No armor; simple weapons
Natural Camoflauge: A mirrorfolk can blend in easily to any environment by reflecting the world around them. In order to notice a mirrorfolk using it’s camoflauge, players must pass a check with a DC 18.
Reflection: Three times a day, a mirrorfolk may reflect a spell cast at it by passing a dexterity check (DC 16). This acts as though the mirrorfolk had cast the spell with the original caster as the target, or as though it had been directly reflected from a mirror (ex. A fireball caught by a mirrorfolk directly reflects the cone of effect).
The Eye of the Beholder: A mirrorfolk may cast Charm Person, Hypnotic Pattern, Suggestion, Crown of Madness, or Enemies Abound up to four time per day at their base level. The four times are total, not for each spell. It may cast Minor Illusion or Prestidigitation at will. However, any illusion created by these spells (including Hypnotic Pattern) uses its own surfaces.
The Scott’s Pet: Mirrorfolk act as guards to a human mage named Mulholland the Sculptor. Their primary goal of creation is to divert attention from Mulholland, and do so either through illusion or through turning party members against each other. They will also act as living shields if need be. However, mirrorfolk are considered awaken constructs, and their loyalty comes strictly from Mulholland’s kindness towards them.

        

            
            

                
                
                    twentyratsinatrenchcoat:
waywardmasquerade:


jabletown:

manicpixiedreamalien:

did-you-kno:

Scottish sculptor Rob Mulholland 
creates creepy mirrored sculptures 
out of acrylic glass that makes 
them blend into their surroundings 
until your perspective shifts and 
they suddenly catch your eye.  Source Source 2

imagine getting lost in the woods and coming across these
on a scale of 1-10 how ready for death would you be

i didn’t know chaotic evil looked like someone’s dad from north dakota

Some one needs to stat these mirror beings ASAP



Mirrorfolk
Medium construct, lawful evil
AC: 15
HP: 100 (8d10+20)
Speed: 30ft
STR: 14 (+2)                  WIS: 16 (+3)
CON: 10 (+0)                  INT: 16 (+3)
DEX: 18 (+4)                CHA: 20 (+5)
Skills: Perception (+5), Deception (+9)
Senses: Truesight, low-light vision, passive perception 13
Languages: Common
Challenge: 5 (1,800 XP)
Immunities: Mind-affecting spells, poison, sleep effects, paralysis, stunning, disease, death effects, and necromancy effects
Proficiencies: No armor; simple weapons
Natural Camoflauge: A mirrorfolk can blend in easily to any environment by reflecting the world around them. In order to notice a mirrorfolk using it’s camoflauge, players must pass a check with a DC 18.
Reflection: Three times a day, a mirrorfolk may reflect a spell cast at it by passing a dexterity check (DC 16). This acts as though the mirrorfolk had cast the spell with the original caster as the target, or as though it had been directly reflected from a mirror (ex. A fireball caught by a mirrorfolk directly reflects the cone of effect).
The Eye of the Beholder: A mirrorfolk may cast Charm Person, Hypnotic Pattern, Suggestion, Crown of Madness, or Enemies Abound up to four time per day at their base level. The four times are total, not for each spell. It may cast Minor Illusion or Prestidigitation at will. However, any illusion created by these spells (including Hypnotic Pattern) uses its own surfaces.
The Scott’s Pet: Mirrorfolk act as guards to a human mage named Mulholland the Sculptor. Their primary goal of creation is to divert attention from Mulholland, and do so either through illusion or through turning party members against each other. They will also act as living shields if need be. However, mirrorfolk are considered awaken constructs, and their loyalty comes strictly from Mulholland’s kindness towards them.
: twentyratsinatrenchcoat:
waywardmasquerade:


jabletown:

manicpixiedreamalien:

did-you-kno:

Scottish sculptor Rob Mulholland 
creates creepy mirrored sculptures 
out of acrylic glass that makes 
them blend into their surroundings 
until your perspective shifts and 
they suddenly catch your eye.  Source Source 2

imagine getting lost in the woods and coming across these
on a scale of 1-10 how ready for death would you be

i didn’t know chaotic evil looked like someone’s dad from north dakota

Some one needs to stat these mirror beings ASAP



Mirrorfolk
Medium construct, lawful evil
AC: 15
HP: 100 (8d10+20)
Speed: 30ft
STR: 14 (+2)                  WIS: 16 (+3)
CON: 10 (+0)                  INT: 16 (+3)
DEX: 18 (+4)                CHA: 20 (+5)
Skills: Perception (+5), Deception (+9)
Senses: Truesight, low-light vision, passive perception 13
Languages: Common
Challenge: 5 (1,800 XP)
Immunities: Mind-affecting spells, poison, sleep effects, paralysis, stunning, disease, death effects, and necromancy effects
Proficiencies: No armor; simple weapons
Natural Camoflauge: A mirrorfolk can blend in easily to any environment by reflecting the world around them. In order to notice a mirrorfolk using it’s camoflauge, players must pass a check with a DC 18.
Reflection: Three times a day, a mirrorfolk may reflect a spell cast at it by passing a dexterity check (DC 16). This acts as though the mirrorfolk had cast the spell with the original caster as the target, or as though it had been directly reflected from a mirror (ex. A fireball caught by a mirrorfolk directly reflects the cone of effect).
The Eye of the Beholder: A mirrorfolk may cast Charm Person, Hypnotic Pattern, Suggestion, Crown of Madness, or Enemies Abound up to four time per day at their base level. The four times are total, not for each spell. It may cast Minor Illusion or Prestidigitation at will. However, any illusion created by these spells (including Hypnotic Pattern) uses its own surfaces.
The Scott’s Pet: Mirrorfolk act as guards to a human mage named Mulholland the Sculptor. Their primary goal of creation is to divert attention from Mulholland, and do so either through illusion or through turning party members against each other. They will also act as living shields if need be. However, mirrorfolk are considered awaken constructs, and their loyalty comes strictly from Mulholland’s kindness towards them.

                    
                
            

            
                
                
twentyratsinatrenchcoat:
waywardmasquerade:


jabletown:

manicpixiedreamalien:

did-you-kno:

Scottish sculptor Rob Mulholland 
creates...

                
            
            
        

    

    

        
Save

    



        

    

    
    

        

            








        

    

    
    

        

            









    

        
        
        
        
        
        
        
    

    

        ironwoman359:
cereusblue:

unnameablethings:


dragonsateyourtoast:

redporkpadthai:

dragonsateyourtoast:

otherwindow:

otherwindow:
This is how the golden age of piracy ended.
The first mermaid to get tattoos :)


“we didn’t know any better,” the crewman says, and swallows, presenting the chest to the captain. “what do we do now?”
“kill it,” the captain says, but the ice is melting in his eyes.
“we can’t,” the first mate says desperately, praying she won’t have to fight her captain on this. “we can’t. we - i won’t. we won’t.”
“i know.”
x
“daddy,” she says, floating in a tub of seawater in the hold, “daddy, la-la, la-la-la.”
her voice rings like bells. her accent is strange; her mouth isn’t made for human words. it mesmerises even the hardiest amongst them and she wasn’t even trying. the crew has taken to diving for shellfish near the shorelines for her; she loves them, splitting the shells apart with strength seen in no human toddler, slurping down the slimy molluscs inside and laughing, all plump brown cheeks and needle-sharp teeth. she sometimes splashes them for fun with her smooth, rubbery brown tail. even when they get soaked they laugh. they love her.
“daddy,” she calls again, and he can hear the worry in her voice. the storm rocking the ship is harsh and uncaring, and if they go down, she would be the only survivor.
“don’t worry,” he says, and goes over, sitting next to the tub. the first mate, leaning against the wall, pretends not to notice as he quietly begins to sing.
x
“father,” she says, one day, as she leans on the edge of the dock and the captain sits next to her, “why am I here?”
“your mother abandoned you,” he says, as he always has. “we found you adrift, and couldn’t bear to leave you there.”
she picks at the salt-soaked boards, uncertain. her hair is pulled back in a fluffy black puff, the white linen holding it slipping almost over one of her dark eyes. one of her first tattoos, a many-limbed kraken, curls over her right shoulder and down her arm, delicate tendrils wrapped around her calloused fingertips. “alright,” she says.
x
“why am I really here?” she asks the first mate, watching the sun set over the water in streaks of liquid metal that pooled in the troughs of the waves and glittered on the seafoam.
“we didn’t know any better,” the first mate says, staring into the water. “we didn’t know- we didn’t know anything. we didn’t understand why she fought so viciously to guard her treasure. we could not know she protected something a thousand times more precious than the purest gold.”
she wants to be furious, but she can’t. she already knew the answer, from reading the guilt in her father’s eyes and the empty space in her own history. and she can’t hate her family.
“it’s alright,” she says. “i do have a family, anyways. i don’t think i would have liked my other life near as much.”
x
her kraken grows, spreading its tendrils over her torso and arms. she grows too, too large to come on board the ship without being hauled up in a boat from the water. she sings when the storms come and swims before the ship to guide it to safety. she fights off more than one beast of the seas, and gathers a set of scars across her back that she bears with pride. “i don’t mind,” she says, when the captain fusses over her, “now i match all of you.”
the first time their ship is threatened, really threatened, is by another fleet. a friend turned enemy of the first mate. “we shouldn’t fight him,” she says, peering through the spyglass.
“why not?” the mermaid asks.
“he’ll win,” the first mate says.
the mermaid tips her head sideways. Her eyes, dark as the deep waters, gleam in the noon light. “are you sure?” she asks.
x
the enemy fleet surrenders after the flagship is sunk in the night, the anchor ripped off the ship and the planks torn off the hull. the surviving crew, wild-eyed and delirious, whimper and say a sea serpent came from the water and attacked them, say it was longer than the boat and crushed it in its coils. the first mate hears this and has to hide her laughter. the captain apologizes to his daughter for doubting her.
“don’t worry,” she says, with a bright laugh, “it was fun.”
x
the second time, they are pushed by a storm into a royal fleet. they can’t possibly fight them, and they don’t have the time to escape.
“let me up,” the mermaid urges, surfacing starboard and shouting to the crew. “bring me up, quickly, quickly.”
they lower the boat and she piles her sinous form into it, and uses her claws to help the crew pull her up. once on the deck she flops out of the boat and makes her way over to the bow. the crew tries to help but she’s so heavy they can barely lift parts of her.
she crawls up out in front of the rail and wraps her long webbed tail around the prow. the figurehead has served them well so far but they need more right now. she wraps herself around the figurehead and raises her body up into the wind takes a breath of the stinging salt air and sings.
the storm carries her voice on its front to the royal navy. they are enchanted, so stunned by her song that they drop the rigging ropes and let the tillers drift. the pirates sail through the center of the fleet, trailing the storm behind them, and by the time the fleet has managed to regain its senses they are buried in wind and rain and the pirates are gone.
x
she declines guns. instead she carries a harpoon and its launcher, and uses them to board enemy ships, hauling her massive form out of the water to coil on the deck and dispatch enemies with ruthless efficiency. her family is feared across all the sea.
x
“you know we are dying,” the captain says, looking down at her.
she floats next to the ship, so massive she could hold it in her arms. her eyes are wise.
“i know,” she says, “i can feel it coming.”
the first mate stands next to the captain. she never had a lover or a child, and neither did he, but to the mermaid they are her parents. she will always love her daughter. the tattoos are graven in dark swirls across the mermaid’s deep brown skin and the flesh of her tail, even spiraling onto the spiked webbing on her spine and face. her hair is still tied back, this time with a sail that could not be patched one last time. 
“we love you,” the first mate says simply, looking down. her own tightly coiled black hair falls in to her face; she shakes the locs out of the way and smiles through her tears. the captain pretends he isnt crying either.
“i love you too,” the mermaid says, and reached up to pull the ship down just a bit, just to hold them one last time.
“guard the ship,” the captain says. “you always have but you know they’re lost without you.”
“without you,” the mermaid corrects, with a shrug that makes waves. “what will we do?”
“i don’t know,” the captain says. “but you’ll help them, won’t you?”
“of course i will,” she scoffs, rolling her eyes. “i will always protect my family.”
x
the captain and the first mate are gone. the ship has a new captain, young and fearless - of the things she can afford to disregard. she fears and loves the ocean, as all captains do. she does not fear the royal fleet. and she does not fear the mermaid.
“you know, i heard stories about you when i was a little girl,” she says, trailing her fingers in the water next to the dock.
the mermaid stares at her with one eye the size of a dinner table. “is that so?” she hums, smirking with teeth sharper than the swords of the entire navy.
“they said you could sink an entire fleet and that you had skin tougher than dragon scales,” the new captain says, grinning right back at the monster who could eat her without a moment’s hesitation. “i always thought they were telling tall tales.”
“and now?”
“they were right,” the new captain says. “how did they ever befriend you?”
the mermaid smiles, fully this time, her dark eyes gleaming under the white linen sail. “they didn’t know any better.”

She protects her family.

Hi everybody! Guess what’s being posted on AO3 now at the following link!
https://archiveofourown.org/works/22498384/chapters/53760817
That’s right! Here you go. I’ll be uploading it in some chunks, because I want to make sure I have everything I wanted edited cleanly finished, but follow the story there!




HEY GUYS GUESS WHATS BACK ON THE DASHBOARD AND BETTER THAN EVER



I love this
: ironwoman359:
cereusblue:

unnameablethings:


dragonsateyourtoast:

redporkpadthai:

dragonsateyourtoast:

otherwindow:

otherwindow:
This is how the golden age of piracy ended.
The first mermaid to get tattoos :)


“we didn’t know any better,” the crewman says, and swallows, presenting the chest to the captain. “what do we do now?”
“kill it,” the captain says, but the ice is melting in his eyes.
“we can’t,” the first mate says desperately, praying she won’t have to fight her captain on this. “we can’t. we - i won’t. we won’t.”
“i know.”
x
“daddy,” she says, floating in a tub of seawater in the hold, “daddy, la-la, la-la-la.”
her voice rings like bells. her accent is strange; her mouth isn’t made for human words. it mesmerises even the hardiest amongst them and she wasn’t even trying. the crew has taken to diving for shellfish near the shorelines for her; she loves them, splitting the shells apart with strength seen in no human toddler, slurping down the slimy molluscs inside and laughing, all plump brown cheeks and needle-sharp teeth. she sometimes splashes them for fun with her smooth, rubbery brown tail. even when they get soaked they laugh. they love her.
“daddy,” she calls again, and he can hear the worry in her voice. the storm rocking the ship is harsh and uncaring, and if they go down, she would be the only survivor.
“don’t worry,” he says, and goes over, sitting next to the tub. the first mate, leaning against the wall, pretends not to notice as he quietly begins to sing.
x
“father,” she says, one day, as she leans on the edge of the dock and the captain sits next to her, “why am I here?”
“your mother abandoned you,” he says, as he always has. “we found you adrift, and couldn’t bear to leave you there.”
she picks at the salt-soaked boards, uncertain. her hair is pulled back in a fluffy black puff, the white linen holding it slipping almost over one of her dark eyes. one of her first tattoos, a many-limbed kraken, curls over her right shoulder and down her arm, delicate tendrils wrapped around her calloused fingertips. “alright,” she says.
x
“why am I really here?” she asks the first mate, watching the sun set over the water in streaks of liquid metal that pooled in the troughs of the waves and glittered on the seafoam.
“we didn’t know any better,” the first mate says, staring into the water. “we didn’t know- we didn’t know anything. we didn’t understand why she fought so viciously to guard her treasure. we could not know she protected something a thousand times more precious than the purest gold.”
she wants to be furious, but she can’t. she already knew the answer, from reading the guilt in her father’s eyes and the empty space in her own history. and she can’t hate her family.
“it’s alright,” she says. “i do have a family, anyways. i don’t think i would have liked my other life near as much.”
x
her kraken grows, spreading its tendrils over her torso and arms. she grows too, too large to come on board the ship without being hauled up in a boat from the water. she sings when the storms come and swims before the ship to guide it to safety. she fights off more than one beast of the seas, and gathers a set of scars across her back that she bears with pride. “i don’t mind,” she says, when the captain fusses over her, “now i match all of you.”
the first time their ship is threatened, really threatened, is by another fleet. a friend turned enemy of the first mate. “we shouldn’t fight him,” she says, peering through the spyglass.
“why not?” the mermaid asks.
“he’ll win,” the first mate says.
the mermaid tips her head sideways. Her eyes, dark as the deep waters, gleam in the noon light. “are you sure?” she asks.
x
the enemy fleet surrenders after the flagship is sunk in the night, the anchor ripped off the ship and the planks torn off the hull. the surviving crew, wild-eyed and delirious, whimper and say a sea serpent came from the water and attacked them, say it was longer than the boat and crushed it in its coils. the first mate hears this and has to hide her laughter. the captain apologizes to his daughter for doubting her.
“don’t worry,” she says, with a bright laugh, “it was fun.”
x
the second time, they are pushed by a storm into a royal fleet. they can’t possibly fight them, and they don’t have the time to escape.
“let me up,” the mermaid urges, surfacing starboard and shouting to the crew. “bring me up, quickly, quickly.”
they lower the boat and she piles her sinous form into it, and uses her claws to help the crew pull her up. once on the deck she flops out of the boat and makes her way over to the bow. the crew tries to help but she’s so heavy they can barely lift parts of her.
she crawls up out in front of the rail and wraps her long webbed tail around the prow. the figurehead has served them well so far but they need more right now. she wraps herself around the figurehead and raises her body up into the wind takes a breath of the stinging salt air and sings.
the storm carries her voice on its front to the royal navy. they are enchanted, so stunned by her song that they drop the rigging ropes and let the tillers drift. the pirates sail through the center of the fleet, trailing the storm behind them, and by the time the fleet has managed to regain its senses they are buried in wind and rain and the pirates are gone.
x
she declines guns. instead she carries a harpoon and its launcher, and uses them to board enemy ships, hauling her massive form out of the water to coil on the deck and dispatch enemies with ruthless efficiency. her family is feared across all the sea.
x
“you know we are dying,” the captain says, looking down at her.
she floats next to the ship, so massive she could hold it in her arms. her eyes are wise.
“i know,” she says, “i can feel it coming.”
the first mate stands next to the captain. she never had a lover or a child, and neither did he, but to the mermaid they are her parents. she will always love her daughter. the tattoos are graven in dark swirls across the mermaid’s deep brown skin and the flesh of her tail, even spiraling onto the spiked webbing on her spine and face. her hair is still tied back, this time with a sail that could not be patched one last time. 
“we love you,” the first mate says simply, looking down. her own tightly coiled black hair falls in to her face; she shakes the locs out of the way and smiles through her tears. the captain pretends he isnt crying either.
“i love you too,” the mermaid says, and reached up to pull the ship down just a bit, just to hold them one last time.
“guard the ship,” the captain says. “you always have but you know they’re lost without you.”
“without you,” the mermaid corrects, with a shrug that makes waves. “what will we do?”
“i don’t know,” the captain says. “but you’ll help them, won’t you?”
“of course i will,” she scoffs, rolling her eyes. “i will always protect my family.”
x
the captain and the first mate are gone. the ship has a new captain, young and fearless - of the things she can afford to disregard. she fears and loves the ocean, as all captains do. she does not fear the royal fleet. and she does not fear the mermaid.
“you know, i heard stories about you when i was a little girl,” she says, trailing her fingers in the water next to the dock.
the mermaid stares at her with one eye the size of a dinner table. “is that so?” she hums, smirking with teeth sharper than the swords of the entire navy.
“they said you could sink an entire fleet and that you had skin tougher than dragon scales,” the new captain says, grinning right back at the monster who could eat her without a moment’s hesitation. “i always thought they were telling tall tales.”
“and now?”
“they were right,” the new captain says. “how did they ever befriend you?”
the mermaid smiles, fully this time, her dark eyes gleaming under the white linen sail. “they didn’t know any better.”

She protects her family.

Hi everybody! Guess what’s being posted on AO3 now at the following link!
https://archiveofourown.org/works/22498384/chapters/53760817
That’s right! Here you go. I’ll be uploading it in some chunks, because I want to make sure I have everything I wanted edited cleanly finished, but follow the story there!




HEY GUYS GUESS WHATS BACK ON THE DASHBOARD AND BETTER THAN EVER



I love this

        

            
            

                
                
                    ironwoman359:
cereusblue:

unnameablethings:


dragonsateyourtoast:

redporkpadthai:

dragonsateyourtoast:

otherwindow:

otherwindow:
This is how the golden age of piracy ended.
The first mermaid to get tattoos :)


“we didn’t know any better,” the crewman says, and swallows, presenting the chest to the captain. “what do we do now?”
“kill it,” the captain says, but the ice is melting in his eyes.
“we can’t,” the first mate says desperately, praying she won’t have to fight her captain on this. “we can’t. we - i won’t. we won’t.”
“i know.”
x
“daddy,” she says, floating in a tub of seawater in the hold, “daddy, la-la, la-la-la.”
her voice rings like bells. her accent is strange; her mouth isn’t made for human words. it mesmerises even the hardiest amongst them and she wasn’t even trying. the crew has taken to diving for shellfish near the shorelines for her; she loves them, splitting the shells apart with strength seen in no human toddler, slurping down the slimy molluscs inside and laughing, all plump brown cheeks and needle-sharp teeth. she sometimes splashes them for fun with her smooth, rubbery brown tail. even when they get soaked they laugh. they love her.
“daddy,” she calls again, and he can hear the worry in her voice. the storm rocking the ship is harsh and uncaring, and if they go down, she would be the only survivor.
“don’t worry,” he says, and goes over, sitting next to the tub. the first mate, leaning against the wall, pretends not to notice as he quietly begins to sing.
x
“father,” she says, one day, as she leans on the edge of the dock and the captain sits next to her, “why am I here?”
“your mother abandoned you,” he says, as he always has. “we found you adrift, and couldn’t bear to leave you there.”
she picks at the salt-soaked boards, uncertain. her hair is pulled back in a fluffy black puff, the white linen holding it slipping almost over one of her dark eyes. one of her first tattoos, a many-limbed kraken, curls over her right shoulder and down her arm, delicate tendrils wrapped around her calloused fingertips. “alright,” she says.
x
“why am I really here?” she asks the first mate, watching the sun set over the water in streaks of liquid metal that pooled in the troughs of the waves and glittered on the seafoam.
“we didn’t know any better,” the first mate says, staring into the water. “we didn’t know- we didn’t know anything. we didn’t understand why she fought so viciously to guard her treasure. we could not know she protected something a thousand times more precious than the purest gold.”
she wants to be furious, but she can’t. she already knew the answer, from reading the guilt in her father’s eyes and the empty space in her own history. and she can’t hate her family.
“it’s alright,” she says. “i do have a family, anyways. i don’t think i would have liked my other life near as much.”
x
her kraken grows, spreading its tendrils over her torso and arms. she grows too, too large to come on board the ship without being hauled up in a boat from the water. she sings when the storms come and swims before the ship to guide it to safety. she fights off more than one beast of the seas, and gathers a set of scars across her back that she bears with pride. “i don’t mind,” she says, when the captain fusses over her, “now i match all of you.”
the first time their ship is threatened, really threatened, is by another fleet. a friend turned enemy of the first mate. “we shouldn’t fight him,” she says, peering through the spyglass.
“why not?” the mermaid asks.
“he’ll win,” the first mate says.
the mermaid tips her head sideways. Her eyes, dark as the deep waters, gleam in the noon light. “are you sure?” she asks.
x
the enemy fleet surrenders after the flagship is sunk in the night, the anchor ripped off the ship and the planks torn off the hull. the surviving crew, wild-eyed and delirious, whimper and say a sea serpent came from the water and attacked them, say it was longer than the boat and crushed it in its coils. the first mate hears this and has to hide her laughter. the captain apologizes to his daughter for doubting her.
“don’t worry,” she says, with a bright laugh, “it was fun.”
x
the second time, they are pushed by a storm into a royal fleet. they can’t possibly fight them, and they don’t have the time to escape.
“let me up,” the mermaid urges, surfacing starboard and shouting to the crew. “bring me up, quickly, quickly.”
they lower the boat and she piles her sinous form into it, and uses her claws to help the crew pull her up. once on the deck she flops out of the boat and makes her way over to the bow. the crew tries to help but she’s so heavy they can barely lift parts of her.
she crawls up out in front of the rail and wraps her long webbed tail around the prow. the figurehead has served them well so far but they need more right now. she wraps herself around the figurehead and raises her body up into the wind takes a breath of the stinging salt air and sings.
the storm carries her voice on its front to the royal navy. they are enchanted, so stunned by her song that they drop the rigging ropes and let the tillers drift. the pirates sail through the center of the fleet, trailing the storm behind them, and by the time the fleet has managed to regain its senses they are buried in wind and rain and the pirates are gone.
x
she declines guns. instead she carries a harpoon and its launcher, and uses them to board enemy ships, hauling her massive form out of the water to coil on the deck and dispatch enemies with ruthless efficiency. her family is feared across all the sea.
x
“you know we are dying,” the captain says, looking down at her.
she floats next to the ship, so massive she could hold it in her arms. her eyes are wise.
“i know,” she says, “i can feel it coming.”
the first mate stands next to the captain. she never had a lover or a child, and neither did he, but to the mermaid they are her parents. she will always love her daughter. the tattoos are graven in dark swirls across the mermaid’s deep brown skin and the flesh of her tail, even spiraling onto the spiked webbing on her spine and face. her hair is still tied back, this time with a sail that could not be patched one last time. 
“we love you,” the first mate says simply, looking down. her own tightly coiled black hair falls in to her face; she shakes the locs out of the way and smiles through her tears. the captain pretends he isnt crying either.
“i love you too,” the mermaid says, and reached up to pull the ship down just a bit, just to hold them one last time.
“guard the ship,” the captain says. “you always have but you know they’re lost without you.”
“without you,” the mermaid corrects, with a shrug that makes waves. “what will we do?”
“i don’t know,” the captain says. “but you’ll help them, won’t you?”
“of course i will,” she scoffs, rolling her eyes. “i will always protect my family.”
x
the captain and the first mate are gone. the ship has a new captain, young and fearless - of the things she can afford to disregard. she fears and loves the ocean, as all captains do. she does not fear the royal fleet. and she does not fear the mermaid.
“you know, i heard stories about you when i was a little girl,” she says, trailing her fingers in the water next to the dock.
the mermaid stares at her with one eye the size of a dinner table. “is that so?” she hums, smirking with teeth sharper than the swords of the entire navy.
“they said you could sink an entire fleet and that you had skin tougher than dragon scales,” the new captain says, grinning right back at the monster who could eat her without a moment’s hesitation. “i always thought they were telling tall tales.”
“and now?”
“they were right,” the new captain says. “how did they ever befriend you?”
the mermaid smiles, fully this time, her dark eyes gleaming under the white linen sail. “they didn’t know any better.”

She protects her family.

Hi everybody! Guess what’s being posted on AO3 now at the following link!
https://archiveofourown.org/works/22498384/chapters/53760817
That’s right! Here you go. I’ll be uploading it in some chunks, because I want to make sure I have everything I wanted edited cleanly finished, but follow the story there!




HEY GUYS GUESS WHATS BACK ON THE DASHBOARD AND BETTER THAN EVER



I love this
: ironwoman359:
cereusblue:

unnameablethings:


dragonsateyourtoast:

redporkpadthai:

dragonsateyourtoast:

otherwindow:

otherwindow:
This is how the golden age of piracy ended.
The first mermaid to get tattoos :)


“we didn’t know any better,” the crewman says, and swallows, presenting the chest to the captain. “what do we do now?”
“kill it,” the captain says, but the ice is melting in his eyes.
“we can’t,” the first mate says desperately, praying she won’t have to fight her captain on this. “we can’t. we - i won’t. we won’t.”
“i know.”
x
“daddy,” she says, floating in a tub of seawater in the hold, “daddy, la-la, la-la-la.”
her voice rings like bells. her accent is strange; her mouth isn’t made for human words. it mesmerises even the hardiest amongst them and she wasn’t even trying. the crew has taken to diving for shellfish near the shorelines for her; she loves them, splitting the shells apart with strength seen in no human toddler, slurping down the slimy molluscs inside and laughing, all plump brown cheeks and needle-sharp teeth. she sometimes splashes them for fun with her smooth, rubbery brown tail. even when they get soaked they laugh. they love her.
“daddy,” she calls again, and he can hear the worry in her voice. the storm rocking the ship is harsh and uncaring, and if they go down, she would be the only survivor.
“don’t worry,” he says, and goes over, sitting next to the tub. the first mate, leaning against the wall, pretends not to notice as he quietly begins to sing.
x
“father,” she says, one day, as she leans on the edge of the dock and the captain sits next to her, “why am I here?”
“your mother abandoned you,” he says, as he always has. “we found you adrift, and couldn’t bear to leave you there.”
she picks at the salt-soaked boards, uncertain. her hair is pulled back in a fluffy black puff, the white linen holding it slipping almost over one of her dark eyes. one of her first tattoos, a many-limbed kraken, curls over her right shoulder and down her arm, delicate tendrils wrapped around her calloused fingertips. “alright,” she says.
x
“why am I really here?” she asks the first mate, watching the sun set over the water in streaks of liquid metal that pooled in the troughs of the waves and glittered on the seafoam.
“we didn’t know any better,” the first mate says, staring into the water. “we didn’t know- we didn’t know anything. we didn’t understand why she fought so viciously to guard her treasure. we could not know she protected something a thousand times more precious than the purest gold.”
she wants to be furious, but she can’t. she already knew the answer, from reading the guilt in her father’s eyes and the empty space in her own history. and she can’t hate her family.
“it’s alright,” she says. “i do have a family, anyways. i don’t think i would have liked my other life near as much.”
x
her kraken grows, spreading its tendrils over her torso and arms. she grows too, too large to come on board the ship without being hauled up in a boat from the water. she sings when the storms come and swims before the ship to guide it to safety. she fights off more than one beast of the seas, and gathers a set of scars across her back that she bears with pride. “i don’t mind,” she says, when the captain fusses over her, “now i match all of you.”
the first time their ship is threatened, really threatened, is by another fleet. a friend turned enemy of the first mate. “we shouldn’t fight him,” she says, peering through the spyglass.
“why not?” the mermaid asks.
“he’ll win,” the first mate says.
the mermaid tips her head sideways. Her eyes, dark as the deep waters, gleam in the noon light. “are you sure?” she asks.
x
the enemy fleet surrenders after the flagship is sunk in the night, the anchor ripped off the ship and the planks torn off the hull. the surviving crew, wild-eyed and delirious, whimper and say a sea serpent came from the water and attacked them, say it was longer than the boat and crushed it in its coils. the first mate hears this and has to hide her laughter. the captain apologizes to his daughter for doubting her.
“don’t worry,” she says, with a bright laugh, “it was fun.”
x
the second time, they are pushed by a storm into a royal fleet. they can’t possibly fight them, and they don’t have the time to escape.
“let me up,” the mermaid urges, surfacing starboard and shouting to the crew. “bring me up, quickly, quickly.”
they lower the boat and she piles her sinous form into it, and uses her claws to help the crew pull her up. once on the deck she flops out of the boat and makes her way over to the bow. the crew tries to help but she’s so heavy they can barely lift parts of her.
she crawls up out in front of the rail and wraps her long webbed tail around the prow. the figurehead has served them well so far but they need more right now. she wraps herself around the figurehead and raises her body up into the wind takes a breath of the stinging salt air and sings.
the storm carries her voice on its front to the royal navy. they are enchanted, so stunned by her song that they drop the rigging ropes and let the tillers drift. the pirates sail through the center of the fleet, trailing the storm behind them, and by the time the fleet has managed to regain its senses they are buried in wind and rain and the pirates are gone.
x
she declines guns. instead she carries a harpoon and its launcher, and uses them to board enemy ships, hauling her massive form out of the water to coil on the deck and dispatch enemies with ruthless efficiency. her family is feared across all the sea.
x
“you know we are dying,” the captain says, looking down at her.
she floats next to the ship, so massive she could hold it in her arms. her eyes are wise.
“i know,” she says, “i can feel it coming.”
the first mate stands next to the captain. she never had a lover or a child, and neither did he, but to the mermaid they are her parents. she will always love her daughter. the tattoos are graven in dark swirls across the mermaid’s deep brown skin and the flesh of her tail, even spiraling onto the spiked webbing on her spine and face. her hair is still tied back, this time with a sail that could not be patched one last time. 
“we love you,” the first mate says simply, looking down. her own tightly coiled black hair falls in to her face; she shakes the locs out of the way and smiles through her tears. the captain pretends he isnt crying either.
“i love you too,” the mermaid says, and reached up to pull the ship down just a bit, just to hold them one last time.
“guard the ship,” the captain says. “you always have but you know they’re lost without you.”
“without you,” the mermaid corrects, with a shrug that makes waves. “what will we do?”
“i don’t know,” the captain says. “but you’ll help them, won’t you?”
“of course i will,” she scoffs, rolling her eyes. “i will always protect my family.”
x
the captain and the first mate are gone. the ship has a new captain, young and fearless - of the things she can afford to disregard. she fears and loves the ocean, as all captains do. she does not fear the royal fleet. and she does not fear the mermaid.
“you know, i heard stories about you when i was a little girl,” she says, trailing her fingers in the water next to the dock.
the mermaid stares at her with one eye the size of a dinner table. “is that so?” she hums, smirking with teeth sharper than the swords of the entire navy.
“they said you could sink an entire fleet and that you had skin tougher than dragon scales,” the new captain says, grinning right back at the monster who could eat her without a moment’s hesitation. “i always thought they were telling tall tales.”
“and now?”
“they were right,” the new captain says. “how did they ever befriend you?”
the mermaid smiles, fully this time, her dark eyes gleaming under the white linen sail. “they didn’t know any better.”

She protects her family.

Hi everybody! Guess what’s being posted on AO3 now at the following link!
https://archiveofourown.org/works/22498384/chapters/53760817
That’s right! Here you go. I’ll be uploading it in some chunks, because I want to make sure I have everything I wanted edited cleanly finished, but follow the story there!




HEY GUYS GUESS WHATS BACK ON THE DASHBOARD AND BETTER THAN EVER



I love this

                    
                
            

            
                
                
ironwoman359:
cereusblue:

unnameablethings:


dragonsateyourtoast:

redporkpadthai:

dragonsateyourtoast:

otherwindow:

otherwindow:
Th...

                
            
            
        

    

    

        
Save

    



        

    

    
    

        

            








        

    

    
    

        

            








        

    

    
    

        

            








        

    

    
    

        

            








        

    

    
    

        

            









    

        
        
        
        
        
        
        
    

    

        c-bassmeow:
This to me is disqualifying. Joe Biden has lied dozens of times about his record on civil rights and he even pretended he was a civil rights activists when he wasn’t. Reblog to show what a liar Biden is and how he uses the black community as a prop to get votes despite his incredibly problematic past. 

Here is the article. 

Here is a video showing Biden plagiarizing everything from speeches to schoolwork in college. 

It’s disgusting that this isn’t being talked about more especially on corporate media outlets like CNN and MSNBC. This should, by now, be common knowledge yet the democratic party gatekeepers will do everything to protect Biden and other right wing democrats. It is up to us (social media) and the independent media outlets to expose both the rot within the democratic party and the FACT that Biden is a LIAR. This is disgusting and it’s disgusting that outlets aren’t picking this up as if lying about your record doesn’t matter. : c-bassmeow:
This to me is disqualifying. Joe Biden has lied dozens of times about his record on civil rights and he even pretended he was a civil rights activists when he wasn’t. Reblog to show what a liar Biden is and how he uses the black community as a prop to get votes despite his incredibly problematic past. 

Here is the article. 

Here is a video showing Biden plagiarizing everything from speeches to schoolwork in college. 

It’s disgusting that this isn’t being talked about more especially on corporate media outlets like CNN and MSNBC. This should, by now, be common knowledge yet the democratic party gatekeepers will do everything to protect Biden and other right wing democrats. It is up to us (social media) and the independent media outlets to expose both the rot within the democratic party and the FACT that Biden is a LIAR. This is disgusting and it’s disgusting that outlets aren’t picking this up as if lying about your record doesn’t matter. 
        

            
            

                
                
                    c-bassmeow:
This to me is disqualifying. Joe Biden has lied dozens of times about his record on civil rights and he even pretended he was a civil rights activists when he wasn’t. Reblog to show what a liar Biden is and how he uses the black community as a prop to get votes despite his incredibly problematic past. 

Here is the article. 

Here is a video showing Biden plagiarizing everything from speeches to schoolwork in college. 

It’s disgusting that this isn’t being talked about more especially on corporate media outlets like CNN and MSNBC. This should, by now, be common knowledge yet the democratic party gatekeepers will do everything to protect Biden and other right wing democrats. It is up to us (social media) and the independent media outlets to expose both the rot within the democratic party and the FACT that Biden is a LIAR. This is disgusting and it’s disgusting that outlets aren’t picking this up as if lying about your record doesn’t matter. : c-bassmeow:
This to me is disqualifying. Joe Biden has lied dozens of times about his record on civil rights and he even pretended he was a civil rights activists when he wasn’t. Reblog to show what a liar Biden is and how he uses the black community as a prop to get votes despite his incredibly problematic past. 

Here is the article. 

Here is a video showing Biden plagiarizing everything from speeches to schoolwork in college. 

It’s disgusting that this isn’t being talked about more especially on corporate media outlets like CNN and MSNBC. This should, by now, be common knowledge yet the democratic party gatekeepers will do everything to protect Biden and other right wing democrats. It is up to us (social media) and the independent media outlets to expose both the rot within the democratic party and the FACT that Biden is a LIAR. This is disgusting and it’s disgusting that outlets aren’t picking this up as if lying about your record doesn’t matter. 
                    
                
            

            
                
                
c-bassmeow:
This to me is disqualifying. Joe Biden has lied dozens of times about his record on civil rights and he even pretended he was...

                
            
            
        

    

    

        
Save

    



        

    

    
    

        

            








        

    

    
    

        

            








        

    

    
    

        

            








        

    

    
    

        

            








        

    

    
    

        

            








        

    

    
    

        

            








        

    

    
    

        

            









    

        
        
        
        
        
        
        
    

    

        khadij-al-kubra:

tooiconic:

fuckyeahyonicsymbols:

dorkilybeautiful:

blackmoonbabe:

brain-confetti:

nightvalemeteorologist:

suctioning:

Why

She had a dream and she realized it.


Hey wait but sit down
This is Megumi Igarashi


She’s a Japanese artist
Japan, the country with some of the most fucked up pornography and the penis festival
Where the vagina is basically illegal to talk about 
So she did a bunch of art featuring 3D sculptures of her vagina, including this kayak, and was put in jail for it
She was indicted again in December on obscenity charges for selling vagina art to crowdfund for the kayak and could spend two years in prison
In Japan, women’s vaginas are treated as though they are men’s property. The trains here usually display pornographic advertisements. As a woman, I find that blatant objectification to be humiliating. I’m disgusted by it. My body belongs to me.So, with this project I wanted to release the vagina from the standard Japanese paradigm. Japan is lenient towards expressions of male sexuality and arousal, but not so for women. When a woman uses her body in artistic expression, her work gets ignored, and people treat her as if she’s some sex-crazed idiot. It all comes back to misogyny. And the vagina is at the heart of it.The vagina is ridiculed. It’s lusted after. Men don’t see women as equals—to them, women are just vaginas. Then they call my vagina-themed work “obscene,” and judge me according to laws written by and for men. [x]
She plans to turn her trial in to a manga comic. She seems pretty sure she’s not going to do any jail time but if you’d like to help her pay for her inevitable fine and court fees, you can check out her online store. There are little glow in the dark vagina characters.

Wow I’ve seen this reblogged a ton of times without seeing the whole going to jail part. 

Here’s a recent article about her from July of 2017.  It looks like she did some brief time in jail, and is currently still working on this artistic effort, as well as trying to raise awareness about a new terrorism law and the jail/prison system in Japan. 


Reblogging again for the updates!


I went from “wow why” to “YES GIRL” in 2 min.

Viva la vulva: khadij-al-kubra:

tooiconic:

fuckyeahyonicsymbols:

dorkilybeautiful:

blackmoonbabe:

brain-confetti:

nightvalemeteorologist:

suctioning:

Why

She had a dream and she realized it.


Hey wait but sit down
This is Megumi Igarashi


She’s a Japanese artist
Japan, the country with some of the most fucked up pornography and the penis festival
Where the vagina is basically illegal to talk about 
So she did a bunch of art featuring 3D sculptures of her vagina, including this kayak, and was put in jail for it
She was indicted again in December on obscenity charges for selling vagina art to crowdfund for the kayak and could spend two years in prison
In Japan, women’s vaginas are treated as though they are men’s property. The trains here usually display pornographic advertisements. As a woman, I find that blatant objectification to be humiliating. I’m disgusted by it. My body belongs to me.So, with this project I wanted to release the vagina from the standard Japanese paradigm. Japan is lenient towards expressions of male sexuality and arousal, but not so for women. When a woman uses her body in artistic expression, her work gets ignored, and people treat her as if she’s some sex-crazed idiot. It all comes back to misogyny. And the vagina is at the heart of it.The vagina is ridiculed. It’s lusted after. Men don’t see women as equals—to them, women are just vaginas. Then they call my vagina-themed work “obscene,” and judge me according to laws written by and for men. [x]
She plans to turn her trial in to a manga comic. She seems pretty sure she’s not going to do any jail time but if you’d like to help her pay for her inevitable fine and court fees, you can check out her online store. There are little glow in the dark vagina characters.

Wow I’ve seen this reblogged a ton of times without seeing the whole going to jail part. 

Here’s a recent article about her from July of 2017.  It looks like she did some brief time in jail, and is currently still working on this artistic effort, as well as trying to raise awareness about a new terrorism law and the jail/prison system in Japan. 


Reblogging again for the updates!


I went from “wow why” to “YES GIRL” in 2 min.

Viva la vulva
        

            
            

                
                
                    khadij-al-kubra:

tooiconic:

fuckyeahyonicsymbols:

dorkilybeautiful:

blackmoonbabe:

brain-confetti:

nightvalemeteorologist:

suctioning:

Why

She had a dream and she realized it.


Hey wait but sit down
This is Megumi Igarashi


She’s a Japanese artist
Japan, the country with some of the most fucked up pornography and the penis festival
Where the vagina is basically illegal to talk about 
So she did a bunch of art featuring 3D sculptures of her vagina, including this kayak, and was put in jail for it
She was indicted again in December on obscenity charges for selling vagina art to crowdfund for the kayak and could spend two years in prison
In Japan, women’s vaginas are treated as though they are men’s property. The trains here usually display pornographic advertisements. As a woman, I find that blatant objectification to be humiliating. I’m disgusted by it. My body belongs to me.So, with this project I wanted to release the vagina from the standard Japanese paradigm. Japan is lenient towards expressions of male sexuality and arousal, but not so for women. When a woman uses her body in artistic expression, her work gets ignored, and people treat her as if she’s some sex-crazed idiot. It all comes back to misogyny. And the vagina is at the heart of it.The vagina is ridiculed. It’s lusted after. Men don’t see women as equals—to them, women are just vaginas. Then they call my vagina-themed work “obscene,” and judge me according to laws written by and for men. [x]
She plans to turn her trial in to a manga comic. She seems pretty sure she’s not going to do any jail time but if you’d like to help her pay for her inevitable fine and court fees, you can check out her online store. There are little glow in the dark vagina characters.

Wow I’ve seen this reblogged a ton of times without seeing the whole going to jail part. 

Here’s a recent article about her from July of 2017.  It looks like she did some brief time in jail, and is currently still working on this artistic effort, as well as trying to raise awareness about a new terrorism law and the jail/prison system in Japan. 


Reblogging again for the updates!


I went from “wow why” to “YES GIRL” in 2 min.

Viva la vulva: khadij-al-kubra:

tooiconic:

fuckyeahyonicsymbols:

dorkilybeautiful:

blackmoonbabe:

brain-confetti:

nightvalemeteorologist:

suctioning:

Why

She had a dream and she realized it.


Hey wait but sit down
This is Megumi Igarashi


She’s a Japanese artist
Japan, the country with some of the most fucked up pornography and the penis festival
Where the vagina is basically illegal to talk about 
So she did a bunch of art featuring 3D sculptures of her vagina, including this kayak, and was put in jail for it
She was indicted again in December on obscenity charges for selling vagina art to crowdfund for the kayak and could spend two years in prison
In Japan, women’s vaginas are treated as though they are men’s property. The trains here usually display pornographic advertisements. As a woman, I find that blatant objectification to be humiliating. I’m disgusted by it. My body belongs to me.So, with this project I wanted to release the vagina from the standard Japanese paradigm. Japan is lenient towards expressions of male sexuality and arousal, but not so for women. When a woman uses her body in artistic expression, her work gets ignored, and people treat her as if she’s some sex-crazed idiot. It all comes back to misogyny. And the vagina is at the heart of it.The vagina is ridiculed. It’s lusted after. Men don’t see women as equals—to them, women are just vaginas. Then they call my vagina-themed work “obscene,” and judge me according to laws written by and for men. [x]
She plans to turn her trial in to a manga comic. She seems pretty sure she’s not going to do any jail time but if you’d like to help her pay for her inevitable fine and court fees, you can check out her online store. There are little glow in the dark vagina characters.

Wow I’ve seen this reblogged a ton of times without seeing the whole going to jail part. 

Here’s a recent article about her from July of 2017.  It looks like she did some brief time in jail, and is currently still working on this artistic effort, as well as trying to raise awareness about a new terrorism law and the jail/prison system in Japan. 


Reblogging again for the updates!


I went from “wow why” to “YES GIRL” in 2 min.

Viva la vulva
                    
                
            

            
            
        

    

    

        
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        pictoline:

Suenan a broma, pero no: algunas noticias del 2019 que parecieron del Día de los Inocentes pero fueron reales 🤷‍♀️🤷‍♂️: PARECE
 BROMA,
 PERO NO
 IEGG-CELENTE!
 00
 2. EN LA ÚLTIMA CONFERENCIA
 DE LA ONU SOBRE CAMBIO
 CLIMĂTICO, SOLO HABÍA
 UN LUGAR DE
 COMIDA VEGANA.
 Noticias del 2019
 que parecieron del
 Día de los Inocentes,
 pero fueron reales:
 + 54 millones
 1. LA FOTO DE UN HUEVO
 SE CONVIRȚIÓ EN EL
 POST CON MÁS LIKES EN
 INSTAGRAM DE LÀ HISTORIA.
 4. EN TAN SOLO
 DÍAS, NOTRE
 DAME RECAUDÓ
 MUUUCHO MÁS $$S
 QUE LA AMAZONIA.
 6. EL MAYOR
 IMPRESOR PRIVADO
 A 3. SE REVELÓ QUE VLADIMIR PUTIN TODAVÍA
 USA WINDOWS XP, UN SISTEMA OPERATIVO
 OBSOLETO Y CON UN ALTO RIESGO DE SER HACKEADO.
 DE DINERO EN EL MUNDO
 SE ESTĂ QUEDANDO SIN
 DINERO, YA QUE ALGUNOS
 PAÍSES NO LE HAN PAGADO.
 5. LA NASA INVESTIGA EL PRIMER
 DELITO EN EL ESPACIO. SE ACUSA
 A UNA DE SUS ASTRONAUTAS
 DE USAR LA CUENTA DE
 BANCO DE SU EXESPOSA,
 SIN SU PERMISO, DESDE
 LA ESTACIÓN ESPACIAL.
 ¿YA
 DEPOSITARON?
 ****
 FUENTES:
 "There's Only One Vegan Food Truck at Save-the-Planet Talks" Bloomberg.
 "Vladimir Putin 'still uses obsolete Windows XP' despite hacking risk" The Gpardian.
 "A photo of an egg is the most-liked post on Instagram, beating record held by Kylie Jenner" CBS News.
 "Incendios en el Amazonas: ¿alcanzan los US$22 millones ofrecidos por los países ricos para combatir el fuego?" BBC.
 "NASA reportedly investigating first allegation of crime committed in spacef CBS News.
 "World's largest printer of money is running out of money" NBC News.
 PICTOLINE
pictoline:

Suenan a broma, pero no: algunas noticias del 2019 que parecieron del Día de los Inocentes pero fueron reales 🤷‍♀️🤷‍♂️
        

            
            

                
                
                    pictoline:

Suenan a broma, pero no: algunas noticias del 2019 que parecieron del Día de los Inocentes pero fueron reales 🤷‍♀️🤷‍♂️: PARECE
 BROMA,
 PERO NO
 IEGG-CELENTE!
 00
 2. EN LA ÚLTIMA CONFERENCIA
 DE LA ONU SOBRE CAMBIO
 CLIMĂTICO, SOLO HABÍA
 UN LUGAR DE
 COMIDA VEGANA.
 Noticias del 2019
 que parecieron del
 Día de los Inocentes,
 pero fueron reales:
 + 54 millones
 1. LA FOTO DE UN HUEVO
 SE CONVIRȚIÓ EN EL
 POST CON MÁS LIKES EN
 INSTAGRAM DE LÀ HISTORIA.
 4. EN TAN SOLO
 DÍAS, NOTRE
 DAME RECAUDÓ
 MUUUCHO MÁS $$S
 QUE LA AMAZONIA.
 6. EL MAYOR
 IMPRESOR PRIVADO
 A 3. SE REVELÓ QUE VLADIMIR PUTIN TODAVÍA
 USA WINDOWS XP, UN SISTEMA OPERATIVO
 OBSOLETO Y CON UN ALTO RIESGO DE SER HACKEADO.
 DE DINERO EN EL MUNDO
 SE ESTĂ QUEDANDO SIN
 DINERO, YA QUE ALGUNOS
 PAÍSES NO LE HAN PAGADO.
 5. LA NASA INVESTIGA EL PRIMER
 DELITO EN EL ESPACIO. SE ACUSA
 A UNA DE SUS ASTRONAUTAS
 DE USAR LA CUENTA DE
 BANCO DE SU EXESPOSA,
 SIN SU PERMISO, DESDE
 LA ESTACIÓN ESPACIAL.
 ¿YA
 DEPOSITARON?
 ****
 FUENTES:
 "There's Only One Vegan Food Truck at Save-the-Planet Talks" Bloomberg.
 "Vladimir Putin 'still uses obsolete Windows XP' despite hacking risk" The Gpardian.
 "A photo of an egg is the most-liked post on Instagram, beating record held by Kylie Jenner" CBS News.
 "Incendios en el Amazonas: ¿alcanzan los US$22 millones ofrecidos por los países ricos para combatir el fuego?" BBC.
 "NASA reportedly investigating first allegation of crime committed in spacef CBS News.
 "World's largest printer of money is running out of money" NBC News.
 PICTOLINE
pictoline:

Suenan a broma, pero no: algunas noticias del 2019 que parecieron del Día de los Inocentes pero fueron reales 🤷‍♀️🤷‍♂️
                    
                
            

            
                
                
pictoline:

Suenan a broma, pero no: algunas noticias del 2019 que parecieron del Día de los Inocentes pero fueron reales 🤷‍♀️🤷‍♂️

                
            
            
        

    

    

        
Save

    



        

    

    
    

        

            








        

    

    
    

        

            








        

    

    
    

        

            








        

    

    
    

        

            








        

    

    
    

        

            








        

    

    
    

        

            








        

    

    
    

        

            








        

    

    
    

        

            








        

    

    
    

        

            








        

    

    


    
	

        
	

    




                    

                

                

                    




    

        
        

            
            

              
            

        

        
        
        

            

            
            
                
                    
                        

                            

                                
                            

                            
                            

                                
                                    Reby Hardy Uses Nancy Pelosi Meme to Reference Matt Hardy's Ideas Not Being Taken By WWE
                                
                            

                            
                        

                    
                
            
                
                    
                        

                            

                                
                            

                            
                            

                                
                                    Ukrainian textbook uses Keanu Reeves meme instead of historical photo
                                
                            

                            
                        

                    
                
            
                
                    
                        

                            

                                
                            

                            
                            

                                
                                    Opinion: Why 'Gen Z' uses memes to cope with threats of war